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Books on the topic 'And Narratives of Pain'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Livingston, W. K. Pain and suffering. Edited by Fields Howard L. IASP Press, 1998.

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2

Jackson, Marni. Pain: The fifth vital sign. Crown Pub., 2002.

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3

Crooks, Peter. Lebanon: The pain and the glory. MARC, 1990.

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4

Guardino, Mary, and Ali DeGerome. The pain of depression: A journey through the darkness. Freedom from Fear, 2007.

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5

Spiess, René. Le pain de l'espoir: Un compagnon boulanger dans la tourmente : récit. Bueb & Reumaux, 1985.

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6

Michael, Rost. Parallels: Narratives for pair work. Lingual House, 1986.

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7

Michael, Rost. Parallels: Narratives for pair work. Lingual House, 1986.

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8

Michael, Rost. Parallels: Narratives for pair work. Lingual House, 1986.

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9

Ellman, Paula L., and Nancy R. Goodman, eds. Finding Unconscious Fantasy in Narrative, Trauma, and Body Pain. Routledge, 2017. http://dx.doi.org/10.4324/9781315666631.

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10

1926-, Lawrence Ronald Melvin, and Zucker Martin, eds. The miracle of MSM: The natural solution for pain. Putnam, 1999.

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11

John, Winslade, and Master'sWork Video Productions, eds. Narrative counseling in schools: Pain, passsion & possibilities : conversations with counselors and supervisors. Master'sWork Video Productions, 2000.

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12

Umutesi, Chantal. La paix dans l'âme. Klanba Editions, 2004.

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13

Hassel, Ivo Van. Un bout de pain dans ma tête: De Buchenwald à Auschwitz, l'histoire de vie de Chil Elberg (B-10785), survivant de 12 camps de concentration et d'extermination nazis. ASP, Academic & Scientific Publishers, 2012.

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14

Goëau-Brissonnière, J. Y. Mission secrète pour la paix en Algérie: 1957. Lieu commun, 1992.

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15

Liska, Jeanette M. Silenced screams. AANA Pub., Council for Public Interest in Anesthesia, 2002.

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16

Cheney, Terri. Manic: A woman in pain, a life in chaos, the courage to fight a secret madness. HarperElement, 2008.

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17

Ingles, Gustavo C. Memoirs of pain: Kempei-Tai torture in the Airport Studio, Fort Santiago and the old Bilibid Prison, to redemption in Muntinlupa. Mauban Heritage Foundation, 1992.

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18

Gestin, Yves. Le poulain de Rosmel: Années de paix, années de guerre (1926-1956). Télégramme Editions, 2002.

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19

Pascuito, Jean-Pierre. Plaidoyer pour une paix et le cessez-le-feu des esprits. J.-P. Pascuito, 2001.

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20

Mohammed, Shehu Olaitan. I'm a survivor: The story of my triumph over sickle cell pains. Insight Books, 2021.

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21

Arondeau, Murielle. Un hôpital pour la paix: L'été 1999 au Kosovo. France Europe éditions, 2004.

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22

Fontanet, Mathilde. Sous les étoiles du Rwanda: Dialogues de femmes entre génocide et paix. Metropolis, 2007.

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23

1939-, Todorov Tzvetan, and Jacquet Annick, eds. Guerre et paix sous l'Occupation: Témoignages recueillis au centre de la France. Arléa, 1996.

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24

Rūʾīn, Ẓarīfah. Sufrah-i ʻishq pahn ast: Bar asās-i zindagī-i shahīd Ḥasan Infirādī. Nashr-i Sitārahʹhā, 2007.

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25

1953-, Ferman Claudia, ed. The postmodern in Latin and Latino American cultural narratives: Collected essays and interviews. Garland Pub., 1996.

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26

Becker, Bettina. Narratives of pain in old age: Challenging 'ordinary' pain. 1999.

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27

Heshusius, Lous, David B. Morris, and Scott M. Fishman. Inside Chronic Pain. Cornell University Press, 2013.

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28

Narrative, pain, and suffering. The Johns Hopkins University Press, 2005.

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29

Pain: The Fifth Vital Sign. Bloomsbury Publishing Plc, 2012.

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30

Pickard, Angela. Ballet Body Narratives: Pain, Pleasure and Perfection in Embodied Identity. Lang AG International Academic Publishers, Peter, 2015.

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31

Garza, Cristina. La Castañeda Insane Asylum: Narratives of Pain in Modern Mexico. Translated by Laura Kanost. University of Oklahoma Press, 2020. http://dx.doi.org/10.38118/9780806168531.

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32

Pickard, Angela. Ballet Body Narratives: Pain, Pleasure and Perfection in Embodied Identity. Lang AG International Academic Publishers, Peter, 2015.

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33

Pickard, Angela. Ballet Body Narratives: Pain, Pleasure and Perfection in Embodied Identity. Lang AG International Academic Publishers, Peter, 2015.

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34

Garza, Cristina Rivera. La Castañeda Insane Asylum: Narratives of Pain in Modern Mexico. 2020.

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35

Pickard, Angela. Ballet Body Narratives: Pain, Pleasure and Perfection in Embodied Identity. Lang AG International Academic Publishers, Peter, 2015.

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36

Garza, Cristina Rivera. La Castañeda Insane Asylum: Narratives of Pain in Modern Mexico. OUP, 2020.

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37

Hasan, Abla. On Pain and Suffering. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781978720916.

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Driven by a detailed hermeneutical investigation of the Qur'anic story of creation, this book questions the hybrid Biblical/Qur'anic narrative that gradually erased the lines that define the authentic Qur'anic account. Abla Hasan argues that humanity's divine status is the bedrock from which to investigate the meaning of human religiosity and address the problem of pain and suffering. The detailed analysis in this book answers many linguistic and logical pending questions in the Qur'an and is a serious departure from popular Muslim narratives that seek to alleviate our pain and suffering.

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38

Modlinger, Martin, and Philipp Sonntag. Other People's Pain: Narratives of Trauma and the Question of Ethics. Lang AG International Academic Publishers, Peter, 2011.

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39

Otis, Michelle, Rene Cross-Washington, and Kwaku Person-Lynn. Women Evolved: Narratives of Love-Pain-Strength-Redemption of Single Women. KP Publishing Company, 2013.

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40

Other people's pain: Narratives of trauma and the question of ethics. Peter Lang, 2011.

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41

Pain: The Science and Culture of Why We Hurt. Bloomsbury Publishing PLC, 2003.

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42

Pain : The Science and Culture of Why We Hurt. Random House of Canada, Limited, 2003.

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43

King, Daniel. Sacred Pain in Ailios Aristeides. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198810513.003.0008.

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This chapter treats the most sophisticated collection of narratives concerning one’s own pain to survive from the ancient world, Aristeides’ Sacred Tales. Aristeides’ texts presents a complex and complicated combination of different generic connections—epic, aretology, medical case history, etc.—which helps construct a multifaceted understanding of his pain experience. Although Aristeides does not develop a theory of perception like the medical writers of Part 1, his focus on pain symptoms and sensations draws on common language and pain terminology and then moulds this into a broader sense of

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44

Morrissey, Mary Beth Quaranta. Suffering Narratives of Older Adults: A Phenomenological Approach to Serious Illness, Chronic Pain, Recovery and Maternal Care. Taylor & Francis Group, 2017.

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45

Morrissey, Mary Beth Quaranta. Suffering Narratives of Older Adults: A Phenomenological Approach to Serious Illness, Chronic Pain, Recovery and Maternal Care. Taylor & Francis Group, 2014.

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46

Morrissey, Mary Beth Quaranta. Suffering Narratives of Older Adults: A Phenomenological Approach to Serious Illness, Chronic Pain, Recovery and Maternal Care. Taylor & Francis Group, 2014.

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47

The pain chronicles: Cures, remedies, spells, prayers, myths, misconceptions, brain scans, and the science of suffering. Farrar, Straus and Giroux, 2010.

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48

Daniel B., M.D. Carr (Editor), John D. Loeser (Editor), and David B. Morris (Editor), eds. Narrative, Pain, and Suffering (Progress in Pain Research and Management, V. 34). IASP Press, 2005.

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49

Daniel B., M.D. Carr (Editor), John D. Loeser (Editor), and David B. Morris (Editor), eds. Narrative, Pain And Suffering (Progress in Pain Research and Management, Volume 34). Intl Assn for the Study of Pain, 2005.

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50

Winner, Ellen. Drawn to Pain. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190863357.003.0007.

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Aristotle said we don’t like to look at painful things in life but get pleasure from seeing these things in art. This chapter examines what research tells us about why we willingly expose ourselves to sad music, paintings of suffering, horror movies, and tragic narratives. Studies show that the sadder we feel when experiencing these forms of art, the more we enjoy the experience and the more moved we feel. Thus, when we experience art with painful content, we experience positive as well as negative emotions. The positive emotions are made possible because of aesthetic distance. That is, we kno

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