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Journal articles on the topic 'Eiléan Ní Chuilleanáin'

Author: Grafiati

Published: 14 June 2025

Last updated: 17 July 2025

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1

Ray, Kevin. "Interview with Eiléan Ní Chuilleanáin." Éire-Ireland 31, no. 1-2 (1996): 62–73. http://dx.doi.org/10.1353/eir.1996.0003.

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2

Villar-Argáiz, Pilar. "Secrecy, Alterity, and Defiant Femininity in Eiléan Ní Chuilleanáin's The Boys of Bluehill." Irish University Review 49, no. 2 (2019): 370–89. http://dx.doi.org/10.3366/iur.2019.0412.

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This article traces the connections between defiant femininity, indeterminacy, and the theme of secrecy in Eiléan Ní Chuilleanáin's collection The Boys of Bluehill (2015). In particular, it analyses the secret as the main poetic device used by Ní Chuilleanáin to articulate the gaps and absences within totalitarian, essentialized discourses such as History. In her poetry, secrecy – manifested as silence, uncertainty, marginality and alterity – emerges as the space of peripheral voices and experiences, buried and silenced by official accounts of Ireland's past. As the unavowable manifestation of the Other, the secret also stands as the perfect space for a defiant form of femininity which emerges as a disrupting force, endlessly open to the possibility of change. In Ní Chuilleanáin's work, the secret is never fully disclosed; her poems are thus perpetually open to different interpretations, pointing towards an uncertain future of indeterminate potentiality for her female characters. As this article shows, this uncertainty at the heart of Ní Chuilleanáin's work can be read subversively as an enabling force.

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3

Fekete-Nagy, Fanni. "A Journey through Time and Space in Eiléan Ní Chuilleanáin’s “A Midwinter Prayer”." Freeside Europe Online Academic Journal, no. 11 (2020): 1–13. http://dx.doi.org/10.51313/freeside-2020-2-3.

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Eiléan Ní Chuilleanáin often writes about journeys and quests, the focus in these poems is not on the destination but on the voyage itself. A poem called “A Midwinter Prayer,” first published in the poet’s 1972 collection, Acts and Monuments, depicts a journey that takes place not so much in space but rather in time. The poem spans not only a part of the year from Samhain to spring, but also takes the reader from pre-Christian times through the dawn of Christianity into the future of prophecies. This is achieved by an intricate system of allusions and interweaving of various subtexts that my essay aims to uncover. By mapping the references in this poem, this paper examines Eiléan Ní Chuilleanáin’s strategic use of allusions and subtexts. The paper explores how allusions to different sources, like the Bible and old Irish literature and myth, are juxtaposed within a text. The article argues that allusions can become essential structural elements in the poet’s work and they can act as governing principles for entire poems. The aim of this paper is to analyse Eiléan Ní Chuilleanáin’s complex allusive technique in one of her poems, “A Midwinter Prayer” in a way that will be applicable in later studies of the poet’s work.

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4

Amiot, Pascale. "Reading Eiléan Ní Chuilleanáin a Contemporary Irish Poet." Études irlandaises, no. 35-1 (June 30, 2010): 166–68. http://dx.doi.org/10.4000/etudesirlandaises.1874.

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5

Nordin, Irene Gilsenan, and Eiléan Ní Chuilleanáin. "The Weight of Words: An Interview with Eiléan Ní Chuilleanáin." Canadian Journal of Irish Studies 28/29 (2002): 74. http://dx.doi.org/10.2307/25515428.

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6

Collin, Luci, and Eiléan Ní Chuilleanáin. "Eiléan Ní Chuilleanáin em tradução: três poemas sobre a linguagem." Cadernos de Literatura em Tradução, no. 11 (May 1, 2010): 289–95. http://dx.doi.org/10.11606/issn.2359-5388.i11p289-295.

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7

Collin, Luci. "Animais da mitologia celta: na poesia irlandesa contemporânea." Aletria: Revista de Estudos de Literatura 21, no. 3 (2011): 139–51. http://dx.doi.org/10.17851/2317-2096.21.3.139-151.

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Com raízes na mitologia celta, a literatura irlandesa, desde seus ciclos mitológicos e sagas gaélicas da Idade Média, tematiza a intensa relação do homem com o animal. Já o épico Táin Bó Cúailnge, do século 8, narra a lendária história do Touro Marrom de Cooley; da mesma forma, a paródica saga Scél Mucci Mic Dathó descreve a disputa entre dois reinos por um cão de caça. Animais mitológicos ressurgem na literatura irlandesa pré-moderna, na histórica compilação da literatura oral realizada por Lady Gregory no século 19, ou na poesia de W. B. Yeats, no século 20. Como os animais mitológicos aparecem na poesia irlandesa contemporânea de, por exemplo, Seamus Heaney, Eiléan Ní Chuilleanáin e Nuala Ní Dhomhnaill, é o assunto aqui discutido.

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8

Lavalle, Luci Collin. "Perceptions of Contemporary Ireland in the Poetry of Eiléan Ní Chuilleanáin." ABEI Journal 11 (June 17, 2009): 147. http://dx.doi.org/10.37389/abei.v11i0.3655.

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9

Christian Michener. "Saints and Sisters: The Sacred Chorus in the Poetry of Eiléan Ní Chuilleanáin." New Hibernia Review 14, no. 2 (2010): 118–32. http://dx.doi.org/10.1353/nhr.0.0138.

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10

Sarbin, Deborah. ""Out of Myth into History": The Poetry of Eavan Boland and Eiléan Ní Chuilleanáin." Canadian Journal of Irish Studies 19, no. 1 (1993): 86. http://dx.doi.org/10.2307/25512952.

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11

Mazzullo, Conci. "Meeting through/in Languages. Q&A with Eiléan Ní Chuilleanáin about The Mother House." Studi irlandesi. A Journal of Irish Studies 12 (June 28, 2022): 217–24. http://dx.doi.org/10.36253/sijis-2239-3978-13748.

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12

Fitzpatrick, Maurice. "Susana Bayó Belenguer, Eiléan Ní Chuilleanáin & Cormac Ó Cuilleanáin (editors), Translation Right or Wrong." Irish University Review 46, no. 2 (2016): 413–16. http://dx.doi.org/10.3366/iur.2016.0243.

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13

Schwartz-Leeper, Gavin. ":Enigma and Revelation in Renaissance English Literature: Essays presented to Eiléan Ní Chuilleanáin." Sixteenth Century Journal 44, no. 4 (2013): 1131–32. http://dx.doi.org/10.1086/scj24246342.

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14

CHARLTON, THOMAS. "Heresy and Orthodoxy in Early English Literature, 1350-1680 - Edited by Eiléan Ní Chuilleanáin and John Flood." Renaissance Studies 25, no. 4 (2011): 601–3. http://dx.doi.org/10.1111/j.1477-4658.2011.00752.x.

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15

Boulanger, Pier-Pascale. "Chuilleanáin, Eiléan Ní, Cuilleanáin Cormac Ó & David Parris, eds. 2009. Translation and Censorship. Patterns of Communication and Interference." Target. International Journal of Translation Studies 23, no. 1 (2011): 147–49. http://dx.doi.org/10.1075/target.23.1.12bou.

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16

Howley, Ellen. "The Mythic Sea in Contemporary Irish and Caribbean Poetry." Comparative Literature 74, no. 3 (2022): 306–25. http://dx.doi.org/10.1215/00104124-9722363.

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Abstract Myths of the sea are some of the most enduring cultural associations with oceanic spaces. In particular, literature written from islands and coastal locations often shares an interest in these mythic narratives. With a focus on this comparative element, this article investigates how contemporary poets from Ireland and from the Anglophone Caribbean engage with the myths of the sea in their work. It examines the poetry of Lorna Goodison (Jamaica), Seamus Heaney (Northern Ireland), Eiléan Ní Chuilleanáin (Republic of Ireland), and Derek Walcott (Saint Lucia), demonstrating the ways in which a contemporary engagement with the myths of the sea transforms and translates understandings not only of the present moment but also of traditional ideas of linear time. Specific myths of the sea become a tool with which to mine the past and present as they allow these poets to reflect on beginnings, endings, and the repetition of cycles. The critiques that these poets level in their work are also considered through a gendered lens here, as the association between woman and sea, as well as the mythologization of woman is discussed. This article analyzes key poems from these writers to draw out rarely evinced transatlantic routes of correspondence between the four poets. In doing so, it also emphasizes the connective properties of the sea’s cultural, artistic, and imaginative resonances.

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17

Villar-Argáiz, Pilar. "‘Poetry is a form in which you never have to say more than what you mean’: An Interview with Eiléan Ní Chuilleanáin." Irish University Review 47, no. 2 (2017): 222–33. http://dx.doi.org/10.3366/iur.2017.0277.

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18

Loewenstein, David. "Eiléan Ní Chuilleanáin and John Flood, eds. Heresy and Orthodoxy in Early English Literature, 1350–1680. Dublin: Four Courts Press, 2010. Pp. 174. $70.00 (cloth)." Journal of British Studies 51, no. 2 (2012): 445–46. http://dx.doi.org/10.1086/663815.

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19

Hardin, Richard F. "Helen Cooney and Mark S. Sweetnam, eds. Enigma and Revelation in Renaissance English Literature: Essays Presented to Eiléan Ní Chuilleanáin . Dublin: Four Courts Press, 2012. $74.50. ISBN: 978–1–84682–281–0." Renaissance Quarterly 66, no. 1 (2013): 335–36. http://dx.doi.org/10.1086/670513.

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20

Mazzullo, Conci. "Mapping Eiléan Ní Chuilleanáin’s Etceteras." Studi irlandesi. A Journal of Irish Studies 14 (August 2, 2024): 225–35. http://dx.doi.org/10.36253/sijis-2239-3978-15387.

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This introduction deals with the idea of mapping Eiléan Ní Chuilleanáin’s latest collection of poems The Map of the World (2023). Inspired by Umberto Eco’s The Infinity of Lists (2009), it combines two analytic approaches of mapping her poems, focusing on both definite synchronic maps and limitless Etceteras.

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21

O’Connell, Eithne. "Book Review: Susana Bayó Belenguer, Eiléan Ní Chuilleanáin, & Cormac Ó Cuilleanáin, editors, assisted by Giulia Zuodar (2013). TRANSLATION RIGHT OR WRONG. Four Courts Press, Dublin.Hardback 304pp. June 2013; ISBN:978-1-84682-372-5." International Journal of Comparative Literature and Translation Studies 1, no. 3 (2013): 48–50. http://dx.doi.org/10.7575/aiac.ijclts.v.1n.3p.48.

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22

Renaux, S. "Eiléan ní Chuilleanáin’s ‘Old Roads’ as a Chronotopic Metaphor." Revista Scripta Uniandrade 13, no. 2 (2015): 53–66. http://dx.doi.org/10.18305/1679-5520/scripta.uniandrade.v13n2p53-66.

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23

Renaux, Sigrid. "Metaphor as Metalanguage in Eiléan Ní Chuilleanáin’s “The Horses of Meaning”." ABEI Journal 13 (November 17, 2011): 157. http://dx.doi.org/10.37389/abei.v13i0.3634.

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24

Michener, Christian. "The Female Figure in Eiléan Ní Chuilleanáin's Poetry by Patricia Boyle Haberstroh." New Hibernia Review 18, no. 1 (2014): 154–56. http://dx.doi.org/10.1353/nhr.2014.0013.

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25

Pernot-Deschamps, Maguy. "History and Memory in Eiléan Ní Chuilleanáin's « Autun » – An Irish Poet in Burgundy." Études irlandaises, no. 39-1 (June 30, 2014): 219–22. http://dx.doi.org/10.4000/etudesirlandaises.3845.

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26

Emmitt, Helen V. "“The one free foot kicking under the white sheet of history”: Eiléan Ní Chuilleanáin's uncanny landscapes." Women's Studies 29, no. 4 (2000): 477–94. http://dx.doi.org/10.1080/00497878.2000.9979327.

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27

Faragó, Borbála. "Patricia Boyle Haberstroh, The Female Figure in Eiléan Ní Chuilleanáin's Poetry. Cork: Cork University Press, 2013. 194 pages. Price not given." Irish University Review 45, no. 1 (2015): 174–78. http://dx.doi.org/10.3366/iur.2015.0162.

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28

Looby, Robert. "Translation and Censorship: Patterns of Communication and Interference. Edited by Eiléan Ní Chuilleanáin, Cormac Ó Cuilleanáin, and David Parris. Pp. 256. Dublin: Four Courts Press, 2009. Hb. £45.Modes of Censorship and Translation: National Contexts and Diverse Media. Edited by Francesca Billiani. Pp. 328. Manchester: St Jerome, 2007. Pb. £22.50.Translation under State Control: Books for Young People in the German Democratic Republic. By Gaby Thomson-Wohlgemuth. Pp. 260. New York and London: Routledge, 2009. Hb. £80." Translation and Literature 19, no. 2 (2010): 245–54. http://dx.doi.org/10.3366/tal.2010.0013.

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29

March, Kathleen. "De Irlanda a Iberia: notas para a tradución de Eiléan Ní Chuilleanáin do inglés ao galego." Madrygal. Revista de Estudios Gallegos 18 (December 15, 2015). http://dx.doi.org/10.5209/rev_madr.2015.v18.51218.

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30

Azambuja, Enaiê. "“The Habits of Moss that Secretely Freezes the Stone”: o espaço na obra da poeta irlandesa Eiléan Ní Chuilleanáin." e-cadernos CES, no. 14 (December 1, 2011). http://dx.doi.org/10.4000/eces.925.

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31

Olk, Claudia. "Helen Cooney and Mark S. Sweetnam (eds). Enigma and Revelation in Renaissance English Literature: Essays Presented to Eiléan Ní Chuilleanáin." Anglia 131, no. 4 (2013). http://dx.doi.org/10.1515/anglia-2013-0074.

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32

"Eiléan Ní Chuilleanáin and, John Flood, eds., Heresy and Orthodoxy in Early English Literature, 1350–1680. (Dublin Studies in Medieval and Renaissance Literature, 3.) Dublin and Portland, Oreg.: Four Courts Press, 2010. Pp. 174. $70." Speculum 86, no. 4 (2011): 1155. http://dx.doi.org/10.1017/s0038713411002776.

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33

Kidd, Helen. "Cailleachs, Keens and Queens: Reconfiguring Gender and Nationality in the poetry of Eileán Ní Chuilleanáin, Nuala Ní Dhomhnaill and Eavan Boland." Critical Survey 15, no. 1 (2003). http://dx.doi.org/10.3167/001115703782351862.

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