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Thematische Bibliographien / Heroic fantasy / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Heroic fantasy“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2024

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1

Valkenburg, Patti M., Marcel W. Vooijs, Tom H. A. van der Voort, and Oene Wiegman. "The Influence of Television on Children's Fantasy Styles: A Secondary Analysis." Imagination, Cognition and Personality 12, no. 1 (September 1992): 55–67. http://dx.doi.org/10.2190/99qn-1ecb-g7f0-je6e.

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In a secondary analysis applied to longitudinal data obtained from a panel survey, the authors established how violent and nonviolent television program types were related to three fantasy styles: a positive-intense, aggressive-heroic, and a dysphoric fantasy style. A sample of Dutch children ( N = 354) was surveyed when they were in Grades 2 and 4, and resurveyed two years later. Results indicated that children's fantasy styles in Year 1 did not affect their television viewing in Year 3. However, children's viewing frequency in Year 1 did influence their fantasy styles in Year 3. The longitud

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Johnsen, Christian Garmann, and Bent Meier Sørensen. "Traversing the fantasy of the heroic entrepreneur." International Journal of Entrepreneurial Behavior & Research 23, no. 2 (March 13, 2017): 228–44. http://dx.doi.org/10.1108/ijebr-01-2016-0032.

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Purpose While considerable critical energy has been devoted to unmasking the figure of the heroic entrepreneur, the idea that entrepreneurs are unique individuals with special abilities continues to be widespread in scholarly research, social media and popular culture. The purpose of this paper is to traverse the fantasy of the heroic entrepreneur by offering a reading of Richard Branson’s autobiography, Losing My Virginity. Design/methodology/approach The theoretical approach of this paper is informed by Slavoj Žižek’s concept of fantasy and his critical analytical strategy of “traversing the

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Dr. Abdul Shakoor and Muhammad Tahir. "Elements of Fantasy in Arabic Literature after the Emergence of Islam: A Brief Review." Dareecha-e-Tahqeeq 3, no. 3 (January 16, 2023): 235–45. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i3.68.

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Fantasy is an imaginative, unrealistic component of a story or tale which appears unusual and strange. It comprise of unbelievable actions and events. Its basic types are fable, epic, super heroic, chronological, romantic, scientific, fabulous, planetary fantasy, extra planetary, magical, adulthood, narcissist and idealist fantasies. The subject article is a discussion of literary importance of all types of fantasies in Arabic literature after the advent of Islam.

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Vooijs, Marcel W., Johannes W. J. Beentjes, and Tom H. A. van der Voort. "Dimensional Structure of the Imaginal Processes Inventory for Children (IPI-C)." Imagination, Cognition and Personality 12, no. 1 (September 1992): 45–53. http://dx.doi.org/10.2190/wwrx-j2d1-84pe-ddkg.

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The dimensional structure of Dutch versions of the Imaginal Processes Inventory for Children (IPI-C) was investigated with children in Grades 3–6. According to Study 1, the reliabilities of the nine subscales distinguished within the American instrument were not satisfactory. A principal components analysis (PCA) performed on the subscales resulted in three factors that paralleled the three fantasy styles found previously in a similar analysis of the American IPI-C. However, two of the three factors found were defined by subscales that had a number of items in common. When these shared items w

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Ivanova, Elizaveta A. "Transformation of the Concept ‘Hero’ in Joe Abercrombie’s Works." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 20, no. 4 (November 25, 2020): 478–82. http://dx.doi.org/10.18500/1817-7115-2020-20-4-478-482.

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Based on myths, epic, romance and adventure literature, classical fantasy books often depicted their heroes as warriors physically fighting evil. Nowadays the British writer Joe Abercrombie, whose works belong to the so-called grimdarkfantasy, depicts wars questioning the value of violent heroic deeds and the concept of a ‘hero’ itself.

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Veglahn, Nancy. "Images of Evil: Male and Female Monsters in Heroic Fantasy." Children's Literature 15, no. 1 (1987): 106–19. http://dx.doi.org/10.1353/chl.0.0366.

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Ivanova, Natalia, and Olga Ryzhchenko. "META-GENRE OF FANTASY IN THE CONTEXT OF MODERN SCIENCE." RESEARCH TRENDS IN MODERN LINGUISTICS AND LITERATURE 2 (November 7, 2019): 23–37. http://dx.doi.org/10.29038/2617-6696-2019.2.23.37.

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The article deals with the problem of interpreting the phenomenon of fantasy in modern science. Fantasy has spawned many discussions related to the definition of its sources and genre nature, the relationship with the myth-folklore tradition, the problems of classification, the specifics of extra-literary functions and many others. We consider fantasy to be one of the branches of speculative fiction, which naturally formed into an independent industry in the second half of the twentieth century. Initially having appeared as a genre, fantasy subsequently has outgrown this category. Today we can

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John, Judith Gero. "A Necessary Fantasy?: The Heroic Figure in Children's Popular Culture (review)." Lion and the Unicorn 27, no. 2 (2003): 286–88. http://dx.doi.org/10.1353/uni.2003.0017.

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Hughes, A. J., Bo Almqvist, Séamas Ó. Catháin, and Pádraig Ó. hÉalaí. "The Heroic Process: The Form, Function & Fantasy in Folk Epic." Seanchas Ardmhacha: Journal of the Armagh Diocesan Historical Society 13, no. 2 (1989): 332. http://dx.doi.org/10.2307/29742415.

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Abasheva, Marina P. "Slavic fantasy yesterday and today." Philological Sciences. Scientific Essays of Higher Education, no. 2 (March 2021): 39–46. http://dx.doi.org/10.20339/phs.2-21.039.

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The article is devoted to the study of the evolution and transformation of the Slavic fantasy genre on Russian soil: from its inception in the 1990s to the present day. Fantasy on the material of the events of the time of the pro-Slavic unity in Russia gained popularity and special significance. They solved the compensatory tasks of re-identification for the mass consciousness: with the collapse of the Soviet empire, the post-Soviet man needed a positive identity, which manifested itself in turning to the “great past” in predominantly heroic images. The subsequent historization and contextuali

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HUNT, ANDREW D. "Overtreatment of Neonates." Pediatrics 91, no. 1 (January 1, 1993): 170. http://dx.doi.org/10.1542/peds.91.1.170.

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To the Editor.— Dr Silverman's elegant paper raises questions that have resisted resolution and have serious implications for practice and political involvement of pediatrics in the United States. Regarding ethics in the neonatal intensive care unit (NICU) he mentions the ". . . fulfillment of an eager team's dream of rescue bring(ing) about the real-life enactment of a family's worst nightmare . . ." Brody1 recently has developed the concept of the "Rescue Fantasy" undergirding many of medicine's heroic ministrations.

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Markova, Tatyana N. "Fantasy in the Russian-Language Segment of Literature of Kazakhstan." Вестник Пермского университета. Российская и зарубежная филология 14, no. 3 (2022): 106–12. http://dx.doi.org/10.17072/2073-6681-2022-3-106-112.

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The turn of the 20th–21st centuries is characterized by highly intensive processes of national self-identification. An important role in this process is played by fantasy as a popular genre of popular literature. The study of Kazakh fantasy is of academic interest due to its popularity with readers, the dynamic transformation of the genre structure. The article demonstrates a wide genre spectrum of Kazakh fantasy books and their authors. In the novel Resurrecting Legends Timur Yermashev turns to the heroic page in the history of the Kazakhs – the Orbulak battle of the 17th century. Ilyaz Nurga

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Honegger, Thomas. "(Heroic) Fantasy and the Middle Ages – Strange Bedfellows or an Ideal Cast?" Itinéraires, no. 2010-3 (November 1, 2010): 61–71. http://dx.doi.org/10.4000/itineraires.1817.

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Pallone, Nathaniel J., and James J. Hennessy. "Counterfeit courage: Toward a process psychology paradigm for the “Heroic rescue fantasy”." Current Psychology 17, no. 2-3 (June 1998): 197–209. http://dx.doi.org/10.1007/s12144-998-1006-7.

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Walsh, Richard Gregg. "The Hollywood Gospel and its Scholars." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 4, no. 1 (June 5, 2010): 95–111. http://dx.doi.org/10.1558/post.v4i1.95.

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Stigmata, a 1999 film, dramatizes the recovery of a lost Jesus gospel by placing it within the story of the possession of an atheist beautician, who is also a stigmatic. The discovery of the reason for her possession and her exorcism leads ultimately to the publication of the lost, now found gospel. Stigmata cadges selections from the Gospel of Thomas together to create this gospel, which is a version of the Hollywood gospel hallowing the heroic individual above all things and empowering the fantasy of the subjective, expressive individual. This Hollywood gospel—unlike the Gospel of Thomas—is

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Abdul Aziz, Sohaimi, and Rohaya Md Ali. "Adaptation of Hikayat Hang Tuah in Children's Literature." Malay Literature 25, no. 2 (December 8, 2012): 261–85. http://dx.doi.org/10.37052/ml.25(2)no6.

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Hang Tuah is a character in the epic Hikayat Hang Tuah which has become the pride of Malay Literature. The epic, and especially the protagonist of the epic, Hang Tuah, have been much discussed. This is also the case where children’s literature is concerned, as the Hikayat Hang Tuah has attracted the attention of Malaysian authors to produce adaptations of stories from this epic. The stories linked to the character of Hang Tuah contain many elements of fantasy which makes them suitable for adaptation as children’s literature. Establishing what types of adaptations have been made of these storie

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Kumar, Alok, and Minakshi Hooda. "WOMEN FIGURES IN FANTASY ART." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (March 16, 2022): 100–107. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.72.

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People say that “Never judge a book by its cover,” but the cover of the book invites us towards it. I remember, during my college years, of going to a bookstore, named” IDEA” in New Delhi, and buying an expensive book named “ENCHANTMENT” stories by Doris Vallejo, Illustrated by Boris Vallejo. The thing, that attracted me, was cover of the book. At that point of time, I was not prepared for reading stories, but I bought this book because of its illustrations, which enchanted me.In Fantasy Art, we see a visual world and feel a World of Imagination which is a representation of reality. In Fantasy

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Calkowski, Marcia S. "Is There Authoritative Voice in Ewok Talk?: On Postmodernism, Fieldwork, and the Recovery of Unintended Meanings." Culture 11, no. 1-2 (December 15, 2021): 53–63. http://dx.doi.org/10.7202/1084474ar.

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Postmodernism emphasizes perspectivism, celebrates indeterminacy, and abjures the authoritative voice. Understanding is to be gained dialogically and achieved through participation and performance, activities often synonymous with anthropological fieldwork. However, fieldwork entails the recovery of unintended as well as intended meanings which are, in turn, invariably situated in a hermeneutical hierarchy. This paper points up the inevitability of constructing such a hierarchy by addressing the problem of voice and meaning in the electronically mediated communication that is Ewok speech. Ewok

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Hoofd, Ingrid M. "The Migrant Metaphor Within Radical Italian Thought." Cultural Studies Review 11, no. 2 (October 25, 2013): 129–46. http://dx.doi.org/10.5130/csr.v11i2.3663.

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NoBorder activisms and Italian philosophies are highly complicit in the ongoing fortification of the EU and the West, and of the West’s subsequent global hegemonic spread through Eurocentric discourses and technologies. I will show that many radical Italian writings, through a metaphorisation of the ‘migrant’ or ‘refugee’, supplement the alter-globalisation movement in effectively reproducing the Eurocentric fantasy of the Enlightenment subject as the ultimate centre for social change, just as much as those despised EU policies do. I will do so by pointing out that this migrant metaphor functi

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Utter, Benjamin D. "“Accessories included”: Armed Christians and the mythos of heroic violence." Review & Expositor 117, no. 3 (August 2020): 358–72. http://dx.doi.org/10.1177/0034637320954451.

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The myth of the “good guy with a gun” is a seductive one for Americans, who cite self-defense as the foremost reason for gun ownership, and Pew data show that white, self-identified evangelicals are more likely than members of other faith groups or the average citizen to own and carry a gun. This fantasy of the individual hero’s efficacy is enticing but, I argue, incoherent. Through comparison of past and present Southern Baptist Convention resolutions on gun violence and a close reading of gun rights advocacy rhetoric, I show how biblical language and heroic biblical exemplars are exploited t

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Bednorz, Magdalena. "Heroine’s journey to love: Spatial rhetoric in romantic subplots in BioWare’s fantasy RPGs." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 29, no. 38 (June 15, 2021): 191–204. http://dx.doi.org/10.14746/i.2021.38.12.

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This article explores the potential of digital games to encode references encompassing specific cultural ideas of romantic love within their spatial structures, thus helping guide the player’s interpretation of romance as they interact with and move through those spaces. It undertakes an analysis of romantic subplots in BioWare’s fantasy role-playing games, specifically those which reappropriate the courtly love trope, and discusses elements of that remediation which rely heavily on spatial metaphors and structures, including the shared experience of heroic journey, the role of questing for th

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Callahan, Jamie L., and Carole Elliott. "Fantasy spaces and emotional derailment: Reflections on failure in academic activism." Organization 27, no. 3 (March 1, 2019): 506–14. http://dx.doi.org/10.1177/1350508419831925.

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Against a backdrop of contentious political landscapes of Brexit and the Trump victory, we reflect on our own experience of an attempt to engage in an activist event for academics that failed. We contend that our experiences of failure in this event, revealed by fantasy spaces and emotional derailment, serve as lessons for reinvigorating possibilities for academic activism. To provide background, we describe an event designed to form a policy as a collective response to the populism of Donald Trump. We then reflect on our role as critical scholars in this event that failed to meet our objectiv

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Albom, Sarah. "The Killing Roll: The Prevalence of Violence in Dungeons & Dragons." International Journal of Role-Playing, no. 11 (December 20, 2021): 6–24. http://dx.doi.org/10.33063/ijrp.vi11.281.

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This research project explores the prevalence of violence and its facilitation in the popular tabletop role-playing game (TTRPG) Dungeons & Dragons (D&D). Violence within the system’s 5th edition core rulebook, the Player’s Handbook (Wizards of the Coast 2014b), is analysed using textual analysis with insight from previous research on common violence motivators of heroism, hatred, and sensation-seeking curiosity. Overall, the study concludes that the D&D system facilitates playing violence, specifically through heroic motivation based on androcentric perceptions of chivalric fantas

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Luengo Gascón, Elvira. "Transmedialidad, multimodalidad, semiótica y "heroic fantasy" en la literatura infantil y juvenil de la era digital." Ondina - Ondine, no. 6 (September 7, 2021): 1–11. http://dx.doi.org/10.26754/ojs_ondina/ond.202165900.

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Luengo Gascón, Elvira. "Transmédialité, multimodalité, sémiotique et "heroic fantasy" dans la littérature d'enfance et de jeunesse à l'ère numérique." Ondina - Ondine, no. 6 (September 7, 2021): 12–22. http://dx.doi.org/10.26754/ojs_ondina/ond.202165907.

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Башкирова, Ольга. "LITERARY REFLECTION OF THE WAR IN THE WINNING WORKS OF THE CONTEST “HEROIC NATION CREATES HEROES” : GENRE AND STYLE FEATURES." Слово і Час, no. 1 (February 28, 2024): 39–55. http://dx.doi.org/10.33608/0236-1477.2024.01.39-55.

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The paper deals with the genre features and stylistic trends of short prose texts presented at the Open Patriotic Festival-Contest in Kyiv Borys Hrinchenko University (June 2022). The aim is to understand the artistic features of the works by young Ukrainian authors written after February 24, 2022. The dominance of short genres is determined by the fragmentation of the world picture and the awareness of the gap between the past and the present. At the same time, the paper pays due attention to the actualization of mythological thinking based on the understanding of the metaphysical nature of w

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Crane, Jonathan L., and Christine S. Davis. "Baby, Let Me Follow You Down." Qualitative Inquiry 22, no. 10 (September 21, 2016): 807–17. http://dx.doi.org/10.1177/1077800416667696.

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In this article, we examine the love–death dialectic through a mosaic of story and song. Layering personal narrative and musical chronicles about love, life, and death—from the heroic to the tedious, the passionate to the mundane, the tragic to the contented, the transgressive to the faithful, and fantasy to reality—we consider the marriage of love and loss in narratives where multiple instantiations of the truth mix and mingle. We use these disparate creations to evocatively dramatize the magnetic allure of endless, inexhaustible love in light of our inevitable extinction. The love impulse, s

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PRADO, SANDRA D., SILVIO R. DAHMEN, ANA L. C. BAZZAN, PADRAIG MAC CARRON, and RALPH KENNA. "TEMPORAL NETWORK ANALYSIS OF LITERARY TEXTS." Advances in Complex Systems 19, no. 03 (May 2016): 1650005. http://dx.doi.org/10.1142/s0219525916500053.

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We study temporal networks of characters in literature focussing on Alice’s Adventures in Wonderland (1865) by Lewis Carroll and the anonymous La Chanson de Roland (around 1100). The former, one of the most influential pieces of nonsense literature ever written, describes the adventures of Alice in a fantasy world with logic plays interspersed along the narrative. The latter, a song of heroic deeds, depicts the Battle of Roncevaux in 778 A.D. during Charlemagne’s campaign on the Iberian Peninsula. We apply methods recently developed by Taylor et al. [Taylor, D., Myers, S. A., Clauset, A., Port

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Szmigiero, Katarzyna. "Reflexivity and New Metanarratives. Contemporary English-language Retellings of Classical Mythology." Discourses on Culture 20, no. 1 (December 1, 2023): 85–108. http://dx.doi.org/10.2478/doc-2023-0012.

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Abstract The turn of the millennium has brought a revival of interest in the ancient Greek and Roman texts. Obviously, the legacy of antiquity is a permanent feature of Western literature and visual arts; yet, its contemporary manifestation has taken a novel form, that of a retelling. It is a new trend in which a well-known text belonging to the canon is given an unorthodox interpretation, which exposes the ethnic, class, and gender prejudices present in the original. Mythological retellings are often written in an accessible manner containing features of genre fiction, which makes the revised

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Zhang, Ziyi. "An Analysis of the Female Images in Tolkiens Works: Galadriel, owyn and Arwen." Lecture Notes in Education Psychology and Public Media 41, no. 1 (March 14, 2024): 205–11. http://dx.doi.org/10.54254/2753-7048/41/20240650.

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John Ronald Reuel Tolkien is well recognized for his notable contributions to the genre of heroic romances, as shown by his renowned works, namely The Hobbit and The Lord of the Rings. Consequently, he is widely regarded as the progenitor of contemporary fantasy literature. The study aims to examine the principal female characters in the works of J.R.R. Tolkien, namely Galadriel, owyn, and Arwen, employing textual analysis and comparative study as the primary methods. The former two individuals serve as exemplars of female warriors, characterized by their courage, strength, unwavering convicti

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KIM, HYEIN. "Beyond authenticity, an Entrepreneurial autobiography as a method - Traversing the fantasy of the heroic entrepreneur in the 90s -." Institute of Humanities 47 (November 30, 2022): 1–36. http://dx.doi.org/10.46270/ssw.47.1.

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Hodge, James L. "New Bottles-Old Wine : The Persistence of the Heroic Figure in the Mythology of Television Science Fiction and Fantasy." Journal of Popular Culture 21, no. 4 (March 1988): 37–48. http://dx.doi.org/10.1111/j.0022-3840.1988.00037.x.

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Ní Mheallaigh, Karen. "THE ‘PHOENICIAN LETTERS’ OF DICTYS OF CRETE AND DIONYSIUS SCYTOBRACHION." Cambridge Classical Journal 58 (November 26, 2012): 181–93. http://dx.doi.org/10.1017/s1750270512000103.

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Dictys of Crete's Journal of the Trojan War seems to invite the reader to imagine two different versions of the imaginary ancient Ur-text: one that was written in Phoenician language and script, and another that was written using ‘Phoenician letters’ but whose language was Greek. What is the meaning of the text's different fantasies of its own origins? And how is the reader to understand the puzzlingly implausible Punico-Greek text that is envisaged in Septimius' prefatory letter? This article examines first why the Journal's fantasy Ur-text changed as the Dictys-text itself evolved, and what

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López-Valero, Amando, Eduardo Encabo-Fernández, and Isabel Jerez-Martínez. "Digital Competence and Literacy: Developing New Narrative Formats. The «Dragon Age: Origins» Videogame." Comunicar 18, no. 36 (March 1, 2011): 165–71. http://dx.doi.org/10.3916/c36-2011-03-08.

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The approach of this article is centered on the concepts of digital competence and new narrative formats. We aim to apply these dimensions to the videogame «Dragon Age Origins», winner of the 2009 videogame of the year award. Its features - plot, characters and interactivity – make it ideal reading material in other formats and are highly motivational for young people. The development of digital competence signifies new literacy, and it is necessary to find new stimulating resources that combine the fun and formative dimensions. Equally relevant are multimodal texts (Kress & Van Leeuwen, 2

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Sengupta, Sohini. "Empowering Girlhood Journeys: Feminist Mythic Revision in Contemporary Indian Diaspora Children’s Fiction." International Journal of English Literature and Social Sciences 7, no. 3 (2022): 248–52. http://dx.doi.org/10.22161/ijels.73.37.

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There had been relatively little interest in a narrative of female individuation within mythology. Revisionist myths and legends in contemporary literaturehave thus addressed issues of women’s identity and autonomy while redesigningthe gendered spaces in these cultural narratives. The need for alternative mobility arcs within the cultural imaginary was also recognized for adolescent girls in their quest for subjectivity.This paper thus explores two works of children’s fiction, viz. Sayantani Dasgupta’s Game of Stars(2019) from the Kiranmala and the Kingdom Beyond series and Roshani Chokshi’s A

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Cedro, Carmel. "Just add nostalgia and stir: Mythmaking Australian femininity through Anzac Biscuits, collective commemoration and heteronormativity." Australasian Journal of Popular Culture 8, no. 2 (September 1, 2019): 229–43. http://dx.doi.org/10.1386/ajpc_00007_1.

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Many sweet foods featured in contemporary Australian cookbooks are indelibly connected to culinary tradition and use nostalgia to encourage a sense of collective identity and experience. Anzac Biscuits exemplify this through ubiquity and familiarity, and the annual baking ritual becomes a collective commemoration that shapes ideologies of identity and myth, which are somewhat central to understanding the Australian experience. Yet the mythology around the biscuits is flawed. The recipe recognizable today as Anzac Biscuits can be traced from the 1920s onwards in Australian cookbooks, which call

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Yap, Kevin Yi-Lwern, Shawn Ignatius Boon Heng Tan, Kai Zhen Yap, and John Yin Gwee Yap. "Students’ perceptions of an in-house developed pharmacy serious game for professional skills training." BMJ Simulation and Technology Enhanced Learning 6, no. 5 (March 18, 2020): 293–96. http://dx.doi.org/10.1136/bmjstel-2019-000547.

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BackgroundAn in-house three-dimensional (3D) multiplayer online role-playing game was developed for professional skills training of pharmacy students. Students play the game in a post-apocalyptic world to save humankind from zombies. They solve virtual patient encounters through visual and motion-capture technologies. Their gaming perceptions and experiences were investigated.MethodA self-administered questionnaire obtained participants’ demographics, gaming interests, perceptions of game effectiveness, preferences on gaming elements and gameplay experience through the Game Engagement Question

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Medic, Milena. "From pain to pleasure: The troping of elegy in the renaissance Italian madrigal." Muzikologija, no. 22 (2017): 151–75. http://dx.doi.org/10.2298/muz1722151m.

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In the Renaissance period, melancholia emerged as a dramatic cultural phenomenon among the intellectual and artistic elites, with a locus in elegy it gave form to the Renaissance poetics of loss, pain and shedding of tears, expressing essentially the fantasy about death as a prerequisite for revival. The possibilities of confronting the threats of death were being found in its very nature whose inherent ambiguity was determined by the principles of Thanatos and Eros. The creative act of the troping of elegy proved to be an effective literary and musical strategy for the transcendence of death

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Baranov, Dmitrii K. "On the poetics of mass literature (Alexander Bushkov’s dilogy A Knight from Nowhere and Flying Islands)." Vestnik of Saint Petersburg University. Language and Literature 18, no. 4 (2021): 640–60. http://dx.doi.org/10.21638/spbu09.2021.401.

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Mass literature can be analyzed not only as sociological material or as a background for firsttier literature, but also as an independent phenomenon of the aesthetic sphere. Authors of commercially successful literature create more complex texts than their less successful competitors. However, the complexity of the structure of mass works lies not in the philosophical premise, not in the motive system and other aspects of the text that are important for classical literature, but in how specific techniques aimed at keeping the reader’s attention at every moment of time become more complex. In t

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Septi, Katarina, and Ribut Basuki. "PROJECT: SCREENPLAY GOING HOME." K@ta Kita 5, no. 1 (July 18, 2017): 90–94. http://dx.doi.org/10.9744/katakita.5.1.90-94.

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This paper explained the process and the result of my final project which is a screenplay entitled Going Home. The screenplay is about Dahlia, a thirteen-year-old girl who was born and grew up in Australia. Then, she has to return to Jakarta, Indonesia and continue her education in Indonesia. She has an assignment about history of Indonesia. She needs to write one of heroic history of Indonesia with her own words and write her reflection about it. Once, she goes to Surabaya for a holiday and stays at Majapahit Hotel Surabaya. In the hotel, she experiences the past life about several historical

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Holzapfel, Otto, Bo Almqvist, Seamas O. Cathain, and Padraig O. Healai. "The Heroic Process. Form, Function and Fantasy in Folk Epic. The Proceedings of the International Folk Epic Conference University College Dublin, 2-6 September 1985." Jahrbuch für Volksliedforschung 33 (1988): 204. http://dx.doi.org/10.2307/847800.

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Gutiérrez Delgado, Ruth. "El “caballero de frontera” en The Mandalorian (Disney+ 2019-2020)." Revista de Comunicación 21, no. 1 (March 18, 2022): 215–30. http://dx.doi.org/10.26441/rc21.1-2022-a11.

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En este artículo propongo el concepto de caballero de frontera para definir el prototipo heroico que surge de la conversión de dos géneros narrativos: el space-western y la fantasía épica o heroica. Este concepto se aporta tras la re-visitación del héroe de frontera en la serie The Mandalorian (Disney+, 2019-2020), de acuerdo con algunos rasgos propios del concepto medieval de caballero andante. El arquetipo del héroe de frontera se adscribe al subgénero de space-western, donde recibe su condición de outlaw; sin embargo, gracias a los elementos de fantasía épica que hereda de su pertenencia al

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Thirard, Marie-Agnès. "Les ancêtres d'Ogrest, ogres et géants: mythe ou réalité?" Ondina - Ondine, no. 6 (September 7, 2021): 69–85. http://dx.doi.org/10.26754/ojs_ondina/ond.202165113.

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Les géants sont nombreux dans les jeux- vidéo et les productions filmiques contemporaines. Or ces êtres plus ou moins monstrueux ont des ancêtres qui remontent à la nuit des temps. Ils relèvent aussi bien de la tradition populaire que de la culture savante. Cet article propose un parcours dans le pays des géants. Partant de la mythologie grecque et de la Bible, il s'intéresse au monde de la merveille, en privilégiant les grands contes lmittéraires français , en particulier les contes de Mme D'Aulnoy, contemporaine de Charles Perrault .Le parcours cite aussi quelques créations poétiques de la l

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Gnyusova, Irina F. "Titles of editions: Between advertising and pragmatics." Tekst. Kniga. Knigoizdanie, no. 30 (2022): 126–39. http://dx.doi.org/10.17223/23062061/30/8.

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The title, as one of the most important elements of any publication, has a dual nature. The aim of the article is to evaluate the correlation of advertising and pragmatic functions in the titles of modern mass literature publications. The study was conducted on the basis of an experiment. Thirty-four titles of fiction publications were the material for it; these are books by the Eksmo Publishing House, published in the first half of February 2022. Respondents were asked to choose no more than five titles of books that they would like to read. After that, they had to briefly describe what they

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Castro Balbuena, Antonio. "El héroe crepuscular como arquetipo mítico en la fantasía épica contemporánea. Geralt de Rivia, entre la luz y la oscuridad." ACTIO NOVA: Revista de Teoría de la Literatura y Literatura Comparada, no. 6 (December 29, 2022): 54–82. http://dx.doi.org/10.15366/actionova2022.6.003.

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El objetivo de este ensayo es definir el arquetipo nuclear del protagonista prototípico de la fantasía épica contemporánea. Para ello, se tomará como base la teoría de los arquetipos de Jung, a la que se suman una visión actualizada del concepto de héroe en la sociedad actual, el concepto de mitologema, el de monomito y el ciclo solar heroico de Sellier, así como diversas observaciones extraídas de ejemplos de fantasía épica. Una vez dibujado el arquetipo que aquí se plantea, llamado héroe crepuscular, se analiza el personaje Geralt de Rivia para demostrar la aplicabilidad de estas teorías.

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Flores, Emil. "The Concept of the Superhero in Filipino Films." Plaridel 2, no. 2 (August 1, 2005): 23–38. http://dx.doi.org/10.52518/2005.2.2-02eflrs.

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This essay examines a number of Filipino superhero films (Captain Barbell, Darna and Lastikman) and how a uniquely American creation was “Filipinized,” taking into account the cultural and social aspects of the Pinoy superhero as demonstrated in the films. For the first time in Filipino film history, three superhero films were included in the 2003 Metro Manila Film Festival. While the producers were most likely following the popular trend in Hollywood, the films Fantastic Man, Captain Barbell, and Gagamboy, still reflect the Filipino longing for a hero to look up to. All films were big box-off

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Jardim, Jéssica Cristina. "A sombra do mártir: visões da morte na peça histórica romântica Bartolomeu de Gusmão, de Agrário de Menezes." Brasiliana: Journal for Brazilian Studies 7, no. 1 (December 28, 2018): 132–48. http://dx.doi.org/10.25160/bjbs.v7i1.107988.

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O presente artigo reflete sobre a fascinação pela morte e pela queda do heroi na dramaturgia romântica brasileira. Por meio de uma comparação com outros gêneros, como o épico e o lírico, de acordo com as contribuições teóricas de Hegel (2014; 2001), buscamos analisar o drama histórico Bartolomeu de Gusmão, publicado em 1865. Na obra de Agrário de Menezes, como também na de outros dramaturgos do romantismo brasileiro, as dificuldades impostas à ação heróica e a perspectiva de falha formam parte integrante da configuração da ação. O drama tem como assunto a vida – e a morte – de Bartolomeu Loure

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Piterman, Hannah. "The Leadership Challenge: Rediscovering the Voice of Reason." Organisational and Social Dynamics 10, no. 2 (October 31, 2010): 180–206. http://dx.doi.org/10.33212/osd.v10n2.2010.180.

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In this paper, I argue that the idealisation of the market economy has perverted the spirit of competition, rendering it uncontained, without boundary, and devoid of superego. I refer to this idealised state as the dark side of competition. It is underpinned by a culture of rationalism untempered by reflexivity, which has occurred by stealth, gradually enveloping parts of western capitalist society in a belief system and behaviours which are regressive and which have seen an increasing split between reality and fantasy. Narrow success indicators have rewarded an adolescent notion of masculinit

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Kolesnik, A. S. "Warriors of Steel: Representations of Machinery and Technology in British Heavy Metal of the 1980s." Art & Culture Studies, no. 4 (December 2021): 362–81. http://dx.doi.org/10.51678/2226-0072-2021-4-362-381.

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The New Wave of British Heavy Metal is a remarkable phenomenon in British cultural history of the 1980s. Trying to identify themselves and to indicate their reaction to the social and political context in the UK, young musicians turned to the representation of fantastic worlds. The language of the “fantastic” in early British heavy metal was primarily associated with themes of mechanization, heroics, epics, mythology, fantasy and science fiction. The musical form was often emphatically epic and majestic, designed to create an audio picture to the lyrics. Visual representations — large-scale, s

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Peláez, Sol. "El republicanismo como terror femenino." Res Publica. Revista de Historia de las Ideas Políticas 25, no. 1 (January 9, 2022): 75–85. http://dx.doi.org/10.5209/rpub.75749.

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Este ensayo lee Materialismo Salvaje de Jacques Lezra siguiendo la ética del terror que propone el autor en su pensamiento del republicanismo. Específicamente rastrea en el texto el terror del encuentro con la mujer. De acuerdo con Lezra, el concepto de Mujer es pivote para comprender cómo los conceptos (débiles) emergen. Repetidamente en su obra, el encuentro con la mujer corroe la fantasía del concepto fuerte y del soberano, y surge otra lógica republicana, no escatológica, no heroica, no sacrificial. Nos enfocaremos en el fracaso de la comunidad sadiana y en la emergencia de otra posible co

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