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Journal articles on the topic 'Deconstruction of History'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Generoso, Lídia Maria De Abreu. "A História e o fantasma da desconstrução [resenha]." CLIO: Revista de Pesquisa Histórica 38, no. 1 (2020): 548. http://dx.doi.org/10.22264/clio.issn2525-5649.2020.38.1.21.

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KLEINBERG, Ethan. Haunting History: for a deconstructive approach to the past. Stanford: Stanford University Press, 2017. 189p.A História e o fantasma da desconstrução PALAVRAS CHAVE: Teoria da História, Fantologia, Desconstrução, História da Historiografia.La Historia y el fantasma de la deconstrucción PALABRAS-CLAVE: Teoría de la Historia, Fantología, Deconstrucción, Historia de la Historiografía.History and the ghost of deconstruction KEYWORDS: Theory of History, Hauntology, Deconstruction, History of Historiography.

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McLachlan, Fiona. "Swimming History after Deconstruction: A Queer Engagement." Journal of Sport History 39, no. 3 (2012): 431–44. http://dx.doi.org/10.5406/jsporthistory.39.3.431.

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Abstract In this paper I make a case for history that is both deconstructive and creative. I begin from my position of “deconstructionism” and move towards queer engagement, which I argue, is a productive term that enables me to embrace deconstruction and subjective approaches to history making, without falling into the trap of writing a coherent “self ” into the text. I create an example of a fragmented swimming history to illustrate what queer engagement might look like in practice.

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Fatonah, Khusnul, and Gohar Rahman. "Deconstruction of The Korawa Character in The Novel Perang By Putu Wijaya." Lingua : Journal of Linguistics and Language 2, no. 1 (2024): 15–31. https://doi.org/10.61978/lingua.v2i1.470.

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This research aims to analyze the deconstruction of the Korawa characters in the novel Perang by Putu Wijaya. In the epic Mahabharata, the Korawa are conventionally positioned as antagonistic figures representing evil, while the Pandawa are depicted as symbols of virtue. However, through a deconstructive approach, the novel Perang dismantles this binary opposition and presents a new perspective on the Korawa. This type of research is qualitative, utilizing content analysis and supported by Derrida's deconstruction theory. Data is drawn from quotes in the novel that reveal shifts in meaning, th

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Golumbia, David. "The Deconstruction of Philology." boundary 2 48, no. 1 (2021): 17–34. http://dx.doi.org/10.1215/01903659-8821401.

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The history of philology provides an exceptionally rich vein for locating what Derrida came to call deconstructions: nodes or pseudo-events in the development of discourse where it appears that foundations collapse, only to be rebuilt in forms that may or may not have changed. The history of philology engages language, the sciences (especially evolutionary biology), and race, all of which are evidenced in the work of the German philologist Wilhelm von Humboldt. The relationships among these discourses have been repeatedly subject to deconstruction, sometimes so as to enhance appreciation of hu

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Ilyin, V. "Deconstruction: Methodological Reflection and a Way of Rethinking Social History and Culture." Problems of World History, no. 7 (March 14, 2019): 9–19. http://dx.doi.org/10.46869/2707-6776-2019-7-1.

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The article studies deconstruction, one of the main methods of the philosophy of postmodernism. The role and place of deconstruction in the analysis of the philosophy of history and artistic works is shown. It emphasizes the positive significance of deconstruction for the development of the methodology of modern social cognition and history. It is emphasized that deconstruction is not intended to destroy axiom systems, specific for each historical period and fixed in the texts of a particular epoch, but primarily to reveal the internal contradictions of any theoretical systems. The purpose of

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6

JONES-KATZ, GREGORY. "“THE BRIDES OF DECONSTRUCTION AND CRITICISM” AND THE TRANSFORMATION OF FEMINISM IN THE NORTH AMERICAN ACADEMY." Modern Intellectual History 17, no. 2 (2018): 413–42. http://dx.doi.org/10.1017/s1479244318000318.

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“The Brides of Deconstruction and Criticism,” an informal group of feminist literary critics active at Yale University during the 1970s, were inspired by second-wave feminist curriculum, activities, and thought, as well as by the politics of the women's and gay liberation movements, in their effort to intervene into patterns of female effacement and marginalization. By the early 1980s, while helping direct deconstructive reading away from the self-subversiveness of French and English prose and poetry, the Brides made groundbreaking contributions to—and in several cases founded—fields of schola

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7

Epstein, Robert W. (Robert William). "Literal Opposition: Deconstruction, History, and Lancaster." Texas Studies in Literature and Language 44, no. 1 (2002): 16–33. http://dx.doi.org/10.1353/tsl.2002.0002.

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8

Ilyina, Anna. "Tradition and Freedom in the Deconstructive “Philosophy of Philosophy”." Sententiae 41, no. 3 (2022): 6–25. http://dx.doi.org/10.31649/sent41.03.006.

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The article examines the peculiarities of the relationship between phenomena of freedom and tradition in the discourse of deconstruction. In this case, the tradition stands primarily as philosophical tradition, a critical questioning about which underlies Derridian thought. The latter in a great measure is a philosophical reflection on just the philosophical heritage ("philosophy of philosophy"). The author carries out her own analysis of the relationship between deconstruction and philosophical tradition in connection with the problem of freedom. In this respect, she uses the Derridian concep

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9

Egri, Petra. "The Derridean (Un)hostility of Fashion." Pázmány Papers – Journal of Languages and Cultures 2, no. 1 (2024): 73–83. https://doi.org/10.69706/pp.2024.2.1.5.

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"There is, to all appearances, a philosophic hostility to fashionable dress." - writes Karen Hanson in Dressing Down Dressing Up: The Philosophic Fear of Fashion. Hanson's study identifies several points - from the ever-changing nature of fashion to the ethicality of the fashion industry - from which philosophy has historically criticized and continues to criticize fashion as a social phenomenon, industry, and art form. In this sense, deconstruction indicates new critical design practice and (self-)critique of the fashion industry. The notion of "hostility’ in the vocabulary of deconstruction

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10

Chorell, Torbjörn Gustafsson. "Incomplete Secularization of History: Ethan Kleinberg and Hayden White." Journal of the Philosophy of History 14, no. 1 (2019): 27–46. http://dx.doi.org/10.1163/18722636-12341416.

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Abstract According to the displacement model of secularization, religious-theological concepts, themes, and values have been reinterpreted in non-religious contexts without fully dispensing with the religious content. Secularization is thus incomplete. The incomplete secularization argument can be used as a lens through which to read Ethan Kleinberg’s deconstructive approach to the past. In his narrative, as reconstructed here, deconstruction promises to bring us closer to a secular relationship to the past than the ontological realism Kleinberg says still dominates contemporary historical the

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11

Gullickson, Gay L. "Comment on Tilly: Women's History, Social History, and Deconstruction." Social Science History 13, no. 4 (1989): 463. http://dx.doi.org/10.2307/1171223.

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Gullickson, Gay L. "Comment on Tilly: Women’s History, Social History, and Deconstruction." Social Science History 13, no. 4 (1989): 463–69. http://dx.doi.org/10.1017/s0145553200020551.

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Louise Tilly’s thoughtful and provocative essay “Gender, Women’s History, and Social History” makes a genuine contribution to our thinking about the research that has been done in women’s history by proposing new categories for analysis and by addressing the current debate over the usefulness of deconstruction as a methodological tool for historians. She demonstrates that we have been engaged in “the study of women in time,” with some success. We have studied women’s occupations, sexuality, personal relationships, marriage choices, family roles, and education. We have examined changes in women

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13

Laga, Barry. "A Review of Gregory Jones-Katz’s Deconstruction : An American Institution." Criticism 65, no. 1 (2023): 103–7. http://dx.doi.org/10.1353/crt.2023.a932808.

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Abstract: Gregory Jones-Katz’s Deconstruction: An American Institution is an intellectual history that traces the development of deconstruction at Yale University. Jones-Katz describes the develop of Literature X, a course that transforms all cultural representations into “texts”; the institutionalization of deconstruction at Yale; the ripple effect of deconstruction among feminists; and the de Man affair. Jones-Katz concludes by ruminating on conversations about posthistory, the socioeconomics that financed the heyday of literary studies, and the fate of the iconic figures who made the Yale S

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14

Bahri, Bahri. "Pendekatan Dekonstruksi dalam Historiografi." Jurnal Pendidikan Sejarah 4, no. 2 (2016): 45. http://dx.doi.org/10.21009/jps.042.05.

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Deconstruction does not need to find a final meaning. What is needed is the dismantling continuously, as a process. Writing history will never be separated from the narrative, the same thing also in deconstructive history. Reconstructionist is writing a history built on the correspondence theory of empiricism is based on the belief that in order to approach the story of the past that comes closest to the truth can only be reached directly through primary sources were contemporaneous with the incident. Deconstructionist approach is a model study that questioned the traditional assumptions like

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15

Dunstall, Andrew. "The impossible diagram of history: ‘History’ in Derrida's Of Grammatology." Derrida Today 8, no. 2 (2015): 193–214. http://dx.doi.org/10.3366/drt.2015.0110.

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This article presents Derrida as a philosopher of history by reinterpreting his De la Grammatologie. In particular, it provides a schematic reconstruction of Part II of that book from the perspective of the problem of history. My account extends work on historicity in Derrida by privileging the themes of ‘history’ and ‘diagram’ in the Rousseau part. I thereby establish a Derridean concept of history which aims at accounting for the continuities and discontinuities of the past. This is in contrast to some criticism that Derrida leaves behind, or inadequately accounts for history. Derrida descri

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16

Newmark, Kevin. "Nietzsche, Deconstruction, and the Truth of History." Graduate Faculty Philosophy Journal 15, no. 2 (1991): 161–89. http://dx.doi.org/10.5840/gfpj199115254.

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17

Aymard, Maurice. "History and Memory: Construction, Deconstruction and Reconstruction." Diogenes 51, no. 1 (2004): 7–16. http://dx.doi.org/10.1177/0392192104041655.

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18

Abdwlrahman, Nahida Hussien. "Latif Hllamt's Text "The Operate of Wolf Changes" In The Light of Deconstruction Approach." Journal of University of Raparin 7, no. 4 (2020): 284–306. http://dx.doi.org/10.26750/vol(7).no(4).paper15.

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Deconstruction is a critical approach which was appeared after Construction approach. Deconstruction is an approach to understanding the relationship between text and meaning. Jacques Derrida is known as the father of Deconstruction. The title of the study is Latif Hllamt's text "The operate of wolf changes" in the light of Deconstruction approach. This research is a scientific attempt to analyses a specific part of Latif Hallmat's text in terms of Deconstruction. As long as the text is too long we have taken a part of the text to deal with. The research contains three sectio

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19

So, Hyunsoog. "Minority history: An innovation or a deconstruction of people’s history?" Critical Studies on Modern Korean History 48 (July 31, 2022): 67–102. http://dx.doi.org/10.36432/csmkh.48.202207.2.

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20

Bartnæs, Morten. "Freud's ‘The “Uncanny”’ and Deconstructive Criticism: Intellectual Uncertainty and Delicacy of Perception." Psychoanalysis and History 12, no. 1 (2010): 29–54. http://dx.doi.org/10.3366/e1460823509000531.

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Freud's ‘The “Uncanny”’ (1919) has been the object of a singular growth of interest, though mainly outside the realm of psychoanalysis. The article owes its present prominence in the humanities to its reception and appropriation by readers associated with deconstruction, starting with Jacques Derrida, and continuing with the influential interpretations of Hélène Cixous (1972), Samuel Weber (1973) and Neil Hertz (1985). The present article discusses some characteristics of the deconstructive reception of ‘The “Uncanny”’, and points out the limitations it puts on the understanding of Freud's tex

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21

Littau, K. "Deconstruction." Year's Work in Critical and Cultural Theory 3, no. 1 (1993): 70–86. http://dx.doi.org/10.1093/ywcct/3.1.70.

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LITTAU, K. "Deconstruction." Year's Work in Critical and Cultural Theory 4, no. 1 (1994): 67–93. http://dx.doi.org/10.1093/ywcct/4.1.67.

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23

GRANT, I. H. "Deconstruction." Year's Work in Critical and Cultural Theory 5, no. 1 (1995): 36–63. http://dx.doi.org/10.1093/ywcct/5.1.36.

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GRANT, I. H. "Deconstruction." Year's Work in Critical and Cultural Theory 6, no. 1 (1996): 33–44. http://dx.doi.org/10.1093/ywcct/6.1.33.

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25

Zhu, Pinru, and Senjia Liu. "Jacques Derrida and Deconstruction Architecture New Investigation of Contemporary Era." Lecture Notes in Education Psychology and Public Media 8, no. 1 (2023): 270–74. http://dx.doi.org/10.54254/2753-7048/8/20230144.

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The metaphysics of architecture pursues consistency, integrity, essentiality and paradigm. These inclinations are challenged by Jacques Derrida's deconstruction architecture. The character and valuation of deconstruction architecture have been examined by intellectual history. Consequently, we can make a hindsight comment on it now. Summarize the innovations and deficiencies of Derrida's deconstruction architecture by dialectical analysis, so as to motivate a more flexible perception of architecture and emancipate social ambience and the spiritual world.

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26

Nurhadi, Taufik. "DEKONSTRUKSI KESAKRALAN DUNIA PEWAYANGAN : Sebagai Peninggalan Adiluhung melalui Manyura." Jurnal Budaya Nusantara 1, no. 1 (2014): 1–10. http://dx.doi.org/10.36456/b.nusantara.vol1.no1.a12.

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Abstrak The purpose of this study is to obtain the results of descriptions and explanations on puppet world deconstruction which is sacred and sublime masterpiece through the creative work of fiction, Manyura written by Yanusa Nugroho. The results of this literature review based on the approach prove that deconstruction in Manyura produce: (1) the lawsuit against submission of puppet history, (2) the degradation of intensity characterizations, and (3) demoralization figure Yudhishthira. The three forms of deconstruction express the social criticism to the be

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27

Blum, Roland Paul. "Deconstruction and Creation." Philosophy and Phenomenological Research 46, no. 2 (1985): 293. http://dx.doi.org/10.2307/2107358.

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III, Samuel C. Wheeler, and J. Claude Evans. "Strategies of Deconstruction." Philosophy and Phenomenological Research 53, no. 4 (1993): 966. http://dx.doi.org/10.2307/2108272.

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29

Jelavich, Peter. "Contemporary Literary Theory: From Deconstruction Back to History." Central European History 22, no. 3-4 (1989): 360–80. http://dx.doi.org/10.1017/s0008938900020537.

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Various attempts have been made to bring to the attention of a wider historical audience the debates that have taken place among intellectual historians over the past decade. Such summaries may soon be in need of some updating. Insofar as many of these discussions have been inspired by developments among our colleagues in departments of literature, it is worth noting that those scholars likewise have engaged in heated exchanges. Since those debates seem to have resulted in a triumph of “history,” we may be looking forward to new modes of argument among intellectual and cultural historians as w

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30

KLEINBERG, ETHAN. "HAUNTING HISTORY: DECONSTRUCTION AND THE SPIRIT OF REVISION." History and Theory 46, no. 4 (2007): 113–43. http://dx.doi.org/10.1111/j.1468-2303.2007.00431.x.

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31

Ferrari, Federico, and Jean-Luc Nancy (translated by Filippo Pietrogrande). "What is Deconstruction? An Interview with Jean-Luc Nancy." Derrida Today 13, no. 2 (2020): 236–53. http://dx.doi.org/10.3366/drt.2020.0244.

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In this interview 1 , Jean-Luc Nancy retraces the origin, the affirmation and the trivialisation of deconstruction: from its point of departure in Heidegger's project of the destruction of the history of ontology, to its attachment to Derrida's philosophical style; from its quick dissemination in the American universities and its adoption as a method of textual critique, to its gradual banalisation in common discourse as a synonym of ‘demolition’. All this is discussed through the lens of Nancy's personal experience, with particular attention to the historical background and some insights into

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Shatin, Yu V. "Rhetorical Methods of Reconstructing the Image of the Hero in Modern Journalism. The Era of Metamodernism." Vestnik NSU. Series: History and Philology 20, no. 6 (2021): 299–305. http://dx.doi.org/10.25205/1818-7919-2021-20-6-299-305.

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The article studies the methods of deconstructing the image of the hero in journalistic texts of the 21st century from the metamodernism perspective. Based on the works of the main theorists of metamodernism R. Akker and T. Vermeulen, the author of the article focuses on the reception of post-irony, which due to the oscillation (fluctuation of sense) blurs the line between irony and seriousness. Being a universal culture phenomenon, post-irony as means of deconstruction has penetrated various types of art and has dominated certain sectors of the modern media space. Based on the exam ples of tw

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33

Martín-Párraga, Javier. "Miguel de Cervantes’s Don Quixote and John Barth’s The Sot-Weed Factor: A Deconstructive Reading." Open Cultural Studies 1, no. 1 (2017): 333–41. http://dx.doi.org/10.1515/culture-2017-0030.

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Abstract Miguel de Cervantes’s Don Quixote is one of the earliest and most influential novels in the history of Western literature. John Barth’s The Sot-Weed Factor, published almost three centuries later, can be considered as one of the most seminal postmodern novels ever written in the English language. The goal of this paper is to examine Cervantes’s influence on John Barth in particular and in American postmodernism from a more general point of view. For the Spanish genius’ footsteps on American postmodernism, a deconstructive reading will be employed. Consequently, concepts such as decons

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Nessan, Craig L. "After the Deconstruction of Christendom." Mission Studies 18, no. 1 (2001): 78–95. http://dx.doi.org/10.1163/157338301x00072.

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AbstractIn this article Craig L. Nessan of Wartburg Theological Seminary in Dubuque, Iowa, USA reflects on five elements of a "new paradigm" of Christianity in our postmodern, post-Christendom world: First, the new paradigm will be based on interreligious dialogue and on consensus "from below"--i.e. from those who suffer. Second, it will include "admiration" of those who are different (religiously, in gender, in race, etc.). Third, the new paradigm of Christianity will include care for the earth as the home that humans share with a complex web of other created realities. Fourth, it will includ

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Kamuf, P. "1 * Deconstruction." Year's Work in Critical and Cultural Theory 14, no. 1 (2006): 1–18. http://dx.doi.org/10.1093/ywcct/mbl001.

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Kamuf, P. "1 * Deconstruction." Year's Work in Critical and Cultural Theory 15, no. 1 (2007): 1–20. http://dx.doi.org/10.1093/ywcct/mbm001.

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Kamuf, P. "1 * Deconstruction." Year's Work in Critical and Cultural Theory 16, no. 1 (2008): 1–21. http://dx.doi.org/10.1093/ywcct/mbn012.

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38

Reinberger, Hans-Jörg. "Experimental Systems: Historiality, Narration, and Deconstruction." Science in Context 7, no. 1 (1994): 65–81. http://dx.doi.org/10.1017/s0269889700001599.

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The ArgumentIn the first part of this paper, issues concerning an “epistemology of time” are raised. The Derridean theme of the historial movement of a trace is connected to Prigogine's notion of an operator-time. It is suggested that both conceptions can be used to characterize the dynamics of experimental systems in contemporary science. It is argued that such systems have, to speak with Hacking, “a life of their own” and that this is precisely the reason for their inherent unpredictability.In the second part, a case from the history of virology and cytomorphology is presented. The movement

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39

Nancy, Jean-Luc. "Deconstruction of monotheism a." Postcolonial Studies 6, no. 1 (2003): 37–46. http://dx.doi.org/10.1080/13688790308108.

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40

Prunotto, Pietro. "Metamorphosis of Deconstruction: Life, Death, and Technics in Jacques Derrida and Bernard Stiegler." Revista Portuguesa de Filosofia 81, no. 1-2 (2025): 557–82. https://doi.org/10.17990/rpf/2025_81_1_0557.

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This article explores the metamorphosis of Jacques Derrida’s deconstruction through its engagement with life, death, and technics, emphasizing its reinterpretation by Bernard Stiegler. Beginning with Derrida’s deconstruction of the life/death opposition and the concept of arche-writing as central to the history of life, it examines Stiegler’s extension of these ideas through his notion of epiphylogenesis—the exteriorization of memory via technics. The paper highlights continuities and divergences by comparing their approaches, showing how Stiegler deepens Derrida’s insights into technics while

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Rosenthal, Adam R. "The Seminar in Deconstruction." Poetics Today 42, no. 1 (2021): 49–66. http://dx.doi.org/10.1215/03335372-8752615.

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In this article the author explores how the problem of the seminar enters into the work of Jacques Derrida. He shows how it emerges not only within the context of the teaching institution but also as a conceptual thematic with a history far in excess of the educational institutions of France. As early as 1968 and as late as 2003, the word, concept, figure, and institution of “the seminar” was one that Derrida worked to define and problematize. The author thus asks how Derrida’s autobiographical relationship with the institution of the seminar both influenced and was influenced by what one migh

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Blake, Casey, and Norman F. Cantor. "Twentieth-Century Culture: Modernism to Deconstruction." Journal of American History 76, no. 2 (1989): 631. http://dx.doi.org/10.2307/1908070.

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Florence, Penelope. "Yielding Gender: Feminism, Deconstruction and the History of Philosophy." Women’s Philosophy Review, no. 19 (1998): 50–52. http://dx.doi.org/10.5840/wpr19981915.

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Tvedt, Terje. "'Water Systems', Environmental History and the Deconstruction of Nature." Environment and History 16, no. 2 (2010): 143–66. http://dx.doi.org/10.3197/096734010x12699419057179.

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Van Arsdale, Peter. "The Deconstruction of Refugees and the Reconstruction of History." Human Rights & Human Welfare 1, no. 1 (2001): 17–21. https://doi.org/10.56902/hrhw.2001.1.1.5.

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A review of States and Strangers: Refugees and Displacements of Statecraft, by Nevzat Soguk. Minneapolis: University of Minnesota Press (Borderlines Series, No. 11) 1999. 328 pp. I would characterize Nevzat Soguk as either a neo-liberal operating in the guise of a postmodern deconstructionist, or a post-modern deconstructionist operating in the guise of a neoliberal. This is not a trivial distinction, nor an attempt to play semantic games, but my attempt to classify a brilliant theorist (known for his work in political science) whose book has a great deal of merit—but whose writing at times se

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Manzoor, Fehmida, and Fouzia Rehman Khan. "Identity Formation and Discourse of Power: A Study of Us, Them and Othering in Nervous Conditions." International Journal of English Linguistics 8, no. 4 (2018): 262. http://dx.doi.org/10.5539/ijel.v8n4p262.

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This study was designed to trace the deconstruction of authoritative officialized history in fiction through Postmodern Historigraphic Metafiction. Historiographic Metafiction dismantles the metanarrative of official history and raises the voice of silenced subaltern thus generates mininarratives. The study is thus grounded in Postmodern Historiographic Metafictional theory of Linda Hutcheon for investigation of the “subversive strategies” of officialized history and deconstruction of positively accentuated binary of “us” and negatively accentuated binary of “them” in the backdrop of postcolon

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Scherzinger, Martin. "Music in the Thought of Deconstruction / Deconstruction in the Thought of Music (For Joseph Dubiel)." Musicological Annual 41, no. 2 (2005): 81–104. http://dx.doi.org/10.4312/mz.41.2.81-104.

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This article critically speculates on points of affinity and difference between, on the one hand, musicological writings and the musical practices they attempt to represent and, on the other, the operation of deconstruction (defined in terms of the differential structure of our grip on presence and plenitude). The article outlines two prominent instances of misreading Derridean deconstruction in the context of musical writing (Subotnik, Korsyn). This is followed by a brief description of music's peculiar resonance with Derrida's model of language; an argument that will be crafted across the te

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Caplan, Jane. "Postmodernism, Poststructuralism, and Deconstruction: Notes for Historians." Central European History 22, no. 3-4 (1989): 260–78. http://dx.doi.org/10.1017/s0008938900020483.

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The central purpose of this essay is to clarify some of the terms in literary criticism that are being employed in current historiographical debates, and to comment on some of their possible implications for German history. As interdisciplinary theoretical debates proliferate beyond their immediate sources, contested positions often come to be built on misleading, heavily derived, or partisan versions of the concepts and practices drawn from the other side. Once battle has beenjoined, the issue of more exacting definitions and distinctions may go by the board. On the other hand, my modest atte

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DAVENPORT, T. R. H. "The Mfecane Debate: A Case for Deconstruction?" South African Historical Journal 35, no. 1 (1996): 192–201. http://dx.doi.org/10.1080/02582479608671258.

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Argyros, Alex. "Out of Flatland: Deconstruction Revisited." KronoScope 5, no. 2 (2005): 259–67. http://dx.doi.org/10.1163/156852405774858681.

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AbstractThis paper seeks to reevaluate deconstruction. The strength of deconstruction lies in its description of human knowledge as a process of decoding. However, deconstruction fails to provide any basis for non-contingent value judgments because the codes it investigates are assumed to exist on the same integrative level. Using J.T. Fraser's hierarchical theory of time, it is possible to salvage the liberating energy of deconstruction while providing it with sufficient foundation to allow it to claim that something is better than something else.

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