Relevant bibliographies by topics / Children's adventure novel

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Children's adventure novel'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Children's adventure novel"

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Mahendra, Okta, Yasnur Asri, and Nurizzati Nurizzati. "POTRET PETUALANGAN NOVEL ANAK-ANAK MERAPI KARYA BAMBANG JOKO SUSILO KAJIAN SOSIOLOGI SASTRA." Jurnal Bahasa dan Sastra 5, no. 1 (2013): 87. http://dx.doi.org/10.24036/833420.

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The purpose of this research is to describe the portrait of adventure the novel that take place in the Children's Merapi Joko Susilo Bambang bouquet of. This research is a qualitative study using descriptive methods, technical content analysis. The data of this study is the portrait of a character in a novel of adventure Kid trim work Joko Susilo Bambang trace elements based characterizations. Based on the research results that the main character in search of adventure father destroyed by the eruption of Mount Merapi in Yogyakarta. Adventures of main character portraits and adventure events th
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Liulka, V. M., and N. I. Tarasova. "Genre specifics of «The Adventures of Tom Sawyer» by Mark Twain." Bulletin of Luhansk Taras Shevchenko National University, no. 2 (350) (2022): 95–104. http://dx.doi.org/10.12958/2227-2844-2022-2(350)-95-104.

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The article illustrates that “The Adventures of Tom Sawyer” has a number of features characteristic of the novel as a kind of epic: a fairly large volume of work, the epicness of the author's story, full of dialogues and monologues. It is noticed that the plot narrative is not as detailed as in the classic samples of novels, although it has three plot lines. The work is quite simple in compositional structure, and the characters at the time of the story are almost formed. Although “The Adventures of Tom Sawyer” tells of the protagonist's private life in inseparable connection with the life of
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Al Faqih, Alif Firdhi. "Jack's Journey to Become a Hero in J.K. Rowling's The Christmas Pig." Journal of Literature, Linguistics, & Cultural Studies 1, no. 1 (2022): 18–32. http://dx.doi.org/10.18860/lilics.v1i1.2228.

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The hero's journey takes a hero to leave their daily life, go on an adventure filled with obstacles, and return home by getting the boon (Campbell, 2004). J.K. Rowling's The Christmas Pig indicates that the main character experiences a hero's journey who adventures to the Land of the Lost to find his lost toy. This study aims to discuss Jack's hero's journey stages and how he encounters obstacles in The Christmas Pig. This study is categorized into literary criticism using a psychological approach by applying Campbell's hero's journey theory and supported by Allison & Goethals' theory of o
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Давыдова, А. В. "Образ Соловков в современной русской литературе для детей о Севере". Северо-Восточный гуманитарный вестник, № 1(50) (28 квітня 2025): 212–25. https://doi.org/10.25693/svgv.2025.50.1.016.

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В статье впервые системно рассматриваются произведения Соловецкого субтекста Северного текста современной русской литературы для детей (повести А.Г. Горюновой-Борисовой, Н. Свестен, Н. Вишняковой). Выделены две жанровые разновидности современного Соловецкого текста, который пересекается с детским текстом – православные художественные учебники и приключенческие повести. Охарактеризованы устойчивые для разных текстов образы (неба, моря, ветра, животных и растений) и мотивы (отражения, границы, детства и взросления, пути), определяющие особенности островного локуса. The article provides a novel s
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Guskov, Nikolaj. "VAMBA’S NOVEL “THE PRINCE AND HIS ANTS” IN A LITERARY CONTEXT." Children's Readings: Studies in Children's Literature 21, no. 1 (2022): 86–108. http://dx.doi.org/10.31860/2304-5817-2022-1-21-86-108.

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This article deals with the novel “The Prince and his Ants” (1893) by Luigi Bertelli (1860–1920), who wrote under the pseudonym of Vamba, who was one of the founders of classical Italian children’s literature, and whose work is little known in Russia. The plot about the adventures of a lazy boy turned into an ant is compared with other books about insects. The pretexts of the novel are the works of Alfred Brehm, Jean Henri Fabre, Frances Hubert, Carlo Emery, popular science articles in Italian children’s magazines, the novel “The Adventures of a Cricket” (1877) by Ernest Candez. Traditionally
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Samorodnitskaya, E. I. "David Copperfield abridged: Transformations of the novel in Russian translations." Shagi / Steps 10, no. 4 (2024): 118–31. https://doi.org/10.22394/2412-9410-2024-10-4-118-131.

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Despite the fact that the Russian reception of Charles Dickens and translations of his novel The Personal History, Adventures, Experience and Observation of David Copperfield the Younger of Blunderstone Rookery (Which He Never Meant to be Published on any Account) has already become an object of research, analysis of translations of the novel adapted for children’s reading is still far from being complete and systematic. The article attempts to compare three translations of the novel by E.G. Beketova, M.I. Lovtsova and A.A. Beketova, published in the first half of the twentieth century and add
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Цівкач, Ольга. "The poetics of Vasyl Stefanyk’s story «Children’s Adventure»." Sultanivski Chytannia, no. 10 (May 31, 2021): 24–34. http://dx.doi.org/10.15330/sch.2021.10.24-34.

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Aim. The article analyses the means of using a new method of storytelling with elements of the poetics of behaviourism, which deeply showed the consequences and impact of the First World War on the lives of civilians in the sphere of hostilities. The heroes of the novel are little children who were running away from the soldiers and found themselves in the dark woods near a fatally wounded mother. The hero of the novel Vasilko, a boy of six or eight years, must fulfil the prayer of a dying mother and save his sister Nastya, who is very young and cannot even speak. The novelty of the author of
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Dewan, Pauline. "Survival of the Fittest: The Evolution of the Children’s Survival Novel." Children and Libraries 18, no. 4 (2021): 21. http://dx.doi.org/10.5860/cal.18.4.21.

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Survival novels provide a host of attractions for children. On a continuum of danger, they are the high-risk counterparts of adventure narratives.Characters in survival novels face not just adversity and risk, but also potential death. The fast pace and high drama of these narratives have always made them popular choices for children.
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Odža, Ivana. "Red Zora and Her Gang (Die rote Zora und ihre Bande) and the Croatian Canon of Children’s Literature." Libri et liberi 11, no. 2 (2022): 307–26. http://dx.doi.org/10.21066/carcl.libri.11.2.5.

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Red Zora and Her Gang1 (orig. Die rote Zora und ihre Bande) is a 1941 novel by the German-Swiss author Kurt Held (Kurt Kläber), inspired by the Croatian mentality and Croatian history. While it was enormously popular in Germany, the Croatian translation was issued only in 2017. In this paper, we analyse the hypothetical position of Red Zora within the Croatian canon of children’s literature established at the time the novel was written. Red Zora tends towards realism in shaping children’s reality based on unusual adventures in common with the most dominant of children’s novels so that it fits
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Bahula, Timothy F. "The Fellowship of the Wiki? OR, A Readers Response to Hogendoorn’s “There and Back Again”." Canadian Journal of Action Research 18, no. 3 (2018): 72–73. http://dx.doi.org/10.33524/cjar.v18i3.358.

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Having spent countless hours in my youth reading and re-reading J. R. R. Tolkien lore, it was hard for me to miss Adrian Hogendoorn’s appropriation of the subtitle of Tolkien’s most accessible work. Tolkien published The Hobbit in 1937 with the subtitle There and Back Again as a children’s adventure novel, detailing the quest of Bilbo Baggins, his 13 dwarfish companions, and the wizard, Gandalf. The quest to reclaim the kingdom and treasure of the Lonely Mountain begins and ends in Bilbo’s sleepy, but respectable hobbit-hole, Bag End. Although Bilbo eventually returns home to Bag End, his jour
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Dissertations / Theses on the topic "Children's adventure novel"

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Fleetwood, Carolyn. "Imarill of the star : an illustrated children's novel." Honors in the Major Thesis, University of Central Florida, 2002. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/273.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Liberal Arts
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Books on the topic "Children's adventure novel"

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Townsend, John Rowe. The Fortunate Isles: A Novel. Lippincott, 1989.

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Copyright Paperback Collection (Library of Congress), ed. Spyhunt: A heart-pounding adventure : a novel. Covenant Communications, 2004.

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Copyright Paperback Collection (Library of Congress), ed. Braveheart: A novel. Pocket Books, 1995.

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O'Ryan, Ellie. Sharpay's fabulous adventure: The junior novel. Disney Press, 2011.

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Tracey, West. Kung fu panda 2: The novel. Price Stern Sloan, 2011.

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James, Patterson. Fang: A Maximum Ride novel. Little, Brown, 2010.

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James, Patterson. Fang: A Maximum Ride novel. Little, Brown, 2010.

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James, Patterson. Fang: A Maximum Ride novel. Little, Brown, 2010.

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M, Burge Constance, and Copyright Paperback Collection (Library of Congress), eds. Beware what you wish: An original novel. Pocket Pulse, 2001.

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Funke, Cornelia Caroline. Fearless: A Mirrorworld novel. Little, Brown, 2013.

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Book chapters on the topic "Children's adventure novel"

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McCausland, Elly. "Adventurous authority in the survival novel." In Risk in Children’s Adventure Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003108900-6.

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Rodgers, Beth. "Classic Adventures and the Construction of the ‘Classic’ Reader in the 1990s." In The Edinburgh History of Children's Periodicals. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399506656.003.0016.

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In 1991, Fabbri Publishing UK launched a new ‘part-works’ series entitled Classic Adventures, with the tagline, ‘Enter the exciting world of the best-known stories.’ Each monthly part featured a hardback novel and a twenty-two-page accompanying magazine, which promised to give readers the opportunity to ‘experience life at the time’, ‘meet the characters’, and ‘discover the plot’. This chapter explores how the Classic Adventures magazine worked to construct not just the child reader, but also the ‘classic’ child reader. It considers which books were chosen and why, and examines how the mix of
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Boardman, John. "Alexander, Star of Film, Stage, and Novel." In Alexander the Great. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691181752.003.0009.

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This chapter explores how Alexander seems to have been ignored as a subject for the movies until after the Second World War, but he was soon on the stage, as in Terence Rattigan's Adventure Story (1949). Soon after, a full-length film, Alexander the Great, was shot in Spain in 1955, starring Richard Burton and Claire Bloom. Alexander has also been a subject for children's films. Maya the Bee was a German book by Waldemar Bousels of 1912. As for novels, Louis Couperus (Dutch, 1863–1923) wrote an Iskander. De roman van Alexander de Grate. Meanwhile, the novels The Alexander Cipher by Will Adams
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Charbonneau, Oliver. "Moros in America." In Civilizational Imperatives. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501750724.003.0007.

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This chapter talks about Moros and Americans negotiating an increasingly globalized world beyond colony and metropole. It mentions a vernacular dime novel about the St. Louis World's Fair published in 1904 titled Uncle Bob and Aunt Becky's Strange Adventures at the World's Great Exposition. It also describes how overseas colonies appeared to a skeptical metropolitan public and how cultural producers appropriately portrayed the America's foreign subjects. The chapter mentions the U.S. newspapers that followed the Moros closely as they met with presidents, performed for midwestern crowds, took i
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Mooney, Mairéad, and Clíona Ó Gallchoir. "Borrowing (from) Crusoe." In Didactics and the Modern Robinsonade. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620047.003.0003.

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This chapter considers the Robinsonade within the framework of the children’s collection of Cork Public Library in the post-revolutionary period of the early twentieth century. It examines how the repeated purchasing of copies of Robinson Crusoe for circulation to Free State children may be interpreted within the context of the Gaelic Revivalist movement. Furthermore, two specific texts are considered: T.C. Bridges’ Martin Crusoe: A Boy’s Adventure on Wizard Island (1920), a self-conscious Robinsonade, and a 1936 account of an Irish missionary’s experiences in Africa, African Adventure, by Fat
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Hoppe, Felicitas. "‘Adventure? What Is That?’ On Iwein." In The Middle Ages in the Modern World. British Academy, 2017. http://dx.doi.org/10.5871/bacad/9780197266144.003.0006.

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Felicitas Hoppe gives an introduction to the art of adapting medieval poetry that is in itself a poetic work. In 2008, Hoppe adapted Hartmann von Aue’s Arthurian romance Iwein into a highly successful young adult novel. She speaks about this experience and about the art of adapting medieval literature more generally: about encountering popular images of knights looking like ladies and about inverted gender roles in Hartmann’s romance; about history as produced by wishes; about finding Iwein by chance in a bookshop and being captivated by its beauty; about the romance’s surprising timelessness
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Barrier, Michael. "Disney,1938-1941." In Hollywood Cartoons. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195037593.003.0007.

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Abstract Walt Disney chose for his second and third features two stories that were strikingly different from the Grimms ‘ “Snow-White.” The Grimms provided him with a simple and serviceable plot but no characters to speak of; moreover, the version of the story in the Grimms ‘ book was only one of many variations. The Adventures of Pinocchio: The of a Puppet had only the loosest sort of plot, but it was far more fixed, as a literary entity, than “Snow-White.” The story, by Carlo Lorenzini, writing under the name C. Collodi, appeared as a book in Italy in 1883. It had first been published as “Th
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"Parodic Potty Humor and Superheroic Potentiality in Dav Pilkey’s The Adventures of Captain Underpants." In Graphic Novels for Children and Young Adults. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496811677.003.0007.

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Coghlan, J. Michelle. "Revolutionary Preoccupations: Or, Transatlantic Feeling in a Radical Sense." In Sensational Internationalism. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474411202.003.0001.

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Chronicling the Commune’s returns across a surprisingly vast and visually striking archive of periodical poems and illustrations, panoramic spectacles, children’s adventure fiction, popular and canonical novels, political pamphlets, avant-garde theater productions, and radical pulp, this book argues that the Commune became, for writers and readers across virtually all classes and political persuasions, a critical locus for re-occupying both radical and mainstream memory of revolution and empire, a key site for negotiating post-bellum gender trouble and regional reconciliation, and a vital terr
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Frith, Simon. "Genre Rules." In Performing Rites. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198163329.003.0004.

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Abstract There was a program on a college radio station in Ithaca when I was living there in early 1991 which described itself as “Pure American folk from singers who defy labels;” and this self-contradictory statement can stand as the motto for this chapter, in which I will examine the role of labels in popular music and consider the seemingly inescapable use of generic categories in the organization of popular culture. These are so much a part of our everyday lives that we hardly notice their necessity—in the way bookshop shelves are laid out (novels distributed between romance, mystery, sci
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Conference papers on the topic "Children's adventure novel"

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Udovičić, Bojana B. "MOTIV PRIJATELjSTVA U ROMANIMA „MALI PRINC“ ANTOANA DE SENT-EGZIPERIJA I „AGI I EMA“ IGORA KOLAROVA." In KNjIŽEVNOST ZA DECU U NAUCI I NASTAVI. University of Kragujevac, Faculty of Education in Jagodina, 2022. http://dx.doi.org/10.46793/kdnn21.127u.

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By using a comparative analysis, the paper discusses the similarity of motifs in two novels – a classic of children’s literature, Exypery’s The Little Prince, and Agi i Ema, a contemporary Serbian novel for children. In both novels, extraordinary friendship between characters develops as a result of children’s loneliness and detachment. The characters and the adventures belong both to the real and the unreal world, which is the essence of fiction.
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