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Journal articles on the topic '16th century architecture'

Author: Grafiati

Published: 30 June 2021

Last updated: 29 July 2025

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1

Flores-García, Laura Gemma, and Elena Zhizhko. "NOVOHISPANIC CONVENT ARCHITECTURE FROM THE 16th CENTURY." Current problems of architecture and urban planning, no. 58 (November 30, 2020): 95–104. http://dx.doi.org/10.32347/2077-3455.2020.58.95-104.

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The article presents the results of a historical and architectural research, which aimed to reveal the main features of the architecture of Spanish monasteries in the sixteenth century, in particular to highlight elements of the ideology of the Spanish crown and the Catholic Church, promoted through architectural structures. The authors established the components of the architectural program and styles of the New Spanish monasteries of the 16th century, highlighted how the process of creative thinking of the future building and its construction took place, what materials were used.

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Joost-Gaugier, Christiane L., Colin Rowe, and Leon Satkowski. "Italian Architecture of the 16th Century." Sixteenth Century Journal 35, no. 2 (2004): 605. http://dx.doi.org/10.2307/20477014.

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Núñez-González, María. "Domestic architecture in 16th century Seville: San Salvador." VLC arquitectura. Research Journal 5, no. 2 (2018): 159. http://dx.doi.org/10.4995/vlc.2018.10017.

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This study is based on historical documents belonging to the most important ecclesiastical institution in Seville during the 16<sup>th</sup> century. The Cathedral’s archives have been consulted, with special focus on the section devoted to books of written descriptive records of houses (called ‘apeos’) that belonged to the Cabildo (Chapter) in 1542. These records not only documented the physical distribution of the houses with measurements in Castilian yards of the different parts of the house, but also described the more qualitative features of the interior architectural design.

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Musirmanov, Tursunmurad. "ANALYSIS OF ARCHITECTURAL DECORATIONS OF MOSQUES IN 16TH CENTURY BUKHARA." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 3, no. 5 (2023): 9–11. https://doi.org/10.5281/zenodo.7885707.

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In this article, the analysis of the architectural decorations of mosques in Bukhara in the 16th century, the place of mosques in social life, the study of mosques as an architectural monument, the mosques of Bukhara and their architecture are fully discussed.

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Arifia, Sariat, Randy Van Zichem, Arsyad Arsyad, Wahyu Bagja Sulfemi, and Daniel Zuchron. "16th Century Sundanese Royal Trade." International Journal of Social Service and Research 3, no. 9 (2023): 2173–82. http://dx.doi.org/10.46799/ijssr.v3i9.522.

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This article aims to clarify the existence of the Sundanese scientifically in an authoritative form, namely a kingdom that has a clear scope of territory, power and authority so that the Sundanese have the ability to carry out trade, especially in the 16th century and apart from colonial historiographical architecture, that the Sundanese only did cultural activities, mystical, marginalized, have no trade records. The research method used is the historical method which includes five stages of work, namely heuristics, field visits, criticism, interpretation, and historiography. Grounded Theory i

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Maxwell-Irving, Alastair M. T. "Hoddom Castle: a reappraisal of its architecture and place in history." Proceedings of the Society of Antiquaries of Scotland 117 (November 30, 1988): 183–217. http://dx.doi.org/10.9750/psas.117.183.217.

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Groznov, Oleg D. "ENGLISH ARCHITECTURE OF THE 16th-18th CENTURIES AND TRANSFORMATIONS OF ARCHITECTURAL ORDER." Architecton: Proceedings of Higher Education, no. 3(71) (September 29, 2020): 11. http://dx.doi.org/10.47055/1990-4126-2020-3(71)-11.

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In this article, the author considers the evolution of the classical order in England from the second half of the 16th to the early 19th century. The research is based on two methods – stylistic analysis and analysis of historical and cultural aspects in the application of the classical order by English architects over more than three hundred years and the basic principles of or approaches to such application. It is concluded that the analysis of how the classical order was used can help us understand not only the style and idiom of every particular master but also develop a better

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Antipov, Ilya V. "The So-Called Faceted Palace (1433) and the Architecture of Novgorod from the Middle of the 15th to the First Quarter of the 16th Century." Vestnik of Saint Petersburg University. Arts 11, no. 2 (2021): 310–26. http://dx.doi.org/10.21638/spbu15.2021.208.

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The article is devoted to the history of Novgorodian architecture in the middle of the 15th to the first quarter of the 16th century. In 1433, one of the key events in the history of Novgorodian architecture took place — the German and local builders constructed the Faceted Palace commissioned by the archbishop Eufimiy II on the Vladychny Dvor. The article focuses on two interconnected problems: 1) did the German master builders continue to work on the Archbishop’s Court after 1433; 2) did the Faceted Palace influence the architecture of Novgorod in the middle of the 15th to the first quarter

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Sokół, Teresa. "Protestanci w regionie kaliskim w XVI-XVIII wieku i ich budownictwo kościelne. Zarys problematyki." Zeszyty Kaliskiego Towarzystwa Przyjaciół Nauk 21 (December 31, 2021): 194–222. http://dx.doi.org/10.4467/26578646zknt.21.009.17593.

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Protestants in the Region of Kalisz from 16th to 18th Century and Their Sacral Architecture: an Outline The aim of this study is to offer a brief outline of protestant sacral architecture in the region of Kalisz, comprised of historic counties of Kalisz, Pyzdry and Konin from the 16th to 18th Century. Author tries to trace foundations of new parish churches for the United Brotherhood and lutheran communities. The general research question posed in this study targets different typologies of protestant church architecture in the region, including analysis of architecture and arrangements of inte

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Gorse, George L. "The Villa of Andrea Doria in Genoa: Architecture, Gardens, and Suburban Setting." Journal of the Society of Architectural Historians 44, no. 1 (1985): 18–36. http://dx.doi.org/10.2307/990058.

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This paper reconsiders Andrea Doria's 16th-century villa in Genoa as an architectural and garden monument in relation to its original suburban setting. The villa has thus far been discussed primarily as a decorative monument, with scholars focusing their attention upon the interior fresco and stucco decorations of Perino del Vaga and façade paintings by Perino, Beccafumi, and Pordenone. However, these paintings have not been understood fully in terms of the architectural, garden, and suburban context of the villa, which serves as the focus of this study. A biographical sketch of Doria is follo

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Sinha, Vandana. "Documentation of Indo-Islamic architecture built along a 16th-century highway." Art Libraries Journal 44, no. 3 (2019): 98–107. http://dx.doi.org/10.1017/alj.2019.14.

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An internationally recognized presence in the documentation of Indic and South East Asian art and architecture, the Center for Art and Archaeology (CA&A) of the American Institute of Indian Studies (AIIS) conducted a documentation project in 2007 that explored an interesting range of built heritage arrayed along a 16th-century highway, the Agra – Lahore route, laid by the Mughal rulers of India. The stretch of the Agra – Lahore highway this project traced, crossed two north Indian states of independent India – Haryana and Punjab, and documented built heritage that survives on that road. Th

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Ergashevich Abdullaev, Oktamjon. "Architectural Image of Bukhara in the XVI-Early XX Centuries." International Journal of Multicultural and Multireligious Understanding 8, no. 12 (2021): 235. http://dx.doi.org/10.18415/ijmmu.v8i12.3275.

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In the 16th century, the types of architectural structures were improved, many public buildings and structures (caravanserais, bridges, cisterns, baths in cities, time and other stalls) were built, the history and appearance of monumental buildings were changed. The city of Bukhara is surrounded by a thick and high wall (up to 10 meters) with city gates. Large buildings used the traditions of folk architecture, and monumental buildings began to be built outside the city.

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Willis, M. "Byzantine Beginnings of the Bedesten." Κυπριακαί Σπουδαί 50 (November 3, 1986): 185–92. https://doi.org/10.5281/zenodo.265185.

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A descriptive account of the early portions of the Bedesten in Nicosia, Cyprus, dating to the circa fifth century CE., with documentation of their subsequent demolition and replacement in the circa 16th century.

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Khokhlova, Svetlana. "К проблеме авторства Успенского собора в Дмитровe". Modernités Russes 12, № 1 (2011): 59–83. http://dx.doi.org/10.3406/modru.2011.951.

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The article is devoted to Dormition Cathedral in the town of Dmitrov, a very significant architectural site in terms of Italian influence of the 16th century. The clarity and directness of the spatial system and of the décor, certain features different from the Archangel Cathedral and many other early Russian buildings in the “Italian style”, can be regarded as proof of an Italian architect’s participation in this project. The formal and stylistic features of the building are closely connected with the ideological and political circumstances of its construction. In order to date it correctly,

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Tatarkiewicz, Władysław. "Architektura barokowa Brazylii." Sztuka Ameryki Łacińskiej 1 (2011): 17–43. http://dx.doi.org/10.15804/sal201101.

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The author of the article describes the most important phenomena in Brazilian architecture from 16th to 18th century with the special focus on baroque style. The location of monuments is presented on the beginning of the text and two the most important areas are pointed: Atlantic coast and Minas Gerais state in hinterland. The chronology of the colonial Brazilian architecture is described with emphasis on 18th century architecture importance. The division between secular and sacred architecture shows the great importance of the second one. The sacred architecture is analyzed with regard to fun

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Kačinskaitė, Indrė. "Formation and Architectural Development of the Lithuanian Manor (Yard)." Mokslas - Lietuvos ateitis 5, no. 3 (2013): 302–8. http://dx.doi.org/10.3846/mla.2013.49.

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The article describes architectural development of the Lithuanian manor from the outset until the 20th century. For over 500 years, the manor had remained a foundational axis of the state structure, around which the political, social, economic and cultural life of the country was concentrated. Up to the 15th century, the ruler’s manors (yards) were the core of the statehood in Lithuania. In the 15th – 16th centuries, the ruler’s manor developed into the main political public institutions with permanent residences being established. Afterwards, when the impact of the ruler’s manor diminished, m

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Díez Jorge, María Elena. "Power and motherhood in the 16th century: Perpetuity and memory through architecture." Feminismo/s, no. 41 (January 2, 2023): 75. http://dx.doi.org/10.14198/fem.2023.41.04.

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Traditionally, we associate motherhood with the practice of caring for children. And that is correct, but we must be cautious because in care we find a wide range of habits that encompasses desires and needs that vary greatly according to social class, gender, age and time. In general, in the mentality of the 16th century, the mother not only played her motherhood role through upbringing, but sometimes it was more important to bequeath a lineage, a surname, goods or a house. It is on this point that this text is based in the spirit of recovering the agency of elite women, but also of the ones

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Li, Shao Hong. "Study on Architectural Art of the Former German Governor’s Residence in Qingdao." Advanced Materials Research 450-451 (January 2012): 310–14. http://dx.doi.org/10.4028/www.scientific.net/amr.450-451.310.

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The Former German Governor’s Residence in Qingdao was by far the most spectacular building in residential architectures on the German Colonial period. This article studied architectural art of the Former German Governor’s Residence from architectural plan layout, building facades decorating, building structures and materials, and made these three respects compare with the Chinese traditional residential architecture. The architectural plan layout was in common about separate house on the German Colonial period, it inherited the German romantic style of the traditional residential buildings sin

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19

Hurx, Merlijn. "Gothic Locks: Pioneering Drawings for Hydraulic Works in 16th-Century Holland." Arts 13, no. 5 (2024): 151. http://dx.doi.org/10.3390/arts13050151.

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Just as Gothic cathedrals have long dominated the perception of medieval architecture, the spectacular drawings of the German lodges have shaped our view of the medieval design process. However, their towering importance has diverted scholarly attention from alternative drafting practices and reinforced the view of a homogeneous Gothic design practice based on quadrature. Historians generally accept that in the 16th century a new Renaissance graphic language challenged and ultimately replaced the Gothic tradition north of the Alps. However, this antagonistic narrative of one dominant practice

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Aydin Oksuz, Aysun, and Zafer Sagdic. "Sacred place and architecture relation in Islamic religion: building of sacredness in Ottoman Mosques in 16th century." International Journal of Academic Research 6, no. 3 (2014): 28–39. http://dx.doi.org/10.7813/2075-4124.2014/6-3/a.5.

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Lasota, Czesław, and Andrzej Legendziewicz. "Medieval Friar Minor Church in Brzeg – from the second half of the 13th to the beginning of the 16th century." Archaeologia Historica Polona 30 (June 15, 2024): 157–85. http://dx.doi.org/10.12775/ahp.2022.007.

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This paper presents the results of interdisciplinary research that was carried out in the Friars Minor church in Brzeg. At first, monastery and church architecture is discussed and reference sources are analysed. The authors’ considerations are based on architectural and archaeological research, on the analysis of technology, construction material and architectural detail as well as on iconographic studies the authors have carried out. They form the grounds for the presentation of the medieval church that consisted of a three-span chancel and a two-aisle four-span nave, which was built at the

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Kielin, Katarzyna. "The importance of creating a cultural park within the historical center of Zamość. Good practices. The cultural park is not the Zamość Park." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 17, no. 2 (2021): 17–23. http://dx.doi.org/10.35784/teka.2604.

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Zamość is a town of remarkable urban landscape and architecture. The first urban idea on the masterpiece of Italian-style fortification from the late 16th century evolved gradually throughout centuries until 19th century. The plan and examples of architectural pearls are stylistically homogenous. The fortifications underwent many transformations and 21st century brought some outstanding projects for the reconstruction of substantial amount of fortress elements. The Zamość Park retained the green parts of fortifications which added to its undoubted picturesqueness. The Zamość unique and valuabl

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Mileto, Camilla, and Fernando Vegas. "Fragments for the History of an Architecture: A Villa between Humanism and the Renaissance." Architecture 3, no. 3 (2023): 358–92. http://dx.doi.org/10.3390/architecture3030020.

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This article presents a detailed study of the stately palace of the Villa Giusti-Puttini, a building that, over the centuries, has undergone repeated transformations since its construction in the first half of the 15th century. For the study of this palace, owned between the 15th and 17th centuries by one of the most important families in the city of Verona (Italy), the authors have followed a methodology covering indirect sources (documentary and bibliographical) as well as direct ones (the building and constructive techniques, architectural and decorative elements, murals, etc.). This study

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Açikyildiz-Şengül, Birgül. "From Yezidism to Islam: Religious Architecture of the Mahmudî Dynasty in Khoshâb." Iran and the Caucasus 20, no. 3-4 (2016): 369–83. http://dx.doi.org/10.1163/1573384x-20160307.

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The Yezidi Mahmudî Dynasty controlled Khoshâb and surrounding area between Van, Nakhchivân and Marâgha during almost five centuries, from the end of the 14th century to the second half of the 19th century. Тhe Mahmudî rulers consolidated their power by their rational diplomacy with the main political forces of the region, first with the Black Sheep and White Sheep Turkomans and later with the Ottomans and the Safavids. Converted to Islam in the mid-16th century, the Mahmudîs contributed to the Islamic art by endowing buildings in Khoshâb between 1563 and 1671.The article focuses on the study o

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Фомичёва, Ю. С. "The old Transfiguration Cathedral of the Khutyn Monastery: architecture from archaeological data and architectural analogues." Architectural archeology, no. 2 (December 20, 2020): 127–33. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-327-5.127-133.

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Собор XII в. одного из важнейших новгородских монастырей не дошел до наших дней, на его месте в XVI в. был сооружен новый храм. Нет ни одного изобразительного источника, свидетельствовавшего бы о его облике. Однако остатки его конструкций были обнаружены в процессе археологических работ В. А. Булкина и Г. М. Штендера в 1981-1984 гг. Данные этих работ, а также композиции существующих сооружений, выступающих в качестве аналогий утраченному собору, позволяют сделать ряд наблюдений об особенностях его архитектуры и даже осуществить гипотетическую графическую реконструкцию его облика The 12th centu

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Awwalun K. R., Dimas Permadi, Exlima Ramadani, and Ivan Agusta Farizkha. "Bentuk dan Bahan Nisan Berinskripsi di Jawa dan Sumatera pada Abad ke-16 M." Local History & Heritage 4, no. 2 (2025): 151–59. https://doi.org/10.57251/lhh.v4i2.1550.

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This study explores the patterns of shapes and materials used in inscribed gravestones in Java and Sumatra during the 16th century. These gravestones function as cultural artifacts, reflecting the social, religious, and aesthetic dimensions of the societies of that era. Utilizing historical and archaeological methods, the research examines data from Islamic burial sites in both regions. The findings reveal diverse patterns, including geometric, floral, and Arabic calligraphic designs, which were shaped by local traditions and cross-cultural interactions within the Islamic world. The materials

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Kirakofe, James B. "Architectural Fusion and Indigenous Ideology in Early Colonial Teposcolula. The Casa de la Cacica: A Building at the Edge of Oblivion." Anales del Instituto de Investigaciones Estéticas 17, no. 66 (1995): 45. http://dx.doi.org/10.22201/iie.18703062e.1995.66.1730.

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The building known as the Casa de la Cacica, seat of the Mixtec leaders of San Juan Teposcolula, Oaxaca, around the middle of the 16th century, exhibits the complexity of architectural and ideological interplay during the first period of colonization. The use of European techniques of construction did not prevent the native leaders of Teposcolula from conceiving of space and its political meaning in pre-conquest terms. Indeed, the new technology and architecture were probably adopted in order to legitimize and reaffirm the power of the ruling class in Teposcolula within the new context of Span

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Soćko, Adam. "Programy heraldyczne w dekoracji kościołów parafialnych w Kraśniku i Chodlu." Artium Quaestiones, no. 27 (September 8, 2018): 5–28. http://dx.doi.org/10.14746/aq.2016.27.1.

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The essay is an analysis of coats of arms, mainly from the second quarter ofthe 16th century, connected with the architecture and decoration of thechurch of the Regular Canons in Kraśnik and the parish church in Chodel. The identification of numerous coats of arms used to decorate the keystones,supports, portals, balustrades, and facades of the Kraśnik church confirms two stages of its construction by two branches of the Tęczyński family (coat of arms Topór ) in the 15th and 16th centuries. The identification of the coatsof arms painted on the chancel vault of the church in Chodel determines t

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Rinku, Parashar*1 Dr Abir Bandyopadhyay2. "IN SEARCH OF THE HIDDEN PLANNING GRID OF TRI-RATHA TEMPLES OF ODISHA." INTERNATIONAL JOURNAL OF ENGINEERING SCIENCES & RESEARCH TECHNOLOGY 6, no. 12 (2017): 145–48. https://doi.org/10.5281/zenodo.1088338.

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The architecture of India is rooted in its history, culture and religion. Indian temples represent one of the great architectural traditions of the world. The first Hindu temples were built from rock cut caves which were later converted into the free standing structures at the advent of Gupta architecture around 4th & 5th century. Out of the different typology of temples found in India, Kalingan style of temple architecture can be observed in Odisha. The temples found here, shows a homogeneous characteristics with a continuity, from (6th to 16th century A

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Lazzaro, Claudia. "Rustic Country House to Refined Farmhouse: The Evolution and Migration of an Architectural Form." Journal of the Society of Architectural Historians 44, no. 4 (1985): 346–67. http://dx.doi.org/10.2307/990113.

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This study seeks to isolate a distinctive architectural tradition of the countryside in Italy through the examination of a single building type which served, over the course of its history, as both a country house for landowners and a farmhouse for tenant farmers. The hipped-roof block with central hipped-roof belvedere, apparently the invention of Vignola, appeared as a country house in Tuscany and Latium from the 1560s through the early 18th century. The sources of this building type reside in the local traditions of the countryside, castles, and farmhouses, and in the designs for country ho

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Shvidkovsky, Dmitry O. "THE MEANING OF SHATER FORM IN THE ARCHITECTURE OF RUSSIAN RENAISSANCE OF THE 16TH CENTURY." Scientific and analytical journal Burganov House. The space of culture 17, no. 3 (2021): 10–23. http://dx.doi.org/10.36340/2071-6818-2021-17-3-10-23.

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The article is intended to clarify the original signification of a tent-shaped roof in church architecture in order to help Russian architects of the 21st century to use it meaningfully and in accordance with centuries-old tradition. The article deals with the problem of the genesis of the tent-shaped roof of the church and its primitive meaning in a wide cultural and symbolic context. Within the frame of a longstanding scientific discussion that lasted a century and a half different opinions had been expressed: the origin of the tent-shaped roof was linked with the traditions of Russian timbe

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SIDOROVA, Alena V. "FEATURES OF THE ARCHITECTURAL AND TOWN PLANNING HERITAGE OF THE TOWN OF SOLVYCHEGODSK, ARKHANGELSK REGION." Urban construction and architecture 8, no. 4 (2018): 93–97. http://dx.doi.org/10.17673/vestnik.2018.04.16.

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The main stages of the formation of the town-planning structure of the city of Solvychegodsk in the 16th - early 20th century are analyzed. The monuments of religious and civil architecture are studied.. Brief information about the two main cathedrals of the city - Blagoveshchensky and Vvedensky of the Vvedensky Monastery, the last of which is an outstanding monument in the style of Stroganov’s Baroque, as well as about the two remaining churches - the Savior and Vladimir is cited. The most interesting monuments of stone and wooden civil architecture are listed, their regional features are rev

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Gámiz-Gordo, Antonio, Ignacio Ferrer-Pérez-Blanco, and Juan Francisco Reinoso-Gordo. "A Deformed Muqarnas Dome at the Sala de los Reyes in the Alhambra: Graphic Analysis of Architectural Heritage." Heritage 6, no. 12 (2023): 7400–7426. http://dx.doi.org/10.3390/heritage6120388.

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The muqarnas are small pieces grouped together, adopting surprising three-dimensional forms. They are a symbol of identity of the 14th century Nasrid architecture at Alhambra in Granada. This research’s aim is to graphically analyze the plaster muqarnas dome located to the south of the Sala de los Reyes, in the Palacio de los Leones. The methodology followed combines historical images analysis and modern digital graphic techniques. First, a compilation of unpublished drawings and photographs documenting architectural transformations and significant alterations in the roof structures since the

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Farbaky, Péter. "György Szatmári (c. 1457–1524), Patron of renaissance architecture in early 16th century Hungary." Acta Historiae Artium 41, no. 1 (1999): 213–78. http://dx.doi.org/10.1556/ahista.41.1999-2000.1-4.3.

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Ochendowska-Grzelak, Barbara Maria. "Travel reports from late 16th century and 17th century as first descriptions of architecture and art of Szczecin." Przegląd Zachodniopomorski 36 (2021): 95–130. http://dx.doi.org/10.18276/pz.2021.36-04.

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Kamieński, Andrzej. "Travel reports from late 16th century and 17th century as first descriptions of architecture and art of Szczecin." Przegląd Zachodniopomorski 36 (2021): 69–93. http://dx.doi.org/10.18276/pz.2021.36-03.

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Shavkat Ulugbekovich, Bobojonov, and Turdiev Bekhruz Sobirovich. "Bukhara Silk Bazaar as a Symbol of 16th Century Trade and Architectural Heritage." Mediterranean Journal of Basic and Applied Sciences 09, no. 01 (2025): 154–58. https://doi.org/10.46382/mjbas.2025.9111.

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The article analyzes the reasons behind the construction of the large 16th -century covered market of Bukhara–the Abdullahkhan Tim, its significance in international trade, its role in the development of craftsmanship, especially in the production of silk fabrics, as well as the construction style, architecture, and decoration of the oriental bazaar, based on scholarly literature and historical sources. The article highlights the construction activities of Bukhara Khan Abdullahkhan and his significant contributions in transforming the capital into a major commercial center.

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Girard, Jean-Claude. "Religious Tropical Architecture: the churches of Leandro V. Locsin in the Philippines." Tropical Architecture in the Modern Diaspora, no. 63 (2020): 76–79. http://dx.doi.org/10.52200/63.a.61svza7z.

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The focus of this contribution is on the importance of tropical architecture in the work of Leandro V. Locsin, in the context of post-WWII in Asia. Based in the Philippines, Locsin is immersed in the Christian tradition – the main religion of a country that was dominated by the Spanish crown from the mid 16th-century to 1898, and where the Catholic Church remains powerful across much of the archipelago today. Attention is focused on Locsin’s religious buildings and projects, where he succeeded in giving a new treatment to the tropical architecture of faith-based structures, through the integra

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Gupta, Niti, and Daljit Kaur. "Fatehpur Sikri: A Reflection of Mughal Syncretic Statecraft." International Journal of Research and Scientific Innovation XII, no. V (2025): 1493–501. https://doi.org/10.51244/ijrsi.2025.120500142.

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The paper examines Fatehpur Sikri, an ancient city that was temporarily used as a capital by Emperor Akbar during the 16th century. It discusses the city’s monumental architecture, design, and integration of Persian, Islamic, and Hindu styles of architecture. He constructed it to commemorate the birth of his son, Salim, and it gained recognition for its religious association with the Sufi saint Salim Chishti. The research discusses popular landmarks such as the Ibadat Khana, Diwan-i-Khas, and the Salim Chishti mausoleum, discussing their distinct designs and significance. Though the city was d

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Moașa-Nazare, Ruxandra. "Les armoiries de la ville de Brașov dans les ouvrages imprimes jusqu'a la premiere moitie du XVIIIe siecle." Études bibliologiques/Library Research Studies 3, no. 3 (2021): 79–87. http://dx.doi.org/10.33993/eb.2021.06.

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The image of the coat of arms of Brasov in seals, ancient books and architecture was studied in many works, old and new ones. Regarding the shape of this coat of arms on Brasov prints, there were two models, created by Johannes Honterus during the 16th century. These patterns circulated for a long time and they were used constantly, with small changes, by the printers and by the owners of the printing of the town until the 18th century. Our paper researches and analyzes the shape of the coat of arms, on the basis of Brasov prints, from the first images until the first half of the 18th century.

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Lara, Fernando. "Architecture and Globalization, a very intimate relationship." arq.urb, no. 35 (December 14, 2022): 20–28. http://dx.doi.org/10.37916/arq.urb.vi35.625.

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The invitation to write this article gave rise to a review of my studies and writings produced in the last twenty-five years about the approximation between architecture and globalization. If in the 1990s the texts referred to the dissemination of Brazilian modern architecture in different parts of the world, by the turn of 1990s to the 2000s, they focused on the popular dissemination of elements of modernism in Brazil, with an interest in expanding the architectural scholarship limits in two directions: 1) vertically, discussing high-low relationships unfiltered or controlled by trained archi

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Sparitis, Ojars. "“Eternal Battle” with Compromises and Constraints: Revitalisation of Medieval Architecture." Landscape architecture and art, no. 20 (November 10, 2022): 37–42. http://dx.doi.org/10.22616/j.landarchart.2022.20.04.

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In the interests of the Catholic Church and German merchants, from the 13th to the 14th century, the territories of the present-day Latvia and Estonia, then called Livonia, were Christianized with the methods of the Crusades and included in the international economic processes. The feudal states of the German Order and bishops were established to keep the lands of the conquered Baltic tribes in obedience. Their main task was to guarantee the security of the west-east trade routes and to develop the economy in their own interests. To protect their borders and roads, the German Order, bishops an

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Khodakovsky, Evgeny V. "Wooden Church Architecture of the Russian North in the Russian Art History of the Early 21st Century." Vestnik of Saint Petersburg University. Arts 11, no. 4 (2021): 696–714. http://dx.doi.org/10.21638/spbu15.2021.407.

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The article represents a historiographical review of publications on the wooden architecture of the Russian North, published in 2000–2010s. In these years the main perspectives of the research of the wooden church architecture of the Russian North can be distinguished as follows: the regional studies in the framework of large-scale scientific projects; studying the construction history and analysing the architectural features of specific objects, including in connection with their restoration; “rehabilitation” of the late period (19th–20th centuries) in the history of church wooden church buil

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Gámiz-Gordo, Antonio, Daniel Antón, and Pedro Barrero-Ortega. "Graphic reconstruction of a vanished architectural heritage: The 'Puerta de la Carne' in Seville." Virtual Archaeology Review 16, no. 33 (2025): In press. https://doi.org/10.4995/var.2024.22578.

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Seville was at the height of its commercial prosperity in the 16th century. It was then decided to renovate the gates of its walled enclosure using a Renaissance architectural language, following a report by the architect Hernán Ruiz II from 1560. The Puerta de la Carne was located near the Judería district and close to the city’s slaughterhouse. Asensio de Maeda directed the work execution around 1577. After being deemed an urban obstacle, the gate was demolished in 1864. For its graphic reconstruction, the 2006 London Charter, the 2012 Seville Principles, and other biblio

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Buhaievskyi, Sergiy, Lyudmila Haponova, Olga Nazarko, and Volodymyr Buhaievskyi. "History of bridge architecture to the XVIIIth century." Bulletin of Kharkov National Automobile and Highway University, no. 107 (December 26, 2024): 100. https://doi.org/10.30977/bul.2219-5548.2024.107.0.100.

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Abstract. Problem. Bridge construction and the warehouse history development of lighting architecture and living technology. The contribution to the material from this diet was based on the close interconnection of the design and the artistic appearance of the material. The history of the bridge development construction is laid out in the context of the foreign cultural and technical level of the analyzed era. Knowledge of the architectural design basics expands the professional and secluded look of future fachists, the creative taste of art, encourages developers to create constructively and

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Moya-Olmedo, Pilar, and María Núñez-González. "Triana: Unveiling Urban Identity and Dwelling Architecture in the Modern Era." Heritage 8, no. 5 (2025): 182. https://doi.org/10.3390/heritage8050182.

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During the Modern Age, Seville was known as the Port of the Indies due to its key role in transatlantic trade, although the actual port was located in Triana, a riverside quarter outside the city walls along the Guadalquivir River. This area was essential for maritime and commercial activities, shaping Seville’s economic and social development. This study analyses Triana’s urban layout, social composition, and architecture in the 16th century using historical sources and graphic representations. The quarter combined defensive structures, religious buildings, and residential complexes, reflecti

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Thi Vu, Thu Huong, and Tuan Dung Nguyen. "Vietnam." Actas de Arquitectura Religiosa Contemporánea 8 (December 21, 2021): 28–47. http://dx.doi.org/10.17979/aarc.2021.8.0.8850.

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In the 16th century, the first Spanish and Portuguese Dominican missionaries arrived in Southeast Asia, included Vietnam, but only after the first decades of the seventeenth century, Christianity began to take hold and lived through different episodes of the Proclamation of the Christian faith: first it was tolerated and then abandoned by the dynasties, supported by the colonialists, declined in the north by the communists, it expanded in the south under the Republic of Vietnam and stabilized until now after the reunification of the country followed by a long breakage due to political change.

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Obad Šćitaroci, Mladen, Mara Marić, and Mira Medović. "Perivoji Rijeke dubrovačke." Prostor 25, no. 2(54) (2017): 172–89. http://dx.doi.org/10.31522/p.25.2(54).1.

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Rijeka dubrovačka, the area west of Dubrovnik’s historic core, is widely known for its abundance of Renaissance villas and gardens. This article presents 50 gardens of summer villas, developed between the 14th and the late 19th century with the majority of them created during the 15th and 16th century. This research reveals their cultural, historical, architectural, spatial, and ambient value and helps to establish the criteria for their evaluation.

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Yi, Xinyue. "Science and Art in The Creation of Adam." Journal of Education, Humanities and Social Sciences 11 (April 20, 2023): 149–54. http://dx.doi.org/10.54097/ehss.v11i.7541.

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The Renaissance was an intellectual and cultural movement that took place in Europe from the mid-14th century to the 16th century, and profoundly influenced European intellectual life in the early modern period. Beginning in Italy and spreading to the rest of Europe in the 16th century, its influence is reflected in art, architecture, philosophy, literature, music, anatomy, etc. The Creation of Adam is one of the important works of this period. Michelangelo's rigorous judgment of the body on the basis of anatomy, coupled with the use of clairvoyance skills, paints a unique human beauty with a

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Antipov, Ilya, Alexandra Trushnikova, and Maksim Kostyria. "Architecture and Icon: the Origin of the Stepped Gables in the Icon ‘The Vision of the Sexton Tarasiy of Khutyn’." Baltic Journal of Art History 21 (August 20, 2021): 31–59. http://dx.doi.org/10.12697/bjah.2021.21.02.

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The article invites to look afresh at the late 16th century Novgorod icon‘The Vision of the Sexton Tarasiy of Khutyn`’ and the Faceted Palace,built in 1433 by German craftsmen. The stepped gables of the building,located west of St Sophia Cathedral in the icon, were interpreted asrealistic image of the upper parts of the Faceted Palace that havenot survived. However, the iconographic analysis of more than ahundred of the Russian icons and illuminated manuscripts datingback to the second half of the 16th – early 17th centuries proved thatthe stepped gable was a decorative architectural motive, w

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