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Relevant bibliographies by topics / Ernest Hemingway – Criticism and interpretation

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Academic literature on the topic 'Ernest Hemingway – Criticism and interpretation'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Ernest Hemingway – Criticism and interpretation"

1

Wang, Yufeng. "Hemingway’s Ecological Consciousness in “An African Story”." Journal of Language Teaching and Research 11, no. 4 (2020): 599. http://dx.doi.org/10.17507/jltr.1104.10.

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Ernest Hemingway’s stories with African Safari themes play a significant role in his abundant works and they deserve an in-depth investigation. However, little academic scholarship has been devoted to these African stories compared with his other works. As eco-criticism has become an important perspective of the Hemingway studies, this article is an eco-critical interpretation and deep exploration of the ecological consciousness in “An African Story”. In this story, Hemingway revealed man’s cruelty towards the animals and presented his contemplation over the conflict between man and nature fro

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Evdokimov, Aleksandr Viktorovich. "TWO VERSIONS OF ERNEST HEMINGWAY’S CREATIVITY INTERPRETATION IN ANDREI PLATONOV’S LITERARY CRITICISM." Philological Sciences. Issues of Theory and Practice, no. 12-3 (December 2018): 441–44. http://dx.doi.org/10.30853/filnauki.2018-12-3.4.

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Yongju, Yuan. "Ernest Hemingway's Female Consciousness." IRA International Journal of Education and Multidisciplinary Studies 17, no. 2 (2021): 69. http://dx.doi.org/10.21013/jems.v17.n2.p4.

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Ernest is often stereotyped as a masculine writer as much of his work focuses on hunting, fishing, boxing, and bullfighting. With the rise of the women movement in the 1960s and feminist criticism in the department of literature, Hemingway became Enemy Number One for many critics, who accused him of perpetuating sexist stereotypes in his writing. By analyzing some female characters in his major works, this paper argues that as a skilful writer in depicting the male sphere, Hemingway has created many female characters that deserve commendation, and the mainstream of his female consciousness is

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Karjagdiu, Lirak, Naim Kryeziu, and Isa Spahiu. "The Reception of Ernest Hemingway’s Works in Albanian Literature and Culture." Arab World English Journal For Translation and Literary Studies 5, no. 3 (2021): 151–68. http://dx.doi.org/10.24093/awejtls/vol5no3.11.

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The main aim of this paper is to illuminate the positive reception and influence of Hemingway’s translated work in the Albanian-speaking world. On the whole, Hemingway’s reception in Albanian literature and culture has largely been overlooked and it thus requires more profound attention and consideration. Hence, this paper will attempt to fill up a large vacuum that existed so far in Ernest Hemingway’s reception in Albanian literature and culture.“Jeta e re,” one of the most reputable literary journals in Kosova, published several journalistic and literary critiques on Hemingway written by var

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Kaifu, Chen. "A Study of Narrative Strategies in A Farewell to Arms." English Language Teaching 12, no. 9 (2019): 122. http://dx.doi.org/10.5539/elt.v12n9p122.

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A Farewell to Arms by Ernest Hemingway in his early creative time, has been rated as &ldquo;the representative classic in the Lost Generation&rdquo; for its particular narrative strategies. This paper gives a systematic analysis of its narrative order, narrative voice and narrative situation so as to achieve a better interpretation of the narrative effect of this novel.

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Maver, Igor. "The old man and Slovenia: Hemingway studies in the slovenian cultural context." Acta Neophilologica 23 (December 15, 1990): 51–62. http://dx.doi.org/10.4312/an.23.0.51-62.

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The name of Ernest Hemingway was first mentioned in Slovenian literary criticism by the writer and critic Tone Seliškar in 1933. Soon afterwards, Griša Koritnik, the foremost translator of English and American literatures in the period between the two wars, in his article »The Great War in the English Novel« described the protagonist of the novel A Farewell to Arms (1929) somewhat enigmatically as »the symbol of the old generation«. In a short survey of contemporary American literature, which Anton Debeljak in 1939 freely adapted from the article previously published by J. Wood Krutch in The T

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Maver, Igor. "The old man and Slovenia: Hemingway studies in the slovenian cultural context." Acta Neophilologica 23 (December 15, 1990): 51–62. http://dx.doi.org/10.4312/an.23.1.51-62.

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The name of Ernest Hemingway was first mentioned in Slovenian literary criticism by the writer and critic Tone Seliškar in 1933. Soon afterwards, Griša Koritnik, the foremost translator of English and American literatures in the period between the two wars, in his article »The Great War in the English Novel« described the protagonist of the novel A Farewell to Arms (1929) somewhat enigmatically as »the symbol of the old generation«. In a short survey of contemporary American literature, which Anton Debeljak in 1939 freely adapted from the article previously published by J. Wood Krutch in The T

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8

Telaumbanua, Faehusi. "An analysis of symbols in spanish civil war as seen in For whom the bell tolls by ernest hemingway." Jurnal Ilmiah Langue and Parole 1, no. 1 (2017): 183–90. http://dx.doi.org/10.36057/jilp.v1i1.19.

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The problem in this thesis is the symbols contained in the civil war in Spain. This fight has taken many casualties, death is common, but the soldiers continue to struggle and sacrifice for the hope of victory. The three themes of the struggle about death, sacrifice, and hope are reflected in the symbols of the war. In this writing, literature research is taken as a method of data collection. As for data analysis methods, the authors perform systematic procedures with the understanding of novels, symbols and symbol analysis, as well as semiotic theory. Data collection techniques use docu

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Segal, Harry G. "Life Without Father: The Role of the Paternal in the Opening Chapters of Huckleberry Finn." Journal of American Studies 27, no. 1 (1993): 19–33. http://dx.doi.org/10.1017/s0021875800032643.

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Critics have argued for generations about the failure of the ending of Huckleberry Finn. Ernest Hemingway began the debate by characterizing the escapades at Silas Phelps' farm as “cheating” his statement was soon followed by rhetorical volleys between Eliot, Trilling, Marx, and others whose writings, taken together, form a miniature canon all their own. While the ending has been variously defended on formal, political, aesthetic, and moral grounds, the very presence of a debate sustained for more than sixty years bears witness to the “problem” of those closing chapters. Perhaps the most simpl

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Kupfer, Charles A. "Ring Lardner's You Know Me Al: Up from Popularity." Prospects 30 (October 2005): 487–504. http://dx.doi.org/10.1017/s0361233300002143.

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Ring Lardner's position in American literature suffers more from the praise he gains than the criticism he receives. His reputation as an acerbic journalist, mordant satirist, master dialectician, and popular sportswriter still draws clouds of suspicion across the minds of highbrow critics weighing his stature as a serious writer.Lardner himself did nothing to debunk the notion that he was at heart a pulp author, never tearing away from his journalistic roots as did other authors who started their careers in the newspaper business. It may have been comfort with his preferred environment, or a

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Dissertations / Theses on the topic "Ernest Hemingway – Criticism and interpretation"

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McKendy, Andrew. "The dead Hemingways : a rationale of the writer in decline." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24094.

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Primarily, the thesis will reconsider the "minority report" position regarding Hemingway, and attempt to rationalize attendant charges that Hemingway's later fiction betrayed elements of self-parody (Across the River and Into the Trees. 1950), self-imitation (The Old Man and the Sea, 1952), and self-indulgence (A Moveable Feast, 1964). The minority report holds that the later writer had come to identify with the image of his public persona, and that subsequent attempts at fiction were as a result overcharacterized by self-congratulation, wish-fulfillment, and a crucial loss of ironic or otherw

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2

Hardy, Donald E. (Donald Edward). "Politeness as a Conversational Strategy in Three Hemingway Short Stories." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc503982/.

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Hemingway's dialogue and the texts of politeness and literature -- Brown and Levinson's politeness strategies -- The face of honesty in "The Doctor and the Doctor's Wife -- The face of bravery in "The Short Happy Life of Francis Macomber" -- The face of love in "Hills Like White Elephants" -- Interpretive implications of politeness theory.

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Salmon, H. L. "Martha Gellhorn and Ernest Hemingway: A Literary Relationship." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4183/.

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Martha Gellhorn and Ernest Hemingway met in Key West in 1937, married in 1941, and divorced in 1945. Gellhorn's work exhibits a strong influence from Hemingway's work, including collaboration on her work during their marriage. I will discuss three of her six novels: WMP (1934), Liana (1944), and Point of No Return (1948). The areas of influence that I will rely on in many ways follow the stages Harold Bloom outlines in Anxiety of Influence. Gellhorn's work exposes a stage of influence that Bloom does not describe-which I term collaborative. By looking at Hemingway's influence in Gellhorn's wri

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Moran, Omar Agustin. "The representations of masculinities in 1920s American literature: Ernest Hemingway and Willa Cather." CSUSB ScholarWorks, 2001. https://scholarworks.lib.csusb.edu/etd-project/2029.

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Spitler, Carole Sue. "The Old Man and the Sea: Hemingway, heteroglossia, and the hero's voice." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2381.

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In this subjective hero concept lies an intriguing aspect of Bakhtin's paradigm: A hero is not necessarily a living entity; a hero can be ideas, objects and locations. When viewed through the lens of traditional western rhetorical theory, Hemingway's The Old Man and the Sea appears as a monologue wherein Santiago seemingly speaks for the author about the subject of doom and man's relationship to the world.

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Montie, Jacob Michael. "Couples Therapy: Gender and Sexuality in The Sun Also Rises." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/175.

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"Isn't it pretty to think so?" The ambiguity of this question, posed by Jake Barnes in the last line of The Sun Also Rises, is a reflection of the novel's evolving definition of what constitutes a relationship. As the focus of Hemingway criticism has slowly broken from tired discussions of misogyny a space has opened for considering the complex ways his writings address questions of gendered identity. Through this lens critics have asked exactly what kind of man and women Jake Barnes and Lady Brett Ashley represent. For decades critics and scholars have viewed this final line as having a negat

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Carman, Jeffrey Merrit. "The challenges of and opportuniies in using a literature-based assignment in a composition class." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2171.

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This thesis explores issues surrounding the question of using a literature-based assignment to teach composition at the college freshman level. Following a review of the critical debate on the use of literature in the composition classroom, spanning the last five decades, a specific work of literature is used as the basis for a writing assignment to be given to a freshman composition class.

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Batista, Miguel. "Bildung and initiation : interpreting German and American narrative traditions." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14616.

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This thesis is divided into two main parts. The first, comprising the three initial chapters, looks, in chapter one, at the specifically German origins of the Bildungsroman, its distinctive features, and the difficulties surrounding its transplantation into the literary contexts of other countries. Particular attention is paid to the ethical dimension of the genre, i.e. to the relation between the individual self and the exterior world, and how it affects individual formation. The focus then shifts to American literature, and the term 'narrative of initiation' is recommended as a credible alte

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Moss, Margaret Loughery. "Prelude to Fame: Trauma Theory in the Early Short Fiction of Ernest Hemingway." Thesis, 2012. http://hdl.handle.net/1805/2768.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>While it is commonly acknowledged that the primal traumatic events of Hemingway’s time as an ambulance driver in Italy during World War I had a profound influence on his works of fiction, there has been relatively little exploration of the notion that the “working through” which occurred in the recovery from his own personal trauma manifests a complex and interwoven relationship with the writing process. This is certainly not unknown territory for scholars; when Hemingway first embarked upon the earliest fiction writing of his profe

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Travers, Jessica D. "Caution �� ideological mechanisms at work : interpellation and the melancholic turn in Jack Kerouac's On the Road and Ernest Hemingway's The Garden of Eden." Thesis, 2012. http://hdl.handle.net/1957/35610.

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In this thesis I examine the ideological mechanisms that work to constitute, construct, and maintain subject identity. Such mechanisms include repetition, performativity, identification, and interpellation. I incorporate structuralist, post-structuralist, and psychoanalytic theories as a means to discuss the ways in which gender, sexuality, and identity are performative masquerades. Furthermore, these ideological mechanisms and heteronormative paradigms have the paradoxical power to produce both incurable melancholia and unrealized possibilities alike. Given this conversation, I turn to theori

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Books on the topic "Ernest Hemingway – Criticism and interpretation"

1

Harold, Bloom. Ernest Hemingway. Bloom's Literary Criticism, 2011.

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Bloom, Harold. Ernest Hemingway. Chelsea House, 1985.

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Claridge, Henry. Ernest Hemingway. Routledge, 2011.

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Ernest Hemingway. Gale Group, 2000.

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Messent, Peter B. Ernest Hemingway. St. Martin's Press, 1992.

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Rovit, Earl H. Ernest Hemingway. Twayne Publishers, 1995.

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1937-, Brenner Gerry, ed. Ernest Hemingway. Twayne Publishers, 1986.

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Joseph, Bruccoli Matthew. Classes on Ernest Hemingway. Columbia: Thomas Cooper Library, 2002.

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Classes on Ernest Hemingway. Thomas Cooper Library, University of South Carolina, 2002.

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Marco, Jose Manuel Barrio. Ernest Hemingway: Su dinámica narrativa. Secretariado de Publicaciones, Universidad de Valladolid, 1990.

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Book chapters on the topic "Ernest Hemingway – Criticism and interpretation"

1

Holmesland, Oddvar. "Structuralist Interpretation Structuralism and Interpretation." In New Critical Approaches to the Short Stories of Ernest Hemingway. Duke University Press, 1990. http://dx.doi.org/10.1215/9780822382348-005.

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Holmesland, Oddvar. "Structuralism and Interpretation:." In New Critical Approaches to the Short Stories of Ernest Hemingway. Duke University Press, 2013. http://dx.doi.org/10.2307/j.ctv123x676.9.

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"Structuralist Interpretation: Structuralism and Interpretation: Ernest Hemingway's "Cat in the Rain"." In New Critical Approaches to the Short Stories of Ernest Hemingway. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822382348-007.

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"A Comprehensive Checklist of Hemingway Short Fiction Criticism, Explication, and Commentary, 1975–1989." In New Critical Approaches to the Short Stories of Ernest Hemingway. Duke University Press, 2013. http://dx.doi.org/10.2307/j.ctv123x676.40.

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Ladynenko, A. "FOREIGN LANGUAGE INCLUSIONS: TWO TYPES OF INTERPRETATION (ON THE NOVELS BY ERNEST HEMINGWAY)." In DEVELOPMENT TRENDS OF PHILOLOGICAL SCIENCES. Liha-Pres, 2019. http://dx.doi.org/10.36059/978-966-397-127-8/143-160.

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"Section III. Criticism, Explication, and Commentary onIndividual Stories, Listed by Story—Including Specific Articles, Segments from Books on Hemingway's Work, and Segments from General Books." In New Critical Approaches to the Short Stories of Ernest Hemingway. Duke University Press, 1990. http://dx.doi.org/10.1215/9780822382348-038.

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"Section III. Criticism, Explication, and Commentary on Individual Stories, Listed by Story-Including Specific Articles, Segments from Books on Hemingway's Work, and Segments from General Books." In New Critical Approaches to the Short Stories of Ernest Hemingway. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822382348-041.

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Coffman, Chris. "Introduction: Gertrude Stein’s Transmasculinity." In Gertrude Stein's Transmasculinity. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474438094.003.0001.

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The Introduction provides an overview of Gertrude Stein’s Transmasculinity as well as a theoretical framework for understanding the relationship between Stein’s writings and her gender. By using psychoanalysis to complicate historicist imperatives and engaging recent debates over queer temporalities and relationalities, the Introduction lays the groundwork for the book’s argument that Stein ultimately rejected early twentieth-century gender formations in favor of a flexible, feminist, and anti-identitarian mode of transsubjectivity inscribed in texts that cross genres. Pushing back against formalist and materialist critiques of biographical interpretation, the Introduction also makes the case for readings that trace visual artworks’ and her writings’ roles as nodal points for intersubjective desire. The Introduction concludes with an overview of the book’s seven chapters and coda: four chapters that identify signs of Stein’s transmasculinity in her writings and others’ representations of her; three that track her masculine homosocial bonds with Pablo Picasso, Ernest Hemingway, and Carl Van Vechten; and a coda that points to possibilities for examining the implications of Stein’s masculine homosocial bonds with Vichy collaborator Bernard Fäy.

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