Relevant bibliographies by topics / Bock, John, 1965- – Exhibitions

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Academic literature on the topic 'Bock, John, 1965- – Exhibitions'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Bock, John, 1965- – Exhibitions"

1

Jørgensen, Line Jandoria, Eddy Nehls, Karin Hallgren, et al. "Book Reviews." Ethnologia Scandinavica 52 (September 1, 2022): 243–97. http://dx.doi.org/10.69819/ethsc.v52i.25360.

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Hygiene as Ideal and Practice, Johanna Annola, Annelie Drakman & Marie Ulväng (eds.), Med tvål, vatten och flit. Hälsofrämjande renlighet som ideal och praktik ca 1870‒1930, Nordic Academic Press, Lund 2021 Collecting Scrap Cars, Anders Björklund, Skrotbilar – om hängivna samlare och deras fordon, Carlsson Bokförlag, Stockholm2021 Norwegian Studies of Broadside Ballads, Siv Gøril Brandtzæg & Karin Strand (eds.), Skillingsvisene i Norge 1550–1950. Studier i en forsømt kulturarv, Scandinavian Academic Press, Oslo 2021 Robots and Future Working Life, Daniel Bodén & Michael Godhe (eds.
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Jeroen, Staring. "Frederick Matthias Alexander and the Bureau of Educational Experiments." International Journal of Case Studies 4, no. 9 (2015): 01–18. https://doi.org/10.5281/zenodo.3529898.

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In 1916, three educational reformers founded the Bureau of Educational Experiments. Between 1916 and 1919, the Bureau had no clear direction. On the one hand, they offered a clearinghouse gathering and distributing educational information, issuing bulletins, preparing exhibitions, and maintaining a specialized library. On the other hand, they subsidized, initiated, and conducted a range of educational experiments. Before Bureau members eventually found their direction in 1919, they scored a few successes and had their share of failures. One outstanding failure concerns Lucy Sprague Mitchell&rs
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Kloosterman, Robert C., and Amanda Brandellero. ""All these places have their moments": Exploring the Micro-Geography of Music Scenes: The Indica Gallery and the Chelsea Hotel." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1105.

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Hotspots of Cultural InnovationIn the 1960s, a long list of poets, writers, and musicians flocked to the Chelsea Hotel, 222 West 23rd Street, New York (Tippins). Among them Bob Dylan, who moved in at the end of 1964, Leonard Cohen, who wrote Take This Longing dedicated to singer Nico there, and Patti Smith who rented a room there together with Robert Mapplethorpe in 1969 (Smith; Bell; Simmons). They all benefited not just from the low rents, but also from the close, often intimate, presence of other residents who inspired them to explore new creative paths. Around the same time, across the Atl
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Franks, Rachel. "A True Crime Tale: Re-imagining Governor Arthur’s Proclamation to the Aborigines." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1036.

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Special Care Notice This paper discusses trauma and violence inflicted upon the Indigenous peoples of Tasmania through the process of colonisation. Content within this paper may be distressing to some readers. Introduction The decimation of the First Peoples of Van Diemen’s Land (now Tasmania) was systematic and swift. First Contact was an emotionally, intellectually, physically, and spiritually confronting series of encounters for the Indigenous inhabitants. There were, according to some early records, a few examples of peaceful interactions (Morris 84). Yet, the inevitable competition over r
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Lyubchenko, Irina. "NFTs and Digital Art." M/C Journal 25, no. 2 (2022). http://dx.doi.org/10.5204/mcj.2891.

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Introduction This article is concerned with the recent rise in popularity of crypto art, the term given to digital artworks whose ownership and provenance are confirmed with a non-fungible token (NFT), making it possible to sell these works within decentralised cryptocurrency art markets. The goal of this analysis is to trace a genealogy of crypto art to Dada, an avant-garde movement that originated in the early twentieth century. My claim is that Dadaism in crypto art appears in its exhausted form that is a result of its revival in the 1950s and 1960s by the Neo Dada that reached the current
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Books on the topic "Bock, John, 1965- – Exhibitions"

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Fernando, Francés, San Martín Francisco Javier, Málaga (Spain) Ayuntamiento, and Centro de Arte Contemporáneo de Málaga, eds. John Bock: Nöle. CAC Málaga, 2010.

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France), Panacée (Montpellier, ed. John Bock: Wesenspräsenz No 7b. Verlag der Buchhandlung Walther König, 2019.

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Bock, John. John Bock: Koppel. Walther König, 2004.

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Arken museum for moderne kunst (Ishøj, Denmark), ed. John Bock: Koppel ; [in connection with the exhibition "John Bock - Klynken i Knaek" Arken Museum for Moderne Kunst, 1. November 2003 - 8. February 2004 under the framework project: "Arte all' Arte. Rinascimento Nascimento. Art industry landscape" in partnership with Associazione Arte Continua, San Gimigniano ; S.M.A.K. Museum of Contemporary Art, Gent ; Museum of Contemporary Art Het Domain, Sittard ; Palais de Tokyo, Paris ; Museo Leonardino, Vinci]. Walther König, 2004.

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5

Schiff, Gert. Julius Bissier (1893-1965): Paintings and brush drawings from 1938 to 1965 : a tribute to John Lefebre. Achim Moeller Fine Art, 1987.

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McCracken, John. McCracken: Heroic stance, the sculpture of John McCracken, 1965-1986. Edited by Leffingwell Edward G, Ayres Anne 1936-, P. S. 1. Museum, and Newport Harbor Art Museum. Copublished by Newport Harbor Art Museum, P.S. 1, the Institute for Art and Urban Resources, Inc., Hoffman Borman Gallery, 1987.

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1894-1977, Williams Annie Laurie, and Columbia University. Rare Book and Manuscript Library, eds. A play to be played: John Steinbeck on stage and screen 1935-1960 : a centennial exhibit featuring the Annie Laurie Williams papers : July 29-November 15, 2002, Alan & Margaret Kempner Exhibition Gallery, Rare Book & Manuscript Library, Butler Library, 6th Flook, East, Columbia University. [Rare Book and Manuscript Library, Columbia University], 2007.

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Städtische Galerie Karlsruhe (1997- ), ed. Städtische Galerie Karlsruhe, 14. November 2015 bis 21. Februar 2016: Kunstakademie Karlsruhe : Franz Ackermann, Silvia Bächli, Stephan Balkenhol, John Bock, Ernst Caramelle, Tatjana Doll, Helmut Dorner, Marcel van Eeden, Erwin Gross, Axel Heil, Leni Hoffmann, Harald Klingelhöller, Kalin Lindena, Meuser, Claudia & Julia Müller, Daniel Roth, Marijke van Warmerdam, Corinne Wasmuht. Stadt Karlsruhe - Städtische Galerie, 2015.

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Museum of Modern Art (New York, N.Y.)., ed. Drawing now: Eight propositions. Museum of Modern Art, 2002.

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10

John Bock: Klutterkammer. Verlag der Buchhandlung Walther Konig, 2009.

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Book chapters on the topic "Bock, John, 1965- – Exhibitions"

1

Day, Kirsten. "John Ford’s The Man Who Shot Liberty Valance." In Cowboy Classics. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474402460.003.0007.

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Standing at the end of a long line of John Ford Westerns and at the twilight of the genre’s Golden Age, 1962’s The Man Who Shot Liberty Valance is a self-reflective work, as much about the Western genre as a product of it. Thus, while this film, like other Westerns examined in this book, demonstrates important connections to Homer’s epics, it finds its most pervasive parallels with the post-Homeric tradition. As in Virgil’s Aeneid, John Wayne’s Tom Doniphan sacrifices his personal desires in the interest of national progress, exhibiting a Western version of Aeneas’ pietas, while Liberty Valanc
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Conference papers on the topic "Bock, John, 1965- – Exhibitions"

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Charnov, Bruce. "The Man Who Beat Amelia Earhart: The Fabulous Aviation Life of John McDonald Miller (1905 - 2008)." In Vertical Flight Society 71st Annual Forum & Technology Display. The Vertical Flight Society, 2015. http://dx.doi.org/10.4050/f-0071-2015-10180.

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Inspired watching Glenn Curtiss landing to refuel on his historic 1910 flight from Albany to New York City, the almost 5-year old John McDonald "Johnny" Miller decided he wanted to be a pilot, a decision reinforced five years later in a chance encounter with famed aviatrix Ruth Law (3rd licensed woman pilot in America) at the Curtiss Flying school in Mineola, Long Island. Miller taught himself to fly in used WWI Jenny from a text by Captain Horatio Barber, a book Miller still had in his family home in Poughkeepsie, NY eighty years later. His career in aviation, begun in a $1,500 used WWI aircr
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