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Relevant bibliographies by topics / Art de performance – 1945-1990

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Academic literature on the topic 'Art de performance – 1945-1990'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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Journal articles on the topic "Art de performance – 1945-1990"

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Thi Huyen Trang, Nguyen. "The content values of Tuong art performance in the Southern area before 1945." Science & Technology Development Journal - Social Sciences & Humanities 4, no. 1 (2020): First. http://dx.doi.org/10.32508/stdjssh.v4i1.537.

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Has been existed for a long time in the Southern area of Vietnam, Tuong art performance became the only unique spiritual dish in many centuries and leaving dozens of scripts of literary value. However, Tuong art performance is gradually losing its position due to many objective and subjective reasons. By studying the content values of classical drama, we can feel the beauty of Tuong art performance and understand more about this type of art. The content values of Tuong art performance have been interested in many researchers; however, they only stopped at studying Vietnamese Tuong generally or

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Lindgren, Liisa. "The monitoring and documenting of contemporary art at the Central Archives in Helsinki." Art Libraries Journal 27, no. 2 (2002): 28–31. http://dx.doi.org/10.1017/s0307472200012670.

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The Central Art Archives, founded in 1990 as a documentation and research institution within the Finnish National Gallery, have attempted to accept the challenges that contemporary art presents to archiving by realising extensive documentation projects covering conceptual, performance, land and environmental art in Finland. The corpus of documentary material includes photographs, slides, videos, interview transcripts, exhibition catalogues, etc. Currently the Central Art Archives is working together with the Museum of Contemporary Art Kiasma on a media art project.

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Cerha, Gertraud. "New Music in Austria Since 1945." Tempo, no. 161-162 (September 1987): 36–51. http://dx.doi.org/10.1017/s0040298200023330.

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Vienna, they say, is synonymous with music. Worldwide public opinion, responding to the New Year's Day Concert and the Vienna Boys’ Choir, confirms it.Confronted by the multifarious political and economic scandals of recent times, the Austrian Minister for Education and the Arts has declared that our art and culture is the only ‘export’ to have survived intact. But as far as 20th-century music is concerned, its ‘export’ has received little official encouragement. Apart from a 1972 ballet production by Aurel Miloss with music by Schoenberg, and a performance of Gottfried von Einem's Kabale und

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Zuhriyyah, Munifatuz. "Kelompok Ludruk Cak Durasim (Ludruk Organisatie) di Surabaya Tahun 1933-1945." KAGANGA: Jurnal Pendidikan Sejarah dan Riset Sosial-Humaniora 1, no. 2 (2018): 93–106. http://dx.doi.org/10.31539/kaganga.v1i2.414.

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The aim of the study was to look at the improvement of the group of Ludruk Organisatie as art performance as well as its role in the social circumstances in Surabaya. This study was a historiography study. The arrangement of historiography must be conducted through some steps of history study method such as heuristic, sources criticism, interpretation and historiography arrangement. The findings were the characteristic performed by Ludruk Organisatie such as 1) ludruk performance has no longer presented mystique elements; 2) presented nationalism symbols as the theme of the show; 3) it was pre

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Blum, Bilha. "Interaction of Style and Meaning in Drama and Performance: The Case of Blood Wedding." Theatre Research International 22, no. 1 (1997): 63–69. http://dx.doi.org/10.1017/s0307883300015959.

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In his essay entitled ‘Poetry and Drama’, T. S. Eliot states that ‘a mixture of prose and verse in the same play is generally to be avoided’. The reason, says Eliot, lies in the fact that ‘each transition makes the auditor aware, with a jolt, of the medium’ (p. 13). Alternating use of prose and verse within the same work of art is justified, he adds, only when the author's specific purpose is to produce just such ‘a jolt’ in his audience. The case of Lorca's Blood Wedding and its recent 1990 Israeli production calls for a reassessment of Eliot's analytical approach.

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Chagas, Deivisson Dias. "A QUESTÃO DO ESPAÇO E A ENUNCIAÇÃO DO SUJEITO NO TRABALHO DE DANA AWARTANI / The issue of space and the enunciation of the subject in the work of Dana Awartani." arte e ensaios 26, no. 39 (2020): 107–19. http://dx.doi.org/10.37235/ae.n39.9.

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O presente artigo analisa a questão do processo colonial e de subalternização problematizado na obra “I went away and forgot you. A while ago I remembered. I remembered I’d forgotten you. I was dreaming”, da artista saudita Dana Awartani. Misto de site specific e registro fílmico de performance, o trabalho dialoga com a insurgência de novos sujeitos na produção de arte contemporânea, denominados por Gayatri C. Spivak de “sujeitos subalternos”, e com as mudanças ocorridas entre as décadas de 1960 e 1990 em torno do conceito de site specific, como teorizado pela crítica de arte Miow Kwon.Palavra

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Pefanis, George P. "Is the ‘Animal-Event’ Possible? Animal Precariousness and Moral Indeterminacy in Performance." New Theatre Quarterly 34, no. 2 (2018): 176–85. http://dx.doi.org/10.1017/s0266464x18000076.

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In this article, George P. Pefanis discusses two major aspects of the ‘event’, as formed and developed in late Derridean philosophy – namely, the ‘possibility of the impossible’ and the ‘experience of perhaps’. These aspects are examined in order to reveal the potential for precariousness and uncertainty engendered by performance art, as in the case of the animal-event. With its increased degree of indeterminacy and its projected singular, here-and-now character, performance art could leave open the way to the ‘other’, the unpredictable, and the unexpected that is the ‘animal-event’, since an

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BURSA, MIROSLAV, and LENKA LHOTSKA. "ARTIFICIAL INTELLIGENCE METHODS IN ELECTROCARDIOGRAM AND ELECTROENCEPHALOGRAM DATA CLUSTERING." International Journal of Computational Intelligence and Applications 08, no. 01 (2009): 69–84. http://dx.doi.org/10.1142/s1469026809002448.

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The paper focuses on the field of artificial intelligence techniques and their use in biomedical data processing. It concerns the clustering techniques inspired by various ant colonies. The behavior of ant colonies shows many interesting properties that have been used in static and dynamic combinatorial problem-solving tasks (mostly since 1990). Also applications to data clustering have been proposed. This branch is a subject of ongoing research. After the introduction into the state-of-the-art of ant-colony-inspired metaheuristics, an overview of ant-colony-inspired clustering metaheuristics

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Zetterman, Eva. "The PST Project, Willie Herrón’s Street Mural Asco East of No West (2011) and the Mural Remix Tour: Power Relations on the Los Angeles Art Scene." Culture Unbound 6, no. 3 (2014): 671–95. http://dx.doi.org/10.3384/cu.2000.1525.146671.

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This article departs from the huge art-curating project Pacific Standard Time: Art in L.A., 1945–1980, a Getty funded initiative running in Southern California from October 2011 to April 2012 with a collaboration of more than sixty cultural institutions coming together to celebrate the birth of the L.A. art scene. One of the Pacific Standard Time (PST) exhibitions was Asco: Elite of the Obscure, A Retrospective, 1972–1987, running from September to December 2011 at the Los Angeles County Museum of Art (LACMA). This was the first retrospective of a conceptual performance group of Chicanos from

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ANAN, NOBUKO, BISHNUPRIYA DUTT, JANELLE REINELT, and SHRINKHLA SAHAI. "Dossier: History, Memory, Event: A Working Archive." Theatre Research International 37, no. 2 (2012): 163–83. http://dx.doi.org/10.1017/s0307883312000065.

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This dossier documents a research collaboration between members of the School of Art and Aesthetics at Jawaharlal Nehru University in Delhi, India, and members of the School of Theatre, Performance and Cultural Policy Studies at the University of Warwick, in Coventry, United Kingdom, between 2008 and 2010. This collaboration was dedicated to a cross-cultural inquiry into methods and topics of performance research that might serve to produce a robust international dialogue capable of approaching performance through multinational lines of inquiry. Participants chose a common topic (History, Memo

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Dissertations / Theses on the topic "Art de performance – 1945-1990"

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Tschech, Christina. "Devenir paysage : dialogues corporels avec la nature dans l'art des années 1960-1980." Paris 1, 2010. http://www.theses.fr/2010PA010709.

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Dusong, Emma. "Chanter les transformations : voix, performance, vidéo, film." Amiens, 2011. http://www.theses.fr/2011AMIE0020.

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Chanter favorise un dialogue avec le monde. Il faut prendre souffle pour produire un son vocal, ce qui lie cette action au "vivre". L'utilisation du verbe (plutôt que du substantif) indique une action qui si déploie ici au coeur de l'art contemporain et interroge les déplacements vers les arts plastiques d'une pratique issue a priori du champ musical. L'espace d'exposition engage de nouvelles modalités de réception. Les voix s'élèvent pour accompagner les transitions, les difficultés. De la naissance à la mort, de l'enfance à l'âge adulte, on chante dans les vidéos, les pièces sonores, les fil

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Riu, Martí Maria Montserrat. "La Polipoesia als anys 1990-2000 a Barcelona." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/552406.

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Aquest treball analitza un nou moviment a la Barcelona als anys 1990-2000: la Polipoesia barcelonina. La qüestió que es tractarà es compon de diferents parts: 1. La definició i descripció del moviment polipoètic a Barcelona (1990-2000) i la seva base ideològica, expressada amb les seves diferents facetes (paraules en llibertat, els textos que "suren" en el full, les accions i les performances…). 2. El que aquest moviment aporta en l'artístic i l'estètic a través de l'estudi d'un nucli d'autors concret. 3. Els antecedents a partir de les avantguardes artístiques. 4. Els objectius i la metodolog

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Feuillie, Nicolas. "Fluxus : l'oeuvre et l'esprit." Paris 1, 1999. http://www.theses.fr/1999PA010648.

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Intitulée "Fluxus, l'œuvre et l'esprit ", cette thèse offre une vision transversale de ce mouvement artistique, synthétisant quelques thèmes structurant ses positions esthétiques voire éthiques. Le développement se fait selon trois parties. D'abord, est énoncé une histoire évènementielle de fluxus, parce que fluxus est d'abord cela, des concerts, des actions. Si les années 1962-1963 forment la période centrale de fluxus avec la série de concerts européens, il convient aussi de remonter aux sources, parmi lesquelles la musique de John Cage occupe une place particulièrement importante. Ensuite e

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Ramírez, Tur Víctor. "Los discursos de la abyección en la performance europea contemporánea. Desde 1945 hasta la actualidad." Doctoral thesis, Universitat de Barcelona, 2019. http://hdl.handle.net/10803/667211.

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El presente estudio investiga críticamente el concepto de lo abyecto junto con sus posibles usos para el estudio de un conjunto de prácticas artísticas contemporáneas. Después de someter a una revisión crítica la noción de lo abyecto, reforzando algunos de sus contenidos desde las aportaciones provenientes de la Antropología religiosa de vertiente sociológica, se defenderá como paradigmático de la abyección un determinado corpus de obra relacionado estrictamente con algunas propuestas performativas desarrolladas en Europa en la segunda mitad del siglo XX. Este ejercicio permitirá al mismo tie

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Durán, Gamba Mildred. "L'expression de la violence dans l'art actuel en Amérique Latine : notamment en Colombie, à Cuba et au Chili de 1995 à 2005 (dessin, peinture, sculpture, photographie, vidéo, installation et performance)." Paris 1, 2008. http://www.theses.fr/2008PA010587.

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La force destructrice dans tout état de violence mais aussi les énergies créatrices implicites a ce phénomène sont a l'origine de cette étude. L'analyse des phénomènes de violence, ces fameux « objets de passion» dont parle Yves Michaud, a 1'exegese de toute création nous a permis d'aborder le sujet sous un certain angle. La vie au quotidien a influence les productions latino-americaines, nous verrons comment elle rentre en interaction avec différentes violences, crée des points d'impacts, des accrocs avec le sens, et rend ces oeuvres détentrices d' expressions. Une analyse iconologique est l'

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Gardner, Flore. "À la fois performance artistique et geste du quotidien. . . (le) Nonsense." Paris 1, 2007. http://www.theses.fr/2007PA010722.

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Est explorée la limite entre l'art et la vie, à travers de petites performances artistiques qui sont à la fois des gestes quotidiens, accompagnées de sculptures molles, de dessins et d'écrits. A travers ces actions, l'ordinaire est décalé ou renversé, déplacé dans l'extra-ordinaire; une subversion douce. Une traduction nonsensique du quotidien: le nonsense implique simultanément un renversement du bon sens et du sens commun O'absurde) et un trop plein de sens (un sens élastisé ou le télescopage des sens contraires). La notion d' « entre-deux» est essentielle: un état d'être simultanément les d

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Criticos, Corinna. "L' arte povera dans les années 60 : origines et émergence dans le monde de l'art." Paris 1, 2002. http://www.theses.fr/2002PA010607.

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Ce travail présente les origines des artistes italiens (Anselmo, Boetti, Calzolari, Fabro, Gilardi, Merz, Paolini, Pascali, Piacentino, Pistoletto, Penone, Zorio) et grec (Kounellis) dont les oeuvres ont été réunies par Germano Celant sous la dénomination arte povera en 1967. La première partie traite de la gestation de l'arte povera (de 1960 à 1964) ; elle confronte les oeuvres de la première vague d'artistes et celles de leurs aînés comme Burri, De Chirico, Fontana, Manzoni et Pollock. La deuxième partie, consacrée à la cristallisation, traite des interactions et des problématiques communes

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Roux, Céline. "Les enjeux de l'attitude performative dans le champ chorégraphique français : 1993-2003." Rennes 2, 2005. http://www.theses.fr/2005REN20037.

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Au-delà des difficultés sémantiques du vocable performance, en se fondant sur le cadre historique de son émergence, cette thèse valorise le concept d'attitude performative qui, dans le champ chorégraphique français, au travers de la décennie 1993-2003, a bénéficié d'un nouvel espace favorable à son épanouissement. Cette attitude performative, contre-pouvoir critique d'un système qui ne répond plus aux désirs des créateurs, propose des alternatives invitant à des évolutions possibles sans révolution inéluctable. Dégénérescence pour certains, libération créatrice pour d'autres, elle s'établit à

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Richards, Thomas. "De l'art comme véhicule." Paris 8, 2001. http://www.theses.fr/2001PA081981.

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Jerzy Grotowski, metteur en scène et chercheur qui a transformé profondément la pratique du théâtre dans la seconde moitié du vingtième siècle, a dédié les dernières treize années de sa vie à la transmission de sa connaissance pratique. A cet effet, le "Workcenter of Jerzy Grotowski" a été fondé en 1986, à Pontedera, Italie. Le texte présent, De l'Art Comme Véhicule, confronte la partie de ma vie dans laquelle j'ai travaillé avec Grotowski de très près (1985 à 1999). Dans celui-ci se déploie une analyse écrite de la recherche que Grotowski a appelé la dernière phase du travail de sa vie, "L'Ar

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Books on the topic "Art de performance – 1945-1990"

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Museo de Arte Moderno (Buenos Aires, Argentina). Arte de acción, 1960-1990. Museo de Arte Moderno, 1999.

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Performance Art nach 1945: Aktionstheater und Intermedia. W. Fink, 2001.

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Rossiĭskiĭ akt︠s︡ionizm, 1990-2000. World art muzeĭ, 2007.

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International Committee for Animal Recording. Biennial Session. Performance recording of animals: State of the art, 1990. Pudoc, 1991.

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Bromfield, David. Identities: A critical study of the work of Mike Parr, 1970-1990. University of Western Australia Press, 1991.

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Christo. Christo: John Kaldor art project, 1990. Art Gallery of New South Wales, 1990.

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(Group), SEMEFO, ed. SEMEFO 1990-1999: De la morgue al museo = from the morgue to the museum. El Palacio Negro, 2011.

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Theater als öffentlicher Raum: Die Berliner Ermittlung von Jochen Gerz und Esther Shalev-Gerz. Theater der Zeit, 2005.

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Edwards, Jim. Precarious links: Emily Jennings, Hung Liu, Celia Munoz : July 7-August 26, 1990, San Antonio Museum of Art, San Antonio, Texas, Lawndale Art and Performance Center, Houston, Texas, September 8-October 13, 1990. San Antonio Museum Association, 1990.

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1936-, Jonas Joan, ed. Perform. Thames & Hudson, 2005.

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Book chapters on the topic "Art de performance – 1945-1990"

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Tiso, Elisabeth. "The Public Art of Jean Tinguely 1959–1991: Between Performance and Permanence." In France and the Visual Arts since 1945. Bloomsbury Visual Arts, 2019. http://dx.doi.org/10.5040/9781501341557.ch-010.

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Stefana, Djokic. "American Art in Yugoslavia 1945–1964." In Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990. Routledge, 2020. http://dx.doi.org/10.4324/9781003009979-5646.

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Genova, Irina. "Writings on Art in the United States ca. 1945–1990: Cases from Bulgaria." In Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990. Routledge, 2020. http://dx.doi.org/10.4324/9781003009979-7058.

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Hopkins, Claudia, and Iain Boyd Whyte. "Radoslav Putar, “Pop Art Op Art: Art or Trend,” translated from Croatian by Terence McEneny, originally published as “Pop-art Op-art,” in 15 Dana 9–10 (1965): 12–13." In Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990. Routledge, 2020. http://dx.doi.org/10.4324/9781003009979-6352.

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Glowczewski, Barbara. "Lines and Criss-Crossings: Hyperlinks in Australian Indigenous Narratives." In Indigenising Anthropology with Guattari and Deleuze. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474450300.003.0010.

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This chapter presents digital forms of anthropological restitution developed in the late 1990’s and early 2000 by Barbara Glowczewski with different Aboriginal peoples for their own use and a larger audience. She designed the CD-ROM Dream Trackers (Yapa Art and Knowledge of the Australian Desert published by Unesco) with 51 elders and artists from the Central Australian community of Lajamanu in the Northern Territory. Quest in Aboriginal Land is an interactive DVD based on films by Indigenous filmmaker Wayne Barker, juxtaposing four regions of Australia. Both projects aimed to explore and enhance the cultural foundations of the reticular way in which many Indigenous people in Australia map their knowledge and experience of the world in a geographical virtual web of narratives, images and performances. The relevance of games for anthropological insights is also discussed in the paper. Reticular or network thinking, Glowczewski argues, is a very ancient Indigenous practice but it gains today a striking actuality thanks to the fact that our so-called scientific perception of cognition, virtuality and social performance has changed through the use of new technologies. First published in 2002.

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Whyte, Iain Boyd, and Oliver Sukrow. "US Art in Cold War East Germany:." In Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990. Routledge, 2020. http://dx.doi.org/10.4324/9781003009979-135109.

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Hopkins, Claudia, and Iain Boyd Whyte. "František Doležal, “American Modern Painting,” translated from Czech by John Minahane, originally published as “Americké moderní malířství,” in Svobodné noviny (April 5, 1947): 5." In Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990. Routledge, 2020. http://dx.doi.org/10.4324/9781003009979-10089.

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Hopkins, Claudia, and Iain Boyd Whyte. "Jaroslav Bouček, “Formalist ‘Art’ in the Service of Warmongers,” translated from Czech by Eva Spišiaková, originally published as “Formalistické ‘umění’ ve službách válečných paličů,” in Výtvarné umění (1951–1952): 343–345." In Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990. Routledge, 2020. http://dx.doi.org/10.4324/9781003009979-10190.

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Hopkins, Claudia, and Iain Boyd Whyte. "Ivan Jirous, “Americans in Prague,” translated from Czech by John Minahane, originally published as “Američané v Praze,” in Výtvarná práce 17 (1969): 8." In Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990. Routledge, 2020. http://dx.doi.org/10.4324/9781003009979-10291.

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Hopkins, Claudia, and Iain Boyd Whyte. "Radislav Matuštík, “New American Painting: Notes on the Exhibition Painting in the United States since 1945 in the Slovak National Gallery, Bratislava,” translated from Slovak by John Minahane, originally published as “Nové americké maliarstvo: Poznámky k výstave Maliarstvo USA po roku 1945 v SNG v Bratislave,” in Výtvarný život 14, no. 10 (1969): 22–29 (excerpt)." In Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990. Routledge, 2020. http://dx.doi.org/10.4324/9781003009979-10392.

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Conference papers on the topic "Art de performance – 1945-1990"

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Prario, Aldo, and Heinrich Voss. "FT8A, a New High Performance 25 MW Mechanical Drive Aero Derivative Gas Turbine." In ASME 1990 International Gas Turbine and Aeroengine Congress and Exposition. American Society of Mechanical Engineers, 1990. http://dx.doi.org/10.1115/90-gt-287.

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This paper describes the FT8A, an advanced state of the art, high performance aeroderivative gas turbine under development for variable speed mechanical drive industrial applications. The gas generator, common to the recently developed FT8, is derived from the Pratt & Whitney JT8D-200 series aircraft engine. The power turbine is being designed and developed by Turbo Power and Marine Systems, Inc. (TPM) and MAN Gutehoffnungshütte AG (MAN GHH) under a joint collaboration program. The power turbine features a three stage rotor simply supported between antifriction bearings, advanced aerodynam

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Chiesa, Paolo, Stefano Consonni, Giovanni Lozza, and Ennio Macchi. "Predicting the Ultimate Performance of Advanced Power Cycles Based on Very High Temperature Gas Turbine Engines." In ASME 1993 International Gas Turbine and Aeroengine Congress and Exposition. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/93-gt-223.

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It is well known that the history of gas turbine engines has been characterized by a very clear trend toward higher and higher operating temperatures, a growth which in the past 40 years has progressed at the impressive pace of approximately 13°C/year. Expected improvements in blade cooling techniques and advancements in materials indicate that this tendency is going to last for long time, leading to firing temperatures of over 1500°C within the next two decades. This paper investigates the impact of such temperature increase on optimal cycle arrangements and on ultimate performance improvemen

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Zoccoli, Michael J., and David D. Klassen. "T407/GLC38: A Modern Technology Powerplant." In ASME 1990 International Gas Turbine and Aeroengine Congress and Exposition. American Society of Mechanical Engineers, 1990. http://dx.doi.org/10.1115/90-gt-242.

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The T407/GLC38 turboprop/turboshaft engine is a 6000 shaft horsepower (SHP) class gas turbine engine currently under joint development by Textron Lycoming of Stratford, Connecticut, and GE Aircraft Engines of Lynn, Massachusetts, with Bendix Control of South Bend, Indiana, a division of Allied Signal; Ruston Gas Turbines Limited of Great Britain, part of GEC ALSTHOM; and Steel Products Engineering Company (SPECO) of Springfield, Ohio. The powerplant is derived from the highly successful GE27 Modern Technology Demonstrator Engine (MTDE) program, which was conducted under the auspices of the U.S

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Chalhoub, Nabil G., and A. Galip Ulsoy. "Effect of a Self-Locking Drive Mechanism on the Performance of a Flexible Robot Arm." In 1990 American Control Conference. IEEE, 1990. http://dx.doi.org/10.23919/acc.1990.4790946.

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Thoren, Kjell T. E. "Gas Turbine Development in Sweden After 1945: A Historical Review." In ASME 1998 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/98-gt-026.

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The gas turbine development history of Sweden is exciting. By international comparison Sweden and its gas turbine manufacturers are small but can nevertheless claim periods with the worlds highest output, or highest efficiency large industrial gas turbine respectively. Sweden has always created its own military aircraft and fitting, high performance engines are developed in Sweden in license cooperation with large international manufacturers. The Swedish Air Force ranked number four in the world during the 60s. Pioneering contributions were also made with small gas turbines, such as high speed

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Cotherman, Robert D., and Michael P. Manning. "NOx Control: The Power of Plasma." In 1996 1st International Pipeline Conference. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/ipc1996-1900.

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The continuing growth of the global economy and recognition that environmental quality is a worldwide concern have spurred the development of technologies targeted at improving efficiency while benefiting the environment. As a result of the Clean Air Act Amendments of 1990 (CAAA), the interim guidelines of the Canadian Council of Ministers of the Environment recommending “Low NOx” technology (1), and similar efforts by other countries, efforts to improve air quality have strengthened dramatically. In particular, fuel burning sources have come under increased scrutiny with more stringent limita

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Paviglianiti, Joe, Alan Murray, and Tijani (TJ) Elabor. "Are Integrity Management Programs Making a Difference?" In 2018 12th International Pipeline Conference. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/ipc2018-78597.

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As a result of numerous stress corrosion cracking incidents in the 1980s and early 1990 the National Energy Board (NEB) held an Inquiry1 in 1995 on the SCC failure mechanism and how to prevent failures. One of the recommendations of the Inquiry was Companies were to develop a SCC management program to proactively identify and mitigate SCC. Based on the apparent success of the SCC programs in significantly reducing SCC failures, the NEB revised its Onshore Pipeline Regulations in 1999 (OPR-99)2 to require companies to develop an integrity management program (IMP) for all hazards. This paper dis

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Beyers, Robert, and Subhas Desa. "Design of Control Systems for Performance: A Constraint Mapping Approach." In ASME 1990 Design Technical Conferences. American Society of Mechanical Engineers, 1990. http://dx.doi.org/10.1115/detc1990-0055.

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Abstract This paper is the single-input, single-output frequency domain counterpart of a framework developed by the authors [7] for the design for performance of constrained controlled dynamic systems. Simple s-plane maps are used to graphically reveal interactions of performance requirements and constraints, thus permitting a control system designer to clearly understand performance trade-offs. Two important facts underlie our approach: (a) the dynamic performance of a closed-loop system is limited by certain constraints and (b) successful control system design must explicitly account for the

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Lee, S. J., B. J. Gilmore, and M. M. Ogot. "Dimensional Tolerance Allocation of Stochastic Dynamic Mechanical Systems Through Performance and Sensitivity Analysis." In ASME 1990 Design Technical Conferences. American Society of Mechanical Engineers, 1990. http://dx.doi.org/10.1115/detc1990-0081.

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Abstract Uncertainties due to random dimensional tolerances within stochastic dynamic mechanical systems lead to mechanical errors and thus, performance degradation. Since design standards do not exist for these systems, analysis and design tools are needed to properly allocate tolerances. This paper presents probabilistic models and methods to allocate tolerances on the link lengths and radial clearances such that the system meets a probabilistic and time dependent performance criterion. The method includes a general procedure for sensitivity analysis, using the effective link length model an

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Bress, Thomas, Eugenia Kennedy, MariAnne Sullivan, and Mark Guttag. "Risk Assessment of Escalator Sidewall Entrapment Between the Years 1990 and 2017." In ASME 2019 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/imece2019-11432.

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Abstract In previous work, hazards related to escalator sidewall entrapment were examined between the years 1998 and 2017 [1]. This prior analysis included entrapment of the escalator riders’ fingers, hands, toes, or feet. Data were analyzed from the U.S. Consumer Product Safety Commission National Electronic Injury Surveillance System (NEISS) to better understand the trends associated with escalator sidewall entrapment since the introduction of the step/skirt performance index in the 2000 edition of ASME A17.1 Safety Code for Elevators and Escalators. This current effort extends the analysis

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