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1

Li, Xiaoxiao, Soe W. Myint, Yujia Zhang, Chritopher Galletti, Xiaoxiang Zhang, and Billie L. Turner. "Object-based land-cover classification for metropolitan Phoenix, Arizona, using aerial photography." International Journal of Applied Earth Observation and Geoinformation 33 (December 2014): 321–30. http://dx.doi.org/10.1016/j.jag.2014.04.018.

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2

Liu, Wei, Xueren Cao, Jieru Fan, Zhenhua Wang, Zhengyuan Yan, Yong Luo, Jonathan S. West, Xiangming Xu, and Yilin Zhou. "Detecting Wheat Powdery Mildew and Predicting Grain Yield Using Unmanned Aerial Photography." Plant Disease 102, no. 10 (October 2018): 1981–88. http://dx.doi.org/10.1094/pdis-12-17-1893-re.

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High-resolution aerial imaging with an unmanned aerial vehicle (UAV) was used to quantify wheat powdery mildew and estimate grain yield. Aerial digital images were acquired at Feekes growth stage (GS) 10.5.4 from flight altitudes of 200, 300, and 400 m during the 2009–10 and 2010–11 seasons; and 50, 100, 200, and 300 m during the 2011–12, 2012–13, and 2013–14 seasons. The image parameter lgR was consistently correlated positively with wheat powdery mildew severity and negatively with wheat grain yield for all combinations of flight altitude and year. Fitting the data with random coefficient regression models showed that the exact relationship of lgR with disease severity and grain yield varied considerably from year to year and to a lesser extent with flight altitude within the same year. The present results raise an important question about the consistency of using remote imaging information to estimate disease severity and grain yield. Further research is needed to understand the nature of interyear variability in the relationship of remote imaging data with disease or grain yield. Only then can we determine how the remote imaging tool can be used in commercial agriculture.
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Pashkov, S. V., and G. Z. Mazhitova. "Application of GIS Technologies and Aerial Photography for Geoinformation Mapping and Modelling of Relief of Agroland Landscapes." Bulletin of Irkutsk State University. Series Earth Sciences 34 (2020): 82–95. http://dx.doi.org/10.26516/2073-3402.2020.34.82.

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The article is devoted to one of the topical applied areas of agrarian landscape research – geoinformation mapping, the development of maps and models of the topography of agricultural areas. The authors demonstrate results of works on large-scale geoinformation mapping and modeling of the topography of the oldest region of bogharic agriculture of Kazakhstan – North Kazakhstan region using methods and materials of remote sensing data and GIS technologies. The main source material in the study was a series of aerial photographs obtained from an unmanned aerial vehicle (UAV). The site of photographing was carried out by GEOSCAN-Kazakhstan LLP with using the Geoscan-201M Agro/Geodesy aerial photography complex. Characteristics of photographing: height – 280 m, visible range – 5 cm/pixel, multispectral – 13 cm/pixel. Geoinformation data on the nature of the relief were obtained during field studies in 2018-2020. Studies were carried out at the local level on the example of agricultural area located in the north of the region within the forest and steppe arable small-circuit agrarian landscape. Based on the results of the study, an electronic vector basis and specialized attribute data of the key area in the GIS environment, a digital relief model were prepared, spatial analysis and modeling of the geomorphological device of the arable surface were performed. The importance of the work is given by a significant agrogenic transformation of the relief of the definite locality during the almost 270-year history of agriculture. A series of maps of the main characteristics and morphometric indicators of the relief, significant from the point of view of crop production intensification and the development of accurate (precision) agriculture of the region, has been worked out. As a result of the study, the methodology of large-scale geoinformation mapping and modeling of the terrain of agrolandscapes in the GIS environment based on aerial photographs from UAVs was developed and tested. The algorithm of work has been compiled, starting from field studies, completing with the development of thematic maps and morphometric analysis of the relief and nature of the surface structure of the studied area.
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Piekielek, Nathan. "A semi-automated workflow for processing historic aerial photography." Abstracts of the ICA 1 (July 15, 2019): 1. http://dx.doi.org/10.5194/ica-abs-1-299-2019.

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<p><strong>Abstract.</strong> Libraries, museums and archives were the original big geospatial information repositories that to this day house thousands to millions of resources containing research-quality geographic information. However, these print resources (and their digital surrogates), are not easily incorporated into the contemporary research process because they are not structured data that is required of web-mapping and geographic information system tools. Fortunately, contemporary big data tools and methods can help with the large-scale conversion of historic resources into structured datasets for mapping and spatial analysis.</p><p>Single frame historic aerial photographs captured originally on film (hereafter “photographs”), are some of the most ubiquitous and information-rich geographic information resources housed in libraries, museums and archives. Photographs authentically encoded information about past places and time-periods without the thematic focus and cartographic generalization of historic print maps. As such, they contain important information in nearly every category of base mapping (i.e. transportation networks, populated places etc.), that is useful to a broad spectrum of research projects and other applications. Photographs are also some of the most frustrating historic resources to use due to their very large map-scale (i.e. small geographic area), lack of reference information and often unknown metadata (i.e. index map, flight altitude, direction etc.).</p><p>The capture of aerial photographs in the contiguous United States (U.S.) became common in the 1920s and was formalized in government programs to systematically photograph the nation at regular time intervals beginning in the 1930s. Many of these photography programs continued until the 1990s meaning that there are approximately 70 years of “data” available for the U.S. that is currently underutilized due to inaccessibility and the challenges of converting photographs to structured data. Large collections of photographs include government (e.g. the U.S. Department of Agriculture Aerial Photography Field Office “The Vault” – over 10 million photographs), educational (e.g. the University of California Santa Barbara Library – approximately 2.5 million photographs), and an unknown number non-governmental organizations (e.g. numerous regional planning commissions and watershed conservation groups). Collectively these photography resources constitute an untapped big geospatial data resource.</p><p>U.S. government photography programs such as the National Agricultural Imagery Program continued and expanded in the digital age (i.e. post early 2000s), so that not only is there opportunity to extend spatial analyses back in time, but also to create seamless datasets that integrate with current and expected future government aerial photography campaigns. What is more, satellite imagery sensors have improved to the point that there is now overlap between satellite imagery and aerial photography in terms of many of their technical specifications (i.e. spatial resolution etc.). The remote capture of land surface imagery is expanding rapidly and with it are new opportunities to explore long-term land-change analyses that require historical datasets.</p><p>Manual methods to process photographs are well-known, but are too labour intensive to apply to entire photography collections. Academic research on methods to increase the discoverability of photographs and convert them to geospatial data at large-scale has to date been limited (although see the work of W. Karel et al.). This presentation details a semi-automated workflow to process historic aerial photographs from U.S. government sources and compares the workflow and results to existing methods and datasets. In a pilot test area of 94 photographs in the U.S. state of Pennsylvania, the workflow was found to be nearly 100-times more efficient than commonly employed alternatives while achieving greater horizontal positional accuracy. Results compared favourably to contemporary digital aerial photography data products, suggesting that they are well-suited for integration with contemporary datasets. Finally, initial results of the workflow were incorporated into several existing online discovery and sharing platforms that will be highlighted in this presentation. Early online usage statistics as well as direct interaction with users demonstrates the broad interest and high-impact of photographs and their derived products (i.e. structured geospatial data).</p>
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Beloev, Ivan H. "A Review on Current and Emerging Application Possibilities for Unmanned Aerial Vehicles." Acta Technologica Agriculturae 19, no. 3 (September 1, 2016): 70–76. http://dx.doi.org/10.1515/ata-2016-0015.

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Abstract This paper presents a review on current and emerging application possibilities for unmanned aerial vehicles (UAVs). The introduction section of the paper briefly describes some of the application areas in which drones are currently being used. The next chapters of the paper describe more detailly the use of UAVs for aerial photography, filming, security and logistics, GIS, land and water surveys. The main focus of the last chapters is on the advantages and the disadvantages of the drones usage in precision agriculture, wildlife and nature observations and archaeology. The last chapters also provide information on how the advanced information technology solutions can be implemented in order to provide means for fighting invasive species, to increase the yield of certain crops, to monitor and predict flooding, wildfires and other disasters, etc. This paper provides only overview of the most interesting and widely available applications of the UAVs, but there are also many other more specific and dedicated solutions for implementation of the drones for different purposes.
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Nguyen, Khang, Nhut T. Huynh, Phat C. Nguyen, Khanh-Duy Nguyen, Nguyen D. Vo, and Tam V. Nguyen. "Detecting Objects from Space: An Evaluation of Deep-Learning Modern Approaches." Electronics 9, no. 4 (March 30, 2020): 583. http://dx.doi.org/10.3390/electronics9040583.

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Unmanned aircraft systems or drones enable us to record or capture many scenes from the bird’s-eye view and they have been fast deployed to a wide range of practical domains, i.e., agriculture, aerial photography, fast delivery and surveillance. Object detection task is one of the core steps in understanding videos collected from the drones. However, this task is very challenging due to the unconstrained viewpoints and low resolution of captured videos. While deep-learning modern object detectors have recently achieved great success in general benchmarks, i.e., PASCAL-VOC and MS-COCO, the robustness of these detectors on aerial images captured by drones is not well studied. In this paper, we present an evaluation of state-of-the-art deep-learning detectors including Faster R-CNN (Faster Regional CNN), RFCN (Region-based Fully Convolutional Networks), SNIPER (Scale Normalization for Image Pyramids with Efficient Resampling), Single-Shot Detector (SSD), YOLO (You Only Look Once), RetinaNet, and CenterNet for the object detection in videos captured by drones. We conduct experiments on VisDrone2019 dataset which contains 96 videos with 39,988 annotated frames and provide insights into efficient object detectors for aerial images.
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Shin, Patrick, Temuulen Sankey, Margaret Moore, and Andrea Thode. "Evaluating Unmanned Aerial Vehicle Images for Estimating Forest Canopy Fuels in a Ponderosa Pine Stand." Remote Sensing 10, no. 8 (August 11, 2018): 1266. http://dx.doi.org/10.3390/rs10081266.

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Forests in the Southwestern United States are becoming increasingly susceptible to large wildfires. As a result, forest managers are conducting forest fuel reduction treatments for which spatial fuels and structure information are necessary. However, this information currently has coarse spatial resolution and variable accuracy. This study tested the feasibility of using unmanned aerial vehicle (UAV) imagery to estimate forest canopy fuels and structure in a southwestern ponderosa pine stand. UAV-based multispectral images and Structure-from-Motion point clouds were used to estimate canopy cover, canopy height, tree density, canopy base height, and canopy bulk density. Estimates were validated with field data from 57 plots and aerial photography from the U.S. Department of Agriculture National Agriculture Imaging Program. Results indicate that UAV imagery can be used to accurately estimate forest canopy cover (correlation coefficient (R2) = 0.82, root mean square error (RMSE) = 8.9%). Tree density estimates correctly detected 74% of field-mapped trees with a 16% commission error rate. Individual tree height estimates were strongly correlated with field measurements (R2 = 0.71, RMSE = 1.83 m), whereas canopy base height estimates had a weaker correlation (R2 = 0.34, RMSE = 2.52 m). Estimates of canopy bulk density were not correlated to field measurements. UAV-derived inputs resulted in drastically different estimates of potential crown fire behavior when compared with coarse resolution LANDFIRE data. Methods from this study provide additional data to supplement, or potentially substitute, traditional estimates of canopy fuel.
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Flórez, Jimmy, José Ortega, Andrés Betancourt, Andrés García, Marlon Bedoya, and Juan S. Botero. "A review of algorithms, methods, and techniques for detecting UAVs and UAS using audio, radiofrequency, and video applications." TecnoLógicas 23, no. 48 (May 15, 2020): 269–85. http://dx.doi.org/10.22430/22565337.1408.

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Unmanned Aerial Vehicles (UAVs), also known as drones, have had an exponential evolution in recent times due in large part to the development of technologies that enhance the development of these devices. This has resulted in increasingly affordable and better-equipped artifacts, which implies their application in new fields such as agriculture, transport, monitoring, and aerial photography. However, drones have also been used in terrorist acts, privacy violations, and espionage, in addition to involuntary accidents in high-risk zones such as airports. In response to these events, multiple technologies have been introduced to control and monitor the airspace in order to ensure protection in risk areas. This paper is a review of the state of the art of the techniques, methods, and algorithms used in video, radiofrequency, and audio-based applications to detect UAVs and Unmanned Aircraft Systems (UAS). This study can serve as a starting point to develop future drone detection systems with the most convenient technologies that meet certain requirements of optimal scalability, portability, reliability, and availability.
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Korobov, Dmitry S., and Alexander V. Borisov. "The origins of terraced field agriculture in the Caucasus: new discoveries in the Kislovodsk basin." Antiquity 87, no. 338 (November 22, 2013): 1086–103. http://dx.doi.org/10.1017/s0003598x00049887.

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Terraced field systems are a feature of many regions of the world and have been dated as early as 6000 cal BC in the Levant (Kuijt et al. in Antiquity 81 (2007: 106–18)). The discovery of agricultural terraces in the northern Caucasus, reported here, extends their distribution into a new area. Relatively low population levels in the late medieval and early modern periods have preserved several blocks of terraced fields, some of them created at the beginning of the first millennium BC, others in the mid first millennium AD. The earlier terraced fields, associated with material and settlements of the Koban culture, culminated in over-exploitation of the land and exacerbated erosion during environmental change in the mid first millennium BC. The later series of terraced fields are of different form and are associated with the settlement in the area of communities of Alans in the first millennium AD. They largely avoided the areas rendered infertile by Koban period overexploitation. The morphology and chronology of the terraced field systems are explored using a combination of aerial photography, GIS analysis and field investigations.
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Davoli, Luca, Emanuele Pagliari, and Gianluigi Ferrari. "Hybrid LoRa-IEEE 802.11s Opportunistic Mesh Networking for Flexible UAV Swarming." Drones 5, no. 2 (April 15, 2021): 26. http://dx.doi.org/10.3390/drones5020026.

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Unmanned Aerial Vehicles (UAVs) and small drones are nowadays being widely used in heterogeneous use cases: aerial photography, precise agriculture, inspections, environmental data collection, search-and-rescue operations, surveillance applications, and more. When designing UAV swarm-based applications, a key “ingredient” to make them effective is the communication system (possible involving multiple protocols) shared by flying drones and terrestrial base stations. When compared to ground communication systems for swarms of terrestrial vehicles, one of the main advantages of UAV-based communications is the presence of direct Line-of-Sight (LOS) links between flying UAVs operating at an altitude of tens of meters, often ensuring direct visibility among themselves and even with some ground Base Transceiver Stations (BTSs). Therefore, the adoption of proper networking strategies for UAV swarms allows users to exchange data at distances (significantly) longer than in ground applications. In this paper, we propose a hybrid communication architecture for UAV swarms, leveraging heterogeneous radio mesh networking based on long-range communication protocols—such as LoRa and LoRaWAN—and IEEE 802.11s protocols. We then discuss its strengths, constraints, viable implementation, and relevant reference use cases.
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Kim, Jae Sung. "The application of near-automated georeferencing technique to a strip of historic aerial photographs in GIS." Library Hi Tech 36, no. 1 (March 19, 2018): 43–56. http://dx.doi.org/10.1108/lht-10-2016-0115.

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Purpose The purpose of this paper is to describe the procedure for near-automation of the most commonly used manual georeferencing technique in a desktop GIS environment for historic aerial photographs strip in library archives. Design/methodology/approach Most of the archived historic aerial photography consists of series of aerial photographs that overlap to some extent, as the optimal overlap ratio is known as 60 percent by photogrammetric standard. Therefore, conjugate points can be detected for the overlapping area. The first image was georeferenced manually by six-parameter affine transformation using 2013 National Agriculture Imagery Program images as ground truths. Then, conjugate points were detected in the first and second images using Speeded Up Robust Features and Random Sample Consensus. The ground space coordinates of conjugate points were estimated using the first image’s six parameters. Then the second image’s six parameters were calculated using conjugate points’ ground space coordinates and pixel coordinates in the second image. This procedure was repeated until the last image was georeferenced. However, error accumulated as the number of photographs increased. Therefore, another six-parameter affine transformation was implemented using control points in the first, middle, and last images. Finally, the images were warped using open source GIS tools. Findings The result shows that historic aerial strip collections can be georeferenced with far less time and labor using the technique proposed compared with the traditional manual georeferencing technique in a desktop GIS environment. Research limitations/implications The suggested approach will promote the usage of historic aerial photographs for various scientific purposes including land use and land cover change detection, soil erosion pattern recognition, agricultural practices change analysis, environmental improvement assessment, and natural habitat change detection. Practical implications Most commonly used georeferencing procedures for historic aerial photographs in academic libraries require significant time and effort for manual measurement of conjugate points in the object images and the ground truth images. By maximizing the automation of georeferencing procedures, the suggested approach will save significant time and effort of library workforce. Social implications With the suggested approach, large numbers of historic aerial photographs can be rapidly georeferenced. This will allow libraries to provide more geospatial data to scientific communities. Originality/value This is a unique approach to rapid georeferencing of historic aerial photograph strips.
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Skow, Kevin D., and Craig Cogil. "A High-Resolution Aerial Survey and Radar Analysis of Quasi-Linear Convective System Surface Vortex Damage Paths from 31 August 2014." Weather and Forecasting 32, no. 2 (February 14, 2017): 441–67. http://dx.doi.org/10.1175/waf-d-16-0136.1.

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Abstract On the evening of 31 August 2014, a powerful quasi-linear convective system (QLCS) impacted much of Iowa. In the weeks following the event, the entire path of the QLCS was imaged at ~1-m resolution using aerial photography through the National Agriculture Imagery Program. The predominantly flat, mature agricultural land cover of central Iowa provided an excellent medium on which to document wind phenomena of varying scales. The high-resolution aerial data, in combination with recent spatial, temporal, and polarimetric upgrades to the Weather Surveillance Radar-1988 Doppler (WSR-88D) network, offer an extraordinary glimpse into the quantity, evolution, and scale of surface vortices generated throughout the entire lifespan of this QLCS. One hundred eleven damage tracks associated with these vortices were cataloged along the storm’s 350-km path, ranging in length from 130 m to nearly 18 km. This study classified 35 of these circulations as tornadoes using a series of tests that weighed track characteristics and radar data. Unusual features, such as a likely tornado merger and multiple instances of tornadoes occluding behind the leading edge of the QLCS surface cold pool, are examined. Possible genesis mechanisms and National Weather Service operational implications are also discussed. A new, behavioral-based approach for identifying a tornadic debris signature (TDS) is presented that may be better suited for QLCS tornadoes. Twelve TDSs were cataloged on 31 August 2014 using this methodology at ranges up to 90 km from the Des Moines, Iowa, WSR-88D.
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Nazaruddin, Nazaruddin. "PEMETAAN MELALUI FOTO UDARA PADA LAHAN MARGINAL (TIDUR) YANG BERPOTENSI UNTUK DIJADIKAN LAHAN PERKEBUNAN DI DESA BINAMANG, KECAMATAN XIII KOTO KAMPAR, KABUPATEN KAMPAR, PROVINSI RIAU." Dinamisia : Jurnal Pengabdian Kepada Masyarakat 3, no. 1 (June 17, 2019): 14–21. http://dx.doi.org/10.31849/dinamisia.v3i1.2066.

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The area of ​​Binamang Village has potential area to develop its plantation. Besides being suitable for planting oil palm and rubber commodities, Binamang village is also suitable to be developed by its plantations in the commodities of brown, gambier and gaharu. This is also supported by the large amount of marginal (non productif) land that has not been used in the village of Binamang. However, some of these marginal area are the Koto Panjang PLTA lake catchment area. Clear and detailed mapping is need to classify of marginal area which is potential to be used as plantation land in this area. This is done so that there will be no conflicts in the future. In addition, this mapping data is also useful as information data for potential investors who intend to invest their funds in the plantation sector in Binamang Village. To classify the marginal area which is not the Koto Panjang hydropower (PLTA) lake catchment area, a team of lecturers from the Mechanical Engineering Department of the University of Riau carried out community service activities in the village of Binamang, in the form of build maps of marginal area that could potentially be used as plantation / agriculture. This map is equipped with a geospatial information system. This mapping activity was carried out by using aerial photographing methods through Unmanned Aircraft by involving students of Riau University and local village equipment. This aerial photography activity is carried out at an altitude of 250 meters above ground level. With this method, all marginal areas in Binamang village can be mapped quickly and in detail. Based on calculations carried out through aerial photographic maps that have been injected with GPS coordinates, the marginal area that has the potential to be developed into plantations in Binamang Village is about 40 hectares. This result can be a reference for relevant stakeholders in planning the development of plantation areas in Binamang Village. The results of aerial maps can also be used by local policy makers in planning the spatial layout of Binamang Village.
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Jabs-Sobocińska, Zofia, Andrzej N. Affek, Ireneusz Ewiak, and Mihai Daniel Nita. "Mapping Mature Post-Agricultural Forests in the Polish Eastern Carpathians with Archival Remote Sensing Data." Remote Sensing 13, no. 10 (May 20, 2021): 2018. http://dx.doi.org/10.3390/rs13102018.

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Post-WWII displacements in the Polish Carpathians resulted in widespread land abandonment. Most of the pre-war agricultural areas are now covered with secondary forests, which will soon reach the felling age. Mapping their exact cover is crucial to investigate succession–regeneration processes and to determine their role in the landscape, before making management decisions. Our goal was to map post-agricultural forests in the Polish Eastern Carpathians using archival remote sensing data, and to assess their connectivity with pre-displacement forests. We used German Flown Aerial Photography from 1944 to map agricultural lands and forests from before displacements, and Corona satellite images to map agricultural lands which converted into the forest as a result of this event. We classified archival images using Object-Based Image Analysis (OBIA) and compared the output with the current forest cover derived from Sentinel-2. Our results showed that mature (60–70 years old) post-agricultural forests comprise 27.6% of the total forest area, while younger post-agricultural forests comprise 9%. We also demonstrated that the secondary forests fill forest gaps more often than form isolated patches: 77.5% of patches are connected with the old-woods (forests that most likely have never been cleared for agriculture). Orthorectification and OBIA classification of German Flown Aerial Photographs and Corona satellite images made it possible to accurately determine the spatial extent of post-agricultural forest. This, in turn, paves the way for the implementation of site-specific forest management practices to support the regeneration of secondary forests and their biodiversity.
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Koch, Barbara. "Stand und Perspektiven der Nutzung neuer Fernerkundungstechnologien im Waldbereich | Status and perspectives of the application of new remote sensing technologies in forestry." Schweizerische Zeitschrift fur Forstwesen 162, no. 6 (June 1, 2011): 156–63. http://dx.doi.org/10.3188/szf.2011.0156.

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Remote sensing has been used in forestry for a long time. Aerial photography has mainly been used to support national and operational inventories and medium resolution satellite data for large area inventories. Today through the availability of new technologies there are greatly extended possibilities for remote sensing in the forestry sector. The major change is the better availability of 3-D information, which allows a much better modelling of forests and forest attributes. The paper presents an overview of the newest remote sensing technologies, such as the systems carried by satellite which can be used to record changes or degradation in the area covered by forest for the global forestry resources assessment of the UN World Food and Agriculture Organisation or are examined in connection with the United Nations REDD program. Besides these, other small scale applications are presented based on optical or laser systems carried by aircraft. The article finishes with an outlook on expected developments in the near future. It is expected that the future of forestry remote sensing will be characterized above all by the combination of information obtained from diverse sources, such as data based on terrestrial and on remotely sensed sources.
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Kasem, Abdelrahman, Ahmad Gamal, Amr Hany, Hesham Gaballa, Karim Ahmed, Mina Romany, Mohamed Abdelkawy, and Mohamed M. Abdelrahman. "Design and implementation of an unmanned aerial vehicle with self-propulsive wing." Advances in Mechanical Engineering 11, no. 6 (June 2019): 168781401985729. http://dx.doi.org/10.1177/1687814019857299.

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The article aims to prove the effectiveness of the proposed unmanned air vehicle design (The Propulsive Wing) through numerical and experimental means. The propulsive wing unmanned air vehicle is a completely new class of unmanned air vehicle, making disruptive changes in the aircraft industry. It is based on a distributed cross-flow electric fan propulsion system. When the fan starts to operate, the flow is drawn from the suction surface, provided by energy through the fan and expelled out of the airfoil trailing edge (TE). This causes a significant lift increase and drag reduction with respect to ordinary aircrafts, making it perfect for applications requiring low cruise speed such as firefighting, agriculture, and aerial photography. In this early stage of the investigation, our main aim is to prove that this design is applicable and the expected aerodynamic and propulsion improvements are achievable. This is done through a two-dimensional computational fluid dynamics investigation of the flow around an airfoil with an embedded cross-flow fan near its TE. A scaled wind tunnel model of the same geometry used in the computational fluid dynamics investigation was manufactured and used to perform wind tunnel testing. The computational fluid dynamics and wind tunnel results are compared for validation. Furthermore, an unmanned air vehicle model was designed and manufactured to prove that the propulsive wing concept is flyable. The article shows that the aerodynamic forces developed on the cross-flow fan airfoil are not only functions of Reynolds number and angle of attack as for standard airfoils but also function of the fan rotational speed. The results show the great effect of the rotational speed of fan on lift augmentation and thrust generation through the high momentum flow getting out of the fan nozzle. Wind tunnel tests show that the suction effect of the fan provides stall free operation up to very high angles of attack (40 degrees) leading to unprecedented values of lift coefficient up to 5.8. The flight test conducted showed the great potential of the new aircraft to perform the expected low cruise speed and high angles of attack flight.
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BERGEN, KATHLEEN, ZHENZHEN ZHANG, GERALD TYRRELL, KAREN VON KLUGE, and JACOB RUMSCHLAG. "Mapping Forest and Surrounding Landscape Changes 1949-2015 at the University of Michigan's Historic Forestry Education Properties." Michigan Academician 45, no. 2 (January 1, 2018): 241–64. http://dx.doi.org/10.7245/0026-2005-45.2.241.

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ABSTRACT Three forested properties owned by the University of Michigan and near to Ann Arbor were the sites of some of the earliest forestry field education in the USA. No longer managed solely for this purpose after the mid-1960s, and at the same time nested within a rapidly developing area of Michigan, current planning for the properties focuses on melding their historic legacy with renewed ecologically and sustainably sound uses. We developed new maps and knowledge of forest and land change within and surrounding the properties between 1949 and 2015. We acquired aerial photography at 5-10 year intervals, created land-cover/land-use and change data, and identified key trajectories of change. Results within Saginaw Forest (established 1904) showed a consistent amount of forest area, but transitions in some observed overstory composition from coniferous to mixed forest between 1949 and 2015. Within the present-day extent of Stinchfield Woods and the Newcomb Tract (established 1925-1955), forest area increased from 68% to 98% and 51% to 93% respectively between 1949 and 2015, as forest plantations and other regrowth replaced former cleared lands. In 0.5 km-wide buffer areas surrounding the properties, agriculture decreased, and urban uses increased dramatically between 1949 and 2015 for all three sites. Forested land cover has also increased on the surrounding landscapes, again replacing agriculture and grassland. The properties today still display the legacies of their historic forestry education and research, and are living laboratories of natural succession in planted forests. The properties now also represent some of the most protected local lands while the landscapes surrounding them continue to change.
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Sagan, Vasit, Maitiniyazi Maimaitijiang, Paheding Sidike, Kevin Eblimit, Kyle Peterson, Sean Hartling, Flavio Esposito, et al. "UAV-Based High Resolution Thermal Imaging for Vegetation Monitoring, and Plant Phenotyping Using ICI 8640 P, FLIR Vue Pro R 640, and thermoMap Cameras." Remote Sensing 11, no. 3 (February 7, 2019): 330. http://dx.doi.org/10.3390/rs11030330.

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The growing popularity of Unmanned Aerial Vehicles (UAVs) in recent years, along with decreased cost and greater accessibility of both UAVs and thermal imaging sensors, has led to the widespread use of this technology, especially for precision agriculture and plant phenotyping. There are several thermal camera systems in the market that are available at a low cost. However, their efficacy and accuracy in various applications has not been tested. In this study, three commercially available UAV thermal cameras, including ICI 8640 P-series (Infrared Cameras Inc., USA), FLIR Vue Pro R 640 (FLIR Systems, USA), and thermoMap (senseFly, Switzerland) have been tested and evaluated for their potential for forest monitoring, vegetation stress detection, and plant phenotyping. Mounted on multi-rotor or fixed wing systems, these cameras were simultaneously flown over different experimental sites located in St. Louis, Missouri (forest environment), Columbia, Missouri (plant stress detection and phenotyping), and Maricopa, Arizona (high throughput phenotyping). Thermal imagery was calibrated using procedures that utilize a blackbody, handheld thermal spot imager, ground thermal targets, emissivityand atmospheric correction. A suite of statistical analyses, including analysis of variance (ANOVA), correlation analysis between camera temperature and plant biophysical and biochemical traits, and heritability were utilized in order to examine the sensitivity and utility of the cameras against selected plant phenotypic traits and in the detection of plant water stress. In addition, in reference to quantitative assessment of image quality from different thermal cameras, a non-reference image quality evaluator, which primarily measures image focus that is based on the spatial relationship of pixels in different scales, was developed. Our results show that (1) UAV-based thermal imaging is a viable tool in precision agriculture and (2) the three examined cameras are comparable in terms of their efficacy for plant phenotyping. Overall, accuracy, when compared against field measured ground temperature and estimating power of plant biophysical and biochemical traits, the ICI 8640 P-series performed better than the other two cameras, followed by FLIR Vue Pro R 640 and thermoMap cameras. Our results demonstrated that all three UAV thermal cameras provide useful temperature data for precision agriculture and plant phenotying, with ICI 8640 P-series presenting the best results among the three systems. Cost wise, FLIR Vue Pro R 640 is more affordable than the other two cameras, providing a less expensive option for a wide range of applications.
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Fraser, R. H., I. Olthof, M. Maloley, R. Fernandes, C. Prevost, and J. van der Sluijs. "UAV PHOTOGRAMMETRY FOR MAPPING AND MONITORING OF NORTHERN PERMAFROST LANDSCAPES." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-1/W4 (August 27, 2015): 361. http://dx.doi.org/10.5194/isprsarchives-xl-1-w4-361-2015.

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Northern environments are changing in response to recent climate warming, resource development, and natural disturbances. The Arctic climate has warmed by 2&ndash;3°C since the 1950’s, causing a range of cryospheric changes including declines in sea ice extent, snow cover duration, and glacier mass, and warming permafrost. The terrestrial Arctic has also undergone significant temperature-driven changes in the form of increased thermokarst, larger tundra fires, and enhanced shrub growth. Monitoring these changes to inform land managers and decision makers is challenging due to the vast spatial extents involved and difficult access. <br><br> Environmental monitoring in Canada’s North is often based on local-scale measurements derived from aerial reconnaissance and photography, and ecological, hydrologic, and geologic sampling and surveying. Satellite remote sensing can provide a complementary tool for more spatially comprehensive monitoring but at coarser spatial resolutions. Satellite remote sensing has been used to map Arctic landscape changes related to vegetation productivity, lake expansion and drainage, glacier retreat, thermokarst, and wildfire activity. However, a current limitation with existing satellite-based techniques is the measurement gap between field measurements and high resolution satellite imagery. Bridging this gap is important for scaling up field measurements to landscape levels, and validating and calibrating satellite-based analyses. This gap can be filled to a certain extent using helicopter or fixed-wing aerial surveys, but at a cost that is often prohibitive. <br><br> Unmanned aerial vehicle (UAV) technology has only recently progressed to the point where it can provide an inexpensive and efficient means of capturing imagery at this middle scale of measurement with detail that is adequate to interpret Arctic vegetation (i.e. 1&ndash;5 cm) and coverage that can be directly related to satellite imagery (1&ndash;10 km<sup>2</sup>). Unlike satellite measurements, UAVs permit frequent surveys (e.g. for monitoring vegetation phenology, fires, and hydrology), are not constrained by repeat cycle or cloud cover, can be rapidly deployed following a significant event, and are better suited than manned aircraft for mapping small areas. UAVs are becoming more common for agriculture, law enforcement, and marketing, but their use in the Arctic is still rare and represents untapped technology for northern mapping, monitoring, and environmental research. <br><br> We are conducting surveys over a range of sensitive or changing northern landscapes using a variety of UAV multicopter platforms and small sensors. Survey targets include retrogressive thaw slumps, tundra shrub vegetation, recently burned vegetation, road infrastructure, and snow. Working with scientific partners involved in northern monitoring programs (NWT CIMP, CHARS, NASA ABOVE, NRCan-GSC) we are investigating the advantages, challenges, and best practices for acquiring high resolution imagery from multicopters to create detailed orthomosaics and co-registered 3D terrain models. Colour and multispectral orthomosaics are being integrated with field measurements and satellite imagery to conduct spatial scaling of environmental parameters. Highly detailed digital terrain models derived using structure from motion (SfM) photogrammetry are being applied to measure thaw slump morphology and change, snow depth, tundra vegetation structure, and surface condition of road infrastructure. <br><br> These surveys and monitoring applications demonstrate that UAV-based photogrammetry is poised to make a rapid contribution to a wide range of northern monitoring and research applications.
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Lisetskii, Fedor, Edgar Terekhin, Arseniy Poletaev, and Zhanna Buryak. "Application of GIS technologies to study the territories of the archaeological heritage: A case of the rural district of Tauric Chersonesos, Crimea." InterCarto. InterGIS 26, no. 4 (2020): 242–56. http://dx.doi.org/10.35595/2414-9179-2020-4-26-242-256.

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Archaeological postagrogenic landscapes are characterized by large heterogeneity of soil and vegetation cover and variability of soil properties, which is due to the long history and evolution of agricultural practices. The study of such territories is promising, using the capabilities of GIS technologies and geostatistical analysis for visualization and subsequent meaningful interpretation of spatially distributed information. The purpose of the research was the first study and a comprehensive assessment of the maturity of the soil and vegetation cover of the still preserved steppe ecosystems (on an area of about 760 ha) in the ancient allotments of Tauric Chersonesos (South-Western Crimea), which were created in the 4th century BC and have been used for over four centuries. Geoinformation analysis made it possible to establish the basic territorial patterns of distribution of indicators of the land cover (organic carbon content, C:N ratio, soil colour, soil red index, projective cover with feather grass, its height and projective cover with steppe litter) and their integral estimates for a potential agricultural zone Chersonesos, which is considered to be included in the land cadastral system of the state. The frequency of distribution of the grape plantation within the boundaries of the allotments decreases in the direction from northwest to southeast, which was established using archival satellite imagery and aerial photography on the territory of the rural district of Chersonesos (chora). This regularity could be reflected in the properties of plantation ploughing soils that in ancient times were turbocharged to a depth of 60–70 cm (more clarified by colour, less humus), and more often represented by remote sensing data in the north-western and central part of the rural district of Chersonesos. The performed geoinformation analysis of spatially distributed information on the colour, content of Corg, and C:N values in fallow soils and vegetation cover indicators confirmed the need to divide the chora into two agro-economic zones, which reflect differences in the specialization of agriculture (perennial plantations closer to the city (orchards and vineyards) and remote land in the southeast with predominantly grain farming). The use of spatial analysis tools to study ancient agricultural regions has new opportunities for identifying patterns in the heterogeneity of soil and vegetation, which allows it to be recommended for multidisciplinary studies of other postagrogenic landscapes of the ancient world.
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Yakubu, Bashir Ishaku, Shua’ib Musa Hassan, and Sallau Osisiemo Asiribo. "AN ASSESSMENT OF SPATIAL VARIATION OF LAND SURFACE CHARACTERISTICS OF MINNA, NIGER STATE NIGERIA FOR SUSTAINABLE URBANIZATION USING GEOSPATIAL TECHNIQUES." Geosfera Indonesia 3, no. 2 (August 28, 2018): 27. http://dx.doi.org/10.19184/geosi.v3i2.7934.

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Rapid urbanization rates impact significantly on the nature of Land Cover patterns of the environment, which has been evident in the depletion of vegetal reserves and in general modifying the human climatic systems (Henderson, et al., 2017; Kumar, Masago, Mishra, & Fukushi, 2018; Luo and Lau, 2017). This study explores remote sensing classification technique and other auxiliary data to determine LULCC for a period of 50 years (1967-2016). The LULCC types identified were quantitatively evaluated using the change detection approach from results of maximum likelihood classification algorithm in GIS. Accuracy assessment results were evaluated and found to be between 56 to 98 percent of the LULC classification. The change detection analysis revealed change in the LULC types in Minna from 1976 to 2016. Built-up area increases from 74.82ha in 1976 to 116.58ha in 2016. Farmlands increased from 2.23 ha to 46.45ha and bared surface increases from 120.00ha to 161.31ha between 1976 to 2016 resulting to decline in vegetation, water body, and wetlands. The Decade of rapid urbanization was found to coincide with the period of increased Public Private Partnership Agreement (PPPA). Increase in farmlands was due to the adoption of urban agriculture which has influence on food security and the environmental sustainability. The observed increase in built up areas, farmlands and bare surfaces has substantially led to reduction in vegetation and water bodies. The oscillatory nature of water bodies LULCC which was not particularly consistent with the rates of urbanization also suggests that beyond the urbanization process, other factors may influence the LULCC of water bodies in urban settlements. Keywords: Minna, Niger State, Remote Sensing, Land Surface Characteristics References Akinrinmade, A., Ibrahim, K., & Abdurrahman, A. (2012). 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Vasiukhin, M. I., O. M. Tkachenko, A. M. Kasim, and V. V. Dolinniy. "The aggregation technology of applied software for aerial photography data processing to building map databases in precision agriculture system." Electronics and Control Systems 1, no. 43 (September 23, 2015). http://dx.doi.org/10.18372/1990-5548.43.8852.

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Juknelienė, Daiva, and Gintautas Mozgeris. "The spatial pattern of forest cover changes in Lithuania during the second half of the twentieth century." Žemės ūkio mokslai 22, no. 4 (December 28, 2015). http://dx.doi.org/10.6001/zemesukiomokslai.v22i4.3215.

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The trends of forest cover change in Lithuanian municipalities are introduced in the current paper. Two sources of information on the forest cover in 1950s and today (2013) were used in this study: (i) a geographic forest cover database developed using historical orthophotomaps based on aerial photography, which was carried out in the period just after the World War II, and (ii) the information originating from the State Forest Cadaster and referring to the year 2013. These two layers were compared using GIS overlay techniques. The data was made available for the analyses aggregated up to the municipality level. The Global Moran’s I statistic and Anselin Local Moran’s I were used to identify global and local patterns in the distribution of forest cover characteristics in Lithuanian municipalities, respectively. The main finding of this study was that the proportion of the forest cover in 1950 was 26.5%, i. e. notably differing from the official statistics – 19.7%. The proportion of the forest cover increased in all municipalities during the period 1950–2013. The largest increase in forest cover proportion was in the areas less suitable for agriculture. The relatively largest areas of new forests were identified in the south-eastern part of Lithuania, the deforestation was relatively slowest around less forested municipalities, while the afforestation was relatively slowest around the agricultural Pakruojis municipality. Deforestation was most commonly associated with the forest transformation into agricultural land, less often into scrublands or waters.
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FLORES, JABEZ JOSHUA M., and Inocencio Buot. Jr. "The structure of permaculture landscapes in the Philippines." Biodiversitas Journal of Biological Diversity 22, no. 4 (April 2, 2021). http://dx.doi.org/10.13057/biodiv/d220452.

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Abstract. Flores JJM, Buot Jr. IE. 2021. The structure of permaculture landscapes in the Philippines. Biodiversitas 22: 2032-2044. Biodiversity plays a crucial role in sustainable agriculture. Permaculture is a design philosophy that values this role as it consciously integrates diverse components into the farm landscape. The purpose of the study was to characterize the general structure of permaculture landscapes in the Philippines and identify the landscape components that comprise its farming systems. The research was conducted in 12 permaculture farms in 11 provinces in the Philippines in 2018. Aerial photography and farm inventory were employed for data collection. A crop diversity survey was conducted using a modified belt transect method with alternating 20 m2 plots within a 1 ha sampling area. Full enumeration of plant species in each plot was performed to determine species richness and samples were manually counted to compute for the Shannon-Wiener Diversity Index. Results of the study showed that permaculture landscapes were organized into six spatial zones: ‘house,’ ‘garden,’ ‘grazing,’ ‘cash crops,’ ‘food forest,’ and 'wilderness.' It was identified that each zone contained components belonging to six categories: abiotic, biotic, man-made structural, technological, socio-economic, and cultural. 'Biotic' results showed that all sites recorded high species richness (>20-65) with the highest found in Glinoga Organic Farm with 65. Aloha House in Palawan had the highest diversity with a score of 0.311. An analysis of the ratio of plant species per plant category showed that the vegetable/cereal crops dominated the landscape in 50% of sites. While 20% were characterized by tree/fruit-bearing crops. Perennial species were the most abundant in all sites with 75-95% of the total plant species. In conclusion, permaculture provided a design framework for restructuring our agricultural landscapes into diverse and productive ecosystems for human settlement and food production.
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Molnar, Tamas. "Spectre of the Past, Vision of the Future – Ritual, Reflexivity and the Hope for Renewal in Yann Arthus-Bertrand’s Climate Change Communication Film "Home"." M/C Journal 15, no. 3 (May 3, 2012). http://dx.doi.org/10.5204/mcj.496.

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About half way through Yann Arthus-Bertrand’s film Home (2009) the narrator describes the fall of the Rapa Nui, the indigenous people of the Easter Islands. The narrator posits that the Rapa Nui culture collapsed due to extensive environmental degradation brought about by large-scale deforestation. The Rapa Nui cut down their massive native forests to clear spaces for agriculture, to heat their dwellings, to build canoes and, most importantly, to move their enormous rock sculptures—the Moai. The disappearance of their forests led to island-wide soil erosion and the gradual disappearance of arable land. Caught in the vice of overpopulation but with rapidly dwindling basic resources and no trees to build canoes, they were trapped on the island and watched helplessly as their society fell into disarray. The sequence ends with the narrator’s biting remark: “The real mystery of the Easter Islands is not how its strange statues got there, we know now; it's why the Rapa Nui didn't react in time.” In their unrelenting desire for development, the Rapa Nui appear to have overlooked the role the environment plays in maintaining a society. The island’s Moai accompanying the sequence appear as memento mori, a lesson in the mortality of human cultures brought about by their own misguided and short-sighted practices. Arthus-Bertrand’s Home, a film composed almost entirely of aerial photographs, bears witness to present-day environmental degradation and climate change, constructing society as a fragile structure built upon and sustained by the environment. Home is a call to recognise how contemporary practices of post-industrial societies have come to shape the environment and how they may impact the habitability of Earth in the near future. Through reflexivity and a ritualised structure the text invites spectators to look at themselves in a new light and remake their self-image in the wake of global environmental risk by embracing new, alternative core practices based on balance and interconnectedness. Arthus-Bertrand frames climate change not as a burden, but as a moment of profound realisation of the potential for change and humans ability to create a desirable future through hope and our innate capacity for renewal. This article examines how Arthus-Bertrand’s ritualised construction of climate change aims to remake viewers’ perception of present-day environmental degradation and investigates Home’s place in contemporary climate change communication discourse. Climate change, in its capacity to affect us globally, is considered a world risk. The most recent peer-reviewed Synthesis Report of the Intergovernmental Panel on Climate Change suggests that the concentration of atmospheric greenhouse gases has increased markedly since human industrialisation in the 18th century. Moreover, human activities, such as fossil fuel burning and agricultural practices, are “very likely” responsible for the resulting increase in temperature rise (IPPC 37). The increased global temperatures and the subsequent changing weather patterns have a direct and profound impact on the physical and biological systems of our planet, including shrinking glaciers, melting permafrost, coastal erosion, and changes in species distribution and reproduction patterns (Rosenzweig et al. 353). Studies of global security assert that these physiological changes are expected to increase the likelihood of humanitarian disasters, food and water supply shortages, and competition for resources thus resulting in a destabilisation of global safety (Boston et al. 1–2). Human behaviour and dominant practices of modernity are now on a path to materially impact the future habitability of our home, Earth. In contemporary post-industrial societies, however, climate change remains an elusive, intangible threat. Here, the Arctic-bound species forced to adapt to milder climates or the inhabitants of low-lying Pacific islands seeking refuge in mainland cities are removed from the everyday experience of the controlled and regulated environments of homes, offices, and shopping malls. Diverse research into the mediated and mediatised nature of the environment suggests that rather than from first-hand experiences and observations, the majority of our knowledge concerning the environment now comes from its representation in the mass media (Hamilton 4; Stamm et al. 220; Cox 2). Consequently the threat of climate change is communicated and constructed through the news media, entertainment and lifestyle programming, and various documentaries and fiction films. It is therefore the construction (the representation of the risk in various discourses) that shapes people’s perception and experience of the phenomenon, and ultimately influences behaviour and instigates social response (Beck 213). By drawing on and negotiating society’s dominant discourses, environmental mediation defines spectators’ perceptions of the human-nature relationship and subsequently their roles and responsibilities in the face of environmental risks. Maxwell Boykoff asserts that contemporary modern society’s mediatised representations of environmental degradation and climate change depict the phenomena as external to society’s primary social and economic concerns (449). Julia Corbett argues that this is partly because environmental protection and sustainable behaviour are often at odds with the dominant social paradigms of consumerism, economic growth, and materialism (175). Similarly, Rowan Howard-Williams suggests that most media texts, especially news, do not emphasise the link between social practices, such as consumerist behaviour, and their environmental consequences because they contradict dominant social paradigms (41). The demands contemporary post-industrial societies make on the environment to sustain economic growth, consumer culture, and citizens’ comfortable lives in air-conditioned homes and offices are often left unarticulated. While the media coverage of environmental risks may indeed have contributed to “critical misperceptions, misleading debates, and divergent understandings” (Boykoff 450) climate change possesses innate characteristics that amplify its perception in present-day post-industrial societies as a distant and impersonal threat. Climate change is characterised by temporal and spatial de-localisation. The gradual increase in global temperature and its physical and biological consequences are much less prominent than seasonal changes and hence difficult to observe on human time-scales. Moreover, while research points to the increased probability of extreme climatic events such as droughts, wild fires, and changes in weather patterns (IPCC 48), they take place over a wide range of geographical locations and no single event can be ultimately said to be the result of climate change (Maibach and Roser-Renouf 145). In addition to these observational obstacles, political partisanship, vested interests in the current status quo, and general resistance to profound change all play a part in keeping us one step removed from the phenomenon of climate change. The distant and impersonal nature of climate change coupled with the “uncertainty over consequences, diverse and multiple engaged interests, conflicting knowledge claims, and high stakes” (Lorenzoni et al. 65) often result in repression, rejection, and denial, removing the individual’s responsibility to act. Research suggests that, due to its unique observational obstacles in contemporary post-industrial societies, climate change is considered a psychologically distant event (Pawlik 559), one that is not personally salient due to the “perceived distance and remoteness [...] from one’s everyday experience” (O’Neill and Nicholson-Cole 370). In an examination of the barriers to behaviour change in the face of psychologically distant events, Robert Gifford argues that changing individuals’ perceptions of the issue-domain is one of the challenges of countering environmental inertia—the lack of initiative for environmentally sustainable social action (5). To challenge the status quo a radically different construction of the environment and the human-nature relationship is required to transform our perception of global environmental risks and ultimately result in environmentally consequential social action. Yann Arthus-Bertrand’s Home is a ritualised construction of contemporary environmental degradation and climate change which takes spectators on a rite of passage to a newfound understanding of the human-nature relationship. Transformation through re-imagining individuals’ roles, responsibilities, and practices is an intrinsic quality of rituals. A ritual charts a subjects path from one state of consciousness to the next, resulting in a meaningful change of attitudes (Deflem 8). Through a lifelong study of African rituals British cultural ethnographer Victor Turner refined his concept of rituals in a modern social context. Turner observed that rituals conform to a three-phased processural form (The Ritual Process 13–14). First, in the separation stage, the subjects are selected and removed from their fixed position in the social structure. Second, they enter an in-between and ambiguous liminal stage, characterised by a “partial or complete separation of the subject from everyday existence” (Deflem 8). Finally, imbued with a new perspective of the outside world borne out of the experience of reflexivity, liminality, and a cathartic cleansing, subjects are reintegrated into the social reality in a new, stable state. The three distinct stages make the ritual an emotionally charged, highly personal experience that “demarcates the passage from one phase to another in the individual’s life-cycle” (Turner, “Symbols” 488) and actively shapes human attitudes and behaviour. Adhering to the three-staged processural form of the ritual, Arthus-Bertrand guides spectators towards a newfound understanding of their roles and responsibilities in creating a desirable future. In the first stage—the separation—aerial photography of Home alienates viewers from their anthropocentric perspectives of the outside world. This establishes Earth as a body, and unearths spectators’ guilt and shame in relation to contemporary world risks. Aerial photography strips landscapes of their conventional qualities of horizon, scale, and human reference. As fine art photographer Emmet Gowin observes, “when one really sees an awesome, vast place, our sense of wholeness is reorganised [...] and the body seems always to diminish” (qtd. in Reynolds 4). Confronted with a seemingly infinite sublime landscape from above, the spectator’s “body diminishes” as they witness Earth’s body gradually taking shape. Home’s rushing rivers of Indonesia are akin to blood flowing through the veins and the Siberian permafrost seems like the texture of skin in extreme close-up. Arthus-Bertrand establishes a geocentric embodiment to force spectators to perceive and experience the environmental degradation brought about by the dominant social practices of contemporary post-industrial modernity. The film-maker visualises the maltreatment of the environment through suggested abuse of the Earth’s body. Images of industrial agricultural practices in the United States appear to leave scratches and scars on the landscape, and as a ship crosses the Arctic ice sheets of the Northwest Passage the boat glides like the surgeon’s knife cutting through the uppermost layer of the skin. But the deep blue water that’s revealed in the wake of the craft suggests a flesh and body now devoid of life, a suffering Earth in the wake of global climatic change. Arthus-Bertrand’s images become the sublime evidence of human intervention in the environment and the reflection of present-day industrialisation materially altering the face of Earth. The film-maker exploits spectators’ geocentric perspective and sensibility to prompt reflexivity, provide revelations about the self, and unearth the forgotten shame and guilt in having inadvertently caused excessive environmental degradation. Following the sequences establishing Earth as the body of the text Arthus-Bertrand returns spectators to their everyday “natural” environment—the city. Having witnessed and endured the pain and suffering of Earth, spectators now gaze at the skyscrapers standing bold and tall in the cityscape with disillusionment. The pinnacles of modern urban development become symbols of arrogance and exploitation: structures forced upon the landscape. Moreover, the images of contemporary cityscapes in Home serve as triggers for ritual reflexivity, allowing the spectator to “perceive the self [...] as a distanced ‘other’ and hence achieve a partial ‘self-transcendence’” (Beck, Comments 491). Arthus-Bertrand’s aerial photographs of Los Angeles, New York, and Tokyo fold these distinct urban environments into one uniform fusion of glass, metal, and concrete devoid of life. The uniformity of these cultural landscapes prompts spectators to add the missing element: the human. Suddenly, the homes and offices of desolate cityscapes are populated by none other than us, looking at ourselves from a unique vantage point. The geocentric sensibility the film-maker invoked with the images of the suffering Earth now prompt a revelation about the self as spectators see their everyday urban environments in a new light. Their homes and offices become blemishes on the face of the Earth: its inhabitants, including the spectators themselves, complicit in the excessive mistreatment of the planet. The second stage of the ritual allows Arthus-Bertrand to challenge dominant social paradigms of present day post-industrial societies and introduce new, alternative moral directives to govern our habits and attitudes. Following the separation, ritual subjects enter an in-between, threshold stage, one unencumbered by the spatial, temporal, and social boundaries of everyday existence. Turner posits that a subjects passage through this liminal stage is necessary to attain psychic maturation and successful transition to a new, stable state at the end of the ritual (The Ritual Process 97). While this “betwixt and between” (Turner, The Ritual Process 95) state may be a fleeting moment of transition, it makes for a “lived experience [that] transforms human beings cognitively, emotionally, and morally.” (Horvath et al. 3) Through a change of perceptions liminality paves the way toward meaningful social action. Home places spectators in a state of liminality to contrast geocentric and anthropocentric views. Arthus-Bertrand contrasts natural and human-made environments in terms of diversity. The narrator’s description of the “miracle of life” is followed by images of trees seemingly defying gravity, snow-covered summits among mountain ranges, and a whale in the ocean. Grandeur and variety appear to be inherent qualities of biodiversity on Earth, qualities contrasted with images of the endless, uniform rectangular greenhouses of Almeria, Spain. This contrast emphasises the loss of variety in human achievements and the monotony mass-production brings to the landscape. With the image of a fire burning atop a factory chimney, Arthus-Bertrand critiques the change of pace and distortion of time inherent in anthropocentric views, and specifically in contemporary modernity. Here, the flames appear to instantly eat away at resources that have taken millions of years to form, bringing anthropocentric and geocentric temporality into sharp contrast. A sequence showing a night time metropolis underscores this distinction. The glittering cityscape is lit by hundreds of lights in skyscrapers in an effort, it appears, to mimic and surpass daylight and thus upturn the natural rhythm of life. As the narrator remarks, in our present-day environments, “days are now the pale reflections of nights.” Arthus-Bertrand also uses ritual liminality to mark the present as a transitory, threshold moment in human civilisation. The film-maker contrasts the spectre of our past with possible visions of the future to mark the moment of now as a time when humanity is on the threshold of two distinct states of mind. The narrator’s descriptions of contemporary post-industrial society’s reliance on non-renewable resources and lack of environmentally sustainable agricultural practices condemn the past and warn viewers of the consequences of continuing such practices into the future. Exploring the liminal present Arthus-Bertrand proposes distinctive futurescapes for humankind. On the one hand, the narrator’s description of California’s “concentration camp style cattle farming” suggests that humankind will live in a future that feeds from the past, falling back on frames of horrors and past mistakes. On the other hand, the example of Costa Rica, a nation that abolished its military and dedicated the budget to environmental conservation, is recognition of our ability to re-imagine our future in the face of global risk. Home introduces myths to imbue liminality with the alternative dominant social paradigm of ecology. By calling upon deep-seated structures myths “touch the heart of society’s emotional, spiritual and intellectual consciousness” (Killingsworth and Palmer 176) and help us understand and come to terms with complex social, economic, and scientific phenomena. With the capacity to “pattern thought, beliefs and practices,” (Maier 166) myths are ideal tools in communicating ritual liminality and challenging contemporary post-industrial society’s dominant social paradigms. The opening sequence of Home, where the crescent Earth is slowly revealed in the darkness of space, is an allusion to creation: the genesis myth. Accompanied only by a gentle hum our home emerges in brilliant blue, white, and green-brown encompassing most of the screen. It is as if darkness and chaos disintegrated and order, life, and the elements were created right before our eyes. Akin to the Earthrise image taken by the astronauts of Apollo 8, Home’s opening sequence underscores the notion that our home is a unique spot in the blackness of space and is defined and circumscribed by the elements. With the opening sequence Arthus-Bertrand wishes to impart the message of interdependence and reliance on elements—core concepts of ecology. Balance, another key theme in ecology, is introduced with an allusion to the Icarus myth in a sequence depicting Dubai. The story of Icarus’s fall from the sky after flying too close to the sun is a symbolic retelling of hubris—a violent pride and arrogance punishable by nemesis—destruction, which ultimately restores balance by forcing the individual back within the limits transgressed (Littleton 712). In Arthus-Bertrand’s portrayal of Dubai, the camera slowly tilts upwards on the Burj Khalifa tower, the tallest human-made structure ever built. The construction works on the tower explicitly frame humans against the bright blue sky in their attempt to reach ever further, transgressing their limitations much like the ill-fated Icarus. Arthus-Bertrand warns that contemporary modernity does not strive for balance or moderation, and with climate change we may have brought our nemesis upon ourselves. By suggesting new dominant paradigms and providing a critique of current maxims, Home’s retelling of myths ultimately sees spectators through to the final stage of the ritual. The last phase in the rite of passage “celebrates and commemorates transcendent powers,” (Deflem 8) marking subjects’ rebirth to a new status and distinctive perception of the outside world. It is at this stage that Arthus-Bertrand resolves the emotional distress uncovered in the separation phase. The film-maker uses humanity’s innate capacity for creation and renewal as a cathartic cleansing aimed at reconciling spectators’ guilt and shame in having inadvertently exacerbated global environmental degradation. Arthus-Bertrand identifies renewable resources as the key to redeeming technology, human intervention in the landscape, and finally humanity itself. Until now, the film-maker pictured modernity and technology, evidenced in his portrayal of Dubai, as synonymous with excess and disrespect for the interconnectedness and balance of elements on Earth. The final sequence shows a very different face of technology. Here, we see a mechanical sea-snake generating electricity by riding the waves off the coast of Scotland and solar panels turning towards the sun in the Sahara desert. Technology’s redemption is evidenced in its ability to imitate nature—a move towards geocentric consciousness (a lesson learned from the ritual’s liminal stage). Moreover, these human-made structures, unlike the skyscrapers earlier in the film, appear a lot less invasive in the landscape and speak of moderation and union with nature. With the above examples Arthus-Bertrand suggests that humanity can shed the greed that drove it to dig deeper and deeper into the Earth to acquire non-renewable resources such as oil and coal, what the narrator describes as “treasures buried deep.” The incorporation of principles of ecology, such as balance and interconnectedness, into humanity’s behaviour ushers in reconciliation and ritual cleansing in Home. Following the description of the move toward renewable resources, the narrator reveals that “worldwide four children out of five attend school, never has learning been given to so many human beings” marking education, innovation, and creativity as the true inexhaustible resources on Earth. Lastly, the description of Antarctica in Home is the essence of Arthus-Bertrand’s argument for our innate capacity to create, not simply exploit and destroy. Here, the narrator describes the continent as possessing “immense natural resources that no country can claim for itself, a natural reserve devoted to peace and science, a treaty signed by 49 nations has made it a treasure shared by all humanity.” Innovation appears to fuel humankind’s transcendence to a state where it is capable of compassion, unification, sharing, and finally creating treasures. With these examples Arthus-Bertrand suggests that humanity has an innate capacity for creative energy that awaits authentic expression and can turn humankind from destroyer to creator. In recent years various risk communication texts have explicitly addressed climate change, endeavouring to instigate environmentally consequential social action. Home breaks discursive ground among them through its ritualistic construction which seeks to transform spectators’ perception, and in turn roles and responsibilities, in the face of global environmental risks. Unlike recent climate change media texts such as An Inconvenient Truth (2006), The 11th Hour (2007), The Age of Stupid (2009), Carbon Nation (2010) and Earth: The Operator’s Manual (2011), Home eludes simple genre classification. On the threshold of photography and film, documentary and fiction, Arthus-Bertrand’s work is best classified as an advocacy film promoting public debate and engagement with a universal concern—the state of the environment. The film’s website, available in multiple languages, contains educational material, resources to organise public screenings, and a link to GoodPlanet.info: a website dedicated to environmentalism, including legal tools and initiatives to take action. The film-maker’s approach to using Home as a basis for education and raising awareness corresponds to Antonio Lopez’s critique of contemporary mass-media communications of global risks. Lopez rebukes traditional forms of mediatised communication that place emphasis on the imparting of knowledge and instead calls for a participatory, discussion-driven, organic media approach, akin to a communion or a ritual (106). Moreover, while texts often place a great emphasis on the messenger, for instance Al Gore in An Inconvenient Truth, Leonardo DiCaprio in The 11th Hour, or geologist Dr. Richard Alley in Earth: The Operator’s Manual, Home’s messenger remains unseen—the narrator is only identified at the very end of the film among the credits. The film-maker’s decision to forego a central human character helps dissociate the message from the personality of the messenger which aids in establishing and maintaining the geocentric sensibility of the text. Finally, the ritual’s invocation and cathartic cleansing of emotional distress enables Home to at once acknowledge our environmentally destructive past habits and point to a hopeful, environmentally sustainable future. While The Age of Stupid mostly focuses on humanity’s present and past failures to respond to an imminent environmental catastrophe, Carbon Nation, with the tagline “A climate change solutions movie that doesn’t even care if you believe in climate change,” only explores the potential future business opportunities in turning towards renewable resources and environmentally sustainable practices. The three-phased processural form of the ritual allows for a balance of backward and forward-looking, establishing the possibility of change and renewal in the face of world risk. The ritual is a transformative experience. As Turner states, rituals “interrupt the flow of social life and force a group to take cognizance of its behaviour in relation to its own values, and even question at times the value of those values” (“Dramatic Ritual” 82). Home, a ritualised media text, is an invitation to look at our world, its dominant social paradigms, and the key element within that world—ourselves—with new eyes. It makes explicit contemporary post-industrial society’s dependence on the environment, highlights our impact on Earth, and reveals our complicity in bringing about a contemporary world risk. The ritual structure and the self-reflexivity allow Arthus-Bertrand to transform climate change into a personally salient issue. This bestows upon the spectator the responsibility to act and to reconcile the spectre of the past with the vision of the future.Acknowledgments The author would like to thank Dr. Angi Buettner whose support, guidance, and supervision has been invaluable in preparing this article. 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26

Ryan, John C., Danielle Brady, and Christopher Kueh. "Where Fanny Balbuk Walked: Re-imagining Perth’s Wetlands." M/C Journal 18, no. 6 (March 7, 2016). http://dx.doi.org/10.5204/mcj.1038.

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Special Care Notice This article contains images of deceased people that might cause sadness or distress to Aboriginal and Torres Strait Islander readers. Introduction Like many cities, Perth was founded on wetlands that have been integral to its history and culture (Seddon 226–32). However, in order to promote a settlement agenda, early mapmakers sought to erase the city’s wetlands from cartographic depictions (Giblett, Cities). Since the colonial era, inner-Perth’s swamps and lakes have been drained, filled, significantly reduced in size, or otherwise reclaimed for urban expansion (Bekle). Not only have the swamps and lakes physically disappeared, the memories of their presence and influence on the city’s development over time are also largely forgotten. What was the site of Perth, specifically its wetlands, like before British settlement? In 2014, an interdisciplinary team at Edith Cowan University developed a digital visualisation process to re-imagine Perth prior to colonisation. This was based on early maps of the Swan River Colony and a range of archival information. The images depicted the city’s topography, hydrology, and vegetation and became the centerpiece of a physical exhibition entitled Re-imagining Perth’s Lost Wetlands and a virtual exhibition hosted by the Western Australian Museum. Alongside historic maps, paintings, photographs, and writings, the visual reconstruction of Perth aimed to foster appreciation of the pre-settlement environment—the homeland of the Whadjuck Nyoongar, or Bibbulmun, people (Carter and Nutter). The exhibition included the narrative of Fanny Balbuk, a Nyoongar woman who voiced her indignation over the “usurping of her beloved home ground” (Bates, The Passing 69) by flouting property lines and walking through private residences to reach places of cultural significance. Beginning with Balbuk’s story and the digital tracing of her walking route through colonial Perth, this article discusses the project in the context of contemporary pressures on the city’s extant wetlands. The re-imagining of Perth through historically, culturally, and geographically-grounded digital visualisation approaches can inspire the conservation of its wetlands heritage. Balbuk’s Walk through the City For many who grew up in Perth, Fanny Balbuk’s perambulations have achieved legendary status in the collective cultural imagination. In his memoir, David Whish-Wilson mentions Balbuk’s defiant walks and the lighting up of the city for astronaut John Glenn in 1962 as the two stories that had the most impact on his Perth childhood. From Gordon Stephenson House, Whish-Wilson visualises her journey in his mind’s eye, past Government House on St Georges Terrace (the main thoroughfare through the city centre), then north on Barrack Street towards the railway station, the site of Lake Kingsford where Balbuk once gathered bush tucker (4). He considers the footpaths “beneath the geometric frame of the modern city […] worn smooth over millennia that snake up through the sheoak and marri woodland and into the city’s heart” (Whish-Wilson 4). Balbuk’s story embodies the intertwined culture and nature of Perth—a city of wetlands. Born in 1840 on Heirisson Island, Balbuk (also known as Yooreel) (Figure 1) had ancestral bonds to the urban landscape. According to Daisy Bates, writing in the early 1900s, the Nyoongar term Matagarup, or “leg deep,” denotes the passage of shallow water near Heirisson Island where Balbuk would have forded the Swan River (“Oldest” 16). Yoonderup was recorded as the Nyoongar name for Heirisson Island (Bates, “Oldest” 16) and the birthplace of Balbuk’s mother (Bates, “Aboriginal”). In the suburb of Shenton Park near present-day Lake Jualbup, her father bequeathed to her a red ochre (or wilgi) pit that she guarded fervently throughout her life (Bates, “Aboriginal”).Figure 1. Group of Aboriginal Women at Perth, including Fanny Balbuk (far right) (c. 1900). Image Credit: State Library of Western Australia (Image Number: 44c). Balbuk’s grandparents were culturally linked to the site. At his favourite camp beside the freshwater spring near Kings Park on Mounts Bay Road, her grandfather witnessed the arrival of Lieutenant-Colonel Frederick Irwin, cousin of James Stirling (Bates, “Fanny”). In 1879, colonial entrepreneurs established the Swan Brewery at this significant locale (Welborn). Her grandmother’s gravesite later became Government House (Bates, “Fanny”) and she protested vociferously outside “the stone gates guarded by a sentry [that] enclosed her grandmother’s burial ground” (Bates, The Passing 70). Balbuk’s other grandmother was buried beneath Bishop’s Grove, the residence of the city’s first archibishop, now Terrace Hotel (Bates, “Aboriginal”). Historian Bob Reece observes that Balbuk was “the last full-descent woman of Kar’gatta (Karrakatta), the Bibbulmun name for the Mount Eliza [Kings Park] area of Perth” (134). According to accounts drawn from Bates, her home ground traversed the area between Heirisson Island and Perth’s north-western limits. In Kings Park, one of her relatives was buried near a large, hollow tree used by Nyoongar people like a cistern to capture water and which later became the site of the Queen Victoria Statue (Bates, “Aboriginal”). On the slopes of Mount Eliza, the highest point of Kings Park, at the western end of St Georges Terrace, she harvested plant foods, including zamia fruits (Macrozamia riedlei) (Bates, “Fanny”). Fanny Balbuk’s knowledge contributed to the native title claim lodged by Nyoongar people in 2006 as Bennell v. State of Western Australia—the first of its kind to acknowledge Aboriginal land rights in a capital city and part of the larger Single Nyoongar Claim (South West Aboriginal Land and Sea Council et al.). Perth’s colonial administration perceived the city’s wetlands as impediments to progress and as insalubrious environments to be eradicated through reclamation practices. For Balbuk and other Nyoongar people, however, wetlands were “nourishing terrains” (Rose) that afforded sustenance seasonally and meaning perpetually (O’Connor, Quartermaine, and Bodney). Mary Graham, a Kombu-merri elder from Queensland, articulates the connection between land and culture, “because land is sacred and must be looked after, the relation between people and land becomes the template for society and social relations. Therefore all meaning comes from land.” Traditional, embodied reliance on Perth’s wetlands is evident in Bates’ documentation. For instance, Boojoormeup was a “big swamp full of all kinds of food, now turned into Palmerston and Lake streets” (Bates, “Aboriginal”). Considering her cultural values, Balbuk’s determination to maintain pathways through the increasingly colonial Perth environment is unsurprising (Figure 2). From Heirisson Island: a straight track had led to the place where once she had gathered jilgies [crayfish] and vegetable food with the women, in the swamp where Perth railway station now stands. Through fences and over them, Balbuk took the straight track to the end. When a house was built in the way, she broke its fence-palings with her digging stick and charged up the steps and through the rooms. (Bates, The Passing 70) One obstacle was Hooper’s Fence, which Balbuk broke repeatedly on her trips to areas between Kings Park and the railway station (Bates, “Hooper’s”). Her tenacious commitment to walking ancestral routes signifies the friction between settlement infrastructure and traditional Nyoongar livelihood during an era of rapid change. Figure 2. Determination of Fanny Balbuk’s Journey between Yoonderup (Heirisson Island) and Lake Kingsford, traversing what is now the central business district of Perth on the Swan River (2014). Image background prepared by Dimitri Fotev. Track interpolation by Jeff Murray. Project Background and Approach Inspired by Fanny Balbuk’s story, Re-imagining Perth’s Lost Wetlands began as an Australian response to the Mannahatta Project. Founded in 1999, that project used spatial analysis techniques and mapping software to visualise New York’s urbanised Manhattan Island—or Mannahatta as it was called by indigenous people—in the early 1600s (Sanderson). Based on research into the island’s original biogeography and the ecological practices of Native Americans, Mannahatta enabled the public to “peel back” the city’s strata, revealing the original composition of the New York site. The layers of visuals included rich details about the island’s landforms, water systems, and vegetation. Mannahatta compelled Rod Giblett, a cultural researcher at Edith Cowan University, to develop an analogous model for visualising Perth circa 1829. The idea attracted support from the City of Perth, Landgate, and the University. Using stories, artefacts, and maps, the team—comprising a cartographer, designer, three-dimensional modelling expert, and historical researchers—set out to generate visualisations of the landscape at the time of British colonisation. Nyoongar elder Noel Nannup approved culturally sensitive material and contributed his perspective on Aboriginal content to include in the exhibition. The initiative’s context remains pressing. In many ways, Perth has become a template for development in the metropolitan area (Weller). While not unusual for a capital, the rate of transformation is perhaps unexpected in a city less than 200 years old (Forster). There also remains a persistent view of existing wetlands as obstructions to progress that, once removed, are soon forgotten (Urban Bushland Council). Digital visualisation can contribute to appreciating environments prior to colonisation but also to re-imagining possibilities for future human interactions with land, water, and space. Despite the rapid pace of change, many Perth area residents have memories of wetlands lost during their lifetimes (for example, Giblett, Forrestdale). However, as the clearing and drainage of the inner city occurred early in settlement, recollections of urban wetlands exist exclusively in historical records. In 1935, a local correspondent using the name “Sandgroper” reminisced about swamps, connecting them to Perth’s colonial heritage: But the Swamps were very real in fact, and in name in the [eighteen-] Nineties, and the Perth of my youth cannot be visualised without them. They were, of course, drying up apace, but they were swamps for all that, and they linked us directly with the earliest days of the Colony when our great-grandparents had founded this City of Perth on a sort of hog's-back, of which Hay-street was the ridge, and from which a succession of streamlets ran down its southern slope to the river, while land locked to the north of it lay a series of lakes which have long since been filled to and built over so that the only evidence that they have ever existed lies in the original street plans of Perth prepared by Roe and Hillman in the early eighteen-thirties. A salient consequence of the loss of ecological memory is the tendency to repeat the miscues of the past, especially the blatant disregard for natural and cultural heritage, as suburbanisation engulfs the area. While the swamps of inner Perth remain only in the names of streets, existing wetlands in the metropolitan area are still being threatened, as the Roe Highway (Roe 8) Campaign demonstrates. To re-imagine Perth’s lost landscape, we used several colonial survey maps to plot the location of the original lakes and swamps. At this time, a series of interconnecting waterbodies, known as the Perth Great Lakes, spread across the north of the city (Bekle and Gentilli). This phase required the earliest cartographic sources (Figure 3) because, by 1855, city maps no longer depicted wetlands. We synthesised contextual information, such as well depths, geological and botanical maps, settlers’ accounts, Nyoongar oral histories, and colonial-era artists’ impressions, to produce renderings of Perth. This diverse collection of primary and secondary materials served as the basis for creating new images of the city. Team member Jeff Murray interpolated Balbuk’s route using historical mappings and accounts, topographical data, court records, and cartographic common sense. He determined that Balbuk would have camped on the high ground of the southern part of Lake Kingsford rather than the more inundated northern part (Figure 2). Furthermore, she would have followed a reasonably direct course north of St Georges Terrace (contrary to David Whish-Wilson’s imaginings) because she was barred from Government House for protesting. This easier route would have also avoided the springs and gullies that appear on early maps of Perth. Figure 3. Townsite of Perth in Western Australia by Colonial Draftsman A. Hillman and John Septimus Roe (1838). This map of Perth depicts the wetlands that existed overlaid by the geomentric grid of the new city. Image Credit: State Library of Western Australia (Image Number: BA1961/14). Additionally, we produced an animated display based on aerial photographs to show the historical extent of change. Prompted by the build up to World War II, the earliest aerial photography of Perth dates from the late 1930s (Dixon 148–54). As “Sandgroper” noted, by this time, most of the urban wetlands had been drained or substantially modified. The animation revealed considerable alterations to the formerly swampy Swan River shoreline. Most prominent was the transformation of the Matagarup shallows across the Swan River, originally consisting of small islands. Now traversed by a causeway, this area was transformed into a single island, Heirisson—the general site of Balbuk’s birth. The animation and accompanying materials (maps, images, and writings) enabled viewers to apprehend the changes in real time and to imagine what the city was once like. Re-imagining Perth’s Urban Heart The physical environment of inner Perth includes virtually no trace of its wetland origins. Consequently, we considered whether a representation of Perth, as it existed previously, could enhance public understanding of natural heritage and thereby increase its value. For this reason, interpretive materials were exhibited centrally at Perth Town Hall. Built partly by convicts between 1867 and 1870, the venue is close to the site of the 1829 Foundation of Perth, depicted in George Pitt Morrison’s painting. Balbuk’s grandfather “camped somewhere in the city of Perth, not far from the Town Hall” (Bates, “Fanny”). The building lies one block from the site of the railway station on the site of Lake Kingsford, the subsistence grounds of Balbuk and her forebears: The old swamp which is now the Perth railway yards had been a favourite jilgi ground; a spring near the Town Hall had been a camping place of Maiago […] and others of her fathers' folk; and all around and about city and suburbs she had gathered roots and fished for crayfish in the days gone by. (Bates, “Derelicts” 55) Beginning in 1848, the draining of Lake Kingsford reached completion during the construction of the Town Hall. While the swamps of the city were not appreciated by many residents, some organisations, such as the Perth Town Trust, vigorously opposed the reclamation of the lake, alluding to its hydrological role: That, the soil being sand, it is not to be supposed that Lake Kingsford has in itself any material effect on the wells of Perth; but that, from this same reason of the sandy soil, it would be impossible to keep the lake dry without, by so doing, withdrawing the water from at least the adjacent parts of the townsite to the same depth. (Independent Journal of Politics and News 3) At the time of our exhibition, the Lake Kingsford site was again being reworked to sink the railway line and build Yagan Square, a public space named after a colonial-era Nyoongar leader. The project required specialised construction techniques due to the high water table—the remnants of the lake. People travelling to the exhibition by train in October 2014 could have seen the lake reasserting itself in partly-filled depressions, flush with winter rain (Figure 4).Figure 4. Rise of the Repressed (2014). Water Rising in the former site of Lake Kingsford/Irwin during construction, corner of Roe and Fitzgerald Streets, Northbridge, WA. Image Credit: Nandi Chinna (2014). The exhibition was situated in the Town Hall’s enclosed undercroft designed for markets and more recently for shops. While some visited after peering curiously through the glass walls of the undercroft, others hailed from local and state government organisations. Guest comments applauded the alternative view of Perth we presented. The content invited the public to re-imagine Perth as a city of wetlands that were both environmentally and culturally important. A display panel described how the city’s infrastructure presented a hindrance for Balbuk as she attempted to negotiate the once-familiar route between Yoonderup and Lake Kingsford (Figure 2). Perth’s growth “restricted Balbuk’s wanderings; towns, trains, and farms came through her ‘line of march’; old landmarks were thus swept away, and year after year saw her less confident of the locality of one-time familiar spots” (Bates, “Fanny”). Conserving Wetlands: From Re-Claiming to Re-Valuing? Imagination, for philosopher Roger Scruton, involves “thinking of, and attending to, a present object (by thinking of it, or perceiving it, in terms of something absent)” (155). According to Scruton, the feelings aroused through imagination can prompt creative, transformative experiences. While environmental conservation tends to rely on data-driven empirical approaches, it appeals to imagination less commonly. We have found, however, that attending to the present object (the city) in terms of something absent (its wetlands) through evocative visual material can complement traditional conservation agendas focused on habitats and species. The actual extent of wetlands loss in the Swan Coastal Plain—the flat and sandy region extending from Jurien Bay south to Cape Naturaliste, including Perth—is contested. However, estimates suggest that 80 per cent of wetlands have been lost, with remaining habitats threatened by climate change, suburban development, agriculture, and industry (Department of Environment and Conservation). As with the swamps and lakes of the inner city, many regional wetlands were cleared, drained, or filled before they could be properly documented. Additionally, the seasonal fluctuations of swampy places have never been easily translatable to two-dimensional records. As Giblett notes, the creation of cartographic representations and the assignment of English names were attempts to fix the dynamic boundaries of wetlands, at least in the minds of settlers and administrators (Postmodern 72–73). Moreover, European colonists found the Western Australian landscape, including its wetlands, generally discomfiting. In a letter from 1833, metaphors failed George Fletcher Moore, the effusive colonial commentator, “I cannot compare these swamps to any marshes with which you are familiar” (220). The intermediate nature of wetlands—as neither land nor lake—is perhaps one reason for their cultural marginalisation (Giblett, Postmodern 39). The conviction that unsanitary, miasmic wetlands should be converted to more useful purposes largely prevailed (Giblett, Black 105–22). Felicity Morel-EdnieBrown’s research into land ownership records in colonial Perth demonstrated that town lots on swampland were often preferred. By layering records using geographic information systems (GIS), she revealed modifications to town plans to accommodate swampland frontages. The decline of wetlands in the region appears to have been driven initially by their exploitation for water and later for fertile soil. Northern market gardens supplied the needs of the early city. It is likely that the depletion of Nyoongar bush foods predated the flourishing of these gardens (Carter and Nutter). Engaging with the history of Perth’s swamps raises questions about the appreciation of wetlands today. In an era where numerous conservation strategies and alternatives have been developed (for example, Bobbink et al. 93–220), the exploitation of wetlands in service to population growth persists. On Perth’s north side, wetlands have long been subdued by controlling their water levels and landscaping their boundaries, as the suburban examples of Lake Monger and Hyde Park (formerly Third Swamp Reserve) reveal. Largely unmodified wetlands, such as Forrestdale Lake, exist south of Perth, but they too are in danger (Giblett, Black Swan). The Beeliar Wetlands near the suburb of Bibra Lake comprise an interconnected series of lakes and swamps that are vulnerable to a highway extension project first proposed in the 1950s. Just as the Perth Town Trust debated Lake Kingsford’s draining, local councils and the public are fiercely contesting the construction of the Roe Highway, which will bisect Beeliar Wetlands, destroying Roe Swamp (Chinna). The conservation value of wetlands still struggles to compete with traffic planning underpinned by a modernist ideology that associates cars and freeways with progress (Gregory). Outside of archives, the debate about Lake Kingsford is almost entirely forgotten and its physical presence has been erased. Despite the magnitude of loss, re-imagining the city’s swamplands, in the way that we have, calls attention to past indiscretions while invigorating future possibilities. We hope that the re-imagining of Perth’s wetlands stimulates public respect for ancestral tracks and songlines like Balbuk’s. Despite the accretions of settler history and colonial discourse, songlines endure as a fundamental cultural heritage. Nyoongar elder Noel Nannup states, “as people, if we can get out there on our songlines, even though there may be farms or roads overlaying them, fences, whatever it is that might impede us from travelling directly upon them, if we can get close proximity, we can still keep our culture alive. That is why it is so important for us to have our songlines.” Just as Fanny Balbuk plied her songlines between Yoonderup and Lake Kingsford, the traditional custodians of Beeliar and other wetlands around Perth walk the landscape as an act of resistance and solidarity, keeping the stories of place alive. Acknowledgments The authors wish to acknowledge Rod Giblett (ECU), Nandi Chinna (ECU), Susanna Iuliano (ECU), Jeff Murray (Kareff Consulting), Dimitri Fotev (City of Perth), and Brendan McAtee (Landgate) for their contributions to this project. The authors also acknowledge the traditional custodians of the lands upon which this paper was researched and written. References Bates, Daisy. “Fanny Balbuk-Yooreel: The Last Swan River (Female) Native.” The Western Mail 1 Jun. 1907: 45.———. “Oldest Perth: The Days before the White Men Won.” The Western Mail 25 Dec. 1909: 16–17.———. “Derelicts: The Passing of the Bibbulmun.” The Western Mail 25 Dec. 1924: 55–56. ———. “Aboriginal Perth.” The Western Mail 4 Jul. 1929: 70.———. “Hooper’s Fence: A Query.” The Western Mail 18 Apr. 1935: 9.———. The Passing of the Aborigines: A Lifetime Spent among the Natives of Australia. London: John Murray, 1966.Bekle, Hugo. “The Wetlands Lost: Drainage of the Perth Lake Systems.” Western Geographer 5.1–2 (1981): 21–41.Bekle, Hugo, and Joseph Gentilli. “History of the Perth Lakes.” Early Days 10.5 (1993): 442–60.Bobbink, Roland, Boudewijn Beltman, Jos Verhoeven, and Dennis Whigham, eds. Wetlands: Functioning, Biodiversity Conservation, and Restoration. Berlin: Springer-Verlag, 2006. Carter, Bevan, and Lynda Nutter. Nyungah Land: Records of Invasion and Theft of Aboriginal Land on the Swan River 1829–1850. Guildford: Swan Valley Nyungah Community, 2005.Chinna, Nandi. “Swamp.” Griffith Review 47 (2015). 29 Sep. 2015 ‹https://griffithreview.com/articles/swamp›.Department of Environment and Conservation. Geomorphic Wetlands Swan Coastal Plain Dataset. Perth: Department of Environment and Conservation, 2008.Dixon, Robert. Photography, Early Cinema, and Colonial Modernity: Frank Hurley’s Synchronized Lecture Entertainments. London: Anthem Press, 2011. Forster, Clive. Australian Cities: Continuity and Change. Oxford: Oxford UP, 2004.Giblett, Rod. Postmodern Wetlands: Culture, History, Ecology. Edinburgh: Edinburgh UP, 1996. ———. Forrestdale: People and Place. Bassendean: Access Press, 2006.———. Black Swan Lake: Life of a Wetland. Bristol: Intellect, 2013.———. Cities and Wetlands: The Return of the Repressed in Nature and Culture. London: Bloomsbury, 2016. 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Melbourne: Bloomings Books, 2004.South West Aboriginal Land and Sea Council and John Host with Chris Owen. “It’s Still in My Heart, This is My Country:” The Single Noongar Claim History. Crawley: U of Western Australia P, 2009.Urban Bushland Council. “Bushland Issues.” 2015. 29 Sep. 2015 ‹http://www.bushlandperth.org.au/bushland-issues›.Welborn, Suzanne. Swan: The History of a Brewery. Crawley: U of Western Australia P, 1987.Weller, Richard. Boomtown 2050: Scenarios for a Rapidly Growing City. Crawley: U of Western Australia P, 2009. Whish-Wilson, David. Perth. Sydney: NewSouth Publishing, 2013.
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