Relevant bibliographies by topics / Baldwin collection

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Academic literature on the topic 'Baldwin collection'

Author: Grafiati
Published: 4 June 2025
Last updated: 15 July 2025

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Journal articles on the topic "Baldwin collection"

1

McBride, Dwight A. "Celebrating Our Current “Baldwin Moment”." James Baldwin Review 5, no. 1 (2019): 1–8. http://dx.doi.org/10.7227/jbr.5.1.

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Recounting a celebration at ASA 2018, reflecting on the twenty-year anniversary of the publication of the edited collection James Baldwin Now, celebrating the early success of this journal, and canvassing the renaissance in interest in James Baldwin, Dwight A. McBride introduces the fifth volume of James Baldwin Review.
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Debonis, Mark J., and Ali Nesin. "There are many almost strongly minimal generalized n-gons that do not interpret an infinite group." Journal of Symbolic Logic 63, no. 2 (1998): 485–508. http://dx.doi.org/10.2307/2586845.

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Generalized n-gons are certain geometric structures (incidence geometries) that generalize the concept of projective planes (the nontrivial generalized 3-gons are exactly the projective planes).In a simplified world, every generalized n-gon of finite Morley rank would be an algebraic one, i.e., one of the three families described in [9] for example. To our horror, John Baldwin [2], using methods discovered by Hrushovski [7], constructed ℵ1-categorical projective planes which are not algebraic. The projective planes that Baldwin constructed fail to be algebraic in a dramatic way.Indeed, every algebraic projective plane over an algebraically closed field is Desarguesian [12]. In particular, an algebraically closed field (isomorphic to the base field) can be interpreted in every one of them. However, in the projective planes that Baldwin constructed, one cannot even interpret an infinite group.In this article we show that the same phenomenon occurs for the generalized n-gons if n ≥ 3 is an odd integer. For each such n we construct many nonisomorphic generalized n-gons of finite Morley rank that do not interpret an infinite group. As one may expect, our method is inspired by Hrushovski and Baldwin, and we follow Baldwin's line of approach. Quite often our proofs are a verification of the fact that the proofs of Baldwin [2] for n = 3 carry over to an arbitrary positive odd integer n (which is sometimes far from being obvious). As in [2], we begin by defining a certain collection of finite graphs K* and a binary relation ≤ on these graphs. We show that (K*, ≤) satisfies the amalgamation property.
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Elmer, Kathryn D., Melanie B. Greenwald, and Erik E. Johnson. "Examining the Effects of Covered Landfills on Gas Emissions in Parc Baldwin, Montreal." McGill Science Undergraduate Research Journal 12, no. 1 (2017): 21–24. http://dx.doi.org/10.26443/msurj.v12i1.39.

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Background: Within recent years, parks built on top of former landfills have come under scrutiny for their effectiveness at mitigating the effects of the landfill underneath. The purpose of this study is to identify the biogas emissions of converted landfills nearly a century after landfill closure. Methods: Soil and air emissions for methane and carbon dioxide were collected at 112 sites within the North and South portions of Parc Baldwin in Montreal, Quebec, as well as the presumed boundaries of the former landfill. Results: Overall, it was found that South Baldwin and the immediate area (previously a landfill) had a higher mean average methane concentration, as well as a greater number of sites with methane present than North Baldwin. Particular raised areas in South Baldwin showed anomalously high carbon dioxide concentrations. There was a large degree of heterogeneity between emissions at different sites. Limitations: The Eagle 2 machine is limited to measuring only up to 5,000 ppm or 0.5% volume. Another difficulty with the variation in collection of the data is the differences in collection dates. Conclusions: Ultimately, while South Baldwin did have higher CO2 and methane emissions compared to its counterpart, it is inconclusive whether or not this phenomenon is related to the landfill or other factors. Gas concentrations were significantly below the lower explosive limit in both parks.
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Mąkowska, Joanna. "The Architecture of Love in the Poetic Thinking of James Baldwin and Jericho Brown." James Baldwin Review 9, no. 1 (2023): 70–88. http://dx.doi.org/10.7227/jbr.9.4.

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By situating Baldwin’s Jimmy’s Blues and Other Poems in conversation with Jericho Brown’s 2019 poetry collection The Tradition, this article examines the theory of love in their poetic thinking. It argues that in their poetry, love emerges as a multifaceted mode of knowing and feeling, grounded in corporeal intensity and imbued with sociopolitical and historical meanings. Both Baldwin and Brown view love as integral to the understanding of queer sexuality and racial politics, foregrounding at the same time the challenges of loving and being loved in a historically anti-Black society. Their poetics of love coalesces the intellectual and the affective, the erotic and the political, moving beyond the conventions of inward-bound and personal lyric toward what Martinican philosopher and novelist Édouard Glissant termed a “poetics of relation.” Such transgenerational reading also allows us to explore Baldwin’s and Brown’s poetry as acutely attuned to historical moments which seem strikingly similar: Reagan’s and Trump’s presidencies.
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BRICK, HOWARD. "ACHIEVING THE AMERICAN SOUL." Modern Intellectual History 14, no. 2 (2016): 619–29. http://dx.doi.org/10.1017/s1479244316000354.

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In 1963—as good a date as any to serve as a pivot between “fifties” and “sixties” America—James Baldwin remarked, “The American Negro has the great advantage of having never believed the collection of myths to which white Americans cling: that their ancestors were all freedom-loving heroes, that they were born in the greatest country the world has ever seen, or that Americans are invincible in battle and wise in peace.” It was a bracing declaration, a bit gentler than Malcolm X's designation of Negroes as “victims of Americanism” and perhaps by now, as historians focus ever greater attention on the nationally constitutive role of slavery and white supremacy, almost a commonplace. Yet Baldwin's idea remains challenging to plumb and to fully inhabit. For at that moment, which both Kevin Schultz and Andrew Hartman suggest was preoccupied with “the very question of America and its meaning,” Baldwin's little book, The Fire Next Time, upended the whole debate. He was no black nationalist and, notwithstanding his expatriate life in France, no “emigrationist,” for he believed that blacks in the United States were, socially and culturally, wholly of, if not in, this country; and yet, given the deep corruption in the national past, there was no “meaning” to return to, reclaim, realize, or vindicate as a promise of black freedom. The verb Baldwin chose, in a determinedly existentialist vein, was to “achieve our country”—to create a viable moral meaning for national identity where none as yet existed. If Schultz's subjects, William F. Buckley Jr, and Norman Mailer, were “vying for the soul of the nation” and Hartman's warriors fighting “for the soul of America,” they were—in Baldwin's perspective—chasing a chimera. Such a thing wasn't there; it was yet to come, if at all.
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Boland, Brian. "Roleff, Ed., The Atom Bomb." Teaching History: A Journal of Methods 27, no. 1 (2002): 53–54. http://dx.doi.org/10.33043/th.27.1.53-54.

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This is a collection of primary and secondary sources about the development of the first atomic bomb and some of its results. The first chapters show the development of the bomb from its conception to its successful test at the Trinity site in New Mexico. The editor includes articles that relate to the debate about using the bomb. We hear from Secretary of State Henry Stimson, military analyst Hanson Baldwin, and historian Gar Alperovitz. The most personal and moving accounts are by Atsuku Tsujiko, a Hiroshima survivor, and Charles Sweeney, the pilot of Bock's Car, who dropped the second bomb on Nagasaki.
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Miller, Simon. "Urban Dreams and Rural Reality: Land and Landscape in English Culture, 1920–45." Rural History 6, no. 1 (1995): 89–102. http://dx.doi.org/10.1017/s0956793300000844.

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On May 12th, 1926 Stanley Baldwin announced the end of the General Strike in a radio broadcast to the nation. The announcement was followed by a choir singing Parry's now familiarJerusalemwith its resounding climactic affirmation of ‘England's green and pleasant Land’.1It is hard to resist the speculation that this was Baldwin's choice as much as Reith's, since the Conservative Prime Minister had from the outset of his political career been identified as an ordinary man rooted deeply in the English countryside.2Baldwin's private correspondence demonstrates that his attachment to ‘our eternal hills’ was entirely genuine, but there can be little doubt that this was also an image that he consciously cultivated, and which – via his mastery of the new instruments of mass communication – he was able to convey to a wide and popular audience. To this extent he might be thought of as a Tory populist: as J.C. Squire noted in theObserverreview of Baldwin's 1926 collection of his speeches, entitledOn England(released just before the General Strike), ‘this is the work of a thoroughly representative Englishman: not the common man, but one expressing what the common man feels and cannot say for himself’. These ‘common’ themes and sentiments ranged across a number of issues from Shakespeare to the topical ‘Peace in Industry’, but pride of place in the volume was granted to his definitive statement on national identity, given in May 1924 ‘to celebrate our country and our Patron Saint’ at the Annual Dinner of the Royal Society of St. George, and entitled plainly and unambiguously ‘England’.
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Scott, Lynn Orilla. "Trends in James Baldwin Criticism 2001–10." James Baldwin Review 2, no. 1 (2016): 168–96. http://dx.doi.org/10.7227/jbr.2.11.

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James Baldwin criticism from 2001 through 2010 is marked by an increased appreciation for Baldwin’s entire oeuvre including his writing after the mid 1960s. The question of his artistic decline remains debated, but more scholars find a greater consistency and power in Baldwin’s later work than previous scholars had found. A group of dedicated Baldwin scholars emerged during this period and have continued to host regular international conferences. The application of new and diverse critical lenses—including cultural studies, political theory, religious studies, and black queer theory—contributed to more complex readings of Baldwin’s texts. Historical and legal approaches re-assessed Baldwin’s relationship to the Civil Rights and Black Power movements and new material emerged on Baldwin’s decade in Turkey. Some historical perspective gave many critics a more nuanced approach to the old “art” vs. “politics” debate as it surfaced in Baldwin’s initial reception, many now finding Baldwin’s “angry” work to be more “relevant” than “out of touch” as it was thought of during his lifetime. In the first decade of the new millennium, three books of new primary source material, a new biography, four books of literary criticism, three edited collections of critical essays, two special issues of journals and numerous book chapters and articles were published, marking a significant increase not only in the quantity, but the quality of Baldwin criticism.
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EL ATTAR, AISHA, CHRISTOPHE MONNET, FRÉDÉRIC AYMES, and GEORGES CORRIEU. "Method for the selection of Lactococcus lactis mutants producing excess carbon dioxide." Journal of Dairy Research 67, no. 4 (2000): 641–46. http://dx.doi.org/10.1017/s0022029900004490.

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One of the characteristics of Roquefort cheese is the presence of irregularly shaped openings. Although many factors affect the development of opening in blue-veined cheeses (Martley & Crow, 1996), the limiting step in the case of Roquefort cheese is the production of CO2 by lactic acid bacteria (J.-P. Reverbel, pers. comm.). Most of the opening occurs after moulding; the process is difficult to control and many manufacturing runs result in cheeses with an insufficient opening. Concentrated suspensions of Leuconostoc strains are used to increase the production of CO2 (Devoyod & Muller, 1969), but it would clearly be useful to have microorganisms that produce larger quantities of the gas. McKay & Baldwin (1974) isolated a spontaneous mutant of Lactococcus lactis that produced more acetoin and CO2 than the parent strain. This mutant was lactate dehydrogenase (LDH)-deficient, which favoured the conversion of pyruvate into end products other than lactate. Following nitrosoguanidine mutagenesis, we isolated three Lc. lactis mutants whose LDH activities were reduced to varying extents and which produced varying amounts of CO2 (Boumerdassi et al. 1997). Subsequent work showed that these mutants were unstable on successive subculture in milk or synthetic broth (El Attar et al. 2000).The aim of our current work was to select a large number of Lc. lactis mutants producing excess CO2. This would increase the probability of selecting stable mutants and also provide a collection of strains with differing gas production activities. Currently available screening methods are, however, unsuitable for processing large numbers of mutants, which is why we have developed an improved screening method.
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Mateer, David. "The Compilation of the Gyffard Partbooks." Royal Musical Association Research Chronicle 26 (1993): 19–43. http://dx.doi.org/10.1080/14723808.1993.10540960.

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The ‘Gyffard’ partbooks (British Library, Add. MSS 17802–5) are perhaps the most important source of Tudor sacred music of the mid-sixteenth century, for unlike the only other collection that could reasonably lay claim to that title—the Henrician partbooks at Peterhouse, Cambridge—they have survived intact. Just six of Gyffard's 94 pieces have contemporary concordances, and only three of these are wholly straightforward. Taverner's Western Wind Mass (no. 24) turns up again in John Sadler's partbooks; two voices only of Redford's Christus resurgens (no. 58) are found in Tenbury MS 389 and its companion, the James part-book; and Van Wilder's Pater noster (no. 6) is printed in Susato's Liber quartus ecclesiasticarum cantionum quatuor vocum (Antwerp, 1554). Two of the three problematic items appear to be four-part reworkings of what were originally five-voice pieces. Taverner's Dum transisset (no. 61) appears a5 in both the Dow and Baldwin partbooks; Johnson's Gaude Maria Virgo (no. 85) is found in its five-part version, though textless, in British Library, Add. MS 31390; finally, a fragment of Tye's Western Wind Mass resurfaces in British Library, Add. MSS 18936–9, attributed to ‘Alphonsus’. There are therefore at least 88 unica in Gyffard—a significantly higher proportion than in any other contemporary source of comparable size. Our knowledge of the state of English sacred polyphony on the eve of the Reformation is heavily dependent on these partbooks, for they preserve a representative cross-section of liturgical genres by a wide range of composers encompassing the great and the obscure.
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Dissertations / Theses on the topic "Baldwin collection"

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Saucedo, Todd. "THE FIRE WITHIN: THE BALDWIN MEETING AND THE EVOLUTION OF THE KENNEDY ADMINISTRATION'S APPROACH TO CIVIL RIGHTS." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3742.

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This thesis examines the Kennedy Administration's decision to propose comprehensive civil rights legislation in June, 1963. The work focuses on the relationship between the Kennedy brothers, particularly on Robert F. Kennedy's position as his brother's main adviser and his influence on the president's final decision to go forward with legislation. It begins by exploring the Kennedy's childhood, then traces the brothers' approach toward civil rights during the campaigns of 1952 and 1960, and concludes with an assessment of the Kennedy administration's civil rights policy during his presidency. The thesis puts special emphasis on a May, 1963 meeting between Robert Kennedy and an eclectic bi-racial group of intellectuals led by the novelist James Baldwin arguing that the meeting profoundly altered Kennedy's understanding of civil rights, ultimately transforming the Kennedy legacy regarding civil rights.<br>M.A.<br>Department of History<br>Arts and Humanities<br>History MA
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Books on the topic "Baldwin collection"

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Art, San Diego Museum of, and San Diego Museum of Art. Toulouse-Lautrec: The Baldwin M. Baldwin collection, San Diego Museum of Art. The Museum, 1988.

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San Diego Museum of Art. Toulouse-Lautrec: The Baldwin M. Baldwin Collection, San Diego Museum of Art. 2nd ed. San Diego Museum of Art, 1989.

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Nora, Desloge, Toulouse-Lautrec Henri de 1864-1901, Cate Phillip Dennis, and Frey Julia, eds. Toulouse-Lautrec: The Baldwin M. Baldwin Collection, San Diego Museum of Art. 2nd ed. The Museum, 1989.

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A.H. Baldwin and Sons. Comemorative medals 1500 to the present day: A selection of historical medals including tickets & passes and prize medals together with a collection of Jacobite medals. A.H. Baldwin, 1996.

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Baldi, Elisabetta, and Corrado Bucherelli. Neuroscience. Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-638-5.

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This bibliographic material is patrimony of our Laboratory of the Behavior Physiology. This research unit originated in 1972 by will of Aldo Giachetti (until 1990) and with the beginning of the activity of Corrado Bucherelli. In the early 1980s, with Carlo Ambrogi Lorenzini (until 2004), the cataloging became more capillary and systematic, to continue to this day. All the researchers who worked in our laboratory contributed to this collection (Giovanna Tassoni 1986-2000, Benedetto Sacchetti 1996-2002 and Elisabetta Baldi from 1991). The study of learning, memory and behavior requires to follow a broad spectrum of neuroscience topics, ranging from neuronal biochemistry to neuropsychology. The Authors’ idea of publishing this collection comes from believing that a such website, though not exhaustive, might be a useful and targeted tool for the selection of bibliographic material in the field of behavioral neuroscience. The bibliographic references present at the publication (29500), accompanied by a brief comment highlighting the contents, are organized in relation to the topics (represented by the 99 themes) constituting the publication itself. The intersection of several references will point out the topics that represent them simultaneously. Concerning neurotransmitters and neuromodulators, references to agonists, antagonists or molecules interfering with the activity of these synapses have been inserted in the pages of the implicated neurotransmitter (e.g. acetylcholine). The pages including topics that could have been dealt with separately (e.g. active and passive avoidance) are introduced by a short explanatory note. The comment of each publication highlights the animal species used. Each comment is intended to indicate the content rather than the experimental results of paper. This choice comes from wanting to provide the reader with a more objective and less speculative comment.
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Baldwin, James, and Toni Morrison. James Baldwin Collection. Library of America, The, 2024.

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Toulouse-Lautrec: The Baldwin M. Baldwin Collection, San Diego Museum of Art. Univ of Washington Pr, 1989.

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Regan, Lilith. Quotes by Alec Baldwin: The Complete Collection of over 100 Quotes. Independently Published, 2020.

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Baldwin, Mr Mike. Cornered / More the merrier theory: A Cornered Collection by Mike Baldwin. CreateSpace Independent Publishing Platform, 2011.

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Baldwin Illin State of Mind Collection. Sudoku Genius Mind Exercises Volume 1: Baldwin, Illinois State of Mind Collection. Independently Published, 2020.

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Book chapters on the topic "Baldwin collection"

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Field, Douglas. "Introduction." In A Historical Guide to James Baldwin. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195366532.003.0001.

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Abstract In 2001, eight critically acclaimed writers, including Amiri Baraka and Chinua Achebe, gathered at Lincoln Center in New York City to pay homage to the life and work of James Arthur Baldwin. Fourteen years after Baldwin’s untimely death at the age of sixty-three, the writers assembled could not agree on his legacy or literary reputation. “It was hard to decide,” the Irish novelist Colm Tóbín noted, “what part of him came first” (Tóbín 15). Was it, Tóbín pondered, his race or his sexuality? Should Baldwin be remembered for his eloquent early novels or his fiery and polemical essays? Was he a religious writer or an embittered secular artist who used the cadences of the King James Bible for aesthetic effect? The discussion at Lincoln Center highlights the diMculties of defining this prodigious writer whose work spanned four decades, culminating in one hundred and twenty-four book reviews, six novels, seven works of nonfiction, two plays, a children’s book, a scenario, a collection of short stories, and two books of poetry.
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Vogel, Joseph. "Introduction." In James Baldwin and the 1980s. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041747.003.0001.

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This introduction provides an overview of James Baldwin’s work in the 1980s and why it has been overlooked. Against the conventional narrative of Baldwin’s “decline,” a fresh look at his late work reveals a still-razor-sharp, provocative writer who, with the benefit of hindsight, holds up as one of the most prescient observers of the post-civil rights landscape. Indeed, while Baldwin is most often associated with earlier historical moments, he remained prolific in his final decade, publishing his most ambitious novel in 1979 (Just Above My Head), several noteworthy essays and articles (including landmark pieces such as “The Cross of Redemption,” “Notes on the House of Bondage,” “Freaks and the American Ideal of Manhood,” and “To Crush the Serpent”), a collection of poems in 1984 (Jimmy’s Blues), a major nonfiction book in 1985 (The Evidence of Things Not Seen), and arguably his best play (the as-yet unpublished The Welcome Table). In addition, he gave numerous illuminating interviews and speeches, narrated a documentary (I Heard It through the Grapevine), and even collaborated on a spoken-word-music album with jazz musician and composer David Linx (A Lover’s Question).
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McCarthy, Kerry. "John Baldwin’s Partbooks." In Tallis. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190635213.003.0015.

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John Baldwin (d. 1615) was a singer and music scribe, affiliated with St. George’s Chapel, Windsor, and later with the Chapel Royal, who copied more than 400 pieces of music. He had a special liking for old, obscure, complex, and politically unfashionable pieces; much of his energy as a copyist was spent on what his own generation would have considered “early music.” As a result, he rescued some of Tallis’s most important works (especially Latin-texted works) from oblivion or near-oblivion. This chapter takes a detailed look at a number of pieces by Tallis in Baldwin’s collection, including the psalm-motets, the Lamentations, and big responsories such as the six-voice Videte miraculum.
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Venbrux, Eric. "4. On the pre-museum history of Baldwin Spencer’s collection of Tiwi artefacts." In Academic Anthropology and the Museum. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781782386612-007.

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Schulenberg, Ulf. "“Where the People Can Sing, the Poet Can Live”." In A Political Companion to James Baldwin. University Press of Kentucky, 2017. http://dx.doi.org/10.5810/kentucky/9780813169910.003.0011.

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This chapter places Baldwin within a larger intellectual tradition of both Western political philosophy and the African American intersections with(in) it. Ulf Schulenberg’s work then narrows its focus to develop and trace Baldwin’s humanism, a humanism that argues for individual responsibility in a democratic society. Schulenberg’s essay challenges public-private dichotomies, drawing off of Baldwin’s collapsing of the interior and exterior lives, and ultimately brings to discussion Baldwin’s view of the potential of democracy should individuals all recognize their collective and individual responsibilities.
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Kurnick, David. "In the Kingdom of Whomever: Baldwin’s Method." In Empty Houses. Princeton University Press, 2011. http://dx.doi.org/10.23943/princeton/9780691151519.003.0006.

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James Baldwin is not only one of the more notable Anglophone twentieth-century novelists to attempt continually and with minimal success to enter the theater. He is also one of the major inheritors of the aesthetic and political problematic we have repeatedly encountered in the course of this book. Baldwin is perhaps the most important twentieth-century novelist to seriously explore what it means to make interiority the bearer of collective desire. This chapter argues that the novel of interiority reaches an impasse and a breakthrough in the work of Baldwin precisely when the contradictions inherent in the attempt to think collective problems through sexual interiority becomes unavoidably insistent—and does so through Baldwin's negotiation with the generic difference of the theater. His career makes clear that if the novel relentlessly personalizes collective issues, its theatrical preoccupation constitutes a record of the political costs of that reduction, one that demands to be read at the level of form.
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Hunt, Christopher W. "Jimmy’s Communion: Race, Peoplehood, and the Tone of (Black) Community." In Jimmy's Faith. Fordham University Press, 2024. https://doi.org/10.5422/fordham/9781531508807.003.0003.

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The second chapter examines Baldwin’s disidentification with notions of “peoplehood,” and his critique of the alterity creating practices of both white and black Christians. According to Baldwin, white Christians create a sense of collective identity through the simultaneous creation of the Other—i.e. the Negro, a theo-racial symbol which signifies all that white people believe themselves not to be (sinful, depraved, evil). In addition, black Christians attempt to build a sense of self in opposition to the unsaved Other, a deficient mode of being in need of Christ’s saving grace. Baldwin, in opposition to both of these tendencies, grounds blackness/black communal identity in sound, song, and tone, as is clearly shown through an engagement with the scholarship of Ed Pavlić and Ashon Crawley.
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Brendese, P. J. "The Race of a More Perfect Union." In A Political Companion to James Baldwin. University Press of Kentucky, 2017. http://dx.doi.org/10.5810/kentucky/9780813169910.003.0003.

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This chapter uses the 2008 election of President Barack Obama to examine racial tensions and divisions present in memory, both between and within black and white Americans. P. J. Brendese’s study of Baldwin addresses the political implications of segregated memory in order to dismantle those unconscious barriers preventing the desegregation of history, narrative, and myth. The chapter goes on to expand Baldwin’s views of history; namely, that the past and present are inextricably and forever bound to one another. Utmost emphasis is placed on understanding both individual and societal histories. In order to move forward, a greater collective memory must be rectified, or else the stark divisions present in America’s remembering speak ill of the potential for future progress.
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Zaborowska, Magdalena J. "“In the Same Boat”." In A Historical Guide to James Baldwin. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195366532.003.0007.

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Abstract James Baldwin’s essay “Encounter on the Seine: Black Meets Brown” (1950) frames the uneasy face-off between “American Negroes” and Africans in post–World War II Western Europe against the background of a transatlantic geopolitical context and this writer’s lifelong exploration of Americanness. From Harlem and lower-class black families who migrated South-to-North in his first novel, Go Tell It on the Mountain (1953), through explorations of belonging and freedom within and without the nation in the essay collections Notes of a Native Son (1955), Nobody Knows My Name (1961), and the Fire Next Time (1963), to probing intersections of gender, race, and sexuality in his transnational novels, Giovanni’s Room (1956), Another Country (1962), and Just Above My Head (1979), Baldwin wrote about Americans of all hues caught up in search for identity.
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"Collections, Oral Histories, and Interviews." In Roger Nash Baldwin and the American Civil Liberties Union. Columbia University Press, 2001. http://dx.doi.org/10.7312/cott11972-030.

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Conference papers on the topic "Baldwin collection"

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Zaborowska, Magdalena J., and Juan J. Rodríguez Barrera. "Black Digital Humanities in Interdisciplinary Undergraduate Teaching on Diversity, Gender, and Sexuality." In Ninth International Conference on Higher Education Advances. Universitat Politècnica de València, 2023. http://dx.doi.org/10.4995/head23.2023.16101.

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Two undergraduate courses (2020-23) introduce students interested in the humanities and computing to the life, works, and intellectual and material legacy of the world-famous African American writer and activist James Baldwin (1924-1987). Cross-listed with the Afroamerican, American Culture, Digital Studies, and English Departments, these courses utilize an open-access digital collection documenting Baldwin’s life and his selected works. Through innovative and experiential application of literary history in conversation with the emerging fields of Black Digital Studies and Black Digital Humanities, students develop projects that build (and build on) a growing, open-access archive. Published on the ArcGIS StoryMaps platform, these projects achieve two important higher-education goals: (1) They produce student-driven knowledge on an internationally renowned Black figure accessible to non-academic users; and (2) they confirm the importance of humanities and diversity literacy as invaluable skillsets in the modern workplace.
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Seryakov, Andrey. "Glauber Model and a new interpretation of collective effects in AA and pA at LHC." In XXII International Baldin Seminar on High Energy Physics Problems. Sissa Medialab, 2015. http://dx.doi.org/10.22323/1.225.0082.

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