Academic literature on the topic 'Chinese fiction, Chinese'

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Journal articles on the topic "Chinese fiction, Chinese"

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Lao, Yan-Shuan, and Liu Ts'un-yan. "Chinese Middlebrow Fiction." Modern Language Journal 69, no. 2 (1985): 169. http://dx.doi.org/10.2307/326515.

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Fokkema, D. "Chinese Postmodernist Fiction." Modern Language Quarterly 69, no. 1 (2008): 141–65. http://dx.doi.org/10.1215/00267929-2007-029.

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Raphals, Lisa. "Chinese Science Fiction:." Osiris 34, no. 1 (2019): 81–98. http://dx.doi.org/10.1086/703867.

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Kinkley, Jeffrey C. "Chinese crime fiction." Society 30, no. 4 (1993): 51–62. http://dx.doi.org/10.1007/bf02695237.

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Kumar, Nishant. "UNDERSTANDING THE TRANSNATIONAL CHARACTERISTICS OF CHINESE SCIENCE FICTION." ShodhKosh: Journal of Visual and Performing Arts 4, no. 1 (2023): 343–47. https://doi.org/10.29121/shodhkosh.v4.i1.2023.3620.

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Chinese science fiction, a subset of the fastest-growing global science fiction, has been largely overlooked by mainstream literature in China. Despite facing socio-political and economic turmoil, it has slowly made a mark in contemporary literature. As society changes, science and technology advance, and the shadow of history remains, new generations of Chinese science fiction writers have successfully triggered its development. Currently, the number of Chinese sci-fi writings has increased rapidly, and some great paradigms are even included in textbooks. However, the emergence of globalizati
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Xia, Tianyi. "The Development History of Chinese Science Fiction from Liu Cixin's Science Fiction." International Journal of Languages, Literature and Linguistics 6, no. 3 (2020): 136–41. http://dx.doi.org/10.18178/ijlll.2020.6.3.265.

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Esteva, Sara Rovira. "Translating Chinese Pop Fiction." Perspectives 15, no. 1 (2007): 15–29. http://dx.doi.org/10.2167/pst002.0.

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Kinkley, Jeffrey C., Yue Daiyun, Deborah Rudolph, and Yeh Wenhsing. "Intellectuals in Chinese Fiction." Chinese Literature: Essays, Articles, Reviews (CLEAR) 11 (December 1989): 154. http://dx.doi.org/10.2307/495535.

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Lu. "Chinese Historical Fan Fiction." Pacific Coast Philology 51, no. 2 (2016): 159. http://dx.doi.org/10.5325/pacicoasphil.51.2.0159.

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Healey, Cara. "Gender and Genre in Contemporary Chinese Science Fiction." Prism 21, no. 2 (2024): 368–93. https://doi.org/10.1215/25783491-11825615.

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Abstract Chinese science fiction's growing popularity and integration into an increasingly diverse global science fiction field have sparked discussion of the genre's approach to gendered subjectivity. This article explores the intersections of gender and genre in Chinese science fiction on both textual and extratextual levels. The author argues that Hao Jingfang's 郝景芳 “Beijing zhedie” 北京折疊 (Folding Beijing) and Xia Jia's 夏笳 “Baigui yexing jie” 百鬼夜行街 (One Hundred Ghosts Parade Tonight) combine, subvert, and reinterpret tropes of premodern Chinese literary genres like caizi jiaren 才子佳人 (scholar
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Dissertations / Theses on the topic "Chinese fiction, Chinese"

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Shen, Ruihua. "New woman, new fiction : autobiographical fictions by twentieth-century Chinese women writers /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3113028.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 339-366). Also available for download via the World Wide Web; free to University of Oregon users.
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Wang, Hao. "Dunhuang xiao shuo ji qi xu shi yi shu = Dunhuang xiaoshuo jiqi xushi yishu /." Hefei Shi : Anhui ren min chu ban she, 2005. http://www.loc.gov/catdir/toc/chi0701/2006430115.html.

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Shi, Shumei. "Writing between tradition and the West Chinese modernist fiction, 1917-1937 /." online access from Digital dissertation consortium, 1992. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9301519.

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Lü, Yongjia. "Xi Xi xiao shuo zhong de "cheng shi kong jian" = "Urban space" in Xi Xi's novels /." click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b2020842xf.pdf.

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Chen, Lifen. "Fictionality and reality in narrative discourse : a reading of four contemporary Taiwanese writers /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/6624.

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Chui, Mai-hing. "A study of the Ming and Qing historical novels related to Yue Fei Yi Yue Fei wei ti cai de Ming Qing yan yi yan jiu /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record/B38803835.

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CHAN, Wai Yee. "香港小說中的空間". Digital Commons @ Lingnan University, 2006. https://commons.ln.edu.hk/otd/10.

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從來小說中的環境描述,都是小說創作中一項具體而重要的細節與象徵。小說 作者往往藉由對場所/環境的選取與陳述,建構舖陳出小說中的情調與氛圍,其 中蘊涵著作者個人對現實的感懷與情緒的投射。在不同的年代裏,都有作者以 香港為小說的場景,他們透過不同的主題與角色,或頹靡,或抒情,或狂亂, 或純真,或虛或實;所帶出的香港故事,與時俱變。如果都會的變貌是香港這 座城市的本命,那麼它是如何影響及反映在以香港作為場景的小說之中?而這 些以香港為場景的小說,又如何呈現了香港的氛圍與面貌?本論文嘗試以小說 的「空間」 及「場景」──也就是香港──為探索主題,從文本中歸納勾勒出 「文學中的香港」的面貌,並對照不同作者的共通描述。 論文共分六章。第一章為導論,主要介紹論文的研究範圍、方法及目的。第二 章討論香港小說中的豪宅、半山洋房與大酒店;這些「空間」呈現了上流社會 和中產階級,主要來自「外來作家」的描述。第二章討論香港小說中的木屋區、 板間房和床位;四、五十年代從國內南來的作家,他們的小說總離不開他們對現實生活的憤慨與生存的苦苦掙扎,木屋區、板間房與床位就成為他們描寫現 實生活的重要場景。第三章討論香港小說中的大廈;居住環境的擠迫,已經成 為香港社會裏無法逃避的一種現實狀態,這樣的題旨都曾經出現在劉以鬯、也 斯和西西的小說裏,不過他們態度迴異,構成了不一樣的城市氛圍。第五章討 論香港小說中正在消失的城
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CHEN, Xijing. "舒巷城的小說研究". Digital Commons @ Lingnan University, 2002. https://commons.ln.edu.hk/otd/13.

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香港作家舒巷城(1923-1999)被文學史家稱為香港的「鄉土作家」。「鄉土文學」 在中國內地及台灣有不同的定義及發展,香港特殊的地理環境、政治因素,令香港 文學的發展吸收、融合多方面的思潮、技巧,形成跟中國內地、台灣的文學同中有 異、異中有同的特色。本文主要把舒巷城放在時代背景中,分析香港「鄉土文學」 和其他兩地作品特色之異同,同時對舒巷城的作品按時序作一整理,嘗試整理出作 家在特定寫作環境下,作品所呈現的特色及作者文學觀的轉變。
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Lu, Pei'er. "Xu shu "jiu qi" : Xianggang xiao shuo zhong de shi jian yu xu shi = Narrating "1997" : time and narrative in Hong Kong novels /." click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b19843926f.pdf.

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Wan, Pin P. "Investiture of the gods (Fengshen yanyi) : sources, narrative structure, and mythical significance /." Thesis, Connect to this title online; UW restricted, 1987. http://hdl.handle.net/1773/11125.

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Books on the topic "Chinese fiction, Chinese"

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Song, Mingwei, Nathaniel Isaacson, and Hua Li, eds. Chinese Science Fiction. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53541-3.

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Leung, Laifong. Contemporary Chinese Fiction Writers. Routledge, 2016. http://dx.doi.org/10.4324/9781315719504.

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University of California, Berkeley. Center for Chinese Studies., ed. Intellectuals in Chinese fiction. Institute of East Asian Studies, University of California, Berkeley, Center for Chinese Studies, 1988.

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Steele, Jessica. [Chinese]. Harlequin, 1990.

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professor, Moran Thomas, ed. Chinese fiction writers, 1900-1949. Thomson Gale, 2007.

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Wedde, Ian. Chinese opera. Victoria University Press, 2008.

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Wedde, Ian. Chinese opera. Victoria University Press, 2008.

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Mah, Ann. Kitchen Chinese. HarperCollins, 2010.

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Montgomery, R. A. Chinese dragons. Bantam Bks., 1991.

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Chako, Sussy. Chinese walls. Asia 2000, 1994.

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Book chapters on the topic "Chinese fiction, Chinese"

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Conn, Virginia L. "Formal Fictions: “Chinese” “Science” “Fiction” in Translation." In Chinese Science Fiction. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53541-3_5.

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Gaffric, Gwennaël. "Liu Cixin and the Cosmic Pastoral." In Chinese Science Fiction. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53541-3_11.

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Andolfatto, Lorenzo. "Kang Youwei’s Book of the Heavens and the Porous Epistemological Grounds of Early-modern Chinese Science Fiction." In Chinese Science Fiction. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53541-3_2.

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Hosek, Melissa A. "Projecting Eco-Futures: Cinematic Visions of Utopian Science and Ecology from the Mao Era to the Deng Era." In Chinese Science Fiction. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53541-3_7.

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Li, Hua. "Information, the Body, and Humanism in the Chinese Cyber Novel Forty Millennia of Authenticity Cultivation." In Chinese Science Fiction. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53541-3_8.

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Isaacson, Nathaniel, Hua Li, and Mingwei Song. "Introduction." In Chinese Science Fiction. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53541-3_1.

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Schneider-Vielsäcker, Frederike. "Bodies in Transformation: The Politics of Post-80s Science Fiction Authors Chi Hui, Chen Qiufan, and Zhang Ran." In Chinese Science Fiction. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53541-3_12.

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Chen, Jannis Jizhou. "Of Illness and Illusion: The Chaosmology of Han Song’s Hospital Trilogy." In Chinese Science Fiction. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53541-3_10.

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Jia, Liyuan. "Intelligent Humanoid Machines: Imaginations of Physical and Mental Transformation in Late Qing Literature and Their Intellectual Origins." In Chinese Science Fiction. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53541-3_3.

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Yang, Qiong. "The Writing Editors: Late Qing and Republican Media Professionals as Authors of Science Fiction." In Chinese Science Fiction. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53541-3_6.

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Conference papers on the topic "Chinese fiction, Chinese"

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Kulikova, Anastasiia. "“FEMALE CONSCIOUSNESS” IN CHINESE WOMEN’S LITERATURE OF THE 1980s–1990s." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.19.

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In the 1980s appeared a new generation of female writers (Zhang Jie, Tie Ning, Wang Anyi, Can Xue), whose names are associated with the formation of contemporary Chinese women’s prose, which is characterized by deep psychologism and various female characters. The difficulty of studying Chinese women’s literature lies directly in the manifestation of gender traits. The purpose of the report is to analyze the representation of female consciousness in the fiction of Chinese female writers of the 1980s to the mid-1990s (Zhang Jie, Can Xue, Wang Anyi, etc).
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Butenina, Evgenia. "CHINESE AND AMERICAN CLASSICS IN MAXINE HONG KINGSTON'S FICTION." In Россия и Китай: история и перспективы сотрудничества. Благовещенский государственный педагогический университет, 2020. http://dx.doi.org/10.48344/bspu.2020.77.33.110.

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Wenyong, Bai. "Interpretation of Chinese Ming and Qing fiction Narrative Pattern Analysis." In 2014 Conference on Informatisation in Education, Management and Business (IEMB-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/iemb-14.2014.1.

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Song, Haixiang, Songlin Chen, Libin Wang, and Ming Li. "On fiction disturbance attenuation for simulation turntable with coordinate-shaft-structure." In 2014 33rd Chinese Control Conference (CCC). IEEE, 2014. http://dx.doi.org/10.1109/chicc.2014.6896307.

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Wang, Yang. "A Content Analysis of Chinese American Contemporary Realistic Fiction Picture Books." In 2021 AERA Annual Meeting. AERA, 2021. http://dx.doi.org/10.3102/1689399.

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Peifeng Hao, Juxing Qiang, and Guobin Wu. "Study and simulation on the fiction coefficient model in cold rolling." In 2010 Chinese Control and Decision Conference (CCDC). IEEE, 2010. http://dx.doi.org/10.1109/ccdc.2010.5498124.

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CÎNDEA GÎȚĂ, Iulia Elena. "AN IN-DEPTH STUDY OF CHINESE CULTUREMES – CARRIERS OF THE MOST SUBTLE CULTURAL ALLUSIONS – EXCERPTED FROM CHINESE CONTEMPORARY NOVELS IN ROMANIAN TRANSLATION." In Synergies in Communication. Editura ASE, 2022. http://dx.doi.org/10.24818/sic/2021/04.01.

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Culturemes are the markers of the source culture, which can reach the reader in the target language only through the ability of the translator, who must, in fact, be a great connoisseur of the most hidden cultural details. For the transposition of a foreign culture into a new culture, for a proper communication between them, a loan is needed, retrieval and processing of information so that it is accepted. The motivation behind this study is to provide an overview of how to approach culturemes in the translation of works of contemporary Chinese literature in Romanian, works characterized by gre
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Song, Xiaoping. "Time, History and Self in Chinese Fiction in the 1980s: A Reading from New Perspectives." In Annual International Conference on Language, Literature & Linguistics. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2251-3566_l312171.

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Wang, Yunyi. "Onlookers of Modernity: Knowledge Anxiety and Consumption in Fiction of Chinese Women Writers in the Early 20th Century." In The Twelfth International Convention of Asia Scholars (ICAS 12). Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789048557820/icas.2022.087.

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Liang, Xinxia. "A Comparative Analysis of Qidian.com and Webnovel.com: From the View of Digital Humanities." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8431.

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Web Novel has become an integral part of contemporary recreation for people living in the world greatly changed by the revolution in information technology and consequent social upheaval. Chinese webnovels, benefitting from the fast-growing digital culture industry, have developed a successful industrial model represented by “qidian.com”, a famous website for internet users to read and write original fiction, ranking 9087 in global internet traffic. The launch of its international version “webnovel.com” in 2017 marks a strong, well-tested, and sophisticated cyberliterature industrial model ent
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