Relevant bibliographies by topics / Eliot, T. S. Music in literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Eliot, T. S. Music in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Eliot, T. S. Music in literature"

1

Knowles, Sebastian D. G. "“Then You Wink the Other Eye”: T. S. Eliot and the Music Hall." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 11, no. 4 (1998): 20–32. http://dx.doi.org/10.1080/08957699809601266.

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Diaper, Jeremy. "Farming and Agriculture in Literary Modernism." Modernist Cultures 16, no. 1 (2021): 86–113. http://dx.doi.org/10.3366/mod.2021.0321.

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This article seeks to cultivate a better understanding of the influence of agriculture and farming on literary modernism. It begins with a brief analysis of agriculture in the work of Vita Sackville-West and Virginia Woolf, before exploring the significance of farming in relation to Ford Madox Ford, John Middleton Murry and T. S. Eliot. Following on from this initial consideration of literary modernism and agriculture, it then proceeds to investigate Ezra Pound's position within environmental modernism, through exploring the influence of the organic husbandry movement on his social and politic
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Hecht, A. "T. S. Eliot." Literary Imagination 5, no. 1 (2003): 3–17. http://dx.doi.org/10.1093/litimag/5.1.3.

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Faulk, Barry, Marc Redfield, and David Chinitz. "T. S. Eliot." PMLA 110, no. 5 (1995): 1052. http://dx.doi.org/10.2307/463030.

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Churchill, Suzanne W. (Suzanne Wintsch). "Outing T. S. Eliot." Criticism 47, no. 1 (2005): 7–30. http://dx.doi.org/10.1353/crt.2006.0001.

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Whittier-Ferguson, John, and Dominic Manganiello. "T. S. Eliot and Dante." American Literature 63, no. 1 (1991): 157. http://dx.doi.org/10.2307/2926594.

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Fleissner, R. F., and Christopher Ricks. "T. S. Eliot and Prejudice." American Literature 62, no. 2 (1990): 341. http://dx.doi.org/10.2307/2926935.

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Clausen, Christopher, and Kenneth Asher. "T. S. Eliot and Ideology." American Literature 68, no. 2 (1996): 473. http://dx.doi.org/10.2307/2928316.

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Durrell, Lawrence. "Letters to T. S. Eliot." Twentieth Century Literature 33, no. 3 (1987): 348. http://dx.doi.org/10.2307/441496.

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Winn, K. "T. S. Eliot in Lausanne." Literary Imagination 15, no. 3 (2013): 315. http://dx.doi.org/10.1093/litimag/imt055.

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Dissertations / Theses on the topic "Eliot, T. S. Music in literature"

1

Perito, Carl C. "T.S. Eliot and music." Thesis, Hong Kong : Unviersity of Hong Kong, 2003. http://sunzi.lib.hku.hk/hkuto/record/B31953803.

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Good, Ashley Clark. "Violent Eaters." Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1244214338.

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Mack, Joseph Edward. "Teaching the Sermon: Lyric, Narrative, and T. S. Eliot." Thesis, Virginia Tech, 2019. http://hdl.handle.net/10919/91374.

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This thesis is an examination of the subsection of T. S. Eliot's The Waste Land that is aptly named "The Fire Sermon." The hybrid nature of this famous poem makes it open to a variety of readings, and these readings are often conflicting. Thus, the work, in spite of being a seminal text in literature, can be difficult to teach due to the complexity of the piece itself. This fact makes choosing a pedagogical approach to teaching The Waste Land a challenge. With the goal of making Eliot's poem more explorable, this thesis will undertake the task of an examination of "The Fire Sermon" using two d
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Foster, Gregory M. "Evolution and Sweeney's world : reading T.S. Eliot as a poet of science /." free to MU campus, to others for purchase, 1997. http://wwwlib.umi.com/cr/mo/fullcit?p9841286.

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Masfen, Eugenie Alison. ""My words echo thus in your mind" four quartets, T.S. Eliot and romanticism." Thesis, Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161410.

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Richardson, Scott. "Exile from the actual: Delmore Schwartz and the difficult inheritance of T. S. Eliot." Thesis, University of Ottawa (Canada), 1997. http://hdl.handle.net/10393/4256.

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In his earliest work, American writer Delmore Schwartz takes his cue from the writings of T. S. Eliot. Schwartz's experience is representative of his generation's experience, but his intense devotion to Eliot's work and person is highly idiosyncratic. Eliot's legacy soon becomes troublesome. Schwartz watches Eliot create a distant, authoritative persona in exile, yet as he narrates his own family's stories of emigration, Schwartz wonders if one can ever truly transcend determined identity. Exile for Schwartz is primarily an attitude toward experience. Eliot exemplifies that attitude. We thrive
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Pollard, Jacqueline Anne. "The gender of belief: Women and Christianity in T. S. Eliot and Djuna Barnes." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10333.

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x, 175 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>This dissertation considers the formal and thematic camaraderie between T. S. Eliot and Djuna Barnes. The Waste Land 's poet, whom critics often cite as exemplary of reactionary high modernism, appears an improbable companion to Nightwood 's novelist, who critics, such as Shari Benstock, characterize as epitomizing "Sapphic modernism." However, Eliot and Barnes prove complementary rather than antithetical figures in their approaches to the collapse of
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Yee, Sin-cheung. "Sleepwalkers in the cities of Dostoevsky and T.S. Eliot." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31579541.

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Crespo-Perona, Miguel Ángel. "An aesthetics of sacredness : a Nietzschean reading of James Joyce and T. S. Eliot." Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/4289/.

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Instead of exploring explicit textual or ideological influences of the philosophy of F.W. Nietzsche on Modernist literary writers, this thesis analyses the points at which works such as James Joyce's A Portrait of the Artist as a Young Man and T.S. Eliot's Four Quartets bear an implicit relationship to an aesthetic theory for which the notion of representation (artistic or philosophical) and that of sacredness must be thought together. Such a theory is to be found most explicitly in Nietzsche's The Birth of Tragedy, although some of his earlier and later writings engage with it too. Thus, from
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Chu, Sin-man Alison. "Artist (poet) as critic : T.S. Eliot's modernist ambiguities : turning the old upside down /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23473101.

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Books on the topic "Eliot, T. S. Music in literature"

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T. S. Eliot and the use of memory. Bucknell University Press, 1996.

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T. S. Eliot: Alle origini del pensiero politico. Rubbettino, 2011.

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Letteratura e critica nel pensiero di T. S. Eliot. San Marco dei Giustiniani, 2004.

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Theorists of modernist poetry: T. S. Eliot, T. E. Hulme, Ezra Pound. Routledge, 2007.

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Sica, Paola. Modernist forms of rejuvenation: Eugenio Montale and T. S. Eliot. L.S. Olschki, 2003.

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Faddul, Atif Y. The poetics of T. S. Eliot and Adunis: A comparative study. Alhamra Publishers, 1992.

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War trauma and English modernism: T. S. Eliot and D. H. Lawrence. Palgrave Macmillan, 2011.

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Menand, Louis. Discovering modernism: T.S. Eliot and his context. Oxford University Press, 1987.

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Menand, Louis. Discovering modernism: T.S. Eliot and his context. 2nd ed. Oxford University Press, 2007.

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Habib, Rafey. The early T.S. Eliot and western philosophy. Cambridge University Press, 1999.

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Book chapters on the topic "Eliot, T. S. Music in literature"

1

Fuller, David. "T. S. Eliot." In The Blackwell Companion to the Bible in English Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324174.ch48.

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Murray, Paul. "Mysticism and Music." In T. S. Eliot and Mysticism. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-13463-2_2.

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Chinitz, David. "T. S. Eliot: The Waste Land." In A Companion to Modernist Literature and Culture. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch36.

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Diepeveen, Leonard. "Taking Literature Seriously: Essays to 1927." In A Companion to T. S. Eliot. John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781444315738.ch22.

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Prochaska, Bernadette. "The Time-Consciousness of T. S. Eliot and Edmund Husserl." In The Poetry of Life in Literature. Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-017-3431-8_5.

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Walker, Peter. "T. S. Eliot: Poetry, Silence and the Vision of God." In European Literature and Theology in the Twentieth Century. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1057/9780230379503_6.

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"T. S. Eliot." In The Cambridge History of American Literature. Cambridge University Press, 2003. http://dx.doi.org/10.1017/chol9780521301091.007.

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"Countercases: T. S. Eliot and Ezra Pound." In Literature, Modernism and Myth. Cambridge University Press, 1997. http://dx.doi.org/10.1017/cbo9780511581731.004.

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Olk, Claudia. "III.17. Klangwelten literarischer Avantgarden – Virginia Woolf, T. S. Eliot und Samuel Beckett." In Handbuch Literatur & Musik, edited by Nicola Gess and Alexander Honold. De Gruyter, 2016. http://dx.doi.org/10.1515/9783110301427-028.

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"Introduction – Reaching the stillness of music." In T. S. Eliot and the Art of Collaboration. Cambridge University Press, 2005. http://dx.doi.org/10.1017/cbo9780511484995.001.

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You might also be interested in the extended bibliographies on the topic 'Eliot, T. S. Music in literature' for particular source types:
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