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Relevant bibliographies by topics / Dostoevsky, Fyodor

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Academic literature on the topic 'Dostoevsky, Fyodor'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Dostoevsky, Fyodor"

1

Dementyeva, Tatyana. "Was the Dostoevsky Estate Profitable?" Неизвестный Достоевский 8, no. 1 (2021): 77–102. http://dx.doi.org/10.15393/j10.art.2021.5241.

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In August 1831, the parents of Fyodor Dostoevsky purchased an estate in the Kashirsky district of the Tula Province, consisting of the hamlet of Darovoe and the village of Darovaya. In February 1833, they bought the neighboring village of Cheremoshnya. The entire property, including the above-named villages and hamlet, also included land plots in the wastelands: Nechaeva, Trypillya, Harina, Shelepova and Chertkova. Having become the owners of 58 peasant souls and more than 500 dessiatines of land, the Dostoevskys were considered average local landowners. However, Darovoe, well-known as the chi

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Myakinchenko, Mariya A. "Varvara Karepina, née Dostoevskaya – sister and heroine of Fyodor Dostoevsky." Vestnik of Kostroma State University 26, no. 4 (2021): 113–19. http://dx.doi.org/10.34216/1998-0817-2020-26-4-113-119.

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The article discusses various aspects of the relationship between Fyodor Dostoevsky with his sister Varvara Karepina, née Dostoevskaya, and their reflection in the writer's work. Varvara Karepina served as the prototype for the writer's various characters. The author of the article dwells in detail on the image of Varvara Karepina, collected from her memoirs; the author states that the history of Varvara Karepina’s marriage and the image of her husband were also vividly reflected in the work of Fyodor Dostoevsky. The article provides some valuable comparisons of Varvara Karepina with Varvara D

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Murzina, Svetlana V., and Elena G. Novikova. "The Image of Garibaldi in Fyodor Dostoevsky’s Works." Vestnik Tomskogo gosudarstvennogo universiteta, no. 460 (2020): 37–45. http://dx.doi.org/10.17223/15617793/460/4.

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The study is the first to collect, describe and analyze the main body of Fyodor Dostoevsky’s comments related to Giuseppe Garibaldi. The image of the Italian political figure is reconstructed in the creative works of the Russian writer. The image is analyzed from historical and political perspectives of the nineteenth-century Russia (1860–1870) and the Italian Risorgimento. The relevance of the study is due to the modern perception of Dostoevsky as an original political thinker and the wide context of Russian-Italian relations. Giuseppe Garibaldi is one of the most distinguished political figu

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4

Ulbrecht, Siegfried. "Ernst Jünger and his Reception of Fyodor Dostoevsky." Dostoevsky Journal 22, no. 1 (2021): 45–71. http://dx.doi.org/10.1163/23752122-02201007.

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Abstract This contribution aims to present those aspects of the literary and intellectual legacy of F. M. Dostoevsky (1821–1881) that motivated Ernst Jünger (1895–1998) in formulating his own literary and essayistic work. Dostoevsky’s impact on Jünger has so far been researched only fragmentarily and sporadically. This builds on previous research and complements it with new findings. Ernst Jünger inquired into Dostoevsky’s works throughout his life. He perceived Dostoevsky as a foreteller of crises and disasters. Many of Jünger’s motifs, literary images, characters, and symbols were either inf

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5

Zakharova, Olga. "Fyodor Dostoevsky’s Pseudonyms. Insertion by F. M. Dostoevsky in the Feuilleton by N. N. Strakhov." Неизвестный Достоевский 8, no. 1 (2021): 21–41. http://dx.doi.org/10.15393/j10.art.2021.5221.

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Identification of pseudonyms is one of the key tasks of attribution of many articles in the Vremya and Epokha magazines, and the Grazhdanin weekly. I. F. Masanov's article on Dostoevsky in the authoritative Dictionary of Pseudonyms contains errors and repetitions. Fyodor Dostoevsky signed his literary works with his personal name: Fyodor Dostoevsky, F. M. Dostoevsky, or, more often, F. Dostoevsky. On the contrary, the writer preferred to work as a journalist anonymously, more rarely — under pseudonyms. The range of Fyodor Dostoevsky's pseudonyms should be clarified. It is necessary to exclude

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6

Podosokorsky, Nikolay N. "Fyodor Dostoevsky’s Masonic Environment." Dostoevsky and world culture. Philological journal, no. 3 (2021): 215–37. http://dx.doi.org/10.22455/2541-7894-2021-3-215-237.

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For the first time are here presented to Dostoevsky scholars new facts concerning the masonic environment of the writer, who starting from his education in Chermak’s boarding school in 1834-1837 cultivated close relations of friendship with masons, some of them initiated even in 1840s (Apollon Grigorev), when masonry in Russia was officially forbidden, but nevertheless underground meetings continued. Reasons are given in support to the hypothesis, expressed for the first time by Tatiana Kasatkina in the middle of 1990s, of the possibility for Dostoevsky to have been a mason during the 1840s. W

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Dostoevsky, Alexey D., and Natalia V. Shwarts. "“My Husband's Lifelong Dream Was for Our Children to Get an Education...”: Gymnasium Students Lyuba and Fedya Dostoevsky." Неизвестный Достоевский 7, no. 2 (2020): 196–218. http://dx.doi.org/10.15393/j10.art.2020.4701.

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Dostoevsky's main concern was to educate his children, Lyuba and Fedya. After the writer's death, this desire was realized by his widow Anna Grigoryevna. Little was known about the education of Dostoevsky’s children, primarily from memoirs (penned by Anna and Lyubov Dostoevsky, Anna Ostroumova). The article presents previously unknown documents from the Central State Historical Archive of Saint Petersburg (name books, personal statements, etc.), containing information about the education of F. M. Dostoevsky's children: Lyuba — at the Foundry Gymnasium, Fedya — at the F. F. Bychkov Gymnasium (p

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Korotchenko, Tatiana V. "Political Issues in Fyodor Dostoevsky’s Writings: American Reception." Vestnik Tomskogo gosudarstvennogo universiteta, no. 464 (2021): 32–41. http://dx.doi.org/10.17223/15617793/464/4.

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The article explores the American reception of Fyodor Dostoevsky’s political ideology. The relevance of the study is due to the interdisciplinary character of modern literary criticism and perception of Dostoevsky not only as a talented writer, but also as an original philosopher and political thinker. It is for the first time when the reception of Dostoevsky’s political ideology is revealed on the basis of works by American philologists and political analysts; namely, the study unveils the image of Dostoevsky as a political thinker formed within American scientific discourse. In addition, the

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Ponkratova, Ekaterina M., and Daria A. Tarakanova. "China in the Perception of Fyodor Dostoevsky." Vestnik Tomskogo gosudarstvennogo universiteta, no. 462 (2021): 49–55. http://dx.doi.org/10.17223/15617793/462/6.

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The aim of the study is to form a holistic image of China as presented in the artistic and journalistic works of Fyodor Dostoevsky. The article examines the issue of China’s place in Dostoevsky’s works and its special significance for the formation of a holistic picture of the writer’s world. A broad historical and cultural background is presented, showing the relevance of Dostoevsky’s views on Chinese issues. Despite the existence of works devoted to the Chinese issue in the writer’s work, the issue of the place and significance of China in the writer’s heritage has not yet been resolved. For

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10

Myakinchenko, Maria A. "“Even here your uncle has been of use to you!” On the history of creative relationships of Fyodor Dostoevsky and Ivan Goncharov." Vestnik of Kostroma State University 27, no. 2 (2021): 96–103. http://dx.doi.org/10.34216/1998-0817-2021-27-2-96-103.

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The article is devoted to the study of literary and biographical connections between the collision of Ivan Goncharov's first novel “A Common Story” and the conflict between Fyodor Dostoevsky and his guardian Pyotr Karepin. Analysing biographical materials, the author hypothesises that Fyodor Dostoevsky, meeting with Ivan Goncharov, while the latter was working on “A Common Story”, could partly influence the creation of the main collision and central images of the novel. Noting the plot and figurative convergence, the author of the article also shows the ideological difference between Ivan Gonc

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Dissertations / Theses on the topic "Dostoevsky, Fyodor"

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Taylor, Eric J. "Dostoevsky and his kingdom vision." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Woodson, Lisa Elaine. "Dostoevsky as theologian in The idiot." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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Prown, Katherine Hemple. "Flannery O'Connor, Fyodor Dostoevsky and the Antimodernist Tradition." W&M ScholarWorks, 1988. https://scholarworks.wm.edu/etd/1539625432.

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Horst, Stephen Scott. "Dostoevsky as apologist." Thesis, University of Wales Trinity Saint David, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683031.

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Banta, Bonnie L. "Melville and Dostoevsky a comparision [sic] of their writings /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2000. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 2000.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2822. Typescript. Abstract precedes thesis as preliminary leaves I-V. Includes bibliographical references (leaves 104-106).

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McCoubrey, Sam. "Suffering and Redemption in the Works of Fyodor Dostoevsky." Thesis, Boston College, 2004. http://hdl.handle.net/2345/449.

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Thesis advisor: Peter Kreeft<br>In The Brothers Karamazov, Ivan Karamazov was convinced it is not right that there is so much suffering in the world, and was convinced nothing could make it right. As a result he was left with no choice but to reject the ticket for this world, or to be indignant toward the world, which means he was indignant toward life in it. If we listen closely to what Fyodor Dostoevksy had to say in five of his works, The Brothers Karamazov, Crime and Punishment, The Idiot, The Insulted and Injured, and Notes from the Underground, we will find a way in which we can accept t

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Burgess, David Fred. "Narrative fits : Freud's essay on Dostoevsky /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/6659.

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Woodford, Maria Vladimirovna. "Dreams in Dostoevsky's early works." Thesis, University of Birmingham, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369338.

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Kaplan, Richard Edward. "Dostoevsky, Melville and the conventions of the novel fictional alliances /." Diss., Restricted to subscribing institutions, 1993. http://proquest.umi.com/pqdweb?did=746557821&sid=5&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Yee, Sin-cheung. "Sleepwalkers in the cities of Dostoevsky and T.S. Eliot." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31579541.

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Books on the topic "Dostoevsky, Fyodor"

1

Conradi, Peter J. Fyodor Dostoevsky. St. Martin's Press, 1988.

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Leithart, Peter J. Fyodor Dostoevsky. Thomas Nelson, 2011.

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3

Peter, Conradi. Fyodor Dostoevsky. St. Martin's Press, 1988.

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Conradi, Peter. Fyodor Dostoevsky. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0.

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5

John, Jones. Dostoevsky. Oxford University Press, 1985.

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6

John, Jones. Dostoevsky. Oxford University Press, 1985.

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Dostoyevsky, Fyodor Mikhaylovich. Great short works of Fyodor Dostoevsky. Perennial Classics, 2004.

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8

Baldwin, Stanley P. Fyodor Dostoevsky: His life and works. SparkNotes, 2003.

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Dostoyevsky, Fyodor Mikhaylovich. Great short works of Fyodor Dostoevsky. Perennial Library, 1987.

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10

Dostoevsky the thinker. Cornell University Press, 2002.

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Book chapters on the topic "Dostoevsky, Fyodor"

1

Conradi, Peter. "Introduction." In Fyodor Dostoevsky. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0_1.

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Conradi, Peter. "The Double (1846) and Notes from Underground (1864)." In Fyodor Dostoevsky. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0_2.

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Conradi, Peter. "Crime and Punishment (1866)." In Fyodor Dostoevsky. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0_3.

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Conradi, Peter. "The Idiot (1868)." In Fyodor Dostoevsky. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0_4.

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Conradi, Peter. "The Devils (1871)." In Fyodor Dostoevsky. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0_5.

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Conradi, Peter. "The Brothers Karamazov (1880)." In Fyodor Dostoevsky. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0_6.

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Conradi, Peter. "Conclusion." In Fyodor Dostoevsky. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0_7.

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8

Juchler, Ingo. "Fyodor Dostoevsky: The Grand Inquisitor." In Political Narrations. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70755-6_5.

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9

Allain, Louis. "Fyodor Dostoevsky as Bearer of a Nationalistic Outlook." In Utrecht Publications in General and Comparative Literature. John Benjamins Publishing Company, 1991. http://dx.doi.org/10.1075/upal.27.12all.

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"Fyodor Mikhailovich Dostoevsky." In Novels and the Sociology of the Contemporary. Routledge, 2016. http://dx.doi.org/10.4324/9781315622439-13.

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