Relevant bibliographies by topics / Deconstruction of History

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Deconstruction of History'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Deconstruction of History"

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Generoso, Lídia Maria De Abreu. "A História e o fantasma da desconstrução [resenha]." CLIO: Revista de Pesquisa Histórica 38, no. 1 (2020): 548. http://dx.doi.org/10.22264/clio.issn2525-5649.2020.38.1.21.

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KLEINBERG, Ethan. Haunting History: for a deconstructive approach to the past. Stanford: Stanford University Press, 2017. 189p.A História e o fantasma da desconstrução PALAVRAS CHAVE: Teoria da História, Fantologia, Desconstrução, História da Historiografia.La Historia y el fantasma de la deconstrucción PALABRAS-CLAVE: Teoría de la Historia, Fantología, Deconstrucción, Historia de la Historiografía.History and the ghost of deconstruction KEYWORDS: Theory of History, Hauntology, Deconstruction, History of Historiography.
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McLachlan, Fiona. "Swimming History after Deconstruction: A Queer Engagement." Journal of Sport History 39, no. 3 (2012): 431–44. http://dx.doi.org/10.5406/jsporthistory.39.3.431.

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Abstract In this paper I make a case for history that is both deconstructive and creative. I begin from my position of “deconstructionism” and move towards queer engagement, which I argue, is a productive term that enables me to embrace deconstruction and subjective approaches to history making, without falling into the trap of writing a coherent “self ” into the text. I create an example of a fragmented swimming history to illustrate what queer engagement might look like in practice.
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Fatonah, Khusnul, and Gohar Rahman. "Deconstruction of The Korawa Character in The Novel Perang By Putu Wijaya." Lingua : Journal of Linguistics and Language 2, no. 1 (2024): 15–31. https://doi.org/10.61978/lingua.v2i1.470.

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This research aims to analyze the deconstruction of the Korawa characters in the novel Perang by Putu Wijaya. In the epic Mahabharata, the Korawa are conventionally positioned as antagonistic figures representing evil, while the Pandawa are depicted as symbols of virtue. However, through a deconstructive approach, the novel Perang dismantles this binary opposition and presents a new perspective on the Korawa. This type of research is qualitative, utilizing content analysis and supported by Derrida's deconstruction theory. Data is drawn from quotes in the novel that reveal shifts in meaning, th
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Golumbia, David. "The Deconstruction of Philology." boundary 2 48, no. 1 (2021): 17–34. http://dx.doi.org/10.1215/01903659-8821401.

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The history of philology provides an exceptionally rich vein for locating what Derrida came to call deconstructions: nodes or pseudo-events in the development of discourse where it appears that foundations collapse, only to be rebuilt in forms that may or may not have changed. The history of philology engages language, the sciences (especially evolutionary biology), and race, all of which are evidenced in the work of the German philologist Wilhelm von Humboldt. The relationships among these discourses have been repeatedly subject to deconstruction, sometimes so as to enhance appreciation of hu
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Ilyin, V. "Deconstruction: Methodological Reflection and a Way of Rethinking Social History and Culture." Problems of World History, no. 7 (March 14, 2019): 9–19. http://dx.doi.org/10.46869/2707-6776-2019-7-1.

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The article studies deconstruction, one of the main methods of the philosophy of postmodernism. The role and place of deconstruction in the analysis of the philosophy of history and artistic works is shown. It emphasizes the positive significance of deconstruction for the development of the methodology of modern social cognition and history. It is emphasized that deconstruction is not intended to destroy axiom systems, specific for each historical period and fixed in the texts of a particular epoch, but primarily to reveal the internal contradictions of any theoretical systems. The purpose of
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JONES-KATZ, GREGORY. "“THE BRIDES OF DECONSTRUCTION AND CRITICISM” AND THE TRANSFORMATION OF FEMINISM IN THE NORTH AMERICAN ACADEMY." Modern Intellectual History 17, no. 2 (2018): 413–42. http://dx.doi.org/10.1017/s1479244318000318.

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“The Brides of Deconstruction and Criticism,” an informal group of feminist literary critics active at Yale University during the 1970s, were inspired by second-wave feminist curriculum, activities, and thought, as well as by the politics of the women's and gay liberation movements, in their effort to intervene into patterns of female effacement and marginalization. By the early 1980s, while helping direct deconstructive reading away from the self-subversiveness of French and English prose and poetry, the Brides made groundbreaking contributions to—and in several cases founded—fields of schola
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Epstein, Robert W. (Robert William). "Literal Opposition: Deconstruction, History, and Lancaster." Texas Studies in Literature and Language 44, no. 1 (2002): 16–33. http://dx.doi.org/10.1353/tsl.2002.0002.

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Ilyina, Anna. "Tradition and Freedom in the Deconstructive “Philosophy of Philosophy”." Sententiae 41, no. 3 (2022): 6–25. http://dx.doi.org/10.31649/sent41.03.006.

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The article examines the peculiarities of the relationship between phenomena of freedom and tradition in the discourse of deconstruction. In this case, the tradition stands primarily as philosophical tradition, a critical questioning about which underlies Derridian thought. The latter in a great measure is a philosophical reflection on just the philosophical heritage ("philosophy of philosophy"). The author carries out her own analysis of the relationship between deconstruction and philosophical tradition in connection with the problem of freedom. In this respect, she uses the Derridian concep
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Egri, Petra. "The Derridean (Un)hostility of Fashion." Pázmány Papers – Journal of Languages and Cultures 2, no. 1 (2024): 73–83. https://doi.org/10.69706/pp.2024.2.1.5.

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"There is, to all appearances, a philosophic hostility to fashionable dress." - writes Karen Hanson in Dressing Down Dressing Up: The Philosophic Fear of Fashion. Hanson's study identifies several points - from the ever-changing nature of fashion to the ethicality of the fashion industry - from which philosophy has historically criticized and continues to criticize fashion as a social phenomenon, industry, and art form. In this sense, deconstruction indicates new critical design practice and (self-)critique of the fashion industry. The notion of "hostility’ in the vocabulary of deconstruction
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Chorell, Torbjörn Gustafsson. "Incomplete Secularization of History: Ethan Kleinberg and Hayden White." Journal of the Philosophy of History 14, no. 1 (2019): 27–46. http://dx.doi.org/10.1163/18722636-12341416.

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Abstract According to the displacement model of secularization, religious-theological concepts, themes, and values have been reinterpreted in non-religious contexts without fully dispensing with the religious content. Secularization is thus incomplete. The incomplete secularization argument can be used as a lens through which to read Ethan Kleinberg’s deconstructive approach to the past. In his narrative, as reconstructed here, deconstruction promises to bring us closer to a secular relationship to the past than the ontological realism Kleinberg says still dominates contemporary historical the
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Dissertations / Theses on the topic "Deconstruction of History"

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Gladston, Paul. "Art history after deconstruction : is there any future for a deconstructive attention to art historical discourse?" Thesis, University of Nottingham, 2004. http://eprints.nottingham.ac.uk/12638/.

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Over the past two decades institutionally dominant art history has been strongly influenced by the theory and practice of deconstruction. While many art historians have embraced deconstruction as a productive means of unsettling and remotivating standard forms of art historical discourse, others have raised concerns over what they see as a widespread departure from the most basic tenets of art historical discourse; that is to say, not only the belief that there is a circumscribed category of aesthetic experience (art), but also that it is possible to arrive at a truthful representation of the
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Lindsay, Stuart L. "Reading Chernobyl : psychoanalysis, deconstruction, literature." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/21790.

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This thesis explores the psychological trauma of the survivors of the Chernobyl nuclear disaster, which occurred on April 26, 1986. I argue for the emergence from the disaster of three Chernobyl traumas, each of which will be analysed individually – one per chapter. In reading these three traumas of Chernobyl, the thesis draws upon and situates itself at the interface between two primary theoretical perspectives: Freudian psychoanalysis and the deconstructive approach of Jacques Derrida. The first Chernobyl trauma is engendered by the panicked local response to the consequences of the explosio
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Grant, Michael. "Who owns history? the construction, deconstruction, and purpose of the Main Line myth /." Diss., Connect to the thesis, 2007. http://hdl.handle.net/10066/1264.

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Niles, Krista Joy. "An Arranged Deconstruction: The Feminist Art Practice of Louise Lawler." Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/565894.

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The purpose of this thesis is to examine the artistic production of photo artist Louise Lawler and the evolution of critical response to her work between the 1970s and 1990s. Of main concern are the manner in which early scholarship and exhibition reviews effectively situated Lawler's work within the discourse of institutional critique, a field of critical scholarship and artistic production that examines institutions of art such as museums and galleries. The objective of this thesis is to reexamine Lawler from a feminist art historical perspective using French feminist theory to investigate h
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Baguley, Margaret Mary. "The deconstruction of domestic space." Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/35896/1/35896_Baguley_1998.pdf.

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Introduction: I find myself in the pantry, cleaning shelves, in the laundry, water slopping around my elbows, at the washing line, pegging clothes. I watch myself clean shelves, wash, peg clothes. These are the rhythms that comfort. That postpone. (The Painted Woman, Sue Woolfe, p. 170) As a marginalised group in Australian art history and society, women artists possess a valuable and vital craft tradition which inevitably influences all aspects of their arts practice. Installation art, which has its origins in the craft tradition, has only been acknowledged in the art mainstream this deca
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Brown, Parker Brandt. "Finding new representations in science and natural history film through a deconstruction of televised weather forcasting." Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/brown/BrownP1208.pdf.

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Broadcast television networks limit their representation of the weather by embedding weather forecasting with ideologies of science, capitalism, and patriarchy, thereby creating a dispassionate monolithic regime as the totalizing representation of weather in popular media. This is not to say that TV weather forecasting is not useful, but that it is a narrowly focused scientific representation of nature, and as such denies experiences of the weather beyond utilitarian prediction. Non-fiction film employs a set of representational tools that, when applied to the weather, can deconstruct the main
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Achee, Ashley. "A Deconstruction of the Effects of Race, Gender, and Class in the Nineteenth Century British Asylum Complex." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/889.

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This thesis will explore the intersectional construction of the British asylum network in the nineteenth century. It will look at gender, race, and class as factors in the diagnostic process, in addition to the confinement and treatment of the insane.
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Vera, Monica A. "Taking Issue with History: Empathy and the Ethical Imperatives of Creative Interventions." FIU Digital Commons, 2012. http://digitalcommons.fiu.edu/etd/776.

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The purpose of this thesis was to contribute to a dialogue that considers the relationship between history, literature, and empathy as a literary affect. Specifically, I explored sites of literature’s transformative potential as it relates to cultural studies and the ethics of deconstruction. Via a deconstructive, post-colonial reading of Toni Morrison’s Beloved and Junot Díaz’s The Brief Wondrous Life of Oscar Wao, I considered how subjects in our current socio-political moment can feel history. Emerging from a post-structurally mediated engagement with history, signification, and feeling, I
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Hill, Sydney M. "She must write her self, feminist poetics of deconstruction and inscription : six Canadian women writing." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0025/MQ26957.pdf.

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Fardy, Jonathan R. "Double Vision: Reviewing Man Ray and Marcel Duchamp's 1920 Photo-Text." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1196371696.

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Books on the topic "Deconstruction of History"

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1970-, Buse Peter, and Stott Andrew 1969-, eds. Ghosts: Deconstruction, psychoanalysis, history. Macmillan, 1999.

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Kates, Joshua. Essential history: Jacques Derrida and the development of deconstruction. Northwestern University Press, 2006.

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J, Silverman Hugh, ed. Derrida and deconstruction. Routledge, 1989.

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Morinaka, Takaaki. Datsu kōchiku =: Deconstruction. Iwanami Shoten, 1999.

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Wood, David. The deconstruction of time. Humanities Press International, 1989.

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Wood, David. The deconstruction of time. Humanities Press International, 1988.

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Wood, David. The deconstruction of time. typescript, 1985.

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1960-, Critchley Simon, and Mouffe Chantal, eds. Deconstruction and pragmatism. Routledge, 1996.

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Felperin, Howard. Beyond deconstruction: The uses and abuses. Clarendon Press, 1986.

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Nealon, Jeffrey T. Double reading: Postmodernism after deconstruction. Cornell University Press, 1993.

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Book chapters on the topic "Deconstruction of History"

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Kates, Joshua. "Deconstruction: “History, if there is history”." In The Routledge Companion to Historical Theory. Routledge, 2021. http://dx.doi.org/10.4324/9780367821814-23.

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Koskinen, Kaisa. "Chapter 5.5. Deconstruction." In A History of Modern Translation Knowledge. John Benjamins Publishing Company, 2018. http://dx.doi.org/10.1075/btl.142.43kos.

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Case, Sue-Ellen. "Traditional History: A Feminist Deconstruction." In Feminism and Theatre. Macmillan Education UK, 2008. http://dx.doi.org/10.1007/978-1-137-02131-1_2.

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Case, Sue-Ellen. "Traditional History: A Feminist Deconstruction." In Feminism and Theatre. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19114-7_2.

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Currie, Mark. "The Question of History in Derrida and de Man." In The Invention of Deconstruction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137307033_4.

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Carter, Noni. "Performing the neurotic." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2025. https://doi.org/10.1075/chlel.37.09car.

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Abstract This chapter presents the deconstructive concept “neurotic memory” through an analysis of Rivers Solomon’s sci-fi neo-slave narrative An Unkindness of Ghosts. Neurotic remembering is a performative practice that on one level invokes, demonstrates, and repeats the violence inherent in the institution of slavery as it stages the ontological contradictions of the black enslaved female. At the same time, this performative practice presupposes a process of incessant deconstruction and reinvention in the face of trauma, bringing to the fore certain “fugitive sensibilities,” strategies of be
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Deshpande, Anirudh. "History and Revolutionary-Deconstruction: Ambedkar's Historical Method." In The Practice of History in India. Routledge, 2021. http://dx.doi.org/10.4324/9781003240327-6.

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Callender, Jassen. "Deconstruction, Irony, the Pompidou, and the São Pedro." In Architecture History and Theory in Reverse. Routledge, 2017. http://dx.doi.org/10.4324/9781315661315-8.

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Mazé, Elinor. "Deconstruction Without Destruction: Creating Metadata for Oral History in a Digital World." In Oral History and Digital Humanities. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137322029_9.

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Dastur, Françoise. "Play and Messianicity: The Question of Time and History in Derrida's Deconstruction." In A Companion to Derrida. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118607138.ch11.

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Conference papers on the topic "Deconstruction of History"

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Malecka, Anna. "THE IDEA OF DECONSTRUCTION AND CONTEMPORARY HISTORY MUSEUMS." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocialf2018/6.3/s15.038.

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Lvov, A. A. "Three Ways of Deconstruction of Subject of History." In X ИНФОРМАЦИОННАЯ ШКОЛА МОЛОДОГО УЧЕНОГО Екатеринбург, 19-22сентября 2022 г. ООО "Издательство УМЦ УПИ", 2022. http://dx.doi.org/10.32460/ishmu-2022-10-0031.

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Burima, Maija. "TRAVELOGUES IN LATVIAN LITERATURE (LATE 20TH - EARLY 21ST CENTURY): DECONSTRUCTION AND RECONSTRUCTION OF MENTAL BORDERS." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s8.037.

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Däbritz, M. "Demolition of Fatigued Bridges with Movable Scaffolding Systems." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0414.

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<p>The central European highway-infrastructure of the 1960s and 1970s is characterized by increasing overstraining. Often, repair tasks only allow further usage for a limited amount of time. Deconstruction and replacement, particularly in ecologically sensitive areas and ones with a high amount of intersections, call for a plannable demolition method, which ensures that the interruption of traffic on the affected route section is minimalized.</p>
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Parameswaran, N. A. (Vijay), Igor Chornyy, Rob Owen, and François de Saint Victor. "Unique and Massive Chernobyl Cranes for Deconstruction Activities in the New Safe Confinement." In ASME 2013 15th International Conference on Environmental Remediation and Radioactive Waste Management. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/icem2013-96346.

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On 26 April 1986, the worst nuclear power plant accident in history occurred at the Chernobyl plant in Ukraine (then part of the Soviet Union). The destruction of Unit 4 sent highly radioactive fallout over Belarus, Russia, Ukraine, and Europe. The object shelter — a containment sarcophagus — was built in November 1986 to limit exposure to radiation. However, it has only a planned 25-year lifespan and would probably not survive even a moderate seismic event in a region that has more than its share of such events. It was time to take action. One of the largest tasks that are in progress is the
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Sturlaugson, Brent. "Materials Commons." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.59.

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In this paper, I argue that the deconstruction of vacant buildings in historically disinvested neighborhoods can be leveraged to reimagine property and labor relations—and their attendant spatial configurations—toward a more socially just and ecologically viable future. The paper consists of three parts, offering Baltimore as a case study. First, I contextualize vacancy in Baltimore by summarizing the policies and practices that created zones of racialized disinvestment where residents lack access to adequate resources, which renders the private accumulation of capital ineffective in the creat
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Szynakiewicz, Tom. "Reconstruction of the Initial 400 Ft of the Spiro Tunnel." In Deep Foundations Institute 49th Annual Conference. Deep Foundations Institute, 2024. https://doi.org/10.37308/dfi49.2024730320.

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The City of Park City recently undertook a renovation of the initial 400 ft of the historic Spiro Tunnel. The Spiro Tunnel is a historic mining tunnel along active ski lifts and ski slopes and speaks to the local mining history of the region. The tunnel is at least 14,000 ft deep and once it was decommissioned for mining purposes, served as a novelty chair lift in the ’60s, bringing guests up the mountain on what came to be known as the Skier Subway, a 45-minute ride through the tunnel ending at what is today’s Thaynes Vertical Shaft. The tunnel produces between 4,000 and 10,000 gallons of wat
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Stilinović, Mladen, Bieke Cattoor, and Bruno De Meulder. "Mapping the realms of the soldiers: cartographies of military landscapes in Skopje and Bitola." In International Conference Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.8002.

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This paper presents the process and the results of a cartographic exploration on the interactions
 between the military and the civil society. It features two interrelated study-cases : the cities of
 Skopje and Bitola, both characterised by consequent periods of war and strong army presence.
 Frequent and often abrupt changes of occupying military power combined with the local effects
 of ever-evolving military strategy, altogether having a dramatic impact upon their urban
 landscapes and the overall territorial settings.
 The proposed method of exploration inclu
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Dremel, Anita. "BOURDIEU ON POWER, CULTURE AND SOCIOLOGY OF TASTE: THE CASE OF MARIJA JURIĆ ZAGORKA." In European realities - Power : 5th International Scientific Conference. Academy of Arts and Culture in Osijek, J. J. Strossmayer University of Osijek, 2023. http://dx.doi.org/10.59014/lbxg3157.

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Refraining from reasoning in support of the universal taste and the experience of the beautiful, cultural sociology treats taste as socially contingent and constructed. The objective of this paper is to outline a social critique of different judgements of taste when it comes to different types of literary production based on the theoretical framework established by Pierre Bourdieu and on the example of the reception of popular literature, mainly historical romances written by Marija Jurić Zagorka. The methodological approach thereby applied includes the deconstruction of common distinctions ba
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Santamaria, Giovanni. "Merging Thresholds and New Landscapes of Knowledge." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.11.

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It has become extremely important to revisit our teaching methodology along with pedagogical contents and objectives, in consideration of the impressive and sometimes overwhelming progress that the technology available to document, analyze and represent the complexity of our built and natural environments has reached, and also the role that it has been proactively playing in affecting our way of thinking, designing and building. A renewed “theory of formativity” (Pareyson)1 styles a knowledge that is generated by a constantly transforming process of “making,” in which methodologies, theoriesan
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