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1

illustrator, Sanfilippo Simona, ed. Stone soup: A European folk tale. Seoul, Korea]: [E-future], 2016.

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2

The voice of the people: Writing the European folk revival, 1760-1914. London: Anthem Press, 2012.

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3

Afsonaḣoi Avrupoī dar borai Ismoiliën. Dushanbe: ĖR-graf, 2011.

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4

Kasjan, Jan Mirosław. Usta i pióro: Studia o literaturze ustnej i pisanej. Toruń: Wydawn. Uniwersytetu Mikołaja Kopernika, 1994.

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5

Eichel-Lojkine, Patricia. Contes en réseaux: L'émergence du conte sur la scène littéraire européenne. Genève: Droz, 2013.

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6

S, Zakharova V., ed. Chymbylat patyr: Legende den oĭlymash-vlak. Ĭoshkar-Ola: Mariĭ kniga savyktysh, 2003.

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7

Akt͡sorin, V. A. Proshloe mariĭskogo naroda v ego ėpose. Sarov: Alʹfa, 2000.

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8

Muravʹeva, V. B., A. F. Smolikova, and A. I︠A︡ Spiridonova. Mariĭskie narodnye skazki. Ĭoshkar-Ola: Mariĭskoe knizhnoe izd-vo, 2009.

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9

Muravʹeva, V. B. Mariĭskie narodnye skazki. Ĭoshkar-Ola: Mariĭskoe knizhnoe izd-vo, 2003.

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10

Smith, Mary Carroll. The warrior code of India's sacred song. New York: Garland, 1992.

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11

Akt︠s︡orin, V. A., and K. G. I︠U︡adarov. Svod mariĭskogo folʹklora: Pesni gornykh mari. Ĭoshkar-Ola: Mariĭskiĭ NII i︠a︡zyka, literatury i istorii, 2005.

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12

Plath, Peter Jörg. Vom Märchen zur Mär, oder, "Drei mal drei ist neune - ihr wisst ja wie ich's meine": Strukturale Märchenanalysen. Berlin: Logos Verlag Berlin, 2012.

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13

Mencej, Mirjam. Sem vso noč lutal v krogu: Simbolika krožnega gibanja v evropski tradicijski kulturi = I was wandering in circles the whole night long : the symbolism of circular movement in European traditional culture. Ljubljana: Založba ZRC, ZRC SAZU, 2013.

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14

Hirvonen, Vuokko. Sydämeni palava: Johdatus saamelaiseen joiku- ja kertomusperinteeseen, taiteeseen ja kirjallisuuteen. Oulu: Oulun yliopisto, 1995.

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15

Magyar-román irodalmi kapcsolatok. Budapest: Gondolat, 1985.

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16

Laxness, Halldór. Sjálfstætt fólk. 5th ed. Reykjavík: Vaka-Helgafell, 1991.

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17

Petzoldt, Leander. Tradition im Wandel: Studien zur Volkskultur und Volksdichtung. Frankfurt am Main: P. Lang, 2002.

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18

Greller, Wolfgang. O bedwar ban Ewrop: Straeon gwerin o Ewrop. Aberystwyth: Y Ganolfan Astudiaethau Addysg, 2000.

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19

Adrados, Francisco Rodríguez. History of the Graeco-Latin fable. Leiden: Brill, 2000.

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20

History of the Graeco-Latin fable. Leiden: Brill, 1999.

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21

The silver fork novel: Fashionable fiction in the age of reform. Cambridge: Cambridge University Press, 2012.

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22

Claus. Basme evreiești: Culese pe meleagurile Carpaților. București: Editura Hasefer, 2004.

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23

Claus. Ostjüdische Märchen: Gesammelt, übersetzt und herausgegeben von Claus Stephani. München: Verlag Eugen Diederichs, 1998.

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24

Hans Christian Andersen. The snow queen. Seattle, WA: Laughing Elephant, 2012.

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25

Hans Christian Andersen. The Snow Queen: A retelling of the fairy tale. New York: Harper, 2013.

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26

Hans Christian Andersen. The Snow Queen: A Story in Seven Parts. New York, NY: Lothrop, Lee & Shepard Books, 1989.

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27

Hans Christian Andersen. The Nightingale: European Folk Tales. Durkin Hayes Publishing Ltd., 1992.

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28

Campbell, Matthew, and Michael Perraudin. Voice of the People: Writing the European Folk Revival, 1760-1914. Anthem Press, 2013.

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29

Campbell, Matthew, and Michael Perraudin. Voice of the People: Writing the European Folk Revival, 1760-1914. Anthem Press, 2012.

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30

Campbell, Matthew, and Michael Perraudin. Voice of the People: Writing the European Folk Revival, 1760-1914. Anthem Press, 2012.

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31

Campbell, Matthew, and Michael Perraudin. Voice of the People: Writing the European Folk Revival, 1760-1914. Anthem Press, 2013.

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32

European Dance: Ireland, Poland & Spain (World of Dance). Chelsea House Publications, 2003.

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33

European Dance: Ireland, Poland & Spain (World of Dance). Chelsea House Publications, 2004.

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34

Inari Sami Folklore: Stories from Aanaar. University of Wisconsin Press, 2019.

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35

Pyŏng-gwŏn, Chŏng, ed. Hanʼguk Tong-Yurŏp kubi munhak pigyo yŏnʼgu. Sŏul Tʻŭkpyŏlsi: Wŏrin, 2003.

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36

Pyŏng-gwŏn, Chŏng, ed. Hanʼguk Tong-Yurŏp kubi munhak pigyo yŏnʼgu. Sŏul Tʻŭkpyŏlsi: Wŏrin, 2003.

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37

Svod mariǐskogo folʹklora: Poslovit︠s︡y i pogovorki. Ǐoshkar-Ola: Mar NIII︠A︡LI, 2004.

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38

Icelandic Men And Me Sagas Of Singing Self And Everyday Life. Ashgate Publishing Group, 2013.

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39

Hourwich, Reyher Rebecca, and Ruth Stiles Gannett. My Mother Is the Most Beautiful Woman in the World: A Russian Folk Tale. William Morrow & Co Library, 1995.

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40

Pecora, Vincent P. Land and Literature in a Cosmopolitan Age. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198852148.001.0001.

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Despite its growing cosmopolitanism, European culture after the Franco-Prussian War of 1870–1871 was no stranger to ancient beliefs in a natural, religiously sanctioned, and aesthetically pleasing relationship to the land. The classical Greek notion translates as “autochthony”—literally, birth from the soil, enabled by a god. The biblical account in Exodus gives the idea of a Promised Land, designed for a particular people by their god. Twentieth-century versions of the first theme culminate in the Nordic (and then Nazi) notion of a Volksgemeinschaft—a folk community—built on the supposedly intrinsic link between Blut und Boden, blood and soil. And the idea of a Promised Land has motivated rebellious English Puritans, colonizing Americans obsessed with their “manifest destiny,” Dutch Voortrekkers, and a wide array of liberation movements.The many resonances of these topoi form a more or less coherent whole, from the novels of George Eliot to the poetry of T. S. Eliot, from thinkers such as J. G. Fichte to the Austrian historian Otto Brunner and the Indian social psychologist Ashis Nandy, and throughout the long history of Western aesthetics, from Meister Eckhart to Alexander Baumgarten to Martin Heidegger. The supposed cosmopolitanism of the modern age often obscures a deep commitment to regional, nativist, nationalist, and civilizational attachments, including a justifying theological politics, much of which is still with us today. Untangling the meaning of the vital geographies of the modern age, including how they shaped our accounts of literature and representation, is the goal of this book.
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41

Bohlman, Philip V. Musical Borealism. Edited by Fabian Holt and Antti-Ville Kärjä. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.2.

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The chapter develops an original concept of musical borealism, drawing from literatures on European music and cultural history and from orientalism. The chapter looks beyond the simple concept of borealism as an exotic gaze by opening up horizons and offering a series of nuanced distinctions. Basic categories discussed are Nordic myth, Nordic folk and popular music, Nordic global music, Nordic ultra-national music, and non-Nordic Nordic manifestations. The chapter expands the historical, spatial, and experiential dimensions of musical borealism and creates a historical foundation for the remaining chapters in the handbook.
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42

Grottbjörnens folk. Bra böcker, 2005.

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43

Grottbjörnens folk. Malmö, Sweden: Bra böcker, 2002.

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44

Nordic Childhoods 1700-1960: From Folk Beliefs to Pippi Longstocking. Taylor & Francis Group, 2017.

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45

Aasgaard, Reidar, Marcia Bunge, and Merethe Roos. Nordic Childhoods 1700-1960: From Folk Beliefs to Pippi Longstocking. Taylor & Francis Group, 2017.

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46

Aasgaard, Reidar, Marcia Bunge, and Merethe Roos. Nordic Childhoods 1700-1960: From Folk Beliefs to Pippi Longstocking. Taylor & Francis Group, 2017.

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47

Baxter, Nicola. Discovering Europe: An Introduction to the European Community/With Fold-Out Map and Stickers. Ideals Childrens Books, 1992.

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48

Edwards, Kathryn A. Werewolves, Witches, and Wandering Spirits: Traditional Belief & Folklore in Early Modern Europe (Sixteenth Century Essays & Studies, V. 62) (Sixteenth Century Essays & Studies, V. 62). Truman State University Press, 2002.

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49

Werewolves, Witches, and Wandering Spirits: Traditional Belief & Folklore in Early Modern Europe (Sixteenth Century Essays and Studies). Truman State University Press, 2002.

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50

Writing Jewish Culture: Paradoxes in Ethnography. Indiana University Press, 2016.

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