Academic literature on the topic 'Chimamanda Adichie'

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Dissertations / Theses on the topic "Chimamanda Adichie"

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Cassilhas, Fabrício Henrique Meneghelli. "A interculturalidade em Half of a Yellow Sun, de Chimamanda Ngozi Adichie." reponame:Repositório Institucional da UFSC, 2016. https://repositorio.ufsc.br/xmlui/handle/123456789/167620.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2016.<br>Made available in DSpace on 2016-09-20T04:04:12Z (GMT). No. of bitstreams: 1 341091.pdf: 957716 bytes, checksum: 349229de809414d594937e1746cc08f1 (MD5) Previous issue date: 2016<br>O romance Half of a Yellow Sun, de Chimamanda Ngozi Adichie, apresenta foco narrativo onisciente, em terceira pessoa, priorizando o ponto de vista de três personagens: Richard um inglês que não se identifica com a Inglaterra e se muda para a
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Müller, Fernanda de Oliveira. "O florescer das vozes na tradução de Purple Hibiscus, de Chimamanda Ngozi Adichie." reponame:Repositório Institucional da UnB, 2017. http://repositorio.unb.br/handle/10482/24185.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Línguas Estrangeiras e Tradução, Programa de Pós-Graduação em Estudos da Tradução, 2017.<br>Submitted by Raquel Almeida (raquel.df13@gmail.com) on 2017-06-14T19:09:05Z No. of bitstreams: 1 2017_FernandadeOliveiraMüller.pdf: 1452174 bytes, checksum: 3eeb368fa07d05dd9f4315eb87a39d48 (MD5)<br>Approved for entry into archive by Raquel Viana (raquelviana@bce.unb.br) on 2017-08-18T19:27:12Z (GMT) No. of bitstreams: 1 2017_FernandadeOliveiraMüller.pdf: 1452174 bytes, checksum: 3eeb368fa07d05dd9f4315eb87a39d48 (MD5)<
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Peters, Audrey D. "Fatherhood and Fatherland in Chimamanda Adichie's "Purple Hibiscus"." Digital Commons @ East Tennessee State University, 2010. https://dc.etsu.edu/etd/1769.

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Purple Hibiscus, a novel by third-generation Nigerian author Chimamanda Adichie, appears at first glance to be a simple work of adolescent fiction, a bildungsroman in which a pair of siblings navigate the typical challenges of incipient adulthood: social ostracism, an abusive parent, emerging desire. However, the novel's setting-a revolutionary-era Nigeria-is clearly intended to evoke post-Biafra Nigeria, itself the setting of Adichie's other major work, Half of a Yellow Sun. This setting takes Purple Hibiscus beyond the scope of most modern adolescent fiction, creating a complex allegory in w
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Ramos, Neila Roberta Carvalho. "UMA HISTÓRIA SOBRE AS MUITAS HISTÓRIAS DE CHIMAMANDA NGOZI AGICHIE." Instituto de Letras, 2017. http://repositorio.ufba.br/ri/handle/ri/26386.

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Submitted by Roberth Novaes (roberth.novaes@live.com) on 2018-07-10T12:20:39Z No. of bitstreams: 1 Dissertação Neila Final.pdf: 1526923 bytes, checksum: 29b209fce481457d735edbe37fd50c4d (MD5)<br>Approved for entry into archive by Setor de Periódicos (per_macedocosta@ufba.br) on 2018-07-10T18:15:54Z (GMT) No. of bitstreams: 1 Dissertação Neila Final.pdf: 1526923 bytes, checksum: 29b209fce481457d735edbe37fd50c4d (MD5)<br>Made available in DSpace on 2018-07-10T18:15:54Z (GMT). No. of bitstreams: 1 Dissertação Neila Final.pdf: 1526923 bytes, checksum: 29b209fce481457d735edbe37fd50c4d (MD5)<br
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Morais, Thayane de Araújo. "Há coisas em volta do teu pescoço: questões de gênero em Chimamanda Ngozi Adichie." PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA LINGUAGEM, 2017. https://repositorio.ufrn.br/jspui/handle/123456789/25095.

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Submitted by Automação e Estatística (sst@bczm.ufrn.br) on 2018-05-02T22:29:09Z No. of bitstreams: 1 ThayaneDeAraujoMorais_DISSERT.pdf: 7296100 bytes, checksum: f63d12af9732154141609cf592d2957c (MD5)<br>Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2018-05-04T22:56:38Z (GMT) No. of bitstreams: 1 ThayaneDeAraujoMorais_DISSERT.pdf: 7296100 bytes, checksum: f63d12af9732154141609cf592d2957c (MD5)<br>Made available in DSpace on 2018-05-04T22:56:39Z (GMT). No. of bitstreams: 1 ThayaneDeAraujoMorais_DISSERT.pdf: 7296100 bytes, checksum: f63d12af973215
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Cassano, Dora. "The Biafra War: Cultural Memory in two novels of Chimamanda Ngozi Adichie and Chinelo Okparanta." Thesis, Högskolan Dalarna, Afrikanska studier, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-28167.

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Recently new novels about the Biafra war have appeared, proving the ongoing impact of the Nigerian civil war on writers’ interest, and the importance of memory in our life. For all these reasons, I decided to write the present thesis on how memory function in a literary work. The objective is to analyse the literary representation of the Biafra war, with a special focus on individual and collective memory production through two fictional novels: Half of a Yellow Sun, by Chimamanda Ngozi Adichie, and Under the Udala Trees, by Chinelo Okparanta. In analysing the literary representations of Biafr
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Palapala, Joan Linda. "There Is No Place For African Women: Gender Politics in the Writings of Chimamanda Ngozi Adichie." OpenSIUC, 2018. https://opensiuc.lib.siu.edu/dissertations/1537.

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My dissertation interrogates Chimamanda Ngozi Adichie’s representation of African women in her literary oeuvre. I argue that her female characters bear witness to intersecting oppressions of African women portraying them as being extremely marginalized at home and lacking achievable alternate homes. This study also interrogates Adichie’s feminist philosophy and posits that she typically agitates for equality for all regardless of sex, gender, race, and/or other defining identities. Lastly, I argue that Adichie uses the practice of the African novel to rewrite the character of African women in
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8

Ngwira, Emmanuel Mzomera. "Writing marginality : history, authorship and gender in the fiction of Zoe Wicomb and Chimamanda Ngozi Adichie." Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80229.

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Thesis (PhD)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This thesis puts the fiction of Zoë Wicomb and Chimamanda Ngozi Adichie into conversation with particular reference to three issues: authorship, history and gender. Apart from anything else, what Wicomb and Adichie have in common is an interest in the representation of marginalised or minority ethnic groups within the nation - the coloured people in the case of Wicomb, and the Igbo in the case of Adichie. Yet what both writers also have in common is that neither seems to advocate the reification of these ethnic groups in reformu
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van, Bever Donker Vincent. "Ethics and recognition in postcolonial literature : reading Amitav Ghosh, Caryl Phillips, Chimamanda Adichie and Kazuo Ishiguro." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:368d90cc-f186-4e26-a749-64b717758320.

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This thesis undertakes a critical study of ethics in the postcolonial novel. Focusing on four authors, namely Amitav Ghosh, Chimamanda Adichie, Caryl Phillips, and Kazuo Ishiguro, I conduct a comparative analysis of the ethical engagement offered in a selection of their novels. I argue that the recognitions and related emotional responses of characters are integral to the unfolding of these novels’ ethical concerns. The ethics thus explored are often marked by the complexity and impurity characteristic of the tragic – an impurity which is productively thought together with Jacques Derrida’s un
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10

Larsson, Charlotte. "Surveillance and Rebellion : A Foucauldian Reading of Chimamanda Ngozi Adichie’s Purple Hibiscus." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-23323.

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In Purple Hibiscus, Adichie describes what happens in a family when one person, Papa Eugene, takes control and completely subjugates other family members to his wishes and demands. The author shows the dire consequences his actions have on his family but also how those actions ultimately lead to his own destruction. This essay links the restrictions and abuse suffered by Kambili and her family to Michel Foucault’s theories on torture and surveillance as detailed in Discipline and Punish. Foucault’s theories are linked to Jeremy Bentham’s Panopticon in order to further introduce the concept of
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