Relevant bibliographies by topics / Artists – United States – Biography

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Artists – United States – Biography'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Artists – United States – Biography"

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Vasylyshyn, Igor P. "EXISTENTIAL PARADIGM OF LYRICS BY MYKHAILO SYTNYK AND HANNA CHERIN (ARTISTIC AND BIOGRAPHICAL DISCOURSE)." Alfred Nobel University Journal of Philology 2, no. 22 (2021): 82–97. http://dx.doi.org/10.32342/2523-4463-2021-2-22-7.

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The article highlights the poetic legacy of the war and postwar years of Ukrainian artists Mykhailo Sytnyk and Hanna Cherin, united not only by the Muse but also, albeit for a short time, by marriage. The creative tandem of poets lasted until the end of the 1940s, in the 1950s their lives diverged in the United States, but there remained works that united artists in their common life and artistic destiny. The aim of the article is to comprehend the existential paradigm of the lyrics of M. Sytnyk and H. Cherin in the artistic and biographical discourse. Materials of scientific research, in particular the texts of some poems, have been published in Ukraine for the first time and make it possible to cover the littleknown pages of the life and work of M. Sytnyk and H. Cherin in the 1940s in Europe. The article is written with the maximum preservation of the cited materials, which are important historical and literary sources in the study of the biography and work of Ukrainian artists, the disclosure of their biographical and creative discourse. To achieve this goal, several methods were used – primarily from biographical with the study of authentic sources, cultural-historical, philological, intertextual to phenomenological and hermeneutic analysis, which allow distinguishing and analyzing artistic and biographical discourse in the lyrics of M. Sytnyk and H. Cherin to explore the existential paradigm of their poetry. Elements of conceptual analysis are also used, which allow considering the lyrics of poets through the prism of dominant concepts. The married life of artists and the reasons for their divorce can be reproduced only from fragments, i.e. from the words of their friends, acquaintances, in some mentions of researchers of their work and from the poetic lines of M. Sytnyk and H. Cherin, because none of them did not mention this period after the break. The post-war period in Europe was the time not only of romantic relations between artists, marriage, and the birth of a daughter but also of successful creative activity, joint speeches at conferences, literary evenings, and other events of the DP cultural and artistic community. While in Europe, poets published their works in numerous emigrant publications and separate collections of poetry in the 1940s, existential meditations), in which the dominant concept is the lost Motherland, which is realized in the lyrics of poets through the opposition of foreign – native land. The artistic discourse of poetry of the war and post-war periods of M. Sytnyk and H. Cherin is represented by personal, intimate lyrics; civic and patriotic lyrics (in wartime – the lyrics of heroism and rank), and existential-nostalgic, anteistic lyrics associated with the loss of the Motherland. The existential paradigm of the lyrics of Mykhailo Sytnyk and Hanna Cherin in the artistic and biographical discourse is determined primarily by the circumstances of their life and creative activity – the Second World War, the difficult postwar years, and the emigration factor, which for many Ukrainian artists was decisive not only in their lives but also in their work. The common destiny of the artists was connected by the poetry of the war and the first postwar years, which reflected at the artistic level not only the story of their love – its bright and dramatic sides, but also the existential circumstances of Ukrainians in exile.
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Samchuk, Taras. "Kyiv period of Illia Shulga’s life and work (1928-1938)." Text and Image: Essential Problems in Art History, no. 1 (2022): 144–51. http://dx.doi.org/10.17721/2519-4801.2022.1.11.

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Research work devoted to the details of the Kyiv period of life and work of Ukrainian painter Illia Shulga. This period covers the years 1928-1938, at this time there were rapid changes in the artistic life of Ukraine, which affected the fate of the artist. For most of his life the painter lived and worked at a distance from active artistic life, only in the late 1920s he manage to move to Kyiv. Despite the noticeable influence of avant-garde in artistic life, Illia Shulga consistently followed a realistic approach to art, it was the influence of his education, obtained at the St. Petersburg Academy of Arts. He successfully worked in various genres (portrait, landscape, genre paintings). During his lifetime, the artist has created about 1,000 works (the Kyiv period accounts for about 170 works), but most of them have not survived to our time. Most of Shulga's works disappeared during World War II. Today, a little more than 20 of his works are preserved in the museums of Ukraine from the huge creative heritage of the artist. The article introduces a number of documents that shed light on the details of the artist's biography. In particular, the criminal case of Illia Shulga, which recorded a number of details of the last period of the artist's life. The documents of the case shed light on the details of the arrest, the course of the investigation, and the reasons for sentencing the painter. The publication also analyzed the most complete currently known list of Shulga’s works, which includes 564 items. This list was compiled in 1941 by the artist's wife, and later this list and a number of other documents related to the life and work of the artist were deposited in the Archive-Museum D. Antonovych of the Ukrainian Free Academy of Sciences in the United States. The appendices contain a list of the artist's works that are currently stored in museums in Ukraine and a link to the list of the artist's works.
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Bronk, Katarzyna. "“Next Unto the Gods My Life Shall Be Spent in Contemplation of Him”: Margaret Cavendish’s Dramatised Widowhood in Bell in Campo (I&II)." Studia Anglica Posnaniensia 52, no. 3 (December 1, 2017): 345–62. http://dx.doi.org/10.1515/stap-2017-0013.

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Abstract Margaret Cavendish (1623–1673) is nowadays remembered as one of the most outspoken female writers and playwrights of the mid-seventeenth-century; one who openly promoted women’s right to education and public displays of creativity. Thus she paved the way for other female artists, such as her near contemporary, Aphra Behn. Although in her times seen as a harmless curiosity rather than a paragon to emulate, Cavendish managed to publish her plays along with more philosophical texts. Thanks to the re-discovery of female artists by feminist revisionism, her drama is now treated as a valuable source of knowledge on the values and norms of her class, gender, and, more generally, English society in the seventeenth century. Cavendish’s two-partite play Bell in Campo (1662) is a fantasy on the world where women can fight united not only against misogyny but also against an actual enemy. While the two plays seem to be focused on the valiant Lady Victoria and her female “Noble Heroicks”, Bell in Campo likewise offers an odd subplot featuring two widows and their lives without their beloved husbands. In the secular discourse of the seventeenth century, widowhood has been seen as either liberating – as when the woman became the sole owner of her husband’s estate and goods, or regained her own, and thus more independent – or degrading – when she became the not-so-welcomed burden on her children’s shoulders and pockets. Other studies on widowhood likewise state its symbolic function, showing women as the bearers of memory, predominantly of the husband and his virtues, and often attending to the spouse’s site of memory. While discussing the cultural history of properly performed widowhood, seen as the final (st)age of a woman’s life, and taking into account Cavendish’s remarkable biography, the present paper offers a close study of her propositions for appropriate widowhood and its positioning in contrast to other states of womankind as presented in Bell in Campo.1 It will likewise take into account the more or less sublimated evidence for gerontophobia, particularly in relation to women, as shown in Cavendish’s play and seventeenth-century culture.
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Kryshtaleva, M. K. "Alexander Benois Archive: Collection and Distribution." Modern History of Russia 12, no. 1 (2022): 173–84. http://dx.doi.org/10.21638/11701/spbu24.2022.110.

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Art historian, artist, and critic Alexander Nikolaevich Benois (1870–1960) collected and systematized his archive both before and after emigration from Leningrad to Paris in 1926. According to his own assessments and according to contemporaries, the materials contained in the archive are valuable for studying the history of art culture at the turn of the nineteenth and twentieth centuries, and as sources for the history of Russian emigration in the first half of the twentieth century. Research and exhibitions devoted to the biography and work of Benois, as a rule, focus on his activities until the autumn of 1926 and narrate the artist’s activities in emigration, not appealing to archival materials of this period. During 34 years of emigration, part of the archive, partially transported from Leningrad, was replenished with new materials of a personal and professional nature. His personal archive became part of the museum’s collections during his lifetime, and after his death it was distributed among several more storage locations in Russia and the United States, still partially remaining in the family. Information about the archival heritage of Benois is extremely scattered, which might explain their insufficient coverage in studies of Russian emigration, as well as ideas about the activities and significance of Benois personality for the artistic and the emigration world of the mid-twentieth century. The article traces the history of the formation and principles of collecting the archive, identifies the reasons and the course of distribution, systematize information about its location and the composition of materials in storage places.
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Arustamova, Anna A. "David Burliuk in Color and Rhyme Magazine. Article 1. Painter and Poet on the Crossroads of Cultures." Literature of the Americas, no. 10 (2021): 207–27. http://dx.doi.org/10.22455/2541-7894-2021-10-207-227.

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The paper traces David Burliuk’s evolution as a poet, essayist and editor in the United States, where he began his career in the pro-Soviet Russian émigré newspaper Russky Golos and then switched to his personal project — Color and Rhyme, the Burliuk family magazine. The paper examines some strategies of Burliuk's self-presentation in Color and Rhyme; since in this edition Burliuk is presented as a poet and an artist, the paper analyzes, how both of these roles of Burliuk relate to each other in the texts published in the magazine. Focusing on the English-speaking reader, Burliuk emphasized the European context of his artistic biography; other contributors that published their articles and reviews in the Color and Rhyme stressed his cultural affinity with Paul Gaugin, Expressionists, Fauvists and characterized Burliuk as “American Van Gogh”. Special attention is paid to the ways of representation of American poetry in Color and Rhyme. Burliuk’s magazine published works by members of some New York poetic communities, such as The New York Poetry Forum and The Raven Poetry Circle of Greenwich Village. In particular, it is described how Burliuk as an editor represented beginners or littleknown authors in the earlier periods of his editorial activity. The article shows that Color and Rhyme magazine can be viewed not only as a tool for “promoting” D. Burliuk's art, but also as a chronicle of his activity as a writer and artist.
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Minin, Oleg. "Russian Artists in the United States." Experiment 20, no. 1 (October 27, 2014): 229–59. http://dx.doi.org/10.1163/2211730x-12341264.

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Charting Nicholas Remisoff’s artistic legacy during his California period, this essay explores his contributions to the cultural landscape of the state and emphasizes his work on live stage productions in San Francisco and Los Angeles in the early 1930s and 1940s. Delineating the critical reception of Remisoff’s work in opera, ballet and theatre in these cities, this essay also highlights the artist’s interactions and key collaborations with other Russian and European émigré artists and reflects on the nature of Remisoff’s particular affinity with Southern California.
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Prendergast, A. "Scientific Biography in the United States." Choice Reviews Online 46, no. 02 (October 1, 2008): 227–38. http://dx.doi.org/10.5860/choice.46.02.227.

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Phillips, Carla Rahn, and William D. Phillips. "Christopher Columbus in United States Historiography: Biography as Projection." History Teacher 25, no. 2 (February 1992): 119. http://dx.doi.org/10.2307/494269.

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Olin, Ferris. "Institutional activism: documenting contemporary women artists in the United States." Art Libraries Journal 32, no. 1 (2007): 11–19. http://dx.doi.org/10.1017/s0307472200014802.

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The Margery Somers Foster Center, based at the Mabel Smith Douglass Library on the Douglass College campus of Rutgers, the State University of New Jersey, is a resource center and digital archive focused on women, scholarship and leadership. Numerous intersecting initiatives based at the center, library and university are making visible the lives, works and contributions to cultural history of contemporary women artists active in the United States.
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Altman, Dana. "Contemporary Romanian Art in the United States." American, British and Canadian Studies Journal 22, no. 1 (August 15, 2014): 87–93. http://dx.doi.org/10.2478/abcsj-2014-0023.

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Abstract The article discusses the recent international interest in contemporary Romanian art and its growth in market share, with a focus on the United States. The theme is followed thorough in numerous museum exhibitions, increased collector following, art fair presence, gallery representation and auction activity initially in Europe and the United States. The phenomenon is discussed both in the context of the larger international movement conducive to the contemporary art price bubble, and in that of the local socio-economic changes. My chief interest lies in the factors leading up to the entry of post 1989 Romanian art in the global arena as a manifestation of market forces in the field. The analysis follows its grass roots local emergence through non-profit institutions, individual artists, small publications, low budget galleries, as well as the lack of contribution (with few notable exceptions) of state institutions, while pointing out the national context of increasing deregulation of social support systems resulting in lack of focus on cultural manifestations. The conclusion is that the recent ascent of contemporary Romanian art (and coincidentally, the award winning contemporary Romanian cinematography) is a fortuitous convergence of various factors, among which, increased international mobility and sharing. At the same time, it is also the result of the evolution of various individual artists that pursued a form of art rooted in Romanian artistic tradition but with a focus on the symbolic figurative. The result is a personal semiotics of raising the mundane to extraordinary levels that reconfigured the anxiety of entering a new system into an unmistakable and lasting visual language.
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Dissertations / Theses on the topic "Artists – United States – Biography"

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Riepma, Lindsy. "Mor' better, mor' worse : the effects of marriage on the valuing of art." Honors in the Major Thesis, University of Central Florida, 1998. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/49.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Sciences
Art History
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Harris, Matthew L. Sharp James Roger. "'Experience must be our guide' John Dickinson and the origins of American federalism, 1754 - 1808 /." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2004. http://wwwlib.umi.com/cr/syr/main.

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LaFantasie, Glenn Warren. "William C. Oates : a biography /." View online version; access limited to Brown University users, 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3174631.

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Hubbs, Holly J. "American women saxophonists from 1870-1930 : their careers and repertoire." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1259304.

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The late nineteenth century was a time of great change for women's roles in music. Whereas in 1870, women played primarily harp or piano, by 1900 there were all-woman orchestras. During the late nineteenth century, women began to perform on instruments that were not standard for them, such as cornet, trombone, and saxophone. The achievements of early female saxophonists scarcely have been mentioned in accounts of saxophone history. This study gathers scattered and previously unpublished information about the careers and repertoire of American female saxophonists from 1870-1930 into one reference source.The introduction presents a brief background on women's place in music around 1900 and explains the study's organization. Chapter two presents material on saxophone history and provides an introduction to the Chautauqua, lyceum, and vaudeville circuits. Chapter three contains biographical entries for forty-four women saxophonists from 1870-1930. Then follows in Chapter four a discussion of the saxophonists' repertoire. Parlor, religious, and minstrel songs are examined, as are waltz, fox-trot, and ragtime pieces. Discussion of music of a more "classical" nature concludes this section. Two appendixes are included--the first, a complete alphabetical list of the names of early female saxophonists and the ensembles with which they played; the second, an alphabetical list of representative pieces played by the women.The results of this study indicate that a significant number of women became successful professional saxophonists between 1870-1930. Many were famous on a local level, and some toured extensively while performing on Chautauqua, lyceum, and vaudeville circuits. Some ended their performing careers after becoming wives and mothers, but some continued to perform with all-woman swing bands during the 1930s and 40s.The musical repertoire played by women saxophonists from 1870-1930 reflects the dichotomy of cultivated and vernacular music. Some acts chose to use popular music as a drawing card by performing ragtime, fox-trot, waltz, and other dance styles. Other acts presented music from the more cultivated classical tradition, such as opera transcriptions or original French works for saxophone (by composers such as Claude Debussy). Most women, however, performed a mixture of light classics, along with crowd-pleasing popular songs.
School of Music
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DuBay, Susan Adams. "John Humphrey Noyes, 1811-1840 : a social biography." PDXScholar, 1989. https://pdxscholar.library.pdx.edu/open_access_etds/3568.

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John Humphrey Noyes was the founder of the Oneida Community, one of the most successful utopian ventures in nineteenth-century America. Early in his life, Noyes was a deep religious thinker, but he founded Oneida as an ideal society based on extending the family unit, and not as a church. Noyes's social theories eventually overwhelmed his former religious concentration. The purpose of this thesis is to locate in Noyes's religiously-oriented youth the sources of his social interests. Few scholars have studied in depth the childhood and young manhood of John Humphrey Noyes, but that is where the roots of his social theories are to be found. Noyes did write his religious autobiography, but completely passed over his formative years. Further, he never wrote the analysis of his social ideas and experiences that he had once promised. However, many of his early letters and journals have been compiled and edited by his relatives; and his immediate family left reminiscences of his youth. These works provide most of the available information on the childhood of Noyes. Large gaps in his history do exist, however. Therefore, the modern psychological theories of Erik Erikson are used to illuminate the otherwise shadowy areas of Noyes's early life.
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Graff, Frank Warren. "Strategy of involvement a diplomatic biography of Sumner Welles /." New York : Garland, 1988. http://catalog.hathitrust.org/api/volumes/oclc/17807643.html.

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Meyer, Nancy Jean. "Vance Hartke : a political biography." Virtual Press, 1987. http://liblink.bsu.edu/uhtbin/catkey/530361.

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The focus of this dissertation is the political career of R. Vance Hartke, Democratic Senator from Indiana 1958-1976. The areas of emphasis include Hartke's role in the creation of the Veterans' Affairs Committee of the Senate and his chairmanship of the Committee, several of the controversies of his career, and his political style and philosophy.Books and articles written by Hartke were used extensively as were various newspapers and the Conqressional Record. Information was also obtained from interviews with Hartke and Frank Brizzi, who was staff director of the Veterans' Affairs Committee during Hartke's term as chairman.That Hartke philosophically was a liberal and politically was a risk-taker are among the conclusions reached in this study. Hartke's strongest asset in winning election to the Senate three times in a relatively conservative state was an energetic and personalized political style. Despite the controversies which surrounded Hartke and some apparent conflicts of interest," there is no evidence he committed illegal or unethical acts. Hartke used his power as chairman of the Veterans' Affairs Committee of the Senate to infuse his liberal ideology into public policy for American veterans. Furthermore, he expanded veterans' benefits during his tenure.
Department of Political Science
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Erskine, Kristopher Charles. "Frank W.Price, 1895-1974 : the role of an American missionary in Sino-U.S. relation." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/206668.

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This dissertation is a biography of American missionary Frank W. Price, friend and advisor to Madame and Generalissimo Chiang Kai-shek, and KMT official for two decades. Price was closer to Chiang than any other American, yet no one has attempted to unravel his role within Chiang’s government or his impact on Sino-U.S. relations. This dissertation makes that attempt, giving special attention to the years between 1937 and 1947, during which Price was most involved with Chiang and the KMT. Groundbreaking research was undertaken in Taiwan, the United States, and China. New archives and family collections were used, and recently declassified documents were accessed in the United States through the Freedom of Information Act. Chiang’s diaries were utilized and interviews conducted with at least twenty individuals in China, the United States, and Taiwan, most of whom either knew Frank Price or whose parents or spouse worked with him. These interviews include Price’s son and niece. In the final analysis evidence will reveal that though his ultimate policy impact was minimal, missionary Frank Price was a valued member of Chiang’s political inner circle, acting, for more than a decade, as a diplomatic backchannel between Chiang Kai-shek and President Roosevelt’s administration. The dissertation demonstrates that unconventional actors – missionaries specifically – may have been more involved in Sino-U.S. relations during China’s Nationalist period, particularly during the Second Sino-Japanese War, than has been previously supposed. It will also be asserted that Price’s role in the China Lobby indicts the KMT for secretly exerting influence on that lobby as early as 1938.
published_or_final_version
History
Doctoral
Doctor of Philosophy
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Armontrout, David Eugene. "John F. Kennedy : a political biography on education." PDXScholar, 1992. https://pdxscholar.library.pdx.edu/open_access_etds/4259.

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In what is historically a brief number of years, the life and times of John F. Kennedy have taken on legendary proportions. His presidency began with something less than a mandate from the American people, but he brought to the White House an inspiration and a style that offered great promises of things to come.
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Wannenburg, Nicola. "A psychobiographical study of Temple Grandin." Thesis, Rhodes University, 2018. http://hdl.handle.net/10962/57358.

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Psychobiographical researchers methodically formulate life histories and interpret them by means of psychological theories. The research typically focuses on exemplary and completed lives. The cases that are studied are usually of individuals who are of particular interest to society as a result of excelling in their particular fields, be they to benefit or detriment of society. Temple Grandin was chosen for this study using purposive sampling as she meets the psychobiographical requirement of being an extraordinary individual. As an individual with autism Grandin faced many challenges growing up. Despite a difficult and absent beginning, Grandin developed into a stable and scientifically creative adult who contributes to society. She excels as an animal scientist and designer of humane livestock handling facilities and has an international reputation for her contribution to the livestock industry and animal welfare. The primary aim of this study is to describe and interpret the life of Temple Grandin through Erikson’s (1950/1973) theory of psychosocial development. A mixed method approach (Yin, 2006) was employed for the conduction of this study. The overarching data processing and analysis guidelines for this study were provided by Miles and Huberman (1994, 2002a, 2002b). The conduction of the processing and analysis of data was aided by Alexander’s (1988, 1990) method of asking the data questions as well as an integration of Yin’s (2014) time series analysis with Erikson’s (1950/1973) triple bookkeeping approach. This study contributes to the development of psychobiographical research in South Africa as well as to personality and developmental theory.
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Books on the topic "Artists – United States – Biography"

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Famous immigrant artists. New York: Enslow Publishers, 2018.

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Beverly Hallam: Odyssey in art. Washington, DC: Whalesback Books, 1998.

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Jacobsen, Anita. Jacobsen's biographical index of American artists: Artists native to the United States or working in the United States from 1606 to 2002. Dallas, Tex: A.J. Publications, 2002.

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Pat, Cummings, ed. Talking with artists. New York: Bradbury Press, 1992.

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Bair, Deirdre. Saul Steinberg: A biography. New York: Nan A. Talese/Doubleday, 2012.

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The dream of Fluxus: George Maciunas, an artist's biography. [Germany]: Edition Hansjörg Mayer, 2007.

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Kellein, Thomas. The dream of Fluxus: George Maciunas, an artist's biography. London: Edition Hansjörg Mayer, 2007.

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Kellein, Thomas. The dream of Fluxus: George Maciunas : an artist's biography. London: Edition Hansjörg Mayer, 2007.

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100 Boston artists. Atglen, PA: Schiffer Publishing Ltd., 2013.

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Skinner, Alice Blackmer. Stay by me, roses: The life of American artist, Alice Archer Sewall James, 1870-1955. West Chester, Pa: Swedenborg Foundation Press, 2011.

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Book chapters on the topic "Artists – United States – Biography"

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Abrams, Jesse. "Author biography." In Forest Policy and Governance in the United States, 283. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003043669-15.

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Rueschemeyer, Marilyn. "Changing Countries: Russian Artists in the United States." In Art and the State, 154–82. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230507920_6.

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Wendler, Eugen. "Overview of List’s Biography and Economic Theory." In Friedrich List’s Exile in the United States, 1–9. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-23642-1_1.

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Fiorito, Luca, and Sebastiano Nerozzi. "Chicago Economics in the Making, 1926–1940: A Further Look at United States Interwar Pluralism." In Hayek: A Collaborative Biography, 373–418. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95219-2_11.

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"Visit to the United States, 1856." In George Peabody, A Biography, 76–86. Vanderbilt University Press, 2020. http://dx.doi.org/10.2307/j.ctv176kvjp.15.

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"Last Visit to the United States, 1869." In George Peabody, A Biography, 174–79. Vanderbilt University Press, 2020. http://dx.doi.org/10.2307/j.ctv176kvjp.28.

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Cherbo, Joni Maya. "5. About Artists." In Understanding the Arts and Creative Sector in the United States, 75–91. Rutgers University Press, 2020. http://dx.doi.org/10.36019/9780813545059-007.

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Elizondo Griest, Stephanie. "The United States of In-between." In All the Agents and Saints. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469631592.003.0022.

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The author concludes her exploration of the U.S. borderlands with a meditation on the concept of borderlines. They don’t just delineate countries. Political parties are highly adept at redrawing the lines of congressional districts with a legal magic that—at the ballot box—brings about “miracles” on par with La Virgen de Guadalupe (only nowhere near as hopeful). For a borderline is an injustice. It is a time-held method of partitioning the planet for the benefit of the elite. Fortunately, there are legions of activists, artists, and faith keepers out there, petitioning on humanity’s behalf, but they need serious reinforcement. For the greatest lesson in nepantla is that many borderlines needn’t exist at all.
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Storhoff, Timothy P. "The Politics of Cuban Music in the United States." In Harmony and Normalization, 55–80. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496830876.003.0003.

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The third chapter describes the history of Cuban politics in the United States, their recent transformations, and how they have impacted musical production and interaction. The politics and musical prominence of Cuban exiles in Miami has resulted in a range of reactions to Cuban musicians in South Florida ranging from controversy to acceptance. Divisive Florida performances are contrasted with appearances by Cuban artists elsewhere in the country. The National Symphony Orchestra of Cuba’s first tour of the United States in 2012 featured a range of repertoire by Cuban artists, European romantic composers, Gershwin, and more that represented a call for increased US-Cuban musical interaction.
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Rui, Zhang. "Construction vs. Deconstruction: Different “Chineseness” in Chinese Diaspora Artists’ Works." In Complementary Modernisms in China and the United States, 542–52. Punctum Books, 2020. http://dx.doi.org/10.2307/j.ctv16zk03m.42.

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Conference papers on the topic "Artists – United States – Biography"

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Castro, Ana Claudia Veiga de. "Um historiador entre duas cidades: Richard Morse, de Nova York a São Paulo." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Instituto de Arte Americano. Universidad de Buenos Aires, 2013. http://dx.doi.org/10.5821/siiu.5938.

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O historiador Richard Morse (1922-2001) publica o livro De comunidade à metrópole, a biografia de São Paulo, em 1954, nas comemorações do IV Centenário da cidade. O livro, hoje um clássico, foi gestado entre a sua formação nos Estados Unidos e a pesquisa de campo em São Paulo. Esse artigo tem a intenção traçar paralelos entre as condições urbanas e culturais de São Paulo e Nova York em 1940 e 1950 e a estrutura narrativa do livro, apontando o que Morse traz da América para a formulação do problema encarado na tese – a evolução urbana de comunidade à metrópole – e o que ele formula na experiência de pesquisa numa cidade em processo de metropolização. Richard Morse (1922-2001) published the book From community to metropolis, the biography of São Paulo, in 1954, in celebration of the fourth centenary of the city. The book, now a classic, was conceived between his training in the United States and his field research in São Paulo. This article intends to draw parallels between the urban and cultural conditions of Sao Paulo and New York in the 40’s and 50’s and the narrative structure of the book, pointing out that Morse brings form America to the formulation of the problem faced in the thesis - the urban evolution from community to metropolis - and that he makes in the search experience in a city undergoing metropolis.
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McCarthy, Steven J., and Ian Scott. "The WR-21 Intercooled Recuperated Gas Turbine Engine: Operation and Integration Into the Royal Navy Type 45 Destroyer Power System." In ASME Turbo Expo 2002: Power for Land, Sea, and Air. ASMEDC, 2002. http://dx.doi.org/10.1115/gt2002-30266.

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The WR-21 gas turbine engine will be employed by the Royal Navy and potentially by the United States and French Navies in their future Integrated Full Electric Powered Surface Combatants. The Intercooled Recuperated (ICR) advanced cycle means that in a Warship power system a single WR-21 engine sits on the throne of the realm that traditionally would have been occupied by two gas turbine engines, one for ‘cruise’ and one for ‘boost’; not forgetting that it is also doing the job of at least two diesel generators in our traditional example. This performance will provide Warship operators with an unprecedented opportunity to configure the Warship propulsion plant to return exceptional Platform Life Cycle Cost reductions in peacetime while retaining warfighting operational capability in time of conflict. The Royal Navy is the first user of the WR-21 ICR gas turbine engine in its Type 45 Air Defense destroyer, an artists impression of which is shown in Figure 1. The vessel is a 7500 tonne monohull, fitted with an integrated electric propulsion plant comprising two WR-21 Gas Turbine Alternators (GTAs), the prime mover side of which is capable of delivering 25 MW (ISO) and the Alternator side of which is rated at 21.6 MWe (0.9 pf lagging), 4.16KV. These GTAs in combination with a pair of diesel generators rated at around 2 MWe (0.9 pf lagging) will provide electrical power to two 20 MWe (0.9 pf lagging) 4.16 KV electric propulsion motors and to the ship’s non propulsion consumer electrical distribution system. Any combination of generator set can provide any consumer with electrical power. In their crudest form any generator set that forms part of the Type 45 power system may be simply regarded as Mega Watts towards the installed power total. The division of priority and delivery of power to meet the Command’s requirements will require skilful and subtle engineering of the control systems that will be used to operate the power system and precise definition of the operating philosophy and principles for the platform. In a Warship that has only four sources of electrical power the principles of survivability and prime mover independence are fundamental. The limitations of operating electrical generation machinery are established. This paper examines how the WR-21 will be capable of providing power to the Command of the Type 45 as an integral part of the Warship power system in all states of operational readiness for war.
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