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Journal articles on the topic 'Cressida'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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1

Zurowski, Andrzej. "Cressida's Children: Troilus and Cressida in Gdansk." Shakespeare Quarterly 42, no. 3 (1991): 359. http://dx.doi.org/10.2307/2870849.

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2

Krims, Marvin. "Misreading Cressida." Psychoanalytic Review 89, no. 2 (April 2002): 239–56. http://dx.doi.org/10.1521/prev.89.2.239.19920.

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3

Minton, Gretchen E. "Troilus and Cressida." Shakespeare Bulletin 31, no. 3 (2013): 529–35. http://dx.doi.org/10.1353/shb.2013.0056.

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4

Spiekerman, Tim. "Ulysses Is Not the Hero of Troilus and Cressida." Review of Politics 78, no. 4 (2016): 523–37. http://dx.doi.org/10.1017/s0034670516000498.

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AbstractShakespeare's Troilus and Cressida is a notoriously bleak and problematic play: a dark comedy, a witty tragedy, an X-rated romance. A love story set during the Trojan War, the play appears to treat both love and war with utter cynicism. Ulysses drives the plot, craftily luring a despondent Achilles back onto the battlefield, and exposing Troilus to the betrayal of his beloved Cressida. A world-class manipulator and debunker of love and honor, Ulysses casts a shadow over this sour play, though he seems curiously unaffected by his skeptical outlook. A few critics have argued that Ulysses is the hero of Troilus and Cressida, a clear-sighted philosopher who may well speak for Shakespeare himself. I will argue against that view. I will also suggest that Troilus, if not the hero of this play, is perhaps its only sympathetic character.

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5

Brady, Owen Edward. "Troilus and Cressida (review)." Theatre Journal 56, no. 1 (2004): 113–14. http://dx.doi.org/10.1353/tj.2004.0006.

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6

Altree, Claire. "Troilus and Cressida (review)." Shakespeare Bulletin 25, no. 1 (2007): 121–23. http://dx.doi.org/10.1353/shb.2007.0000.

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7

Gil, Daniel Juan. "Troilus and Cressida (review)." Shakespeare Quarterly 55, no. 3 (2004): 320–22. http://dx.doi.org/10.1353/shq.2005.0010.

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8

Cooke, Virginia. "A Moveable Match: Troilus and Cressida." Scene: Reviews of Early Modern Drama, no. 2 (October 20, 2018): 20. http://dx.doi.org/10.18357/scene02201718361.

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9

Ruszkiewicz, Dominika. "Joyce Carol Oates’s Carthage as a Modern Troilus and Cressida Story." Romanica Silesiana 20, no. 2 (December 31, 2021): 1–17. http://dx.doi.org/10.31261/rs.2021.20.05.

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Both Geoffrey Chaucer’s Troilus and Criseyde and Joyce Carol Oates’s Carthage are set in times of war, the Trojan War and the Iraq War, respectively, and both are associated with love on the one hand, and loss on the other. In fact, Carthage contains many echoes of the past, with the main characters of the novel, Juliet and Cressida Mayfield, bringing connotations with Chaucer’s and Shakespeare’s works, their father compared to an old Roman general, and Corporal Brett Kincaid likened to the hero of chivalric romances. The aim of this article is to argue that Oates’s Carthage may be seen as a modern Troilus and Cressida story in that it presents aspects of medieval reality in a modern guise, with the most poignant and recurrent association being that between the “war on terror” and medieval crusades and the emotion dominating the characters’ reactions being rage, an emotion which occurs in relation to the fires of passion and war in Chaucer’s Troilus and Criseyde, Shakespeare’s Troilus and Cressida, and Joyce Carol Oates’s Carthage.

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10

Guinle, Francis. "« This is, and is not, Cressid » : la vérité en question dans Troilus and Cressida." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 68, no. 1 (2011): 29–43. http://dx.doi.org/10.3406/xvii.2011.2463.

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11

Matos, Timothy L. "Shakespeare's Troilus and Cressida 5.2." Explicator 62, no. 2 (January 2004): 74–77. http://dx.doi.org/10.1080/00144940409597175.

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12

Kermode, Frank. "‘Opinion’ in Troilus and Cressida." Critical Quarterly 54, no. 1 (April 2012): 88–102. http://dx.doi.org/10.1111/j.1467-8705.2012.02037.x.

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13

Pearce, Jill. "Review: Play: Troilus and Cressida." Cahiers Élisabéthains: A Journal of English Renaissance Studies 31, no. 1 (April 1987): 65–66. http://dx.doi.org/10.1177/018476788703100110.

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14

Maguin, Angela. "Review: Play: Troilus and Cressida." Cahiers Élisabéthains: A Journal of English Renaissance Studies 50, no. 1 (October 1996): 82–83. http://dx.doi.org/10.1177/018476789605000120.

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15

Smith, Peter J. "Play review: Troilus and Cressida." Cahiers Élisabéthains: A Journal of English Renaissance Studies 98, no. 1 (March 22, 2019): 121–22. http://dx.doi.org/10.1177/0184767819826011k.

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16

McAuliffe, J. "Interview with Erin Cressida Wilson." South Atlantic Quarterly 99, no. 2-3 (April 1, 2000): 521–29. http://dx.doi.org/10.1215/00382876-99-2-3-521.

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17

Russell, Meredith Jones. "It's magic." Nursery World 2019, no. 15 (July 22, 2019): 15. http://dx.doi.org/10.12968/nuwa.2019.15.15.

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18

LeCompte, Elizabeth, Kate Valk, and Maria Shevtsova. "A Conversation on The Wooster Group's Troilus and Cressida with the RSC." New Theatre Quarterly 29, no. 3 (July 31, 2013): 233–46. http://dx.doi.org/10.1017/s0266464x13000432.

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Elizabeth LeCompte and Kate Valk here discuss with Maria Shevtsova The Wooster Group's work with the Royal Shakespeare Company on Troilus and Cressida and the challenges posed for them by this joint venture. The project was initially proposed by Rupert Goold, but was brought to fruition by playwright Mark Ravenhill, his first directing experience. Troilus and Cressida was part of the World Shakespeare Festival, during which all Shakespeare's plays were performed by different companies from countries across the globe. The Festival, four years in the making and spanning eight months, was part of the cultural programme of the Olympic Games held in London in 2012. Troilus and Cressida was first performed at the Swan Theatre in Stratford-upon-Avon from 3 to 18 August 2012, and then at the Riverside Studios in London from 24 August to 8 September. This conversation took place at the Riverside Studios on 30 August 2012, and pairs with the discussion of The Wooster Group's Hamlet, the company's first Shakespeare production, published in NTQ 114 (May 2013). Maria Shevtsova holds the Chair in Drama and Theatre Arts at Goldsmiths, University of London and is co-editor of New Theatre Quarterly. Her most recent book is the co-authored Cambridge Introduction to Theatre Directing (2013).

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19

Chancia, Robert O., Matthew M. Hedman, and Richard G. French. "Weighing Uranus’ Moon Cressida with theηRing." Astronomical Journal 154, no. 4 (September 19, 2017): 153. http://dx.doi.org/10.3847/1538-3881/aa880e.

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20

Park,Woo-Su. "Value Debates in Troilus and Cressida." Shakespeare Review 54, no. 4 (December 2018): 649–81. http://dx.doi.org/10.17009/shakes.2018.54.4.003.

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21

Dusinberre, Juliet, and David Bevington. "The Arden Shakespeare Troilus and Cressida." Shakespeare Quarterly 51, no. 1 (2000): 90. http://dx.doi.org/10.2307/2902325.

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22

Rizvi, P. "Dividable Shores in Troilus and Cressida." Notes and Queries 59, no. 1 (January 9, 2012): 77–79. http://dx.doi.org/10.1093/notesj/gjr276.

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23

Hillman, David. "The Gastric Epic: Troilus and Cressida." Shakespeare Quarterly 48, no. 3 (1997): 295. http://dx.doi.org/10.2307/2871018.

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24

McDougall, Julie. "The Mutability of History:Troilus and Cressida." Contemporary Theatre Review 19, no. 3 (August 2009): 331–41. http://dx.doi.org/10.1080/10486800902986145.

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25

SHAHEEN, NASEEB. "BIBLICAL ECHOES IN TROILUS AND CRESSIDA." Notes and Queries 43, no. 2 (June 1, 1996): 160–62. http://dx.doi.org/10.1093/nq/43-2-160.

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26

SHAHEEN, NASEEB. "BIBLICAL ECHOES IN TROILUS AND CRESSIDA." Notes and Queries 43, no. 2 (1996): 160–62. http://dx.doi.org/10.1093/nq/43.2.160.

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27

Schille, Candy B. K. "Why Did John Dryden Rehabilitate Cressida?" SEL Studies in English Literature 1500-1900 58, no. 3 (2018): 543–68. http://dx.doi.org/10.1353/sel.2018.0021.

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28

HODGDON, BARBARA. "He Do Cressida in Different Voices." English Literary Renaissance 20, no. 2 (March 1990): 254–86. http://dx.doi.org/10.1111/j.1475-6757.1990.tb01013.x.

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29

Paul Prescott. "Troilus and Cressida (review)." Shakespeare Bulletin 28, no. 1 (2010): 133–37. http://dx.doi.org/10.1353/shb.0.0151.

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30

Gregory, Johann. "Troilus and Cressida (review)." Shakespeare Bulletin 31, no. 1 (2013): 99–104. http://dx.doi.org/10.1353/shb.2013.0009.

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31

Rogers, Jami. "Cressida in twenty-first century performance." Shakespeare 10, no. 1 (April 19, 2013): 56–71. http://dx.doi.org/10.1080/17450918.2013.766235.

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32

Greenfield, Matthew A. "Fragments of Nationalism in Troilus and Cressida." Shakespeare Quarterly 51, no. 2 (2000): 181. http://dx.doi.org/10.2307/2902131.

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33

Jensen, Phebe. "The Textual Politics of Troilus and Cressida." Shakespeare Quarterly 46, no. 4 (1995): 414. http://dx.doi.org/10.2307/2870980.

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34

Kimbrough, Robert, Kenneth Muir, and Kenneth Palmer. "Retaining the Secrets Of Troilus and Cressida." Shakespeare Quarterly 36, no. 2 (1985): 239. http://dx.doi.org/10.2307/2871206.

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35

Spisak, April. "The Wizards of Once by Cressida Cowell." Bulletin of the Center for Children's Books 70, no. 11 (2017): 491. http://dx.doi.org/10.1353/bcc.2017.0504.

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36

HOPKINS, LISA. "THE BROKEN HEART AND TROILUS AND CRESSIDA." Notes and Queries 43, no. 2 (June 1, 1996): 192–93. http://dx.doi.org/10.1093/nq/43-2-192.

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37

HOPKINS, LISA. "THE BROKEN HEART AND TROILUS AND CRESSIDA." Notes and Queries 43, no. 2 (1996): 192–93. http://dx.doi.org/10.1093/nq/43.2.192.

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38

Harris, Sharon M. "Feminism and Shakespeare's Cressida:"IfI be false …”." Women's Studies 18, no. 1 (May 1990): 65–82. http://dx.doi.org/10.1080/00497878.1990.9978820.

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39

Hunt, Maurice. "Shakespeare's Troilus and Cressida and Christian Epistemology." Christianity & Literature 42, no. 2 (March 1993): 243–60. http://dx.doi.org/10.1177/014833319304200204.

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40

Bielmeier, Michael G. "Ethics and Anxiety in Shakespeare'sTroilus and Cressida." Christianity & Literature 50, no. 2 (March 2001): 225–45. http://dx.doi.org/10.1177/014833310105000204.

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41

Greenhalgh, Susanne. "Troilus and Cressida performed by Wooster Group." Shakespeare Bulletin 31, no. 4 (2013): 749–54. http://dx.doi.org/10.1353/shb.2013.0062.

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42

Murphy, Cason. "Fixing Troilus & Cressida by Rude Mechs." Shakespeare Bulletin 36, no. 4 (2018): 722–26. http://dx.doi.org/10.1353/shb.2018.0071.

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43

Luxon, Thomas H. "Heroic Friendship in Dryden’s Troilus and Cressida." Studies in Philology 114, no. 1 (2017): 197–221. http://dx.doi.org/10.1353/sip.2017.0007.

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44

Staples, Max. "Boccaccio's and Chaucer's Cressida (review)." Parergon 14, no. 1 (1996): 318. http://dx.doi.org/10.1353/pgn.1996.0063.

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45

Duarte, Páscoa Maria Pereira. "The wizards of once: quando magos e guerreiros se encontram." Nau Literária 16, no. 2 (August 3, 2020): 205–22. http://dx.doi.org/10.22456/1981-4526.105880.

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Este artigo apresenta uma análise do conflito entre as duas culturas presentes no primeiro livro da série The wizards of once, de Cressida Cowell, a partir da perspectiva do eurocentrismo, da alteridade e dos direitos humanos, utilizando como teóricos principais Aníbal Quijano, Janet Paterson e Lynn Hunt.

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46

Ilnytzkyj, Oleh S. "Review of Olʹha Luchuk. Panteleіmon Kulish i Mykola Lukash: Perekhresni stezhky perekladachiv; Shekspirova drama “Troil i Kressyda” v konteksti ukrainsʹkoi kulʹtury." East/West: Journal of Ukrainian Studies 6, no. 2 (October 22, 2019): 239–41. http://dx.doi.org/10.21226/ewjus547.

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Book review of Olʹha Luchuk. Panteleіmon Kulish i Mykola Lukash: Perekhresni stezhky perekladachiv; Shekspirova drama “Troil i Kressyda” v konteksti ukrainsʹkoi kulʹtury [Panteleimon Kulish and Mykola Lukash: Translators Crossing Paths; Shakespeare’s Drama “Troilus and Cressida” in the Context of Ukrainian Culture]. Vydavnytstvo “Akta,” 2018. 556 pp. Illustrations. Tables. Appendices. Bibliography. Index. UAH 289,00, cloth.

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47

Elton, W. R. "Aristotle's "Nicomachean Ethics" and Shakespeare's "Troilus and Cressida"." Journal of the History of Ideas 58, no. 2 (April 1997): 331. http://dx.doi.org/10.2307/3653872.

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48

Marienstras, Richard. "Troilus et Cressida et la chute de Troie." Cahiers Charles V 24, no. 1 (1998): 9–36. http://dx.doi.org/10.3406/cchav.1998.1203.

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49

Lancashire, Ian. "Probing Shakespeare's Idiolect inTroilus and Cressida, 1.3.1-29." University of Toronto Quarterly 68, no. 3 (May 1999): 728–67. http://dx.doi.org/10.3138/utq.68.3.728.

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50

Kim, Sang Hyun. "The meaning of love in Troilus and Cressida." Sungshin Humanities Research 40 (August 30, 2019): 66–86. http://dx.doi.org/10.24185/sswuhr.2019.08.40.66.

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