Relevant bibliographies by topics / Ephemerality

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ephemerality'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 June 2025

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Journal articles on the topic "Ephemerality"

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Siddiqi, Anooradha. "Ephemerality." Comparative Studies of South Asia, Africa and the Middle East 40, no. 1 (2020): 24–34. http://dx.doi.org/10.1215/1089201x-8186005.

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Abstract What are the politics of ephemerality? In the United Nations High Commissioner for Refugees establishment at Dadaab, Kenya, a massive complex of refugee camps near the border of Somalia, the visual and architectural terms of ephemerality—a permanent impermanence—transform the act of seeing. By thinking through one refugee's experience and analyzing urbanism, architectural form and symbolism, and spatial-political organization, this essay suggests that ephemerality plays a part in structuring subjectivity, with implications for the narration of history.
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Anderson, Emily Hodgson. "Owning Ephemerality." Eighteenth-Century Life 48, no. 2 (2024): 100–105. http://dx.doi.org/10.1215/00982601-11118352.

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Harmon, Justin. "The ephemerality of community." Annals of Leisure Research 22, no. 1 (2018): 1–4. http://dx.doi.org/10.1080/11745398.2018.1460730.

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Sarumi, Kahar Wahab. "Between Ephemerality and Eternality." Journal of Interdisciplinary Studies 34, no. 1 (2022): 147–71. http://dx.doi.org/10.5840/jis2022341/29.

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The question of beauty continues to engage humans, especially intellectuals, who inquire into its quintessence and the sources from which it derives. Does beauty consist in attaining geometric harmony of structure and shape, or in achieving numerical proportion in audio and visual? Or, does beauty transcend all that, to crystalize into an absolute essence that conforms to high values as justice, truth, and goodness? How long does beauty last? Does it terminate at the terrestrial realm or transcend to the celestial? What kind of beauty is essential for the attainment of transcendence and eschatological happiness? Beauty is two-sided, one is transient, the other eternal. This essay examines the concept of beauty in Arabic poetical compositions of Muslim mystics, and explores how they construe beauty and identify its locus vis-à-vis transcendence between ephemerality and eternality as seen in the poems by Ibn al-Farîd and al-Tilimsânî. The former perceives God’s name and attributes as embodiment of absolute beauty, and everything in the universe, as manifestations of the beauty, while the latter argues that every beauty in the universe derives from God’s absolute beauty.
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Petersky, Rose, and Adrian Harpold. "Now you see it, now you don't: a case study of ephemeral snowpacks and soil moisture response in the Great Basin, USA." Hydrology and Earth System Sciences 22, no. 9 (2018): 4891–906. http://dx.doi.org/10.5194/hess-22-4891-2018.

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Abstract. Ephemeral snowpacks, or those that persist for < 60 continuous days, are challenging to observe and model because snow accumulation and ablation occur during the same season. This has left ephemeral snow understudied, despite its widespread extent. Using 328 site years from the Great Basin, we show that ephemeral snowmelt causes a 70-days-earlier soil moisture response than seasonal snowmelt. In addition, deep soil moisture response was more variable in areas with seasonal snowmelt. To understand Great Basin snow distribution, we used MODIS and Snow Data Assimilation System (SNODAS) data to map snow extent. Estimates of maximum continuous snow cover duration from SNODAS consistently overestimated MODIS observations by >25 days in the lowest (<1500 m) and highest (>2500 m) elevations. During this time period snowpack was highly variable. The maximum seasonal snow cover during water years 2005–2014 was 64 % in 2010 and at a minimum of 24 % in 2014. We found that elevation had a strong control on snow ephemerality, and nearly all snowpacks over 2500 m were seasonal except those on south-facing slopes. Additionally, we used SNODAS-derived estimates of solid and liquid precipitation, melt, sublimation, and blowing snow sublimation to define snow ephemerality mechanisms. In warm years, the Great Basin shifts to ephemerally dominant as the rain–snow transition increases in elevation. Given that snow ephemerality is expected to increase as a consequence of climate change, physics-based modeling is needed that can account for the complex energetics of shallow snowpacks in complex terrain. These modeling efforts will need to be supported by field observations of mass and energy and linked to finer remote sensing snow products in order to track ephemeral snow dynamics.
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KONDO, Kazuto. "Controlling the “Ephemerality” of Screens." Japanese Sociological Review 69, no. 4 (2019): 485–501. http://dx.doi.org/10.4057/jsr.69.485.

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Petrova, Miroslava. "Design for Ephemerality – Idiosyncrasy and Challenges." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 259–72. http://dx.doi.org/10.18844/prosoc.v4i11.2882.

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Lying at the intersection between architecture, art and design, ephemeral spaces are intentionally developed to exist only for a short period of time, to be destroyed or cease to exist at a given moment. The specific nature of temporary environments requires a different design approach in regard to concept development, choice of materials, constructive solutions, visual perception and spatial experience.The aim of the research is to explore the potential of ephemeral spaces for redefining the architectural boundaries and their heuristic significance for the future development of the design field. Following this objective, the factors for the proliferation of these spaces are studied and a typology in terms of their contextual ephemerality is developed. The research method is based on the structural and semiotic analysis of purposefully selected archetypal examples through which the key characteristics distinguishing ephemeral spaces from permanent ones are discovered. In conclusion, implications on how to teach design students to deal with the inherent dialectics in ephemeral spaces and how to design for ephemerality are discussed. Keywords: Ephemeral spaces, spatial experience, design education.
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Bruce, Caitlin Frances. "Tour 13: From Precarity to Ephemerality." GeoHumanities 2, no. 2 (2016): 432–52. http://dx.doi.org/10.1080/2373566x.2016.1234352.

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Bordone, Adrien. "The Ephemerality Of The Snapchat Image." Architecture Image Studies 1, no. 1 (2020): 64–70. https://doi.org/10.62754/ais.v1i1.12.

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In this paper, I thematize the nature of the ephemeral image. This new kind of picture, which became popular across social media through the application Snapchat, offers a peculiar phenomenological experience for the user, which I mainly engage through the recent work of the German philosopher Lambert Wiesing. The main thesis of this work is that ephemeral images appear to their users with a greater degree of presence, enhancing their actuality and orality, and developing our memory capabilities.
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Hall, Daniel. "Exploring wine knowledge, aesthetics and ephemerality: clustering consumers." International Journal of Wine Business Research 28, no. 2 (2016): 134–53. http://dx.doi.org/10.1108/ijwbr-09-2015-0044.

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Purpose The purpose of this paper is to investigate the relationship between consumer wine knowledge and the aesthetics and ephemerality of wine consumption. Design/methodology/approach A survey of 254 respondents for questions relating to objective wine knowledge and frequency of wine consumption, as well as the aesthetics and ephemerality of wine consumption was conducted. Clustering analysis was used to produce four discrete consumer clusters that provide insight into Berthon et al.’s (2009) aesthetic and ontology (AO) framework for the consumption of luxury wine brands. Findings The paper finds that four clusters of wine consumers can be identified that exhibit common characteristics outlined in the AO framework. Practical implications By clustering consumers and mapping these clusters, the AO framework provides wine marketers with a useful tool to segment the luxury wine market and to develop and deploy tailored wine marketing strategies to target each segment effectively. Originality/value This study is one of the first to investigate the relationship between consumer wine knowledge, aesthetics and ephemerality. It offers luxury wine marketers useful insights into targeting wine consumers according to their common characteristics.
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Dissertations / Theses on the topic "Ephemerality"

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Buss, Robert Q. Jr. "Monumental Ephemerality." Thesis, Virginia Tech, 1997. http://hdl.handle.net/10919/35435.

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This thesis completes the process of making architecture. It is a small project designed and built full scale. The act of realizing this work of architecture offered opportunities and limitations that do not exist within the confines of a desk project but, I believe, ultimately produced a stronger project. This is a piece of micro-architecture. In order to create a project that is realizable for a thesis, I chose a small program: to design an exhibition structure that could be used outdoors to display and sell handmade items such as pottery. Since the use is temporary, the structure is designed to be portable, thus the assembly and disassembly of the building becomes a significant influence on the design. Beyond budget, weight and volume of the collapsed structure were significant design constraints. This thesis is not just an exploration of tectonics. A great deal of effort was spent to ensure that the inside of the structure is still perceived as an outside space even though it provides protection from the weather and the activities of the street. A membrane keeps the water out while letting the light in; it blocks vision while transmitting shadow, and, while screening large areas from view, it reveals glimpses of people, activities, and the sky beyond. The lightweight aluminum structural frame visually dissappears. The fabric roof and side panels provide the main visual mass for the building and they are perceived mainly through the quality of light that they transmit and reflect. One looks at a structure but sees only its ephemerality.<br>Master of Architecture
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Stone, Lisette Julianne. "Ephemerality in Stasis." Thesis, Virginia Tech, 2019. http://hdl.handle.net/10919/89609.

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Through an exploration of media and technique, this project sought to represent pregnant silence and portentous darkness within architecture: ephemeral effect drawn in stasis. A sequence of three rooms - formed constructively, but intuited through tone - imagine interior worlds in which the stage is perpetually set, but the performance itself never begins.<br>Master of Architecture<br>Through an exploration of media and technique, this project sought to represent pregnant silence and portentous darkness within architecture: ephemeral effect drawn in stasis. A sequence of three rooms - formed constructively, but intuited through tone - imagine interior worlds in which the stage is perpetually set, but the performance itself never begins.
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Glandon, Kyle T. "Exploiting ephemerality temporary architecture and placemaking /." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1179346332.

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Thesis (Master of Architecture)--University of Cincinnati, 2007.<br>Title from electronic theses title page (viewed Jul.17, 2007.) Includes abstract. Keywords: placemaking, temporary, boathouse Includes bibliographic references.
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GLANDON, KYLE T. "EXPLOITING EPHEMERALITY: TEMPORARY ARCHITECTURE AND PLACEMAKING." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179346332.

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Cowan, Gregory John. "Nomadology in architecture : ephemerality, movement and collaboration." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09ARCHM/09archmc8742.pdf.

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Bibliography: leaves 138-149. This thesis investigates the theoretical and practical importance of nomadic ways of life for architecture. Nomadology is a construction of Deleuze and Gattari's 'counter-philosophy' challenging authenticity and propriety, in this case, in the context of architecture. It describes how nomadology may challenge static, permanent, heroically solitary ways of working and dwelling, and suggests strategies - diagramming, ephemerality, movement, and collaboration - as ways of reconciling nomadism and architecture.
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Martinon, Jean-Paul. "The ephemeral event in modern and contemporary art : words from ashes." Thesis, University of Reading, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269658.

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Livesey, Graham. "Narrative, ephemerality and the architecture of the contemporary city." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60547.

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This thesis proposes the exploration of three architectural sources that are narrative in nature: the Renaissance Entry of a Monarch as a public event in the city, the Surrealist novel as a critical medium, and the Teatro del Mondo project by Aldo Rossi for the Venice Biennale of 1979-80, in order to address the making of architecture in the contemporary city. The royal entry and the modern novel are forms that provide for possible interpretation of the city and reflect the difference between the modern and the pre-modern eras. Aldo Rossi's Teatro del Mondo as a work of architecture that was both ephemeral and a place of narrative, was a project that addressed the difficult problems of the architecture of the city. Architecture no longer participates in the realization of ritualistic narrative, as when the festival gave permanence to urban institutions by revealing the order of the Cosmos. However, there remains the necessity for architecture to engage imagination and the narratives implicit in the world.
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Henkel, Laura [Verfasser]. "Here today, gone tomorrow: Pop-up stores’ ephemerality and consumer behavior / Laura Henkel." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2021. http://d-nb.info/1234236176/34.

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Kwon, Hyosun. "From ephemerality to delicacy : applying delicacy in the design space of digital gifting." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/46705/.

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We encounter uncountable ephemeral phenomena in everyday life. Some of them are particularly appreciated for their ungraspable beauty and limited availability. From the outset, one strand of computing technology has evolved to encapsulate and preserve this transient experience. A myriad of digital devices has been developed to capture the fleeting moments and to store as digital files for later use, edit, share, and distribute. On the other hand, a portion of Human-Computer Interaction (HCI) research has engaged in adopting the transience of temporal phenomena in the design of interactive computing systems. Some computer and mobile applications metaphorically adopt the ephemerality in graphical elements or functions that resemble our real world experiences such as, forgetting and real-time conversation that naturally fades away immediately. Interactive artefacts or installations often incorporate ephemeral materials for abstract and artistic expression. Therefore, ephemeral artefacts or phenomena are often employed as a passive design element in ambient and peripheral interactions rather than in applications for practical purpose. However, ephemeral materials also engender experiences of a non-ambient nature. Some materials are physically fragile, only lasting for a brief moment, and therefore require constant care to retain their status, which might lead to highly focused attention, delicate interaction, and even a tense experience. This thesis aims to investigate how to harness the fleeting and irreversible feature of ephemeral artefacts in the design of practical products and services. This PhD builds on the methods of design-oriented HCI research. Thus, this thesis will present a research process that involves a series of challenges to initially frame a design problem in a fertile area for exploration; speculate a preferred situation; develop proof-of-concept prototypes to demonstrate the potential solution; and evaluate the prototypes through a user study. Contributions of this PhD have visualised by the outputs from multiple design studies. First, this thesis illustrates how the concept of ephemerality is currently understood in HCI. Then proposes a different approach to the use of ephemeral materials by shifting the focus to delicacy. The first design study introduces FugaciousFilm, a soap film based interactive touch display that shifted ephemerality from a user’s periphery to the focal point of interaction. The prototype is a platform for manifesting ephemeral interactions by inducing subtly delicate experiences. By demonstrating that ephemeral interactions reinforce user’s attention, delicacy was noticed as an attribute of user experience. By understanding of the use of delicacy, the research focus has moved from exploring how an individual ephemeral material can be utilised in interaction design, to harnessing delicacy of such materials in experience design that benefits Human-Computer Interaction. Thus, this thesis recaptures digital gift wrapping as a context by reviewing the current state of affairs in digital gifting in the field of HCI and design. A 5-stage gifting framework has been synthesised from the literature review and guided this PhD throughout the studies. The framework ought to be seen as a significant contribution in its own right. Based on this framework, a series of interviews was conducted to identify any weaknesses that reside in current media platforms, digital devices, and different modes of interaction. Hence, ‘unwrapping a digital gift’ has captured as a gap in the design space that could be reinforced by a delicate, ephemeral interaction. Therefore, this PhD proposes Hybrid Gift, a series of proof-of-concept prototypes that demonstrates digital gift wrappings. Hybrid Gift has been probed in a semi-structured design workshop to examine the use of delicacy and ephemerality in the design of digital gifting practices. The prototypes were designed to retrieve not only the unwrapping experience but also rituals around gift exchange. Therefore, this thesis discusses design implications of the findings that emerged throughout the study. Digital gifting is still an under-explored research area that is worthwhile to investigate through field works. Thus, the design implications and the framework are proposed to researchers and designers who wish to engage in the arena of digital gifting, also broadly in social user experience, and communication service and system design. From a macroscopic perspective, we are experiencing fleeting moments every second, minute, and day. However, they are rarely noticed unless we recognise that time passes irreversibly. This thesis extracted delicacy as a feature of ephemeral interactions and argued that it holds the potential to augment and enhance mundane experiences mediated by digital technology. In so doing, the series of design studies has conceptually influenced the design perspective to be shifted from material-oriented design to experience-focused design research. The design space of digital gifting would not have been recognised without the hands-on design practices in the process of this PhD. Finally, the proof-of-concept prototypes, framework, and design implications are thought to be of significance and value to the design students, researchers, and designers who want to employ similar methods and approaches in design research.
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Aljouhi, Dania. "SNAPPING LIVE: EXPLORING THE EFFECTS OF EPHEMERALITY NATURE OF MESSAGING IN SOCIAL MEDIA SETTINGS." Cleveland State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=csu1493758644071387.

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Books on the topic "Ephemerality"

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Ferreri, Mara. The Permanence of Temporary Urbanism. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462984912.

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Temporary urbanism has become a distinctive feature of urban life after the 2008 global financial crisis. This book offers a critical exploration of its emergence and establishment as a seductive discourse and as an entangled field of practice encompassing architecture, visual and performative arts, urban regeneration policies and planning. Drawing on seven years of semi-ethnographic research, it explores the politics of temporariness from a situated analysis of neighbourhood transformation, media representations and wider political and cultural shifts in austerity London. Through a longitudinal engagement with projects and practitioners, the book tests the power of aesthetic and cultural interventions and highlights tensions between the promise of vacant space re-appropriation and its commodification. Against the normalisation of ephemerality, it presents a critique of the permanence of temporary urbanism as a glamorisation of the anticipatory politics of precarity which are transforming cities, subjectivities and imaginaries of urban action.
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Greg, Andonian, Lasker G. E. 1935-, International Institute for Advanced Studies in Systems Research and Cybernetics., and International Conference on Systems Research, Informatics and Cybernetics (10th : 1998 : Baden-Baden, Germany), eds. Advances in systems research and cybernetics: Consciousness--cognition--communication--intelli gence, patterns and forms of life, cognition systems research, language, dispositions, adaptation, emergence and representations, third order cybernetics, quantum theory and evolutionary biology, modeling aquatic ecological systems, architecture and cybernetics, transparency, ephemerality & tectonics in architectural design, poetics, color and kinetics: content & computing, digital-human interface in CAAD, computerized communication of design, a new approach to the examination of musical styles. International Institute for Advanced Studies in Systems Research and Cybernetics, 1999.

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Merlehan, Abbie J. Ephemerality. Blurb, 2018.

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Merlehan, Abbie J. Ephemerality. Blurb, 2018.

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Kelso, Pamela. Ephemerality. Blurb, 2018.

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James, Keiran. Ephemerality. Independently Published, 2020.

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Merlehan, Abbie J. Ephemerality. Blurb, 2018.

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Wang, Ginger. Eternal Ephemerality. Blurb, 2018.

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Todd, Cain. Representation and Ephemerality in Olfaction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198722304.003.0004.

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Many philosophers have claimed that, unlike vision and audition, olfaction either fails to be representational or is, in various respects, representationally impoverished. In particular, some have argued that olfaction cannot by itself, without being supplemented by other sensory or recognitional capacities, represent material objects and is at best confined to the representation of odours. Construed phenomenologically, I argue that these claims are false, at least for some olfactory experiences and some types of olfactory object. I also suggest that the requirements placed on representation by an implicit or explicit focus on vision should be challenged. Finally, I show how the temporality, ephemerality, and valence that characterize much olfactory experience actually contribute to its representational richness and uniqueness.
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Greek Poetry in the Age of Ephemerality. Cambridge University Press, 2023.

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Book chapters on the topic "Ephemerality"

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Xu, Xuanzi. "Ephemerality." In Online News-Prompted Public Spheres in China. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-12156-2_7.

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Ferentinos, Panagiotis. "Digitalising ephemerality." In Diffracting Digital Images. Routledge, 2021. http://dx.doi.org/10.4324/9781003042129-9.

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Sparling, Heather. "Spontaneity and Ephemerality." In Disaster Songs as Intangible Memorials in Atlantic Canada. Routledge, 2022. http://dx.doi.org/10.4324/9781003218494-5.

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Wiggins, Alison. "Paper and Elite Ephemerality." In Practices of Ephemera in Early Modern England. Routledge, 2022. http://dx.doi.org/10.4324/9781003058588-7.

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Wymer, Kathryn C. "Dealing with Digital Ephemerality." In Introduction to Digital Humanities. Routledge, 2021. http://dx.doi.org/10.4324/9781003149378-2.

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Monaghan, Whitney. "Queer Girls and Mashups: Archiving Ephemerality." In Youth Mediations and Affective Relations. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98971-6_8.

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Rosenstock, Bruce. "“The Sun Is New Every Day” (Heraclitus D-K frg. B6)." In The Before and the After. punctum books, 2025. https://doi.org/10.53288/0446.1.09.

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Through an implicit dialogue between Arendt and Derrida, this essay considers the Greek reflection on ephemerality in order to respond to the crisis in what Tim Ingold calls “humanifying,” a crisis that has acquired the unique power to upset the life-sustaining balance of earth and sun. By unpacking the significance of ephemerality in Greek poetic and philosophical sources we gain an insight into the challenge to the future of the species that we have faced with growing urgency since the technological-industrial revolution inaugurated by the invention of the coal-run steam engine. The essay ends with a discussion of Hortense Spillers’s reflections on the Black mother in light of Heraclitus. The conclusion, drawn from a Spillerian reading of Heraclitus, and a Heraclitean reading of Spillers, is that only the powers of natality can “break in upon” the bioengineering imagination of a patriarchal order that has never ceased to hope for a birthday like that of the sun, when a man can spring to life in ever-renewable glory, in “the beautiful homogeneity of the Same.” Death does not have the power to free us from this blinding hope to overcome ephemerality, for death is what drives this hope forward. Only birth can save us.
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Doyle, Ronan, Kieran Conboy, and David Kreps. "An Interdisciplinary Review of Ephemerality for Information Systems Research." In Co-creating for Context in the Transfer and Diffusion of IT. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-17968-6_1.

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Stewart, David. "‘Infinite Profit in a Little Book’: Ephemerality and the Annuals." In The Form of Poetry in the 1820s and 1830s. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70512-5_3.

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Gourlay, Lesley. "Postdigital/More-Than-Digital: Ephemerality, Seclusion, and Copresence in the University." In Postdigital Science and Education. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-31299-1_4.

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Conference papers on the topic "Ephemerality"

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Farkasova, Simona. "EPHEMERALITY AS NEW PRACTICE." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.1/s21.042.

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Bødker, Susanne, and Ellen Christiansen. "Designing for ephemerality and prototypicality." In the 2004 conference. ACM Press, 2004. http://dx.doi.org/10.1145/1013115.1013151.

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"Session details: Aesthetics, ephemerality and experience." In DIS04: Designing Interactive Systems 2004. ACM, 2004. http://dx.doi.org/10.1145/3244257.

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DEL FRESNO-GUILLEM, RUTH. "The acceptance of ephemerality and the idea of deterioration." In II Congreso Internacional Estéticas Híbridas de la Imagen en Movimiento: Identidad y Patrimonio. Universitat Politàcnica de València, 2021. http://dx.doi.org/10.4995/eshid2021.2021.13230.

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In an era of technology-based life, we might understand the language but not pay attention to the message. Conservators, historians, curators, collectors have been focusing their efforts on finding strategies to preserve, document, exhibit, sell and maintain the idea of authenticity. It is essential to discuss and re-define our limits, the ethics that concern these “new” languages. Languages have been around for almost half a century, but we still think they are new technologies. From the Performance Art, art-related professionals learned that sometimes art is like a smell; it is there, you can feel it, you can store it in your inner brain, describe it, and remake it, but it is not there. We accept strategies that help the market, the history, the institutions, the collectors. We all play the same game with different hats. However, what when the artist explicitly says no. In a previous Ph.D. research, a study on the use of the artist’s interview; the aim of this research was not to show how good the artist’s interview was, as it had been long proved, but to collect and compare the results, the mistakes, the human part of the creative process and the conservation field. Making questions is one of the essential parts of the research, and most of the time, not an answer can be found, not even the shadow of an academically accepted answer, but some other smells were found. This abstract wants to expose the case study of a piece made to stay for the period that technology and life permitted; an image made with an old technology telephone, one printed copy, on a low-quality paper, framed with an Ikea frame. No replacement is allowed, no treatments, no migration or storage of the file. The interview helped to understand the idea of deterioration. An idea linked to the durability and acceptance of its death. Are we ready to accept the real ephemerality? Do we understand the preservation of the idea of deterioration? Is the collector, the institution, ready to enjoy while it lasts? This presentation can be delivered as a talk or as a conversation with the artist involved in the study case.
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Luria, Michal, and Nate Foulds. "Hashtag-Forget: Using Social Media Ephemerality to Support Evolving Identities." In CHI '21: CHI Conference on Human Factors in Computing Systems. ACM, 2021. http://dx.doi.org/10.1145/3411763.3451734.

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Lindtner, Silvia, and Bonnie Nardi. "Venice, California and World of Warcraft: Persistence and Ephemerality in Playful Spaces." In 2008 41st Annual Hawaii International Conference on System Sciences. IEEE, 2008. http://dx.doi.org/10.1109/hicss.2008.491.

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Ma, Haitian. "Towards an Aesthetic of Ephemerality: Curating Documentation Footage at the EYE Filmmuseum 2021 Exhibition All about Theatre about Film." In AHM Conference 2022: ‘Witnessing, Memory, and Crisis’. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789048557578/ahm.2022.020.

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Silva Junior, Igino, and Flávio Luiz Schiavoni. "Sustainable Interfaces for Music Expression." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10424.

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The creation of Digital Musical Instruments (DMI) tries to keep abreast the technological progress and sometimes it does not worry about some possible side effects of its development. Obsolescence and residues, rampant consumption, constant need to generate innovation, code ephemerality, culture shock, social apartheid, are some possible traps that an equivocated DMI development can bring up to society. Faced all these possibilities, we are trying to understand what can be a sustainable Digital Instrument analyzing several dimensions of sustainability, from economical to cultural, from social to environmental. In this paper, we point out some possibilities to try to reach up more sustainable instruments development bringing up the human being and values like cooperation and collaboration to the center of the DMI development discussion. Through some questions, we seek to instigate a paradigm shift in art-science and provide a fertile field for future research.
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Sareen, Harpreet, Yibo Fu, and Yasuaki Kakehi. "Ephemera: Bubble Representations as Metaphors for Endangered Species." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-26-short-sareen-et-al-ephemera.

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SHORT PAPER. The effects of a hierarchical relationship of humans with non-humans are now more pronounced than ever. Anthropogenic ecological stressors, including high levels of carbon dioxide, water scarcity, habitat fragmentation have led to disruption of climate systems, in turn endangering many local and global species. ephemera is an installation composed of glass vessels that show bubble images representing animals from all continents and ecologies currently under threat as per the IUCN Red list. These self-assembling bubble pictures, formed by nucleation of CO2 bubbles in water, are in a homeostasis at the beginning of the installation and shrink each hour to eventually disappear in a few days. The tension between the present endangerment and the urgency of the future action, manifests in the shrinking of these bubbles, invoking unnatural ephemerality due to the human effect. The fauna pictures in this installation, composed of carbon dioxide bubbles, symbolize the transitoriness of now threatened species.
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Hill, Jonathan. "Between Six and a Million." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.33.

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Ephemerality and speed of change are the most distinctive qualities of the contemporary city. In this context, space is more tangible and constant than mass. So often, space is assumed to be the void between objects. Instead, it is a heavy, tactile, sensual substance in which the body is immersed. The resulting perception of space, as a material presence, inverts the conventional perception of architectural space as the void between physical, tangible architectural elements: the walls, floors and ceilings. Architects are primarily interested in form, a condition re-inforced by the architectural photograph. However, if architects re-consider space, they will realise that its population is not static and predictable, as the Modernists assumed, but fluid and indeterminate. Six people one minute and one million the next. For architects, the aim must be to design space and to think spatially. As there is no singular ‘form’ to space, the consequences of a spatial agenda are not uniform but they will transform the ways in which architecture is used, produced and discussed.
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