Journal articles: 'Douglas Crimp'

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Fermon, Daniel. "ON THE MUSEUM'S RUINS. Douglas Crimp." Art Documentation: Journal of the Art Libraries Society of North America 13, no. 2 (1994): 107–8. http://dx.doi.org/10.1086/adx.13.2.27948647.

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Rafferty, Rebecca. "Review: Before Pictures, edited by Douglas Crimp." Afterimage 44, no. 6 (2017): 30. http://dx.doi.org/10.1525/aft.2017.44.6.30.

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Willis, Alfred. "AIDS DEMO GRAPHICS. Douglas Crimp , Adam Rolston." Art Documentation: Journal of the Art Libraries Society of North America 10, no. 1 (1991): 49. http://dx.doi.org/10.1086/adx.10.1.27948320.

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Lajer-Burcharth, Ewa. "Warhol's Subject? A Response to Douglas Crimp." October 132 (May 2010): 25–29. http://dx.doi.org/10.1162/octo.2010.132.1.25.

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Takemoto, Tina. "The Melancholia of AIDS: Interview with Douglas Crimp." Art Journal 62, no. 4 (2003): 80. http://dx.doi.org/10.2307/3558492.

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Takemoto, Tina. "The Melancholia of AIDS: Interview with Douglas Crimp." Art Journal 62, no. 4 (2003): 80–91. http://dx.doi.org/10.1080/00043249.2003.10792186.

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Heimendinger, Nicolas. "Douglas Crimp, Pictures. S’approprier la photographie, New York, 1979-2014." Marges, no. 24 (April 20, 2017): 140–41. http://dx.doi.org/10.4000/marges.1280.

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Grosjean, Damiens. "Douglas Crimp, Pictures. S’approprier la photographie, New York, 1979‑2014." Transbordeur 2 (2018): 224–25. http://dx.doi.org/10.4000/12h00.

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De Diego, Estrella. "Douglas Crimp. On the Museum's Ruins.:On the Museum's Ruins." Museum Anthropology 19, no. 1 (1995): 63–65. http://dx.doi.org/10.1525/mua.1995.19.1.63.

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Symko, Riva. "Riffing the Canon: The Pictures Generation and Racial Bias." Journal of Curatorial Studies 8, no. 2 (2019): 206–30. http://dx.doi.org/10.1386/jcs_00004_1.

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Abstract This article considers exhibitions as archival documents, and conceives of the restaging of exhibitions as an act of appropriating the archive. It examines The Pictures Generation 1974‐1984 (2009), curated by Douglas Eklund as a restaged 'riff' on Pictures (1977), curated by Douglas Crimp. Pictures was a focused meditation on the historical significance of a particular aesthetic strategy. The Pictures Generation historicized Pictures as the foundational moment of appropriation. Eklund's form of restaging, however, reinforced the racially segregated realities that have marginalized the history of appropriative practices by artists of colour. Drawing on a post+colonial framework, I consider how exhibition restagings may be leveraged as a curatorial strategy of historical rupture.

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Muñoz, José Esteban. "Fantasmas do Sexo em Público: Desejos utópicos, memórias queer." Revista Periódicus 1, no. 8 (2018): 04. http://dx.doi.org/10.9771/peri.v1i8.24603.

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Em 1989, durante a segunda conferência nacional de Estudos Gays e Lésbicos ocorrida na Universidade Yale, eu assisti Douglas Crimp dar uma comovente e provocante palestra intitulada “Luto e Militância”.<a class="sdfootnoteanc" name="sdfootnote1anc" href="#sdfootnote1sym"></a>Nela, Crimp detalhava o trabalho do luto na cultura queer enquanto desvelava um inventário da vasta e perdida mundivivência gay masculina [gay male lifeworld], aparentemente devastada pela pandemia do HIV/AIDS. Eu quero chamar atenção aqui para um momento específico na fala de Crimp, no qual uma ideia de Freud é posta em conversação com espaços e práticas queer a partir de uma mundivivência gay masculina historicamente específica:.

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Burton, Johanna. "Pictures of You." October 171 (March 2020): 155–58. http://dx.doi.org/10.1162/octo_a_00386.

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In the wake of Douglas Crimp's passing in July 2019, Johanna Burton reflects on her still-evolving intellectual and personal relationship with this figure so crucial to histories of art, activism, and critical writing. Briefly tracing the various areas of thinking with which Crimp was associated over his decades-long career, Burton argues that the sum of Crimp's trajectory of thought is much greater than any of its formidable parts. Crimp has perhaps been most often associated with the onset of a particular tenet of postmodernism, namely the formation of the “Pictures Generation,” (including artists like Troy Brauntuch, Jack Goldstein, Louise Lawler, Sherrie Levine, Robert Longo, and Cindy Sherman). Yet Crimp, dissatisfied with the limits of this discourse, moved in the early 80s purposefully away from it toward other evolving dialogues: first around the AIDS crisis, and later into film, dance, memoir, and beyond. Ultimately, Crimp's legacy, Burton argues, is defined by his desire to unseat rather than produce or maintain established thinking. He models theoretical paradigms that anticipate their own eventual irrelevance in order to make space for others.

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Franco, Frederico. "Imagens entre a vida e a morte." Revista do Colóquio 14, no. 23 (2024): 80–97. http://dx.doi.org/10.47456/col.v14i23.44439.

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O presente trabalho propõe analisar como o curta-metragem “Ressurreição” (1987), de Arthur Omar, relaciona-se com a morte, através do dispositivo fotográfico. Na modernidade, o advento da fotografia sugere novas conexões entre a produção de imagens e a morte. É nesse espectro teórico, que vai de Walter Benjamin a Roland Barthes, encontrando Georges Didi-Huberman, Susan Sontag e Douglas Crimp pelo caminho, que se debruçará o presente trabalho para compreender como Arthur Omar e suas fotografias mortuárias estabelecem com a morte em si? Qual o papel do dispositivo fotográfico em si na relação aqui proposta?

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Adey, Peter. "Shoe: Towards a promiscuous politics of emergency evacuation mobility." Environment and Planning D: Society and Space 38, no. 2 (2020): 364–82. http://dx.doi.org/10.1177/0263775820904966.

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The paper works against the articulation of emergency politics within an Agambenian framework of a ‘state of exception’ which has heretofore dominated writing about emergencies. Instead it develops a more hopeful albeit agonistic politics of emergency evacuation mobilities. By way of Elaine Scarry, Bonnie Honig, Ben Anderson and the writings of gay rights and AIDS activist Douglas Crimp, the paper explores the promise of a ‘politics of promiscuity’, alighting on the role of shoes in emergency evacuation mobilities in two cases. Through detailed analysis of the evacuation of the World Trade Centre during 9/11, and the debacle of the evacuation of Australian PM Julia Gillard during ‘Australia Day’ protests in 2012, the paper teases out the concept of promiscuity through feminist and queer reworkings of emergency politics.

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Rojas Ogáyar, Santos. "De cuerpos subjetivados e imágenes artistizadas: la lógica biopolítica de la historia del arte." Boletín de Arte, no. 41 (November 3, 2020): 219–26. http://dx.doi.org/10.24310/bolarte.2020.v41i.8007.

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En su escrito Sobre las ruinas del museo, Douglas Crimp planteó la necesidad de abrir un capítulo olvidado por parte de la crítica hacia las entrañas de la modernidad. Foucault había diseccionado buena parte de los saberes e instituciones del nuevo teatro epistemológico, pero una disciplina evitó su operación quirúrgica: la historia del arte. Concebida como una histórica secuencia de paradigmas interrelacionados o como un saber científico y puramente taxonómico, la historia del arte funciona como el artefacto discursivo que produce y legitima una nueva verdad para las imágenes. Por ello, el texto aboga por la necesidad de repensar la disciplina como hermana contemporánea de dispositivos disciplinarios como la criminalidad, la enfermedad o la sexualidad, con el fin de integrarla en el nuevo régimen somatopolítico de las imágenes y en el epicentro de las nuevas técnicas de poder.

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Navas Fernández, Alexis. "Entre la originalidad, la copia y la repetición: relecturas de la Historia del Arte en la producción artística de Joel Peter Witkin." HArtes 4, no. 7 (2023): 5–23. https://doi.org/10.61820/ha.2954470x.v4n7.1109.

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In this study we will see how the concept of originality has been questioned by different theorists and artists since the second half of the 20th century. We will first look at its development within contemporary French thought (Jaques Derrida, Roland Barthes and Michael Foucault) and then focus on its development within American art criticism (Douglas Crimp and Rossalind Krauss). We will then move on to analyze different appropriationist practices developed in the field of contemporary photography, examining the work of Sherrie Levine, Richard Prince, Vincent Leo Robert and Cindy Sherman, and finally, within this context, we will examine the artistic practice of the photographer Joel-Peter Witkin, focusing mainly on three of his best-known works: Las Meninas (self portrait after Velázquez) (1987), Gods of heaven and earth (1988) y Woman once a bird (1990).

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Smeds, Kerstin. "Försvinnandets kultur och mumifieringen av världen." Kulturella Perspektiv – Svensk etnologisk tidskrift 16, no. 1 (2007): 2–19. http://dx.doi.org/10.54807/kp.v16.28804.

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The focus in this article is on our battling against Time, perishness and death with the aid of preservation, conservation and musealizing our material and immaterial world. A battle which, in the end, is doomed to fail, since "All that is Solid Melts into Air", sooner or later. Criticism against the ever increasing "Archive Fever" (Derrida) and obsession with History and the Past can be traced back to Quatremère de Quincy in the 1820s, and will continue through thinkers and sociologists such as Friedrich Nietzsche, Theodor W. Adorno, Jaques Derrida, Pierre Nora, Alexander Kluge, Douglas Crimp and many others. Is Europe in a state of decline, musealizing itself? So what are the options for creativity in building a future? And what should the museums do, when leaving behind the epoch — the industrial society — which gave them birth? Museums should make some adjustments to their attitude to the concept of "eternal preservation".

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Pręgowski, Filip. "An artist who used to disappear: About concealing artistic subjectivity in the art of Jack Goldstein." Quart, no. 4(58) (December 1, 2020): 56–75. https://doi.org/10.19195/quart.2020.4.78069.

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The article presents the work of an American artist, a graduate of the California Institute of the Arts who made his debut in the early 1970s and a representative of the Pictures Generation group, Jack Goldstein (1945–2003). Goldstein’s works, realised by various media, such as performance, film and painting, are characterised by the gesture of disappearance, withdrawal from or concealment of artistic subjectivity, present in various ways. The text reflects on the significance of this gesture in the context of selected trends in American art of the 1970s and 1980s, and in relation to the discourse defining the artistic practices of that time, reviewing such notions as representation, authorship, identity or originality, and whose key figures included Jean Baudrillard, Roland Barthes and Michel Foucault. Goldstein’s work was also presented against the background of artistic criticism sympathising with the trends initiated by the circle of The Pictures Generation, in which the most influential voices were those of Douglas Crimp, Thomas Lawson, Craig Owens and Hal Foster. The text also presents the technical aspects of Goldstein’s films and paintings in the context of a phenomenon that is particularly important for understanding the essence of mass culture, namely the spectacle.

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Rejniak-Majewska, Agnieszka. "Tekstualizm i alegoria przeciw modernistycznym koncepcjom bezpośredniej komunikacji." Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica, no. 18 (January 1, 2006): 19–38. http://dx.doi.org/10.18778/0208-6107.18.02.

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The article discusses the theoretical background of some postmodern art practices of appropriation. In the writings of art critics' like Douglas Crimp, Craig Owens, or Rosalind Krauss, as well as in some artists' statements (Peter Halley, Sherrie Levine), there was a strong repudiation of the so-called "modern" concepts of originality, immediacy of meaning or authorship. As a result of the influence of poststructuralist theories, such concepts of modern art as the idea of original expressivity of medium and form, together with the search to go beyond conventional codes, were replaced by ideas of intertextuality, iterability, there is no way to go beyond conventional codes of communication resulted in turning towards another strategy, i.c. a play with the code. In the works of some theoretically informed postmodern artists' this criticism towards the "utopian" ideas of modern art assumed the form of pastiche and appropriation of celebrated works of modern art, so that the fact of cultural mediation in our reading of artworks was comming well apparent. The modern concept of "pure visuality" was replaced by textual attitudes and the concept of allegory which was drawn from Walter Benjamin. However, thinking about visual works in terms of textuality only may be a too narrow view. Textual categories seem to suit well those works which came under the strong influence of conventionalist theories, but it may be claimed that images put a demand for a more complex and specific theoretical attitude, like for example one proposed by Barthes in his text "The Third Meaning".

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Bobrikov, Alexey A. "Art Magazines of the Era of the Formation of Postmodernism (The Second Half of the 1970s): The Problem of Influence on the Processes in Art. “October”." Vestnik of Saint Petersburg University. Arts 12, no. 1 (2022): 90–122. http://dx.doi.org/10.21638/spbu15.2022.105.

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This article examines the influence of art magazines on processes in art of the twentieth century — and the possibility of constructing a typology of periodicals based on this principle. General characteristics of the “magazine of influence” are based on the material of the second half of the twentieth century. The model of this type of periodical is considered on the example of Artforum, the most authoritative magazine of the second half of the 1960s and the first half of the 1970s, whose experience (positive and negative) was used to form the editorial policy of October. From the history of October, the main periodical on contemporary art of the last four decades, the early stage (when its influence was maximum) was selected. The formation of the journal is examined from different points of view. The first point is the art and art history methodologies of the 1960s and the legacy of Artforum associated with the name Rosalind Krauss. The second point, presented by Annette Michelson, refers to the semiotics of French theory and the problem of the “political.” The third subject is built around Douglas Crimp and his curatorial project, the “Pictures” exhibition: this is the newest art (postmodernism of the second half of the 1970s, its specificity, its connection with the “photographic” and postmedial nature of this “photographic”) and the methodology of its analysis. The combination of new art with a journal of a new type (creating an apparatus for its methodological description) creates a situation that allows us to speak about the beginning of a new era, the era of postmodernism, a specific version of conceptual art, where the border between art itself and its critical and theoretical interpretation almost disappears.

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Bois, Yve-Alain. "Serra and Us." October, no. 189 (2024): 194–98. http://dx.doi.org/10.1162/octo_a_00530.

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Abstract Yve-Alain Bois discusses and describes the many essays that October editors and contributors have written about Richard Serra, particularly Rosalind Krauss, Benjamin H. D. Buchloh, Yve-Alain himself, Leah Dickerman (most recently), and Hal Foster (most abundantly). The article begins: “I don't think it is an exaggeration to say that no artist can be more immediately identified with October than Richard Serra, particularly during the journal's first decades. Several of its editors or editors-to-be wrote repeatedly about his work, in the journal and elsewhere, and he himself participated directly in the life of the publication via a lengthy interview, not to mention his unwavering financial support since issue 39 (Winter 1986). “In 1991, The Destruction of Tilted Arc: Documents appeared in the October book series; edited by Clara Weyergraf-Serra and Martha Buskirk, it offered nearly three hundred pages of documentation concerning the legal battle waged (and lost) by the artist to prevent the destruction by the American government of the site-specific work it had commissioned for Federal Plaza in New York City (installed in 1981, it was dismantled in 1989). Needless to say, the October gang came en bloc to defend the work at the public hearing (the testimonies of Rosalind Krauss, Annette Michelson, Douglas Crimp, Benjamin Buchloh, and regular contributor Abigail Solomon-Godeau figure in the book). “In 2000, the first volume of the October Files appeared; edited by Hal Foster, it took Serra as its subject. Memorial tributes are an awkward genre in that they are almost inevitably nostalgic and take a narcissistic turn (“me and the great man”). But what if one were simply to commemorate the prolonged interaction of the journal's editors with Serra's work by chronologically recapitulating the various instances of their engagement? This will be done with pride, for sure, but also as a duty to forestall amnesia.”

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Pręgowski, Filip. "W przestrzeni wymiany. Obrazy Jacka Goldsteina i fotografie Olivera Wasowa." Artium Quaestiones, no. 28 (May 22, 2018): 87–110. http://dx.doi.org/10.14746/aq.2017.28.4.

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The paper, focused on the works of two American artists of the 1980s, Jack Goldstein and Oliver Wasow, is an attempt to consider the process of crossing boundaries between two different kinds of art. That phenomenon was a characteristic feature of the late twentieth-century art, including also The Pictures Generation to which both artists actually belonged. Both Goldstein, in his paintings from the 1980s, and Wasow, in his photos from the same period, used mediated images and simulated the effects achieved by the advanced technology of nature watching and picture transmission. In consequence, among several features common to the works under scrutiny, one realizes in the first place a significant change in the defining of the medium understood not just as a material and technological aspect of the work, but as a dynamic and complex structure connecting different forms and spaces of artistic expression with the spectator’s experience. Challenging the autonomy of art and the separate identities of its kinds, rooted in the historical avant-garde, leads to a revision of the modernist idea of the medium, as well as to reconsidering the ways in which its changing status influences the semantic potential of paintings and photos. Moreover, the spectacular paintings of Goldstein and photos by Wasow, made and taken in relation to the rapidly changing technology of image transmission, provokes questions about their critical potential: do they denounce the spectacle-making techniques or, as fetishized merchandise, do they just take part in it? The frame of reference are analyses conducted by American critics and art historians who redefined the concept of the medium in contemporary artistic practices, examined the role of photography, and considered the subjection of the late twentieth-century art to the logic of spectacle, such as Rosalind Krauss, Douglas Crimp, and Hal Foster.

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Ramsay, Peter. "Overcriminalization as Vulnerable Citizenship." New Criminal Law Review 13, no. 2 (2010): 262–85. http://dx.doi.org/10.1525/nclr.2010.13.2.262.

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The paper situates Douglas Husak's normative theory of the limits of criminalization in its contemporary political context, one in which the crime victim is the representative subject of law. It is argued here that new U.K. terrorism and money-laundering offenses prove compatible with the constraints in Husak's theory, once they are understood as protecting the vulnerabilities of the potential crime victim. On this basis, the possibility is raised that Husak's theory may tend to legitimate rather than limit much of contemporary "overcriminalization," notwithstanding both his express intentions to the contrary and the liberal intellectual resources on which he draws. The implied tension in liberalism is considered and other approaches to the problem are suggested.

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Freitag, Sandria B. "Crime in the Social Order of Colonial North India." Modern Asian Studies 25, no. 2 (1991): 227–61. http://dx.doi.org/10.1017/s0026749x00010660.

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The necessary vocabulary has not yet been created to encompass both the ‘informing spirit’ and ‘whole social order’ of British India. In part, at least, this is because research has generally concentrated on either British or Indian realms of action, rather than the interaction between them. But British colonial rule shaped a distinctive social system in India, one that drew on both British and indigenous values as well as notions of authority. This essay analyzes aspects of this colonial social order by focusing on its legal system, particularly that portion designed to deal with what the British identified as ‘extraordinary’ crime. Indeed, criminal law may be among the most revealing aspects of a social order. For, as Douglas Hay has observed for a similar elaboration of the English legal structure, ‘criminal law is as much concerned with authority as it is with property … the connections between property, power and authority are close and crucial.’

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ROWSE, TIM. "INDIGENOUS CRIME AND SETTLER LAW: WHITE SOVEREIGNTY AFTER EMPIREby HEATHER DOUGLAS and MARK FINNANE." Journal of Law and Society 40, no. 2 (2013): 314–20. http://dx.doi.org/10.1111/j.1467-6478.2013.00625.x.

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Kapardis, Andreas. "An overview of offender profiling." International Journal of Police Science & Management 26, no. 4 (2024): 429–33. https://doi.org/10.1177/14613557241298825.

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Generally speaking, criminals are caught by police for one or more of the following reasons: they confess to the crime; another criminal gives the police useful information about a crime; they are arrested red-handed or chased and caught by police; an eyewitness describes them; forensic evidence (fingerprints, footprints, DNA, etc.) at the crime scene or their handwriting or video footage is linked to them; or finally, because the police link a number of crimes committed by the same offender. Further, in today's large urban centres all over the world, the work of police detectives is becoming increasingly difficult, calling for more sophisticated techniques as criminals become even more adept. Films such as Silence of the Lambs, television series like Cracker in the UK, Mindhunter, CSI: Crime Scene Investigation, CSI: Miami or Profiler, and popular books like The Real Cracker by Stephen Cook (2001) , The Jigsaw Man and Picking Up the Pieces by Paul Britton (1998 , 2001 ) have popularised criminal profiling. In addition, well-known retired Federal Bureau of Investigation profilers (e.g. John Douglas, Roy Hazelwood, Robert Ressler) have published some of their experiences in helping law enforcement agencies catch serial killers. Likewise, in the UK, two very experienced offender profilers have published works; namely, academic psychologist Julian Boon and psychiatrist Richard Baddock. Offender profiling refers to the use of behavioural data evident in a crime to assist a police investigation by seeking to infer attributes of probable offenders, thus narrowing the police search for suspects.

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Santos, Luís Cláudio Almeida. "A DIMENSÃO INSTITUCIONAL DO CRIME ORGANIZADO E NOVAS TECNOLOGIAS: O CASO DO PCC NO ESTADO DE SERGIPE." Revista TOMO, no. 17 (October 11, 2010): 131–49. http://dx.doi.org/10.21669/tomo.v0i17.511.

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A dimensão institucional do crime organizado está relacionada com os custos de transação das atividades criminosas e com sua tendência à expansão e à preservação da continuidade das operações. o telefone celular, por ser acessível econômica e cognitivamente, foi um fator de redução dos custos de transação do PCC, organização criminosa atuante nos presídios brasileiros. entretanto, a falta de uma terceira parte garantidora dos negócios ilícitos não apenas aumenta os custos de transação do crime organizado, como também constitui, para a organização criminosa, uma ameaça permanente de fragmentação e de desintegração, no caso de conflitos não resolvidos pelas regras internas. Trata-se da aplicação do neoinstitucionalismo de douglass North e do modelo de análise de rede a uma pesquisa empírica de mais de cinco anos.

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Hasan Marwan Yahay Al Saleem. "Aspects of the Narratives of Slavery in the Afro-American Literature as Represented by Harriet Jacobs and Frederick Douglass’ Works." Creative Launcher 6, no. 3 (2021): 105–9. http://dx.doi.org/10.53032/tcl.2021.6.3.21.

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Harriet Ann Jacobs’ Incidents in the life of a Slave Girl (1861) and Frederick Douglass’ Narrative of the Life of Frederick Douglass: An American Slave (1845) are two very significant works to show slave narratives Afro-American Literature. They provide many aspects in attempting to portray the complex sufferings and different kinds of frustrations, especially that the threat to the existence of their families and their rights as human beings in American society. The works present real stories and scenes lived by both writers in that dark era. The article makes a kind of comparison between them to highlight how both sexes suffered to the same extent. Jacobs represented the female side while Douglass represented the male side of black slaves in America through their works. The article aims to shed light on the brutal effect of slave and the crimes of the racist white American people upon these vulnerable people in a society of an ideal country in which the worst forms of racism are still practiced and the murder of George Floyd’s crime is not far from us. Therefore, it is the duty of the free people of the whole world to expose these heinous acts and work to prevent them and support the oppressed.

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Kuhn Gonçalves, Matheus. "Garantismo penal integral, sustentabilidade social e as vítimas de crime." Revista Jurídica do Ministério Público do Estado de Rondônia, no. 1 (June 30, 2025): 10–24. https://doi.org/10.63043/yhy9vz68.

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This article aims to analyze the relationship between full criminal guarantees and the principle of sustainability in its social dimension, with a focus on the protection of the rights of crime victims. Based on the observation that the Brazilian criminal justice system has historically prioritized the rights of the defendant while neglecting the victim, it is argued that full criminal guarantees, as proposed by Douglas Fischer, must incorporate positive obligations of the State aimed at the effective realization of the victims’ fundamental rights. As for the methodology, the inductive method was employed, along with techniques such as referent, categorization, operational concepts, and bibliographic research in legal works and specialized journals, in addition to normative and jurisprudential analysis, including decisions of the Inter-American Court of Human Rights. It is demonstrated that the State’s omission undermines the social sustainability of the criminal justice system, fostering impunity and institutional discredit. The article concludes that criminal prosecution which disregards the rights of victims is unconstitutional, contrary to international human rights standards, and socially unsustainable. Full criminal guarantees provide the necessary normative framework for a balanced State action that upholds the rights of all parties involved, promoting material justice, compensation for harm, and dignity for victims.

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Davis, Rachel Meredith. "Lock Her Up! Elite Women, Treason and Imprisonment in Late Medieval Scotland." Journal of Scottish Historical Studies 45, no. 1 (2025): 27–47. https://doi.org/10.3366/jshs.2025.0387.

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This article will assess the assumption that women lacked ‘political agency’ in instances of treason or lesser rebellion against the Scottish crown. The trials and sentencing of the countess of Strathearn and the countess of Douglas, as well as the extra-judicial imprisonments of the countess of Ross and the duchess of Albany provide us with an opportunity to assess contemporary attitudes toward women and their culpability for the crime of treason in late medieval Scotland. While there was a gendered difference between the punishment for treason in the Middle Ages, the leniency afforded female accomplices through imprisonment rather than execution was by no means an indicator of their lack of ‘political agency’. The discussion adapts new approaches to narratives of imprisonment in order to show the active, latent, and potential power of women convicted or implicated in plots of rebellion in fourteenth- and fifteenth-century Scotland. This article will show the significance of elite women's imprisonment through the cases studies of the countess of Strathearn, the countess of Douglas, the countess of Ross, the duchess of Albany. In doing so, it will emphasise that women's culpability was tied to their legal status as widow or female heir. The article argues that we can use evidence of imprisonment as an indicator of ‘public’ female political agency in the later Middle Ages.

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Peno, Michał. "Czy kar jest za dużo? Wokół Douglasa Husaka koncepcji kryminalizacji." Opolskie Studia Administracyjno-Prawne 16, no. 2 (2019): 177–201. http://dx.doi.org/10.25167/osap.1186.

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The author endeavours to make a critical reflection on the concept of criminalization as formulated by Douglas Husak. D. Husak’s views on criminal policy are presented in a wider philosophical context and juxtaposed with assumptions of basic critical trends in criminal law science. Also, some suggestions are formulated to supplement Husak’s concept, who points out, above all, when punishment should not be applied. A supplement to Husak’s idea is a somewhat perverse attempt to collect model situations, in which recognition of an act as a crime can be justified (which the author himself tried to avoid). In addition, the article attempts to combine the philosophy of law with criminal policy and indicates the need to take into consideration philosophical foundations of criminal law policy.

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Corduas, Marcella, Salvatore Attardo, and Alyson Eggleston. "The distribution of humour in literary texts is not random: a statistical analysis." Language and Literature: International Journal of Stylistics 17, no. 3 (2008): 253–70. http://dx.doi.org/10.1177/0963947008092505.

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The article presents statistical evidence for the claim that the distribution of humor in Oscar Wilde's Lord Arthur Savile's Crime and Douglas Adams's The Hitchiker's Guide to the Galaxy is not random and differs significantly between both texts. Using the methodology of the General Theory of Verbal Humor, all the instances of humour in both texts were identified and recorded. The distance between each instance was then calculated and subjected to analysis. The statistical model used to prove the hypotheses is explained in some detail and some hypotheses to explain the findings are presented. The significance of the finding that the distribution of humour in long texts is not random is found to lie in having introduced a new fact in need of explanation through literary theories.

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39

DiIulio, John J. "Comment on Douglas S. Massey's "Getting Away with Murder: Segregation and Violent Crime in Urban America"." University of Pennsylvania Law Review 143, no. 5 (1995): 1275. http://dx.doi.org/10.2307/3312476.

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Mitchell, Tanya. "Review: Indigenous Crime and Settler Law: White Sovereignty after Empire by Heather Douglas and Mark Finnane." Current Issues in Criminal Justice 25, no. 2 (2013): 725–27. http://dx.doi.org/10.1080/10345329.2013.12035994.

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Jopek-Bosiacka, Anna. "The Katyń court case." Journal of Argumentation in Context 5, no. 3 (2016): 271–314. http://dx.doi.org/10.1075/jaic.5.3.03jop.

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This paper examines the argumentation in the case Janowiec and Others vs. Russia, heard before the European Court of Human Rights in Strasbourg (ECtHR, or Court), primarily based on the hearings with additional references to the two judgments issued. The proffered analysis focuses on the types and forms of argumentation used in the counsels’ oral arguments, as well as their rhetorical strategies and tactics, as based on Douglas Walton’s argumentation schemes and Stephen Toulmin’s model of argumentation. The starting point of the analyzed dispute is the verbal classification of the subject of the dispute, which reflects the different historical perspectives in the narratives about the Katyń crime, as related by the litigating parties and the court. The political and media context of this dispute in the Polish, Russian, and international public space is also considered.

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42

Unsinger, Peter Charles. "Crime Classification Manual: by John E. Douglas, Ann W. Burgess, Allen G. Burgess and Robert K. Ressler." Journal of Contemporary Criminal Justice 8, no. 3 (1992): 267. http://dx.doi.org/10.1177/104398629200800309.

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43

ZIPORAH, MORAA ONYONKA, and Stephen Okelo Lucas Dr. "Effects of Community Mobilisation Strategies on Implementation of Community Policing in Kenya." International Journal of Innovative Science and Research Technology 7, no. 10 (2022): 1072–76. https://doi.org/10.5281/zenodo.7312254.

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A nation’s development depends on the health and productivity of its growing population. The health of the population as well relies on the security of every individual to be able to effectively contribute to national development. The security concern in Kenya has been persistent ever since gaining independence although it has taken different dynamics over the century. The influx of small arms has led to an increase in violent crime especially in the major cities. This is compounded by engagement of the youthful population in criminal activities. The study was guided by the social capital theory. The study aimed at establishing the influence of community mobilization strategies implementation of community policing in Kenya. Successful community policy enhances reduction of crime in the country. The study adopted a descriptive survey design and targeted households within the community. The households were stratified and a sample size of 98 households drawn and participated in the study. A questionnaire was used to collect data from the respondents. Data was analysed by SPSS version 20 and presented in tables of frequency and percentage. The study found that mobilization strategies can be used to implement community policing in Kenya. The findings indicated that 82% mobilization techniques enhances community policing .This implies that when you increase mobilisation strategy by 1% there is 1.8 times increases chances of reducing crime rate. This is in line with Cobb Douglas production function theory. Also important to note is that policing practice of preventive include foot patrol, preventive patrol, problem oriented policing and team policing. The result can only be achieved when partners share information, investigating crimes, arresting and prosecuting criminals, gathering intelligence and acting on it before the crime is undertaken.Also noted is that police force should enhance confidence of the community at 63.1%, implying that when the trust goes up by 1% there is likelihood of community trusting the police with information 1.6 times which finally plays a role in reducing crime .

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44

Werner, Ashley. "Book Review: John Douglas and Mark Olshaker, Mindhunter: Inside the FBI’s Elite Serial Crime Unit. New York, NY: Pocket Books. 1995." Theory in Action 15, no. 3 (2022): 88–93. http://dx.doi.org/10.3798/tia.1937-0237.2220.

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Mindhunter: Inside the FBI’s Elite Serial Crime Unit is a first-hand account by retired Special Agent John Douglas who was one of the first criminal profilers in the FBI’s history. The book details his life’s work by focusing on the psychological profiling that he developed to study the most prolific serial killers in America, and understand the serial killer thought process. The prologue of the book begins by describing a sudden illness that he had never experienced before, and ultimately one that would come close to ending his life. During his time as a profiler, the Special Agent traveled around the country to lecture about the cases he has worked and to help other agencies solve cases. While working in Seattle, he was hospitalized for a high fever and a seizure that ultimately put him in a medically induced coma where he was expected to have permanent brain damage even if he survived the physical trauma.

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45

Simons, Leslie Gordon. "Murray A. Straus, Emily M. Douglas, and Rose Anne Mederios: Primordial Violence: Spanking Children, Psychological Development, Violence and Crime." Journal of Youth and Adolescence 43, no. 2 (2013): 325–28. http://dx.doi.org/10.1007/s10964-013-0076-5.

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46

Snoddy, Richard. "After Jonathan Edwards: The Courses of the New England Theology, edited by Oliver D. Crisp and Douglas A. Sweeney." Ecclesiology 11, no. 3 (2015): 403–5. http://dx.doi.org/10.1163/17455316-01103021.

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47

Saputro, Guntur Eko, Jonni Mahroza, and Herlina Tarigan. "THE IMPACT OF THE MILITARY EXPENDITURE AND SECURITY EXPENDITURE STRUCTURE ON THE SECURITY STABILITY." Jurnal Pertahanan: Media Informasi ttg Kajian & Strategi Pertahanan yang Mengedepankan Identity, Nasionalism & Integrity 6, no. 3 (2020): 328. http://dx.doi.org/10.33172/jp.v6i3.930.

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The structure of defense spending in Indonesia State Budget consists of three types of spending, which are routine expenditure, goods expenditure, and capital expenditure. It shows the changes in consumption expenditure contribution, direct investment expenditure, and indirect investment from the government. According to The Global Competitiveness Report 2016-2017, Indonesia presents a low level of security stability among 138 countries. Due to the terrorism threat, Indonesia is ranked 115 (Global Competitive Index or GCI=4,2) for business cost, at the 102nd ranking (GCI=3,9) for the business cost caused by crime and violence, and 108th ranking (GCI=4,1) for organized crime. This study aims to examine the impact of military expenditure on security stability in Indonesia. The analytical method used in this study is explanatory, it aims to explain the causal relationship between variables and hypothesis testing. This study employs the time series data with per semester data series through 2000-2018. The research model is formulated as a recursive linear model in the form of a Cobb-Douglas production function and analyzed using multiple linear regression analysis with the Ordinary Least Square method. The result reveals that both military expenditure and security expenditure have impacted simultaneously on security stability. The integration of all components of military expenditure synergistically can increase Security Stability. The components of spending that have a partially significant positive effect on Security Stability are expenditures on goods and capital expenditures.

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Shriver, Donald W., and Peggy L. Shriver. "Law, Religion, and Restorative Justice in New Zealand." Journal of Law and Religion 28, no. 1 (2013): 143–77. http://dx.doi.org/10.1017/s0748081400000266.

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A former police chief and a criminologist confirm a famous remark by Margaret Mead when they write: “The initiation of restorative reforms is often based upon the conversion of one key professional in a criminal justice agency.”New Zealand district court judge Fred W.M. McElrea personalized this rule in his account of how he stumbled on a restorative procedure in the case of a young man in Auckland, who was a Maori and son of a bishop, and who confessed to the crime of robbing a woman's purse. She happened to be a Quaker, and she appeared in court as a gesture of friendship for the offender. When the time came for sentencing, McElrea wondered out loud if there were a way for the young man to be monitored, without imprisonment, by some competent person who knew him. At that, Douglas Mansil, local Presbyterian minister, also present in the courtroom, stood and volunteered his services. Mansil had been the longtime “streetwise” pastor of a congregation in that Auckland neighborhood, known for furnishing the courts with more than a few youth offenders. Together with the Quaker victim of the crime, he kept track of the young man and reported regularly to the court. It was the beginning of McElrea's dedication to restorative justice (RJ) for young offenders in New Zealand. He and other judiciary leaders pay tribute to the influence of Howard Zehr's visit to New Zealand (NZ) in 1994 and Zehr's book, Changing Lenses, which McElrea first read during a sabbatical leave at Cambridge University. Zehr's book and his work in the U.S. had great impact on New Zealand legal officials, many of whom, like McElrea, often give him credit for inspiring shifts to RJ in their thinking about law, judicial process, and ethics.

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Elena, Likhosherst, Mazelis Lev, and Solodukhin Konstantin. "DEVISING A FUZZY STAKEHOLDER MODEL FOR OPTIMIZING THE PORTFOLIO OF PROJECTS AT A FISHING INDUSTRIAL ENTERPRISE TAKING RISKS INTO ACCOUNT." Eastern-European Journal of Enterprise Technologies 4, no. 3 (100) (2019): 36–45. https://doi.org/10.15587/1729-4061.2019.176319.

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The method for portfolio investment, allowing the formation of the optimal portfolio structure considering degrees of satisfaction of requirements of stakeholder groups, risks and uncertainty of external and internal environment, was proposed. The model that represents a fuzzy nonlinear programming problem was considered. The weighted average of project utility is used as objective function. The utilities of projects are multiplicative Cobb-Douglas type functions using, along with financial indicators, expert verbal evaluations of qualitative indicators of satisfaction of stakeholder requirements, converted into fuzzy numbers. Exponents in this function reflect the significance of stakeholders for the organization in terms of the existing resource sharing between a company and a stakeholder and the degree of mutual influence. Quantitative accounting of risks is implemented based on the H. Markowitz approach and the scenario-based method. Uncertainty and lack of information for the indicator of economic efficiency of projects is modeled through the use of the fuzzy approach. Constraints in the model are also fuzzy. The transforming from a fuzzy optimization problem into a crisp problem is performed by assigning the satisfaction degrees for an objective function and the constraints. The choice of a certain satisfaction degree also makes it possible to some extent to take into account uncertainty, which, in turn, affects the composition of the portfolio. The solution to the model is found numerically using the proposed method, which allows, based on fuzzy utilities, finding fuzzy objective function and constraints, and transforming a fuzzy model into a crisp quadratic programming problem at specified satisfaction degrees. The example of the formation of an optimal portfolio of investment projects of a fishing industrial enterprise was explored.

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Lieonov, S., T. Vasilyeva, S. Mynenko та T. Dotsenko. "BANKING IN DIGITAL AGE: EFFICIENCY OF АNTI-MONEY LAUNDERING SYSTEM". Financial and credit activity: problems of theory and practice 2, № 37 (2021): 4–13. http://dx.doi.org/10.18371/fcaptp.v2i37.229678.

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Abstract. The article is devoted to the problems of the development of a system for combating the legalization of income obtained illegally in the context of digitalization of banking activities. The concept of the effectiveness of the anti-money laundering system was considered. The expediency of using the utility approach for modeling the effectiveness of the system for combating money laundering has been determined. The indicator of the effectiveness of the system of combating money laundering was chosen as the share of indictments sent to the court in the total number of criminal offenses for which pre-trial investigation was carried out in the corresponding period. The first alternative of choice — the focus on the development of identifying suspicious financial transactions is characterized by the indicator Share of criminal offenses for which pre-trial investigation was carried out per one transaction report submitted to the State Financial Monitoring Service. The second alternative of choice — the development of innovative technologies, is characterized by the indicator of the Level of digitalization of the economy. The input data are the indicators on the crime rate in Ukraine, the work of the pre-trial investigation bodies, obtained from the State Financial Monitoring Service of Ukraine, the General Prosecutor's Office of Ukraine and the State Statistics Service of Ukraine, suspicious financial transactions and the number of Internet subscribers. On the basis of the calculated autocorrelation coefficients of zero differences and determination of their statistical significance, a nonlinear function of the relationship between mictoramas was selected. Using the Stone-Geary utility function, which for the selected input data took the form of a Cobb-Douglas power function, the degree of response of alternative approaches to improving the effectiveness of the system of combating criminal proceeds was determined. The degree of digitalization of the economy has a high level of elasticity. Therefore, to increase the effectiveness of the system of combating money laundering, it is necessary to develop innovative information technologies in the field of FinTech. Keywords: bank, countering the legalization of criminal proceeds, the utility function of Stone-Geary, the Cobb-Douglas function, the effectiveness of combating the legalization of criminal proceeds, the digitalization of the economy. JEL Classification C49, O17, O33, G21, G14 Formulas: 4; fig.: 5; tabl.: 0; bibl.: 32.

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Journal articles on the topic 'Douglas Crimp'

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