Academic literature on the topic 'Teaching of the recorder flute'

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Journal articles on the topic "Teaching of the recorder flute"

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Senol, Ajda. "Flute and Recorder in Art." Procedia - Social and Behavioral Sciences 51 (2012): 589–94. http://dx.doi.org/10.1016/j.sbspro.2012.08.210.

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Lasocki, David. "Vivaldi's Music for Flute and Recorder (review)." Notes 64, no. 3 (2008): 496–98. http://dx.doi.org/10.1353/not.2008.0010.

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Bowers, Jane. ""Vivaldi's Music for Flute and Recorder" by Federico Sardelli." Performance Practice Review 13, no. 1 (2008): 1–8. http://dx.doi.org/10.5642/perfpr.200813.01.09.

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Wentz, Jed. "Vivaldi's Music for Flute and Recorder - By Federico Maria Sardelli." Journal for Eighteenth-Century Studies 33, no. 3 (2010): 410–11. http://dx.doi.org/10.1111/j.1754-0208.2008.00150.x.

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Sakin, Ajda Senol. "Use of Extended Flute Techniques in Flute Education in Turkey." Higher Education Studies 8, no. 1 (2017): 1. http://dx.doi.org/10.5539/hes.v8n1p1.

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Extended flute techniques, which are frequently found in contemporary flute literature, carry the flute to a different dimension, pushing the boundaries of composers and performers. Although the number of pieces containing these techniques in the world has increased rapidly, along with Turkish flute repertoire, written Turkish sources about extended flute techniques are limited to theses and articles. In this research, the use of extended flute techniques in flute education programmes in Turkey was investigated. A survey method was used in the research, and 20 teaching staff members participat
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Gençel Ataman, Özge. "THE POLYPHONY TECHNIQUES IN FLUTE TEACHING." e-Journal of New World Sciences Academy 11, no. 2 (2016): 54–65. http://dx.doi.org/10.12739/nwsa.2016.11.2.d0173.

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Ryder, Cynthia Whalen. "Recorder Teaching: A Classroom Approach." Music Educators Journal 75, no. 5 (1989): 12–15. http://dx.doi.org/10.2307/3398085.

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Brooks, Richard, Paul Carr, James Collorafi, et al. "Concertino; For Descant Recorder or Flute or Oboe, and Strings. Piano Reduction." Notes 45, no. 1 (1988): 153. http://dx.doi.org/10.2307/941409.

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Rowland-Jones, A. "Joye for recorder and flute consorts: Musicque de Joye: Proceedings of the international symposium on the Renaissance flute and recorder consort, Utrecht 2003, ed. David Lasocki (Utrecht: Stimu, 2005), 40." Early Music 34, no. 2 (2006): 293–96. http://dx.doi.org/10.1093/em/cal007.

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Gilpatrick, Elizabeth. "A Movement Approach to Teaching Beginning Recorder." General Music Today 9, no. 3 (1996): 11–14. http://dx.doi.org/10.1177/104837139600900305.

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Dissertations / Theses on the topic "Teaching of the recorder flute"

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Weichselbaum, Anete Susana. "Flauta doce em curso de Licenciatura em Música : entre as demandas da prática musical e das propostas pedagógicas do instrumento voltadas ao ensino básico." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/71789.

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A presente investigação aborda os conhecimentos e habilidades músico-instrumentais e pedagógico-musicais desenvolvidos por licenciandos na disciplina “Flauta Doce no Contexto Escolar”. Tal disciplina é ofertada por uma instituição de ensino superior no segundo semestre do curso de Licenciatura em Música. A pesquisa tem como objetivo geral compreender os modos como os estudantes adquirem, utilizam e sistematizam seus conhecimentos e habilidades músico-instrumentais e pedagógico-musicais e quais desses conhecimentos e habilidades eles valorizam e selecionam, a fim de atender, tanto a demanda ped
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Cornsweet, Amy 1956. "Handel's use of flute and recorder in opera and oratorio." Thesis, The University of Arizona, 1990. http://hdl.handle.net/10150/291499.

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Handel uses flutes or recorders in 125 pieces in his operas and oratorios. Flutes appear most frequently in the keys of E minor and B minor, and the relative major keys of G major and D major, and recorders in the keys of F major, B♭ major, and the relative minor keys of D minor and G minor. Other keys are used primarily for special reasons, especially those related to the affections. Most pieces including flutes or recorders are pastoral songs, lovesongs, and laments. Flutes and recorders double other musical lines more than 50 percent of the times they appear in the operas, and in the o
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Molumby, Nicole L. "The application of different teaching strategies reflective of individual students' learning modalities in the university flute studio class." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1086122579.

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Thesis (D.M.A.)--Ohio State University, 2004.<br>Title from first page of PDF file. Document formatted into pages; contains xiii, 194 p.; also includes graphics (some col.), music Includes bibliographical references (p. 143-148). Available online via OhioLINK's ETD Center
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Buse, Caren. "For the flute : published songs and the amateur recorder player in London in the late seventeenth and early eighteenth centuries." Thesis, Bangor University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251164.

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Pietersen, Inge Kim. "A structured teaching approach to extended flute techniques at pre-tertiary level." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/11717.

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Includes abstract.<br>Includes bibliographical references (p. 204-206).<br>This research explores extended flute techniques and arrives at a suggested structured teaching approach to these techniques at pre-tertiary level. The views of extended flute technique specialists have been collected to help set up lesson plans and resource lists for the contemporary teacher.
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Wootton, Joan Elizabeth. "Teaching braille music notation to blind learners using the recorder as an instrument." Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/50461.

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Thesis (PhD) -- University of Stellenbosch, 2005.<br>ENGLISH ABSTRACT: The researcher encountered the following problems while teaching braille IWSic notation to blind learners at the Pioneer School in Worcester: • Young learners learning to read braille IWSic notation with the piano as mediwn appeared to struggle technically. For example, blind children experienced difficulty finding the correct keys over seven octaves; they had generally weak posture; they had to learn to play one part with one hand while the other hand would read; they had to memorise the music for each clef individua
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Molumby, Nicole Lena. "The application of different teaching strategies reflective of individiual students' learning modalities in the university flute studio class." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1086122579.

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MCDONALD, JUNE CLARKSON. "THE APPLICATION OF EDWIN GORDON'S EMPIRICAL MODEL OF LEARNING SEQUENCE TO TEACHING THE RECORDER." Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184116.

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A study was conducted with third-grade children in a university laboratory school to determine the relative effectiveness of a method for teaching recorder in which the sequential objectives are logically ordered by Edwin Gordon's empirical model of learning sequence and a traditional method which stresses note reading. The criteria used for comparison were change in the level of developmental music aptitude and performance achievement on the recorder. A review of the literature supported Edwin Gordon's theory of developmental music aptitude which proposes that until about age nine, environmen
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Meador, Rebecca Rae. "A History of Extended Flute Techniques and an Examination of Their Potential as a Teaching Tool." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin991163381.

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Fitch, Fabrice. "Filigranes pour les Frères Limbourg." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60025.

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The paper details and discusses the compositional issues and techniques employed in the candidate's M.Mus. Thesis Composition Filigranes pour les Freres Limbourg. The piece takes its title and inspiration from the work of the fourteenth-century master-illuminators and also makes reference to music of the same period, while at the same time being grounded in a post-serial aesthetic. The composition's relationship to these models and the specific compositional processes derived from the resulting fusion of certain aspects of mediaeval music (including modality and numerology) with serial techniq
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Books on the topic "Teaching of the recorder flute"

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Kurpan, Vincent E. Making the recorder flute. Vincent Kurpan, 1998.

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Walton, Simon. Flute, recorder, and other woodwind instruments. Gloucester Press, 1993.

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Walton, Simon. Playing the flute, recorder, and other woodwind. Stargazer Books, 2004.

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Hall, Margo. Teaching kids recorder. M. Hall, 2003.

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Biddington, Eric. Sonatina for treble recorder (or flute) and piano. Eric Biddigton, 2003.

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Winter, Marilyn. Recorder EdVentures: Teaching recorder in the classroom. M. Winter, 1999.

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Razzamajazz: Recorder book. Longman, 1988.

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Media, London College of Music and. Woodwind diploma syllabus: Recorder, flute, oboe, clarinet, saxophone, bassoon. 2nd ed. LCM, 2001.

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Schickele, Peter. Music for Mary: For flute (or alto recorder) and piano. Elkan-Vogel, 1990.

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Chapman, Mim. Recorder teaching: A classroom approach. Peg Hoenack's MusicWorks, 1987.

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Book chapters on the topic "Teaching of the recorder flute"

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Colwell, Richard J., Michael P. Hewitt, and Mark Fonder. "The Flute." In The Teaching of Instrumental Music. Routledge, 2017. http://dx.doi.org/10.4324/9781315619033-16.

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"Vivaldi’s Flute Concertos." In Vivaldi’s Music for Flute and Recorder. Routledge, 2017. http://dx.doi.org/10.4324/9781315084169-9.

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"Vivaldi’s Recorder Concertos." In Vivaldi’s Music for Flute and Recorder. Routledge, 2017. http://dx.doi.org/10.4324/9781315084169-10.

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"Vivaldi’s Sonatas for Recorder and Flute." In Vivaldi’s Music for Flute and Recorder. Routledge, 2017. http://dx.doi.org/10.4324/9781315084169-7.

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Blakeman, Edward. "Teaching the Flute." In Taffanel. Oxford University Press, 2005. http://dx.doi.org/10.1093/acprof:oso/9780195170993.003.0012.

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"The Flute." In The Teaching of Instrumental Music. Routledge, 2015. http://dx.doi.org/10.4324/9781315665016-17.

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"Vivaldi’s Chamber Concertos with Recorder or Flute." In Vivaldi’s Music for Flute and Recorder. Routledge, 2017. http://dx.doi.org/10.4324/9781315084169-8.

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"The Emancipation of the Recorder and Flute." In Vivaldi’s Music for Flute and Recorder. Routledge, 2017. http://dx.doi.org/10.4324/9781315084169-1.

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"Vivaldi’s Concertos for Flautino." In Vivaldi’s Music for Flute and Recorder. Routledge, 2017. http://dx.doi.org/10.4324/9781315084169-11.

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"The Concertos with Multiple Soloists and Orchestra." In Vivaldi’s Music for Flute and Recorder. Routledge, 2017. http://dx.doi.org/10.4324/9781315084169-13.

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Conference papers on the topic "Teaching of the recorder flute"

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Cheng, Qian. "Research on the Teaching Problems for Flute Performance Techniques." In 2016 2nd International Conference on Education Technology, Management and Humanities Science. Atlantis Press, 2016. http://dx.doi.org/10.2991/etmhs-16.2016.82.

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Solis, J., M. Bergamasco, K. Chida, S. Isoda, and A. Takanishi. "The anthropomorphic flutist robot WF-4 teaching flute playing to beginner students." In IEEE International Conference on Robotics and Automation, 2004. Proceedings. ICRA '04. 2004. IEEE, 2004. http://dx.doi.org/10.1109/robot.2004.1307143.

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Srivastava, R. P. "Teaching digital logic design using a tape recorder simulator." In the 1990 ACM SIGSMALL/PC symposium. ACM Press, 1990. http://dx.doi.org/10.1145/99412.99446.

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Widodo, Tri Wahyu, Andre Indrawan, and Suryati. "The Role of MIDI Technology in the Teaching and Learning Process of Flute Practice at ISI Yogyakarta." In 1st International Conference on Interdisciplinary Arts and Humanities. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008766104280434.

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Tsai, Ming-June, Jai-Hong Chao, and Tzu-Wei Yang. "Construction of a General Motion Editing System for Human Body and Humanoid Robots." In ASME 2014 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/detc2014-34118.

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In this paper, a general body motion editing system for 3D body motion is constructed. The input of the system accepts any human-like structure according to a specified file designation. The body models are imported using STL format. The user-interface is designed for intuitive 3D manipulation just as operating a video recorder. The software system includes three main functions: motion editing, interpolation, and replication. There are three teaching modes available in world coordinate, local coordinate, and joint coordinate. For editing or retouching existing motions, users can easily choose
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Evrim Tunca, Ozan. "Using Distant Learning Platform for Musical Instrument Instructor Training." In 2nd International Conference on Advanced Research in Education. Acavent, 2019. http://dx.doi.org/10.33422/2nd.educationconf.2019.11.797.

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The purpose of this study is to examine the productivity of distant instructor training program for musical instrument education. Music education, especially on playing musical instruments, has been one of the major topics of general education. Today, formal musical instrument education is available in conservatories and music departments of fine arts and education colleges, and informal or non-formal musical instrument education is available in private music schools and courses in Turkey. Recorder or melodica is taught in public schools as part of the general music education. There are number
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