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Journal articles on the topic 'Eugène (1962-....)'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Fuzier, Jean-Philippe. "Eminent Structural Engineer: Eugène Freyssinet (1879–1962)." Structural Engineering International 17, no. 3 (August 2007): 264–65. http://dx.doi.org/10.2749/101686607781645851.

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2

Jartoux, Pierre. "The Work of Eugène Freyssinet: The Most Significant Bridges of his Career." Bridges and Infrastructures, no. 45 (2011): 30–41. http://dx.doi.org/10.52200/45.a.vfkhftle.

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From 1904, when his career began, until 1962, when he died, Eugène Freyssinet did not stop building or advising on all aspects related with his work. To give an idea of his interest in the field of bridges, we selected the following: the Veurdre and Plougastel bridges as reinforced concrete examples and the Luzancy, the Marne and the Caracas La Guaira highway bridges as prestressed concrete works. In these brief descriptions, rather than the technical nature of the design, we have focused on intuition and innovation which made these works models and which inspired many engineers to continue working respecting quality.

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3

SONG, Yiwei. "The Experience of L’Internationale in Modern China." Cultura 15, no. 2 (January 1, 2018): 157–72. http://dx.doi.org/10.3726/cul.2018.02.09.

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Abstract During the 20th-century Chinese revolution, L’Internationale was one of the most important political symbols. After the failure of the Paris Commune in 1871, Eugène Pottier wrote the poem titled “L’Internationale” which was published for the first time until 1887. It was set to music by Pierre Degeyter in 1888 and introduced into China from both France and the Soviet Union (USSR). Qu Qiubai and Xiao San made great contribution to the work of translation that influenced the official version in 1962. From a hymn for the International Workingmen’s Association to the revolutionary song of all the proletariats, L’Internationale was the historical witness of the National Revolution, the Chinese Communist Revolution and the Continuous Revolution, whose symbolic meanings were connected closely to the tensions between nationalism and internationalism.

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4

van Erven, Eugène. "Spanish Political Theatre under Franco, Suarez, and Gonzalez." New Theatre Quarterly 4, no. 13 (February 1988): 32–52. http://dx.doi.org/10.1017/s0266464x00002566.

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In Spain, alone among western nations, political theatre has arguably had a real impact upon the course of social and political change – yet it remains little noticed or assessed in other countries. This article examines the leading Spanish theatre groups which operated first in Franco's declining years, under strict though often incompetent government censorship, then in the period of transition to democracy – and now facing very different challenges under a nominally socialist government. The author. Eugène van Erven, who contributed a study of the popular theatre movement in the Philippines to NTQ 10, focuses in particular on the work of El Joglars (‘The Jesters’) from Barcelona – a company which, under the leadership of Albert Boadella, has been performing almost continuously since 1962. at first subverting the censorship by evolving a style of ‘politicized mime’, then through controversial works on overtly political themes, and more recently in a ‘provocative’ style intended to engage audiences in an active process of questioning the consumerist direction being taken by a democratic Spain.

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5

Simon, L. "Joseph-Eugène Claustre, 1932–2008." Médecine et Chirurgie du Pied 25, no. 1 (March 2009): 2. http://dx.doi.org/10.1007/s10243-009-0177-8.

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6

BLAKE, JAMES A., MARGARET DUTCH, and NANCY J. MACIOLEK. "Obituary: Robert Eugene Ruff (1947–2017)." Zoosymposia 19, no. 1 (December 28, 2020): 31–32. http://dx.doi.org/10.11646/zoosymposia.19.1.7.

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Robert Eugene Ruff (Fig. 1A) was born on 13 April 1947 in Allendale, Michigan, USA, and died on 26 November 2017 at his home in Puyallup, Washington, at the age of 70. Shortly after his birth, his family moved to the State of Washington where he lived for much of his life. He graduated from Clover Park High School, Tacoma, WA, in 1965 and subsequently attended the University of Washington, where he graduated with a B.S. in Biological Oceanography in 1971. While a student at the University of Washington, he married his high school sweetheart, Lorraine Marie Charlton on 17 July 1968.

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7

Rang, H. P. "Joseph Murdoch Ritchie. 10 June 1925 — 9 July 2008." Biographical Memoirs of Fellows of the Royal Society 55 (January 2009): 241–55. http://dx.doi.org/10.1098/rsbm.2009.0011.

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Murdoch Ritchie was a neuroscientist whose initial training in mathematics and physics led him first into the field of biophysics and later into physiology and pharmacology. From 1968 until he retired in 2003 he was Eugene Higgins Professor of Pharmacology at Yale University. His shift from physics to biology was encouraged by his distinguished mentor, Professor A. V. Hill FRS, who had himself made the same sidestep early in his career and had been awarded the Nobel Prize in Physiology or Medicine in 1922 for his work on muscle.

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8

Wojchowski, Don. "Eugene Goldwasser (1922–2010)." Nature 470, no. 7332 (February 2011): 40. http://dx.doi.org/10.1038/470040a.

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9

Borim Junior, Dário. "Mad tricks in modern drama: The interplay of dramatic techniques and perplexing themes in O'Neill and Pirandello." Aletria: Revista de Estudos de Literatura 7 (December 31, 2000): 161–67. http://dx.doi.org/10.17851/2317-2096.7..161-167.

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Abstract: This study assesses the degree of harmony within the interaction between thematic configuration and dramatic effect in two pioneering and exponent works of Modem Drama: The Emperor Jones (1920), by Eugene O’Neill, and Henry IV (1922), by Luigi Pirandello.Keywords: expressionismo; existentialism; identity; colonialismo.Resumo: Este estudo avalia o grau de harmonia na interação entre configuração temática e efeito dramático em duas obras pioneiras e expoentes do drama moderno: The Emperor Jones (1920), de Eugene O’Neill, e Henry IV (1922), de Luigi Pirandello.Palavras-chave: expressionismo; existencialismo; identidade; colonialismo.

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10

Atkins, G. Pope. "Harold Eugene Davis, 1902-1988." Americas 45, no. 3 (January 1989): 420–21. http://dx.doi.org/10.1017/s0003161500075799.

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11

Rosenbaum, Max. "Eugene Leonard Hartley (1912-2002)." American Psychologist 59, no. 2 (2004): 121. http://dx.doi.org/10.1037/0003-066x.59.2.121c.

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12

Muldawer, L. "Bertram Eugene Warren, 1902–1991." Journal of Applied Crystallography 29, no. 4 (August 1, 1996): 309–10. http://dx.doi.org/10.1107/s0021889896003329.

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13

Wolfenbarger, D. O. "Eugene Gillespie Kelsheimer 1902-1985." Bulletin of the Entomological Society of America 31, no. 4 (December 1, 1985): 54. http://dx.doi.org/10.1093/besa/31.4.54b.

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14

Camp, H., and D. Allemann. "Robert Eugene Hamman 1922-1988." Bulletin of the Entomological Society of America 34, no. 3 (September 1, 1988): 151. http://dx.doi.org/10.1093/besa/34.3.151.

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15

Krycka, Kevin C. "Eugene T. Gendlin (1926–2017)." American Psychologist 73, no. 3 (April 2018): 293. http://dx.doi.org/10.1037/amp0000264.

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16

Seitz, Frederick. "Obituary: Eugene Wigner (1902-1995)." Nature 373, no. 6512 (January 1995): 288. http://dx.doi.org/10.1038/373288a0.

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17

Stabb, Martin S. "Harold Eugene Davis (1902–1988)." Hispanic American Historical Review 69, no. 2 (May 1, 1989): 331–32. http://dx.doi.org/10.1215/00182168-69.2.331.

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18

Albright, Richard H. "S. Eugene Coben, 1926-2007." American Journal of Orthodontics and Dentofacial Orthopedics 133, no. 2 (February 2008): 333. http://dx.doi.org/10.1016/j.ajodo.2007.12.017.

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19

Sack, Steven A. "Eugene M. Nelson (1922–1988)." American Journal of Orthodontics and Dentofacial Orthopedics 95, no. 3 (March 1989): 264. http://dx.doi.org/10.1016/0889-5406(89)90058-9.

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20

Dupérré, Nadine, and Danilo Harms. "Raising the Dead: Rediscovery and redescription of some lost spider types (Araneae) described by Eugène Simon." Evolutionary Systematics 2, no. 1 (March 19, 2018): 1–20. http://dx.doi.org/10.3897/evolsyst.2.24122.

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In this paper, we are redescribing type material from the Zoological Museum in Hamburg that was thought to be lost. These specimens were described in 1902 by Eugène Simon from material collected in Southern Patagonia and Fireland but the species were subsequently considered nomina dubia, or simply not considered at all. The rediscovery of this material leads to the revalidation of two genera and four species. The genera Clitistes and Zilephus are reinstated and the species Clitistesvelutinus Simon, 1902 (Dictynidae), Zilephusgranulosus Simon, 1902, Minyriolusaustralis Simon, 1902 (both Linyphiidae), and Lycosamichaelseni Simon, 1902 (Lycosidae) are redescribed. To avoid further confusion, we designate lectotypes for: Linyphiidae: Minyriolusaustralis Simon, 1902, Gongylidiellumuschuaiense Simon, 1902, Nerienefuegiana Simon, 1902, Clitistesvelutinus Simon, 1902, Zilephusgranulosus Simon, 1902; Amphinectidae: Rubriusradulifer Simon, 1902; Hahniidae: Hahniamichaelseni Simon, 1902, Bigoisantarctica Simon, 1902 and Lycosidae: Lycosamichaelseni Simon, 1902. For all prior nomina dubia and newly designated lectotypes, the type specimens are re-described and properly illustrated for the first time.

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21

Dan, Wang. "TO THE HISTORY OF THE STATION OF THE OPERA BY PI TCHAIKOVSKY "EUGENE ONEGIN" IN CHINA." Arts education and science 1, no. 1 (2021): 108–12. http://dx.doi.org/10.36871/hon.202101012.

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The article provides evidence of eyewitnesses and performers about the history of performance in China of PI Tchaikovsky's opera "Eugene Onegin", the first acquaintance with which the Chinese audience took place back in the 20s of the last century. It is noted that the premiere of "Eugene Onegin" in Chinese was held in an abridged version at the Central Music Conservatory of Tianjin on May 26, 1956 by the efforts of teachers and students under the leadership of Huang Lifay. Professors and vocal teachers from the Soviet Union - PM Medvedev and NK Kuklina-Vrana - contributed to the first production. The historical significance of the first production of Eugene Onegin is that it was performed in Chinese. It was difficult to translate the literary text of the opera due to the need to correlate the Chinese verbal text with musically complex opera parts and at the same time preserve the charm of Pushkin's poetry. The production of the opera in Chinese made it more accessible to music lovers. It is noted that the opera "Eugene Onegin" without any cuts saw the light of the footlights of the Beijing Tian Qiao Theater in August 1962.

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22

Grafstein, Robert, and John Maltese. "EUGENE F. MILLER." PS: Political Science & Politics 43, no. 04 (October 2010): 805. http://dx.doi.org/10.1017/s1049096510001484.

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It is with great sadness that we report the passing of our longtime friend and colleague, Dr. Eugene F. Miller, professor emeritus of political science at the University of Georgia, who taught in the department of political science with great distinction from 1967 until his retirement in 2003. He died on May 30, 2010, following a two-year battle with multiple myeloma.

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23

Bock, Maxime R. "L’invention d’un nouveau monde canadien-français dans La grande épopée de Jacques Cartier d’Eugène Achard." Dossier 36, no. 3 (July 6, 2011): 49–64. http://dx.doi.org/10.7202/1005123ar.

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S’inspirant des travaux de Robert Melançon sur la dysphorie, l’euphorie et la mythification qui structurent la représentation du Nouveau Monde dans les relations de voyage de Jacques Cartier, l’auteur de ce texte analyse la suite romanesque pour la jeunesse La grande épopée de Jacques Cartier, écrite par Eugène Achard de 1935 à 1942, dans laquelle le paysage est investi d’une identité canadienne-française qu’il n’avait pas au moment de la découverte.

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24

Cherny, Robert W. "Letters of Eugene V. Debs: Volume 1 1874-1912; Volume 2 1913-1919; Volume 3 1919–1926." History: Reviews of New Books 20, no. 2 (January 1992): 79. http://dx.doi.org/10.1080/03612759.1992.9949592.

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25

Worthen, Dennis B. "Eugene Gustave Eberle 1863–1942: Pharmacy's chronicler." Journal of the American Pharmacists Association 49, no. 4 (July 2009): 560–63. http://dx.doi.org/10.1331/japha.2009.09521.

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26

Junior, Dário Borim. "Mad tricks in modern drama." Aletria: Revista de Estudos de Literatura 7 (December 31, 2000): 161. http://dx.doi.org/10.17851/2317-2096.7.0.161-167.

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This study assesses the degree of harmony within the interaction between thematic configuration and dramatic effect in two pioneering and exponent works of Modem Drama: The Emperor ]ones (1920), by Eugene O'Neill, and Henry IV (1922), by Luigi Pirandello.

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27

Sharif, Khalida, Parveen Akhtar Farhat, Saeed Ahmad, and Qazi Muhammad Saeed Ullah. "A Comparative Translation Study of the Poem “Ik Nuqtay Wich Gal Mukdi Aey” by Bulleh Shah, Translated by Kartar Singh Duggal and Suman Kashyap." Review of Education, Administration & LAW 4, no. 2 (June 28, 2021): 553–61. http://dx.doi.org/10.47067/real.v4i2.171.

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The present research study is based on comparative analysis of two different translations done by two different writers of the same poem of Bulleh Shah, a renowned Sufi poet. Researcher selected the model of Eugene Nida’s principle of equivalent effect as the framework of this research article. Equivalent effect and feel is the vital element of the theory of translation presented by Eugene A Nida(1964). Nida (1964) claims that the analysis of the surface structure of the source text (ST) makes it easy to transfer the source language content and form into target language. Ju Miao (2000) mentions in his research article that before the publication of “toward a science of translating (1964) translation usually focused on literal translation or free translation. Researcher selected the translation of a poem which is written by Bulleh Shah and translated by two different writers one by Kartar Singh Duggal and other translation by Suman Kashyap. Researcher made a comparative analysis by using the Eugene Nida’s approach of translation theory which is based on principle of equivalent effect. The purpose of the study is to analyze that either these translations convey the content, form and feel of the original text or not in the perspective of Nida’s approach of translation. Findings are taken after making the comparison by keeping the principle of equivalent effect in mind. This research article will be helpful to understand the original effect and sense which is used by Bulleh Shah and will help to find out how much close these translations are with source text.

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28

De la Portilla Geada, Néstor. "El espíritu de los tiempos." Salud Mental 37, no. 3 (January 1, 2014): 179. http://dx.doi.org/10.17711/sm.0185-3325.2014.021.

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Desde que Eugene Garfield creador del Science Citation Index escribió en 1967 un artículo titulado en forma de interrogación “English as international language of the Science?” da la impresión que han pasado muchos más de los 47 años que la simple resta nos indica.

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29

Heath, Robert T. "William Eugene Odum, 1942–1991: Reminiscence and Dedication." Journal of Great Lakes Research 18, no. 4 (January 1992): 523. http://dx.doi.org/10.1016/s0380-1330(92)71318-5.

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30

Steigerwald, David, and George Rising. "Clean for Gene: Eugene McCarthy's 1968 Presidential Campaign." Journal of American History 84, no. 3 (December 1997): 1151. http://dx.doi.org/10.2307/2953238.

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31

Talbott, John A. "Eugene B. Brody, Editor-in-Chief, 1967–2010." Journal of Nervous and Mental Disease 198, no. 12 (December 2010): 853. http://dx.doi.org/10.1097/nmd.0b013e3181fe7109.

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32

Zalyaev, R. I. "Trabzon and Samsun during Turkey’s Struggle for Liberation and Independence in Mikhail Frunze’s and Evgeniy Lansere’s Travel Diaries (1921–1922)." Journal of the Institute of Oriental Studies RAS, no. 1 (11) (2020): 82–92. http://dx.doi.org/10.31696/2618-7302-2020-1-82-92.

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The article strives to restore historical impression of the Turkish cities Trabzon and Samson located on the Anatolian littoral of the Black Sea and episodes of their daily life during the period of National Struggle for liberation and independence under the leadership of Gazi Mustafa Kemal Pasha on the base of Mikhail Frunze’s travel diary “A Trip to Angora” («Поездка в Ангору») and Silver Age artist Eugene Lansere’s travel diary “Summer in Angora” («Лето в Ангоре»). Frunze visited Trabzon and Samsun in November-December, 1921 during his journey to Ankara and once again in January, 1922 en route back to Russia from Ankara. Lansere also visited Trabzon and Samsun in June, 1922 during his journey to Ankara and repeatedly passed Trabzon in October of the same year, going home to Russia from Turkey. Both Frunze and Lansere became direct eye-witnesses of these cities’ everyday lives during the days of National Struggle in Turkey. Moreover, in their travel diaries they narrated valuable data regarding everyday life, roadsteads, economics, and their meetings with Turkish officials in those cities. Travel diaries of Mikhail Frunze and Eugene Lansere supplement each other in a very precise way, restoring impressions of Trabzon and Samsun. We provide here Eugene Lansere's sketches of the Persian camel caravan in Trabzon, his sketch of passengers and cargo transportation from steamships to the shore in Samsun, while a drawing of wooden barge can serve an additional visual source to Frunze’s records on Trabzon and Samsun.

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33

Hunkeler, Thomas. "Beckett Face Au Surréalisme." Samuel Beckett Today / Aujourd'hui 17, no. 1 (November 1, 2007): 35–51. http://dx.doi.org/10.1163/18757405-017001003.

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This contribution analyses the relationship between Beckett's early writings in the 1930s and surrealist aesthetics. It takes as a starting point Eugene Jolas' literary journal where Beckett published his first texts, and studies its connections, both personal and aesthetical, with surrealism. It then focuses on Beckett's translations of Breton, Eluard and Crevel for the special issue of (September 1932), for Nancy Cunard's anthology (1934) and for an anthology of Eluard's poetry, (1936), shedding new light on the importance of Eluard's poetry for the development of Beckett' s own poetics between 1932 and 1938.

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34

Romanchuk, Olha, Rostyslav Koval, Oleh Bubela, Anastasiia Mykhailenko, and Anna Mykhailenko. "The origin and development of gymnastics events in France." Scientific Journal of National Pedagogical Dragomanov University. Series 15. Scientific and pedagogical problems of physical culture (physical culture and sports), no. 8(139) (August 20, 2021): 75–81. http://dx.doi.org/10.31392/npu-nc.series15.2021.8(139).12.

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The article analyzes the main stages of the origin and formation of gymnastics events in France since the beginning of the XIX century to 1942 on the basis of the works of leading French scientists. The development of gymnastics in France does not attract much attention of Ukrainian specialists whose scientific interests are related to the study of physical education and sports in European countries, so the practical issues of our research will complement and expand the relevant courses on the history of physical education for students in Ukraine. The purpose of the article is to study the main historical aspects of the development of gymnastics events in France. To achieve it, the following tasks should be performed: to analyze the literature on research issues; to identify key dates in the history of gymnastics in France; to describe the role of personalities who have contributed most to the evolution of the field in this country. According to the results of the study, we conclude that the greatest influence on the development of gymnastics in France since the beginning of the XIX century to 1942 was made by Francisco Amorós, Napoléon Laisné, Eugène Paz, Charles Cazalet, Joseph Sansbœuf, Georges Demenÿ, Philippe Auguste Tissié. In the middle of the XIX century the institutionalization of gymnastics took place at the level of hospitals (1847), military services (1852) and school (1854). In the last quarter of the XIX century, physical education became a compulsory subject in primary and secondary schools for boys and girls. The Union of Gymnastics Societies of France was founded September 28, 1873 by Eugène Paz. In 1942, it was merged with the French Womenʼs Gymnastics and Physical Education Federation, which formed French Gymnastics Federation. French gymnasts since the beginning of Olympic Games in Paris (1900) have always shown consistently high results at competitions and tournaments of various scales, but since the 1930s it has begun to decline. Our further research will focus on a thorough study of the history of womenʼs gymnastics in France as well as the evolution of this sport in the period since 1942 to 2022.

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35

Seitz, Frederick, Erich Vogt, and Alvin M. Weinberg. "Eugene Paul Wigner. 17 November 1902 — 1 January 1995." Biographical Memoirs of Fellows of the Royal Society 46 (January 2000): 577–92. http://dx.doi.org/10.1098/rsbm.1999.0102.

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Eugene Wigner was a towering leader of modern physics for more than half of the twentieth century. Although his greatest renown was associated with the research–article of symmetry theory to quantum physics and chemistry, for which he was awarded the Nobel Prize in Physics for 1963, his scientific work encompassed an astonishing breadth of science, perhaps unparalleled during his time. In preparing this memoir, we have the impression we are attempting to record the monumental achievements of half a dozen scientists. There is the Wigner who demonstrated that symmetry principles are of great importance in quantum mechanics; who pioneered the application of quantum mechanics in the fields of chemical kinetics and the theory of solids; who was the first nuclear engineer; who formulated many of the most basic ideas in nuclear physics and nuclear chemistry; who was the prophet of quantum chaos; who served as a mathematician and philosopher of science; and the Wigner who was the supervisor and mentor of more than forty PhD students in theoretical physics during his career of over four decades at Princeton University. The legacy of these contributions exists in two forms. First, there are the papers–in excess of 500–now included in eight volumes of his collected works (15)*. His legacy also resides in the many concepts and phenomena that bear his name. There is, for example, the Wigner–Eckart theorem for the addition of angular momenta, the Wigner effect in nuclear reactors, the Wigner correlation energy, as well as the Wigner crystal in solids, the Wigner force, the Breit–Wigner formula in nuclear physics, and the Wigner distribution in the quantum theory of chaos. is collection of essays Symmetries and reflections (14) provides an insightful view of the many intellectual matters that concerned him during a busy career. The recollections of his life recorded by Andrew Szanton when Wigner was in his eighties (Szanton 1992) provide a special insight into the circumstances of his life and the incidents that brought him to the fore.

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36

Seitz, Frederick, Erich Vogt, and Alvin M. Weinberg. "Eugene Paul Wigner. 17 November 1902-1 January 1995." Biographical Memoirs of Fellows of the Royal Society (1955-2000) 46, no. -1 (November 1, 1999): 578–92. http://dx.doi.org/10.1098/rsbm.1999.0133.

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37

Goldblatt, David. "Such Queer Moons: Frederic Eugene Basil Foley (1891-1966)." Seminars in Neurology 8, no. 02 (1988): 174–76. http://dx.doi.org/10.1055/s-2008-1041374.

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38

Batule, Robert J. "In Memoriam: Rev. Msgr. Eugene V. Clark (1926–2012)." Catholic Social Science Review 18 (2013): 277. http://dx.doi.org/10.5840/cssr20131832.

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39

Calabro, Anthony. "A Remembrance of Eugene R. Mindell MD (1922-2019)." Clinical Orthopaedics and Related Research 477, no. 8 (August 2019): 1964–66. http://dx.doi.org/10.1097/corr.0000000000000874.

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40

Bravo-Vinaja, Ángel. "IMPACTO DE LA REVISTA FITOTECNIA MEXICANA Y DE LAS REVISTAS MEXICANAS INDEXADAS." Revista Fitotecnia Mexicana 38, no. 3 (August 20, 2015): 229. http://dx.doi.org/10.35196/rfm.2015.3.229.

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El Factor de Impacto (FI) es una medida bibliométrica que Eugene Garfield e Irving H Sher crearon a principios de 1960, con la finalidad de seleccionar revistas para el Science Citation Index (SCI) (Garfield, 2005). Esta medida ahora es manejada por Thomson Reuters, editor del Journal of Citation Reports (JCR) en sus ediciones de Ciencias y Ciencias sociales (InCitesTM Journal of Citation Reports® 2015).

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41

Elsky, Julia. "Eugène Ionesco, 1942-1944 : Political and Cultural Transfers between Romania and France." Diasporas, no. 23-24 (December 1, 2014): 200–214. http://dx.doi.org/10.4000/diasporas.319.

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42

Pollard, P. "ANDRE GIDE - EUGENE ROUART: Correspondance I 1893-1901 * ANDRE GIDE - EUGENE ROUART: Correspondance II 1902-1936." French Studies 63, no. 1 (January 1, 2009): 104–5. http://dx.doi.org/10.1093/fs/knn160.

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43

Minkowski, Eugène. "Estudo psicológico e análise fenomenológica de um caso de melancolia esquizofrênica." Revista Psicopatologia Fenomenológica Contemporânea 8, no. 1 (October 17, 2019): 64–83. http://dx.doi.org/10.37067/rpfc.v8i1.959.

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Trata-se da comunicação feita por Eugène Minkowski em 25 de Novembro, em Zurique,na 63ª Jornada Científica da Sociedade Suíça de Psiquiatria, em 1922. Essa apresentação é considerada por muitos teóricos como sendo o texto fundador da fenomenologia psiquiátrica e o primeiro exemplo de aplicação do método fenomenológico em um caso clínico. O texto é composto por quatro partes principais: as considerações a respeito da aplicação do método fenomenológico em psiquiatria; a apresentação de um caso de melancolia esquizofrênica; as observações de ordem psicológica e a análise fenomenológica do caso. Os principais conceitos utilizados por Minkowski para o estudo fenomenológico do caso clínico apresentado são a duração e o ímpeto vital pessoal.

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44

Gangross, Aaron. "Eugene V. Debs and the Politics of Dissent in Modern America." International Labor and Working-Class History 60 (October 2001): 206–9. http://dx.doi.org/10.1017/s0147547901224521.

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Eugene V. Debs made the first of five runs for the United States presidency on the Socialist Party ticket in 1900, establishing him as the popular face of American socialism for a quarter century. With Debs as its standard-bearer, the party achieved its largest share of the vote in its history in 1912. But the party's success at the presidential level waned afterward, dashing the promise of a permanent socialist electoral presence.

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Lefebvre, Thierry. "Eugène-Humbert Guitard et l’Institut d’histoire des sciences et des techniques (1932-1939)." Revue d'histoire de la pharmacie 101, no. 384 (2014): 463–78. http://dx.doi.org/10.3406/pharm.2014.23393.

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Kahr, Bart. "Better than CD: Eugénie Cotton (1881‐1967)." Chirality 32, no. 5 (March 7, 2020): 652–60. http://dx.doi.org/10.1002/chir.23215.

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Denegri, Ješa. "Radikalni enformel Ive Gattina i Eugena Fellera." Ars Adriatica, no. 6 (January 1, 2016): 231. http://dx.doi.org/10.15291/ars.538.

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The paper focuses on Ivo Gattin and Eugen Feller as prominent figures in the so-called “radical Enformel”, an artistic trend in Croatian painting during the late 1950s and early 1960s. Besides them, the representatives of radical Enformel include Vlado Kristl, Marijan Javšovar, and Đuro Seder, who likewise participated in the exhibition Informel 1956-1962 at Nova Gallery in 1977. The theoretical platform for this trend in painting was found in hypotheses presented in the influential text “Materia, tecnica e storia nell’informale” (1959) by the Italian artcritic Giulio Carlo Argan, which were adapted to the specific Croatian circumstances and examples.

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King, W. D. "“It Brought the World to this Coast”: The World Premiere of Eugene O'Neill'S Lazarus Laughed at the Pasadena Community Playhouse." Theatre Survey 29, no. 1 (May 1988): 1–36. http://dx.doi.org/10.1017/s0040557400009078.

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Almost two years after its completion in May of 1926, Eugene O'Neill's Lazarus Laughed received its premiere production—not in New York. This “Play for an Imaginative Theatre,” clearly the most theatrically demanding of all of O'Neill's works, made its first appearance in California, at the Pasadena Community Playhouse, opening April 9, 1928. Not since the days when his earliest one-act plays were produced at the Wharf Theatre in Provincetown, Massachusetts, had an O'Neill play failed to result in a New York production.

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Kisselincheva, Ksenia. "The Expressionist Influence in Eugene O'Neill’s Plays." Sledva : Journal for University Culture, no. 40 (April 7, 2020): 68–73. http://dx.doi.org/10.33919/sledva.20.40.12.

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The main focus in this study is the unique individual reception of the Expressionism in some of Eugene O'Neill’s plays from the 1920s: "The Emperor Jones" (1920) and "The Hairy Ape" (1922). A strong source of influence is August Strindberg and his experiments at the Chamber Theater in Stockholm. This can be traced by pointing out common thematic and stylistic features in Strindberg's trilogy "The Road to Damascus" and O'Neill's "The Emperor Jones". Another major source of influence is the German Expressionist movement from the first quarter of the 20th century, especially some of the leading playwrights like Georg Kaiser and Ernst Toller. Yet another source of influence are the German Expressionistic films of R. Wiene, F. Lang and Murnau, which followed most of the principles of the avant-garde trend.

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Renkin, E. M. "Eugene M. Landis and the physiology of the microcirculation." American Journal of Physiology-Heart and Circulatory Physiology 287, no. 5 (November 2004): H1889—H1890. http://dx.doi.org/10.1152/classicessays.00018.2004.

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This essay looks at the historical significance of two APS classic papers that are freely available online: Landis EM. The capillary pressure in frog mesentery as determined by micro-injection methods. Am J Physiol 75: 548–570, 1926 ( http://ajplegacy.physiology.org/cgi/reprint/75/3/548 ). Landis EM. Micro-injection studies of capillary permeability. II. The relation between capillary pressure and the rate at which fluid passes through the walls of single capillaries. Am J Physiol 82: 217–238, 1927 ( http://ajplegacy.physiology.org/cgi/reprint/82/2/217 ).

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