Log in

Relevant bibliographies by topics / English fiction English fiction Romanticism

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'English fiction English fiction Romanticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'English fiction English fiction Romanticism.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "English fiction English fiction Romanticism"

1

Mossman, Mark. "REPRESENTATIONS OF THE ABNORMAL BODY INTHE MOONSTONE." Victorian Literature and Culture 37, no. 2 (September 2009): 483–500. http://dx.doi.org/10.1017/s1060150309090305.

Full text

Abstract:

Wilkie Collins'sThe Moonstoneis anovel constructed through the repeated representation of the abnormal body. ReadingThe Moonstonein critical terms has traditionally required a primary engagement with form. The work has been defined as a foundational narrative in the genre of crime and detection and at the same time read as a narrative located within the context of the immensely popular group of sensation novels that dominate the Victorian literary marketplace through the middle and the second half of the nineteenth century. T. S. Eliot is one of the first readers to define one end of this paradigm, reading the novel as an original text in the genre of detective fiction, and famously saying thatThe Moonstoneis “the first, the longest and the best of modern English detective novels” (xii). On the other end of the paradigm, the novel's formal workings are again often cited as a larger example, and even triumph, of Victorian sensation fiction – melodramatic narratives built, according to Winifred Hughes and the more recent Derridean readings by Patrick Brantlinger and others, around a discursive cross-fertilization of romanticism, gothicism, and realism.

APA, Harvard, Vancouver, ISO, and other styles

2

Selejan, Corina. "Fragmentation(s) and Realism(s): Has the Fragment Gone Mainstream?" Anglica Wratislaviensia 57 (October 4, 2019): 103–12. http://dx.doi.org/10.19195/0301-7966.57.8.

Full text

Abstract:

This article tackles what seems to be a revival of fragmentary fiction in English in the 21st century. It briefly traces the lineage of critical interest in the fragment from German Romanticism through Bertolt Brecht and Modernism to postmodern film studies, in an attempt to highlight not only the temporal, but also the spatial and visual dimension of discontinuity evinced by recent fragmentary fiction. Six novels published between 2005 and 2017 are discussed sequentially, in a manner redolent of cinematic movement: Tom McCarthy’s Remainder 2005, Anne Enright’s The Gathering 2007, Yaa Gyasi’s Homegoing 2016, Mohsin Hamid’s Exit West 2017, Ali Smith’s Autumn 2016, and George Saunders’s Lincoln in the Bardo 2017. The formal fragmentariness of these novels is read in connection to their recurrent themes: trauma, loss, death, grief, exile, displacement, memory and violence. In the process, the opposition between fragmentariness on the one hand and realism on the other is challenged; the argument draws on William Burroughs, Tom McCarthy and Fernand Léger. Although they are fragmentary in very different ways, all of the novels under scrutiny are what one may term “mainstream” novels, most of them boasting large readerships and having either won or been shortlisted for literary prizes such as the Booker Prize, thus seemingly confirming Ted Gioia’s contention that “mainstream literary fiction is falling to pieces”.

APA, Harvard, Vancouver, ISO, and other styles

3

Tupan, Maria-Ana. "Romantic Healers in Old and in New Worlds." Volume-1: Issue-9 (November, 2019) 1, no. 9 (December 7, 2019): 1–12. http://dx.doi.org/10.36099/ajahss.1.9.1.

Full text

Abstract:

The revision of Romanticism in the last two or three decades went deeper than any other revolution in the canonization of western literature. Tom Wein (British Identities, Heroic Nationalisms and the Gothic Novel.1764-1824), Gary Kelly (English Fiction of the Romantic Period), Virgil Nemoianu (Taming Romanticism), or Michael Löwy and Robert Sayre (Romanticism Against the Tide of Modernity) demystified the uncritical association of this literary trend with the revolutionary political ethos in 1789 France, casting light on the conservative, pastoriented yearnings of the major representatives. Such considerations, however, do not apply to the American scene, where politics and poetics, unaffected, or at least not directly affected by the Reign of Terror and the Napoleonic wars remained faithful to the ideas of the French Revolution. Whereas Europe turned conservative, with the Great Powers forming suprastatal networks of influence (The Holy Alliance at the Congress of Vienna in 1815 bonding the Kingdom of Prussia, the Austrian and Russian empires, joined a few years later by France and the United Kingdom), America built a political system grounded in the rights of the individual and pursued ” dreams” of personal and national assertiveness (the ”city on the hill,” “from rags to riches”) in opposition to the European ”concert of nations” model. Our paper is pointing to a necessary dissociation of meliorist plots and narratives of healing in the romantic canon on either part of the Atlantic instead of subsuming them under a common poetics/politics heading.

APA, Harvard, Vancouver, ISO, and other styles

4

Zymomria, Mykoła. "The Rules of How Reality Works Through the Prism of Post-Postmodern Prose." Czytanie Literatury. Łódzkie Studia Literaturoznawcze, no. 9 (December 30, 2020): 347–54. http://dx.doi.org/10.18778/2299-7458.09.18.

Full text

Abstract:

The reviewer analyses the monograph Problematic-Thematic Units and Philosophical-Esthetical Parameters of the British Post-Postmodern Novel (Kyiv, 2020) written by Dmytro Drozdovskyi, a Ukrainian scholar from Taras Shevchenko Institute of Literature of the National Academy of Sciences of Ukraine, member of The European Society for the Study of English (Bulgarian branch). In the monograph, the author has outlined the theory of the post-postmodern novel based on the analysis of the key novels of contemporary British fiction (David Mitchell, Ian McEwan, Sarah waters, Mark Haddon, etc.). The review states that the Ukrainian scholar has developed the theory proposed by Fredric Jameson regarding the post-postmodern features of Cloud Atlas and also discusses the concept of meta-modernity as one of the sections in the post-postmodern literary paradigm in the UK. Drozdovskyi argues that meta-modernism cannot be the only term that explains all the peculiarities of contemporary British fiction, which also cannot be outlined as meta-modern but as post-postmodern. The scholar provides a new theory of the novel based on the exploitation of real and unreal historical facts and imagined alternative histories and multifaceted realities. Furthermore, the reviewer pays attention to the contribution this monograph has for world literary studies spotlighting the theory of literary meta-genre patterns, as Drozdovskyi provides a theory according to which literary periods can be divided into those in which the carnival is the dominant meta-genre pattern (like postmodernism) and those that exploit the mystery as the meta-genre pattern (post-postmodernism). The reviewer analyses the key thematic units explained by Drozdovskyi as the key ones that determine the semiosphere of the contemporary British novel (post-metaphysical and post-positivist thinking of the characters, medicalisation of the humanitarian discourse, and the representation of the temporal unity of different realities). The scholar also states that the post-postmodern British novel exploits the findings of German Romanticism and Kant’s philosophy.

APA, Harvard, Vancouver, ISO, and other styles

5

Mozammel Haque, Mohammad. "Sunil Gangopaddhaya’s ‘An Unsent Letter’: A Harrowing Outburst of Long Smothered Wail of a Lacerated Psyche." International Journal of Applied Linguistics and English Literature 9, no. 1 (January 31, 2020): 24. http://dx.doi.org/10.7575/aiac.ijalel.v.9n.1p.24.

Full text

Abstract:

The statement that the poets are born after their death is universally known. There is hardly any writer who writes the criticism of his writings. They are the critics who criticize their works. It can be said that the writer himself may have only a single idea or message when he produces his piece of writings, but the critics have different views on the same work. Even one critic sometimes innovates miscellaneous ideas and messages from the same poetry, play, novel, short story, fiction, non-fiction etc. Furthermore, a post- colonial critic always tries to find the message of his area of study even in the writers of Anglo Saxon, Middle English, Romantic or Victorian era. A romanticist finds his theme in the writings of other periods. Similarly, a fan of feminism attempts to discover the messages related to females in the writings he studies. In the same way, the author of this paper, because of his being a writer for those who find themselves trapped in the social four walls, and who have no control over the situations around them, focuses on how Sunil Gangopaddhaya, in his short lyric titled ‘An Unsent Letter’, has picturesquely delineated the indescribable plight, predicament and quandary of a sub-continental girl who has been sold to a brothel for six thousand rupees. The paper also, besides showing how the women are neglected, abandoned, deserted and ignored in the male-chauvinistic society, emphasizes to show the real backdrop of the women in the society the poet lives.

APA, Harvard, Vancouver, ISO, and other styles

6

Hynes, Joseph, Michael North, and Patrick Swinden. "Contemporary English Fiction." Contemporary Literature 27, no. 1 (1986): 90. http://dx.doi.org/10.2307/1208601.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Dickinson, David. "Methodism in English fiction." International journal for the Study of the Christian Church 12, no. 3-4 (August 2012): 309–23. http://dx.doi.org/10.1080/1474225x.2012.722909.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Scheuermann, M. "Gender Studies of English Fiction." Eighteenth-Century Life 24, no. 3 (October 1, 2000): 73–102. http://dx.doi.org/10.1215/00982601-24-3-73.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Ball, D. "Hardy's Experimental Fiction." English 35, no. 151 (March 1, 1986): 27–36. http://dx.doi.org/10.1093/english/35.151.27.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Luca, Ioana. "Performance and Performativity in Contemporary English Fiction in English." Indialogs 5 (March 20, 2018): 161. http://dx.doi.org/10.5565/rev/indialogs.111.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "English fiction English fiction Romanticism"

1

Yeasting, Jeanne E. "Double trouble : romantic idealism in the novels of Mary Shelley, Emily Brontë, and Angela Carter /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/9401.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Cattell, Victoria Fayrer. "Irony and alazony in the English Künstlerroman." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65961.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Traub, Courtney Anne. "Romanticising crisis : digital revolution and ecological risk in late postmodern American fiction." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:adb4eb33-9053-402c-8322-bd55c915077f.

Full text

Abstract:

This thesis probes how recent experimental American "crisis fictions" from authors including Mark Z. Danielewski, Kathryn Davis, and Evan Dara reformulate transatlantic Romantic literary debates about technological and environmental change. Arguing that such texts extend previously theorised ties between Romanticism and postmodernism, it identifies enduring ties between late-postmodern accounts of crisis and those of Romantic predecessors. Responding to the upheavals of digital revolution and ecological risks, these texts, published between 1995 and 2012, inventively engage several linchpin constructs in transatlantic Romantic writing: chiefly, the imagined supersession of subjective and temporal boundaries; a sense that the natural and non-human world is of crucial importance; and a reliance on idioms of sublimity to suggest the unrepresentability of the aforementioned crises. Although numerous critics have traced similarities between Romantic and postmodern modes, this thesis considers those resonances as deeper questions of cultural and literary history. It proposes to more carefully historicise the Romantic intellectual heritage in late postmodernism, identifying intermediating moments that inform contemporary accounts of crisis. It unearths how late postmodern technocultural and environmentalist imaginaries were always already Romantic. Deeply informed by countercultural, mid-century American movements and ideas that themselves drew significantly from transatlantic Romanticism, contemporary figurations of upheaval, syncretically figured in mid-century publications such as the Whole Earth Catalog, are indebted to both Romantic and neo-Romantic heritages. This thesis additionally argues that the digital revolution and unprecedented environmental crisis act as pressures on postmodern literary practices from the mid-1990s onward. Digital speeding and a looming sense of ecological risk register as even earlier crises than the terrorist attacks of "9-11", requiring a recalibration of what the postmodern might mean and do. Crucially, in their preoccupation with embodied realities and environments, including natural ones, the contemporary narratives examined here diverge from the assumption that the natural world bears little importance in postmodern fields of representation. Finally, many recent literary experiments figure themselves as materially participating in the technological and medial systems they respond to; formal experimentation is, accordingly, another centre of interest. This research examines how select texts deploy formal strategies to "materially instantiate" Romantic ideas, to borrow Katherine Hayles's term. Although numerous critics have suggested that Romantic discourse permeates digital cultural imaginaries, existing scholarship devotes little attention to how formal experimentation intersects with narrative strategies.

APA, Harvard, Vancouver, ISO, and other styles

4

Ailwood, Sarah Louise. ""What men ought to be" masculinities in Jane Austen's novels /." Access electronically, 2008. http://ro.uow.edu.au/theses/124.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Pauly, Susanne. "Madness in English-Canadian fiction." [S.l. : s.n.], 1999. http://deposit.ddb.de/cgi-bin/dokserv?idn=961035455.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Knox-Shaw, Peter. "The explorer in English fiction." Doctoral thesis, University of Cape Town, 1985. http://hdl.handle.net/11427/22436.

Full text

Abstract:

Although there have been a number of critical works on the novel given over to topics such as adventure, colonization or the politics of the frontier, a comparative study of novels in which an encounter with unknown territory holds central importance has till now been lacking. My aim in this thesis is to analyse and relate a variety of texts which show representatives of a home culture in confrontation with terra incognita or unfamiliar peoples. There is, as it turns out, a strong family resemblance between the novels that fall into this category whether they belong, like Robinson Crusoe, Coral Island or Lord of the Flies, to the "desert island" tradition where castaways have exploration thrust upon them or present, as in the case of Moby Dick, The Lost World or Voss, ventures deliberately undertaken. There are frequent indications, too, that many of the novelists in question are aware of working within a particular, subsidiary genre. This means, in sum, even when it comes to texts as culturally remote as, say, Captain Singleton and Heart of Darkness that there is firm ground for comparison. The emphasis of this study is, in consequence, historical as well as critical. In order to show that many conventions which are recurrent in the fiction inhere in the actual business of coming to grips with the unknown, I begin with a theoretical introduction illustrated chiefly from the writings of explorers. Travelogues reveal how large a part projection plays in every rendering of unvisited places. So much is imported that one might hypothesize, for the sake of a model, a single locality returning a stream of widely divergent images over the lapse of years. In effect it is possible to demonstrate a shift of cultural assumptions by juxtaposing, for example, a passage that tricks out a primeval forest in all the iconography of Eden with one written three centuries later in which - from essentially the same scene - the author paints a picture of Malthusian struggle and survival of the fittest. And since the explorer is not only inclined to embody his image of the natural man in the people he meets beyond the frontiers of his own culture, but is likely also to read his own emancipation from the constraints of polity in terms of a return to an underlying nature, the concern with genesis is one that recurs with particular persistence in texts dealing with exploration. With varying degrees of awareness novelists have responded, ever since Defoe, to the idea that the encounter with the unfamiliar mirrors the identity of the explorer. Their presentations of terra incognita register the crucial phases of social history - the institution of mercantilism, the rise and fall of empire - but generally in relation to psychological and metaphysical questions of a perennial kind. The nature of man is a theme that proves, indeed, remarkably tenacious in these works, for a reason Lawrence notes in Kangaroo: "There is always something outside our universe. And it is always at the doors of the innermost, sentient soul".

APA, Harvard, Vancouver, ISO, and other styles

7

Jones, Margaret Anne. "The Blackshaw Chord ; Crime fiction, literary fiction : why the demarcation?" Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/366620/.

Full text

Abstract:

My thesis is in two parts: Part 1 a novel, Part 2 a critical rationale. The novel examines abuse in a range of manifestations – parental power; alcohol; the press; corporate power – all of which combine to perpetrate a catalogue of abuse against my protagonist. But it is the completely innocent protagonist who is perceived as the abuser. The novel quite deliberately has the feel of a crime story although the only serious crime is off-the-page and not connected with any of the characters or locations. This is intentional. The critical rationale seeks to investigate the classification of crime fiction and literary fiction with crime in it, and attempts to examine where the demarcation appears. Much of the critical rationale examines my novel in this regard. Initially I was looking at the debate from the point-of-view of non-whodunnit crime, but my research took me increasingly towards literary authors who have moved into mystery writing, such as, Kate Atkinson, Susan Hill, John Banville (Benjamin Black) and Joanne Harris. I refer to several novels from the crime genre and from novels which occupy a ‘hinterland’ whereby crime is a major element of the narrative but where they are not regarded as crime fiction. I have researched the shelving policies of the local library and bookshops, and interviewed writers with regard to where they wish their work to be placed. I have also considered briefly what is genre and why hinterland novels are placed somewhere outside the classification of any genre. Where appropriate I have quoted from published authors with regard to their position in this debate, and have used four main novels to discuss the development of my novel - John Brown’s Body; Psycho; Rebecca and Brighton Rock.

APA, Harvard, Vancouver, ISO, and other styles

8

Ambrosini, Richard. "Conrad's fiction as critical discourse." Thesis, University of Ottawa (Canada), 1989. http://hdl.handle.net/10393/20971.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Al-Alami, Suhair. "Utilising fiction to promote English language acquisition." Thesis, Aston University, 2012. http://publications.aston.ac.uk/18726/.

Full text

Abstract:

Towards the end of the university stage, students residing in the United Arab Emirates and specialising in subjects other than English are expected- amongst other university requirements- to have acquired adequate communicative competence as well as a repertoire of critical thinking skills. Despite the efforts made within the field of teaching English to EFL university students in the country, the output gained in terms of acquired skills and competencies is still below expectations. The main concerns of the current thesis are, therefore, a) to investigate the factors which inhibit EFL university students’ progress in the areas of acquiring adequate communicative competence as well as critical thinking skills, and b) to propose a course book and pedagogic methods to improve students’ progress in the areas of acquiring adequate communicative competence as well as critical thinking skills. Believing in the essential role literature plays in enhancing critical thinking and promoting communicative competence on the part of EFL learners, the current study introduces a course, designed and implemented by the researcher: LEARN AND GAIN. The proposed course is fiction-based language teaching, adopting the view that literature is a resource rather than an object, thus advocating the use of literature as one of the main resources in foreign/second language acquisition. Investigating whether or not the proposed course was effective in promoting EFL university students’ communicative competence as well as enhancing their critical thinking skills, a study sample taken from the study population was selected. Adopting an experimental design, the research project involved two groups: experimental and control. The experimental group students were exposed to the proposed course whilst the control group students were exposed to a general English language course. To examine treatment effectiveness, the researcher set and administered a pre-post test. Divided into two main parts, communicative critical reading competence and communicative critical writing competence, the pre-post test measured subjects’ communicative critical reading competence and subjects’ communicative critical writing competence. In addition, a pre-post questionnaire was administered and a semi-structured interview was conducted involving the experimental group students, to gain an awareness of students’ attitudes towards learning literary texts in general, and the proposed course in particular. To examine issues of interest and relevance, gender differences: male vs. female, and university major: science vs. non-science, were also examined for enrichment purposes. For the purpose of gathering sufficient data about subjects’ achievements on the pre-post, the following statistical tests were conducted: Mann-Whitney test, and paired data t-test. Based on the statistical findings, the experimental group students’ performance on the communicative critical reading competence pre-post test and the communicative critical writing competence pre-post test was significantly better than their counterparts of the control group students. Speaking of gender differences in relation to language performance on the communicative critical reading competence pre-post test and the communicative critical writing competence pre-post test, no significant differences were cited. Neither did the researcher cite any significant performance differences between science/non-science students on the communicative critical reading competence pre-post test and the communicative critical writing competence pre-post test. As far as the questionnaire’s findings are concerned, the experimental group students’ responses to the post-questionnaire’s items were more positive than those of their responses to the pre-questionnaire’s, thus indicating some positive attitudes towards literature, which students possibly gained throughout the course of implementation. Relating the discussion to the interview’s results, students conveyed their satisfaction with the proposed course, emphasising that promoting English language skills through the use of literary texts was rewarding. In the light of findings and conclusions, a number of recommendations as well as implications have been proposed. The current study aimed to arrive at some appropriate suggestions to a number of enquiries, yet concluding with some areas of enquiry to be explored for further research.

APA, Harvard, Vancouver, ISO, and other styles

10

Ellsworth, Ann Elizabeth. "Resisting Richardson : Sarah Fielding, Frances Sheridan, Charlotte Lennox, and the didactic novel /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9501.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "English fiction English fiction Romanticism"

1

Kelly, Gary. English fiction of the romantic period, 1789-1830. London: Longman, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Illusions. New York, N.Y: Warner Books, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

March, Jessica. Illusions. Sevenoaks: Hodder and Stoughton, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Recognizing the romantic novel: New histories of British fiction, 1780-1830. Liverpool: Liverpool University Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Romantic correspondence: Women, politics, and the fiction of letters. Cambridge: Cambridge University Press, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Favret, Mary A. Romantic correspondence: Women, politics, and the fiction of letters. Cambridge: Cambridge University Press, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Romanticism and improvisation, 1750-1850. Cambridge: Cambridge University Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

The romance fiction of Mills & Boon, 1909-1990s. London: Philadelphia, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Representing the troubles in Irish short fiction. Washington, D.C: Catholic University of America Press, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Defoe, Gideon. The pirates! in an adventure with the Romantics, or Prometheus versus a terrible fungus. New York: Vintage Books, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "English fiction English fiction Romanticism"

1

Handley, G., and P. Wilkins. "Fiction." In English coursework, 7. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-13026-9_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Handley, G., and P. Wilkins. "Non-fiction." In English coursework, 75–79. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-13026-9_13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Rainsford, Dominic. "Prose fiction." In Literature in English, 44–57. Second edition. | New York City : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429277399-6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Alexander, Michael. "Fiction." In A History of English Literature, 285–308. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-04894-3_11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Müller, Timo. "Analyzing Prose Fiction." In English and American Studies, 340–45. Stuttgart: J.B. Metzler, 2012. http://dx.doi.org/10.1007/978-3-476-00406-2_25.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Varughese, E. Dawson. "Indian Fiction in English." In The Routledge Companion to Twenty-First Century Literary Fiction, 180–89. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge companions to literature series: Routledge, 2019. http://dx.doi.org/10.4324/9781315880235-17.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Pollard, Patrick. "Exploring English Realist fiction." In Franco-British Cultural Exchanges, 1880–1940, 102–15. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137030788_7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Millgate, Michael. "Candour in English Fiction." In Thomas Hardy, 281–92. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1057/9780230379534_23.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Hadfield, Andrew. "Prose Fiction." In A Companion to English Renaissance Literature and Culture, 576–88. Malden, MA, USA: Blackwell Publishers Ltd, 2007. http://dx.doi.org/10.1002/9780470998731.ch48.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Piskurek, Cyprian. "Hooligan Fiction." In Fictional Representations of English Football and Fan Cultures, 171–215. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76762-8_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "English fiction English fiction Romanticism"

1

Zabolotneva, Oksana L. "Some Specific Features Of The English Fiction Discourse." In WUT 2018 - IX International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.04.02.93.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Oprishch, Natalia. "INGENIOUS WAYS OF TEACHING ENGLISH THROUGH MODERN FICTION." In 15th International Technology, Education and Development Conference. IATED, 2021. http://dx.doi.org/10.21125/inted.2021.0909.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Kusumastuti, Fenty. "Analyzing Translation through the Science Fiction Film Arrival." In 1st Bandung English Language Teaching International Conference. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0008214600050013.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Nurieva, Nailya, Tatyana Borisova, and Margarita Kulikova. "Application of Blended Learning in English Fiction Literature Course." In the 2nd International Conference. New York, New York, USA: ACM Press, 2018. http://dx.doi.org/10.1145/3284497.3284504.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Dzyubenko, Anna. "ON SOME CONCEPTS' INTERRELATION IN MODERN ENGLISH FEMALE FICTION." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/32/s14.114.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Spichko, Nataly. "Fiction in School Textbooks as Reflection on English Culture." In TSNI 2021 - Textbook: Focus on Students’ National Identity. Pensoft Publishers, 2021. http://dx.doi.org/10.3897/ap.e4.e0894.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Saeed, Ismael M. Fahmi, and Lanja A. Dabbagh. "The Function of the Beginnings and Endings in English Fiction." In 8TH INTERNATIONAL VISIBLE CONFERENCE ON EDUCATIONAL SCIENCE AND APPLIED LINGUISTICS. Ishik University, 2017. http://dx.doi.org/10.23918/vesal2017.a17.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Nazarova, T. B. "Teaching Business English (TBE) And Business Fiction: Methodology And Material." In Topical Issues of Linguistics and Teaching Methods in Business and Professional Communication. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.12.02.3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Pak, S. M. "Explication Of Russian Reality In Works Of Translingual Fiction In English." In AmurCon 2020: International Scientific Conference. European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.06.03.93.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Pilar, Martin. "THE PHENOMENON OF �CULT FICTION� AND ITS MEANING IN ENGLISH SPEAKING COUNTRIES AND IN CENTRAL EUROPE." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.1/s27.074.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!