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1

Institut international de sociologie. World Congress. Sociology, aesthetics & the city. Pisa: PLUS-Pisa University Press, 2011.

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2

Vincenzo, Mele, ed. Sociology, aesthetics & the city. Pisa: PLUS-Pisa University Press, 2011.

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3

Kent, James Clifford. Aesthetics and the Revolutionary City. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-64030-3.

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4

Simon, Pugh, ed. Reading landscape: Country, city, capital. Manchester: Manchester University Press, 1990.

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5

Lindner, Christoph, and Gerard Sandoval, eds. Aesthetics of Gentrification. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463722032.

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Gentrification is reshaping cities worldwide, resulting in seductive spaces and exclusive communities that aspire to innovation, creativity, sustainability, and technological sophistication. Gentrification is also contributing to growing social-spatial division and urban inequality and precarity. In a time of escalating housing crisis, unaffordable cities, and racial tension, scholars speak of eco-gentrification, techno-gentrification, super-gentrification, and planetary gentrification to describe the different forms and scales of involuntary displacement occurring in vulnerable communities in response to current patterns of development and the hype-driven discourses of the creative city, smart city, millennial city, and sustainable city. In this context, how do contemporary creative practices in art, architecture, and related fields help to produce or resist gentrification? What does gentrification look and feel like in specific sites and communities around the globe, and how is that appearance or feeling implicated in promoting stylized renewal to a privileged public? In what ways do the aesthetics of gentrification express contested conditions of migration and mobility? Addressing these questions, this book examines the relationship between aesthetics and gentrification in contemporary cities from multiple, comparative, global, and transnational perspectives.
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6

The situationist city. Cambridge Mass: MIT Press, 1998.

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7

Issar, T. P. The city beautiful: A celebration of the architectural heritage and city-aesthetics of Bangalore. Bangalore: Bangalore Urban Art Commission, 1988.

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8

Icons and aliens: Law, aesthetics, and environmental change. Urbana: University of Illinois Press, 1989.

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9

Vukić, Fedja, and Volga Vukelja-Dawe. Zagreb: Modernity and the city. Zagreb, Croatia: AGM, 2003.

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10

Meggyesi, Tamás. Számadás: Válogatott írások. [Budapest]: Terc, 2011.

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11

Taiwan jian zhu mei xue wen hua jing ji xie hui and Taiwan wen chuang fa zhan ji jin hui, eds. Jian zhu mei xue de chun tian: Yi ge cheng shi she ji jia 50 nian de shi jian yu zhui qiu. Taibei Shi: Yuan liu chu ban shi ye gu fen you xian gong si, 2011.

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12

Boer, Jan den. Passie voor de stad: Naar een nieuwe betovering van de gebouwde omgeving. Den Haag: Synthese, 2006.

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13

Pathopolis: Riflessioni critiche di un architetto sulla città e il territorio. Bellinzona: Casagrande, 2011.

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14

No-stop city: Archizoom associati. Orléans: HYX, 2006.

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15

1966-, Hvattum Mari, and Hermansen Christian, eds. Tracing modernity: Manifestations of the modern in architecture and the city. New York: Routledge, 2004.

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16

Nan fang cheng shi mei xue yi xiang. Guangzhou: Hua nan li gong da xue chu ban she, 2003.

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17

Thiis-Evensen, Thomas. Byens uttrykksformer: En metode for estetisk byforming. [Oslo]: Universitetsforlaget, 1992.

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18

Bacon, Edmund N. Archetype, architexture: A lecture sponsored by the Erwin S. Wolfson Fellowship Fund. [Cincinnati]: College of Design, Architecture, Art, and Planning, University of Cincinnati, 1990.

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19

Dalla città ideale alla città virtuale: Estetica urbana in Cina e in Giappone. Roma: Carocci editore, 2014.

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20

Edward, Timms, and Kelley David 1941-, eds. Unreal city: Urban experience in modern European literature and art. New York: St. Martin's Press, 1985.

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21

Cities surround the countryside: Urban aesthetics in post-socialist China. Durham [NC]: Duke University Press, 2010.

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22

Arbatskiĭ, V. P. I uvidel i︠a︡ gorod: And I saw the City. Novosibirsk: NGAKhA, 1996.

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23

Taha, Al-Douri, and Khurays Aḥmad 1970-, eds. Taṣmīm al-mudun. Abū Ẓaby: Hayʼat Abū Ẓaby lil-Siyāḥah wa-al-Thaqāfah, 2012.

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24

I͡Argina, Z. N. Ėstetika goroda. Moskva: Stroĭizdat, 1991.

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25

Mario, Primavera, ed. Qualità, innovazione, forma urbana. Pesaro: Metauro, 2002.

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26

Özgen, Aslı. The Aesthetics and Politics of Cinematic Pedestrianism. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463724753.

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The Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films offers a rich exploration of the cinematic aesthetics that filmmakers devised to reflect the corporeal and affective experience of walking in the city. Drawing from literature in urban studies, film theory, and aesthetic philosophy, it is the first monograph to approach the history of cinema from the perspective of walking. A series of case studies providing nuanced analyses of widely referenced figures, such as the flaneur/flâneuse, vagabond, and nomad, reveal how filmmakers articulated their objection to repressive structures through depictions of walking: a common, everyday act yet transgressive, bold, and indomitable. Through the lens of Henri Lefebvre’s theory of space, Michel de Certeau’s concept of pedestrian acts, and Jacques Rancière’s treatment of the politics of aesthetics, Walking in Films traces how cinema evolved in conversation with the mobile body and the new images, styles, and techniques that emerged with it.
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27

Kinesthetic city: Dance and movement in Chinese urban spaces. Oxford: Oxford University Press, 2013.

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28

Russian avant-garde: Theories of art, architecture, and the city. London: Academy Editions, 1995.

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29

1945-, Tagliagambe Silvano, ed. People and space: New forms of interaction in the city. [New York, N.Y.]: Springer, 2009.

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30

Larkham, P. J. Aesthetic control, architectural styles and townscape change. Birmingham: Dept. of Geography, University of Birmingham, 1988.

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31

Mediators: Aesthetics, Politics, and the City. University of Minnesota Press, 2014.

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32

Solomon, Daniel. Global City Blues. Island Press, 2006.

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33

Global City Blues. Island Press, 2003.

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34

1944-, Fuksas Massimiliano, Madrelli Doriana O, International Architectural Exhibition (7th : 2000 : Venice, Italy), and Biennale di Venezia (49th : 2000), eds. Città: Less aesthetics more ethics. Venezia: Marsilio, 2000.

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35

Situationist City. MIT Press, 1999.

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36

Sadler, Simon. Situationist City. MIT Press, 1998.

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37

Ghertner, D. Asher. Rule by Aesthetics: World-Class City Making in Delhi. Oxford University Press, Incorporated, 2015.

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38

Rule By Aesthetics: World-Class City Making in Delhi. Oxford University Press, 2015.

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39

Kent, James Clifford. Aesthetics and the Revolutionary City: Real and Imagined Havana. Palgrave Macmillan, 2018.

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40

Menon, Jisha. Brutal Beauty: Aesthetics and Aspiration in the Indian City. Northwestern University Press, 2021.

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41

Smalls, Shanté Paradigm. Hip Hop Heresies: Queer Aesthetics in New York City. New York University Press, 2022.

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42

Hip Hop Heresies: Queer Aesthetics in New York City. New York University Press, 2022.

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43

Menon, Jisha. Brutal Beauty: Aesthetics and Aspiration in the Indian City. Northwestern University Press, 2021.

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44

Kent, James Clifford. Aesthetics and the Revolutionary City: Real and Imagined Havana. Springer International Publishing AG, 2019.

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45

Environmental aesthetics: Theory, research, and applications. Cambridge: Cambridge University Press, 1988.

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46

Nasar, Jack L. Environmental Aesthetics: Theory, Research, and Application. Cambridge University Press, 2013.

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47

Papadopoulos, A. G. The Quartier Européen-Léopold, Brussels: Economics, politics, aesthetics. 1993.

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48

The Situationists And The City. Verso, 2010.

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49

Gassner, Günter. Ruined Skylines: Aesthetics, Politics and London's Towering Cityscape. Taylor & Francis Group, 2019.

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50

Gassner, Günter. Ruined Skylines: Aesthetics, Politics and London's Towering Cityscape. Taylor & Francis Group, 2019.

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