Academic literature on the topic 'Calcutta Indian Museum'

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Journal articles on the topic "Calcutta Indian Museum"

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Gupta, Amit Kumar. "The ‘Public’ Indian Museum, Calcutta, 1858–1878." Indian Historical Review 47, no. 1 (2020): 99–114. http://dx.doi.org/10.1177/0376983620922410.

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The first museum to be set up in India in 1814 by the British Orientalists underwent a significant change when the Government of India took it over in 1858. The change was shaped by the experience of the great Indian uprising of 1857 to which, most importantly, the ordinary people (artisans, peasants, the unemployed etc.) rallied. Though the Raj succeeded eventually in suppressing the Revolt, its officials were deeply disturbed by the popular uprising and its effects. Policies were designed thereafter with these anxieties in mind—notably the one for running the museum in Calcutta. The authorit
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NAIR, SAVITHRI PREETHA. "Science and the politics of colonial collecting: the case of Indian meteorites, 1856–70." British Journal for the History of Science 39, no. 1 (2006): 97–119. http://dx.doi.org/10.1017/s0007087405007624.

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The case of Indian meteorite collections shows how, during the production of science, knowledge-making institutions such as museums were sometimes strongly linked with coercive institutions such as the police. If geological collecting in India in the Company period was mainly geared towards satisfying the demands of metropolitan science, the period after the 1850s saw a dramatic shift in the nature of collecting and the practice of colonial science, with the emergence of public museums in India. These colonial museums, represented by the Indian Museum, Calcutta, began to compete with the Briti
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Tillotson, Giles. "The Jaipur Exhibition of 1883." Journal of the Royal Asiatic Society of Great Britain & Ireland 14, no. 2 (2004): 111–26. http://dx.doi.org/10.1017/s1356186304003700.

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The exhibition of decorative and industrial arts that was held in Jaipur in 1883 under the patronage of Maharaja Sawai Madho Singh II (1880–1922) brought together the work of artists and craftsmen from many regions of India, but gave special treatment to the neighbouring states of Rajasthan, and to the pupils of Jaipur's own recently established School of Art. It led to the establishment of a permanent museum of industrial arts in Jaipur, which still exists and continues to hold many of the original exhibits. One of many ambitious exhibitions that followed in the wake of the Great Exhibition o
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SANKARAN, PRADEEP M., JOHN T. D. CALEB, and POTHALIL A. SEBASTIAN. "Revision of Indian wolf spiders: I. Genus Arctosa C.L. Koch, 1847 (Araneae: Lycosidae, Tricassinae)." Zootaxa 4908, no. 4 (2021): 489–504. http://dx.doi.org/10.11646/zootaxa.4908.4.3.

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Indian species in the wolf spider genus Arctosa C.L. Koch, 1847 are revised based on the type material deposited in the National Zoological Collection, Zoological Survey of India, Kolkata, Entomology Laboratory, Department of Zoology, University of Calcutta, and Naturhistorisches Museum, Vienna. Arctosa tappaensis Gajbe, 2004 is proposed as a junior synonym of Arctosa himalayensis Tikader & Malhotra, 1980. Arctosa quinquedens Dhali, Roy, Sen, Saha & Raychaudhuri, 2012 is provisionally transferred to Ovia Sankaran, Malamel & Sebastian, 2017 and Arctosa mulani (Dyal, 1935) is conside
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Péquignot, A. "The rhinoceros (fl. 1770–1793) of King Louis XV and its horns." Archives of Natural History 40, no. 2 (2013): 213–27. http://dx.doi.org/10.3366/anh.2013.0169.

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While receiving remarkable animals as presents was a common practice among European monarchs, the rhinoceros of Louis XV (Rhinoceros unicornis) became one of the most famous. The live male Indian rhinoceros was a gift to the King from Jean-Baptiste Chevalier, French governor of Chandannagar in West Bengal. It left Calcutta on 22 December 1769, and arrived in the port of Lorient, Brittany, six months later on 11 June 1770. From there it was transported to the royal menagerie in Versailles, which had been built in response to increasing interest in zoology and Louis XIV's passion for the exotic,
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MADHUKAR, VIRENDRA K., and SUBIR BANDYOPADHYAY. "Correction of a typographical error in Bignonia ‘ghorta’ (Bignoniaceae)." Phytotaxa 331, no. 1 (2017): 147. http://dx.doi.org/10.11646/phytotaxa.331.1.15.

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Wallich (1828–1849) published the work entitled “A numerical list of dried specimens of plants, in the East India Company’s Museum collected under the superintendence of Dr. Wallich of the Company’s botanic garden at Calcutta.” This work was lithographed from a manuscript written by N. Wallich and G. Bentham and has been often cited as “Wallich’s Catalogue.” This catalogue includes more than 8600 names, but lacks descriptions or references to the descriptions. As such, most of the names listed are nomina nuda and not validly published names (see Art. 38.2 Ex.1 of ICN, McNeill & al. 2012).
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BRUCE, A. J. "Additions to the genus Phycomenes Bruce, 2008 (Crustacea: Decapoda: Pontoniinae)." Zootaxa 2372, no. 1 (2010): 367–68. http://dx.doi.org/10.11646/zootaxa.2372.1.28.

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The genus Phycomenes was recently described by Bruce (2008)) for a small sea-grass inhabiting shrimp, Phycomenes zostericola Bruce, 2008, from south-east Queensland, Australia. The close similarity of this species to Periclimenes indicus (Kemp 1915) was noted. Subsequently specimens of Kemp’s species from the type locality, Chilka Lake, Orissa, India, were examined and the most characteristic features of the genus Phycomenes were found to be present, i.e., a transverse triangular median process on the fourth thoracic sternite and the greatly reduced size of the second pereiopods in comparison
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"X. Morphological Notes bearing on the Origin of Insects. By J. Wood-Mason, F.G.S., F.L.S., F.Z.S. Deputy Superintendent, Indian Museum, and sometime Professor of Comparative Anatomy, Medical College, Calcutta." Transactions of the Royal Entomological Society of London 27, no. 2 (2009): 145–67. http://dx.doi.org/10.1111/j.1365-2311.1879.tb01984.x.

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Lord, Catherine M. "Serial Nuns: Michelle Williams Gamaker’s The Fruit Is There to Be Eaten as Serial and Trans-Serial." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1370.

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Introduction: Serial Space“It feels …like the edge of the world; far more remote than it actually is, perhaps because it looks at such immensity” (Godden “Black,” 38). This is the priest’s warning to Sister Clodagh in Rumer Godden’s 1939 novel Black Narcissus. The young, inexperienced Clodagh leads a group of British nuns through the Indian Himalayas and onto a remote mountain top above Mopu. Michael Powell and Emeric Pressburger adapted Godden’s novel into the celebrated feature film, Black Narcissus (1947). Following the novel, the film narrates the nuns’ mission to establish a convent, scho
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Dissertations / Theses on the topic "Calcutta Indian Museum"

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Elliott, M. J. "Behind the scenes at the Magic House : an ethnography of the Indian Museum, Calcutta." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.598810.

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This dissertation is about the people who work in a museum. It explores the way “museum people” relate to the institution; to the work they do in it, to its public and to the objects contained therein. It is also an ethnography of a particular museum: the Indian Museum, Calcutta, established by the British in 1814 and the oldest museum in South Asia, with collections covering anthropology, archaeology, art and natural history. This work contributes to a range of interests within academic museology and anthropology. It critiques the preoccupation of the existing literature with the grand narrat
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Books on the topic "Calcutta Indian Museum"

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Logan, A. C. Old chipped stones of India founded on the collection in the Calcutta Museum. Eastern Book House, 1987.

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India), Gurusaday Museum (Calcutta. Wood carvings of Bengal in Gurusaday Museum. Gurusaday Museum, 2001.

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Wright, H. Nelson. Catalogue Of The Coins In The Indian Museum Calcutta - Mughal Emperors Of India. Obscure Press, 2006.

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Khan, Maryam Wasif. Who Is a Muslim? Fordham University Press, 2021. http://dx.doi.org/10.5422/fordham/9780823290123.001.0001.

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Who is a Muslim? Orientalism and Literary Populisms argues that modern Urdu literature, from its inception in colonial institutions such as Fort William College, Calcutta, to its dominant forms in contemporary Pakistan—popular novels, short stories, television serials—is formed around a question that is and historically has been at the core of early modern and modern Western literatures. The question—who is a Muslim—is predominant in eighteenth-century literary and scholarly orientalist texts, the English oriental tale chief amongst them, but takes on new and dangerous meanings once it travels
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Philippa, Vaughan, Marg Publications, and National Centre for the Performing Arts (India), eds. The Victoria Memorial Hall, Calcutta: Conception, collections, conservation. Published by Marg Publications on behalf of the National Centre for the Performing Arts, 1997.

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Book chapters on the topic "Calcutta Indian Museum"

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Mathew, John, and Pushkar Sohoni. "Teaching and Research in Colonial Bombay." In History of Universities: Volume XXXIV/1. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192844774.003.0013.

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Bombay did not play the kind of administrative nodal role that first Madras and later Calcutta did in terms of overarching governance in the Indian subcontinent, occupying instead a pivotal position for the region’s commerce and industry. Nonetheless, the nineteenth and twentieth centuries in Bombay were a formative age for education and research in science, as in the other Presidencies. A colonial government, a large native population enrolled in the new European-style educational system, and the rise of several institutions of instruction and learning, fostered an environment of scientific curiosity. The Asiatic Society of Bombay (1804), which was initially the hub of research in all disciplines, became increasingly antiquarian and ethnographic through the course of the nineteenth century. The Victoria and Albert Museum (conceived in 1862 and built by 1871 and opened to the public in 1872), was established to carry out research on the industrial arts of the region, taking for its original collections fine and decorative arts that highlight practices and crafts of various communities in the Bombay Presidency. The University of Bombay (1857) was primarily tasked with teaching, and it was left to other establishments to conduct research. Key institutions in this regard included the Bombay Natural History Society (1883) given to local studies of plants and animals, and the Haffkine Institute (1899), which examined the role of plague that had been a dominant feature of the social cityscape from 1896. The Royal Institute of Science (1920) marked a point of departure, as it was conceived as a teaching institution but its lavish funding demanded a research agenda, especially at the post-graduate level. The Prince of Wales Museum (1922) would prove to be seminal in matters of collection and display of objects for the purpose of research. All of these institutions would shape the intellectual debates in the city concerning higher education. Typically founded by European colonial officials, they would increasingly be administered and staffed by Indians.
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Jeong, Janice Hyeju. "Mecca between China and India." In Beyond Pan-Asianism. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190129118.003.0011.

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Through the Second Sino-Japanese War (1937–45) and the Nationalist–Communist War (1946–9), several Chinese Islamic pilgrimage delegations set out on their journeys across the Indian Ocean. Mecca was more than a simple endpoint destination. These travels encompassed transits and sojourns in cities in between Nanjing/Shanghai and Mecca, offering the pilgrim-cum-delegates venues of encounters with foreign dignitaries and diaspora populations. This chapter examines the published records and private diaries of members of the Chinese Islamic Goodwill Mission to the Near East (1937–9) who had been aligned with the Republican Nationalist Party, with a focus on their actions and rhetoric in Calcutta, Bombay, Karachi, and Lahore. Claims to anti-imperial Islamic solidarity and routes of the pilgrimage provided accessible channels for the Chinese Muslim delegates to conduct meetings with leaders of both the Muslim League and the Indian National Congress Party, while simultaneously attempting to garner support from Cantonese/Shandong diaspora populations and Turki refugees from the war-stricken Xinjiang Province. The practices and networks of informal diplomacy that consolidated in wartime would outlast the Second Sino-Japanese War itself.
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"Evidence of Syed Badruddin Tyabji on Muslim Education, Evidence taken before the Bombay Provincial Committee and Memorials Addressed to the Education Commission (Calcutta: Superintendent Government Printing, 1884), 497–508." In Colonial Education and India 1781–1945, edited by Pramod K. Nayar. Routledge, 2019. http://dx.doi.org/10.4324/9781351211963-5.

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