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Journal articles on the topic 'Fabric in fine art'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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1

Jackson, Anne. "Contemporary Textiles: The Fabric of Fine Art, Nadine K. Monem (ed.)." TEXTILE 11, no. 1 (March 2013): 102–5. http://dx.doi.org/10.2752/175183513x13588738655052.

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Graßmann, Carsten, Evelyn Lempa, Maike Rabe, Andreas Kitzig, Edwin Naroska, and Benno Neukirch. "Electroluminescent Textile for Therapeutic Applications." Advances in Science and Technology 100 (October 2016): 73–78. http://dx.doi.org/10.4028/www.scientific.net/ast.100.73.

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Alternating-current (AC) electroluminescent (EL) devices on fabrics with high brightness are presented. The EL-devices were fabricated via knife coating; inorganic luminous pigments are based on zinc sulfide. Effects of parameters influencing the brightness were investigated. These parameters are the AC-voltage, AC-frequency, AC-waveform, layer composition of the luminous capacitor and the fabric. Introducing a flexible reflecting dielectric layer enhances the light yield on fine woven fabrics with green luminous pigment. This can be achieved with small concentrations of reflective white pigme

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Boileau, Marie-Claude, and James Whitley. "Patterns of Production and Consumption of Coarse to Semi-Fine Pottery at Early Iron Age Knossos." Annual of the British School at Athens 105 (November 2010): 225–68. http://dx.doi.org/10.1017/s006824540000040x.

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This paper presents the results of a large-scale petrological study of Early Iron Age (twelfth-seventh centuries bc) coarse wares from north-central Crete. 210 samples were taken for analysis from six locations at Knossos, representing distinct funerary, domestic, and ritual contexts. The pottery selected represents coarse to semi-fine fabrics and a variety of vessel types and sizes. The bulk (188) of the samples can be divided into seven fabric groups, with 22 loners or pairs. Four of the seven fabric groups exhibit a mineralogy that is consistent with local geology. The functional ceramic ra

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Dhivya, M., and M. Renuka Devi. "Detection of Structural Defects in Fabric Parts Using a Novel Edge Detection Method." Computer Journal 62, no. 7 (December 1, 2018): 1036–43. http://dx.doi.org/10.1093/comjnl/bxy121.

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Abstract A fabric fault detection scheme is implemented in this work using frame harmonizing-based approach. Many recent research works deliver the fabric defect detection techniques. But in the textiles industry, the fast process of fabric cutting and sewing, lots of auxiliary imperfections have emerged. Particularly these defects cannot be identified easily by experts as well as an automated system. In our system, a novel frame extraction technique is used to find the defects in the fabric production pipeline. The input fabric image frame is pre-processed by transformation and filtering tech

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M, Dhivya, and Suganthi D. "An Inventive Method to Fabric Part Structural Defect Detection Using Frame Harmonizing." International Journal of Computer Communication and Informatics 4, no. 2 (December 30, 2022): 26–40. http://dx.doi.org/10.34256/ijcci2223.

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Using a frame harmonizing based approach, this paper examines paper defects. In the textiles industry, the quick cutting and sewing of fabric has resulted in a lot of small mistakes, making this task extremely difficult. Especially these deformities won't be quickly recognized by specialists as well as programming. A novel frame harmonizing method is used in our system to find flaws in the fabric production process. Transformation and filtering techniques are used for the inputted fabric image frame. The conventional outline extraction method Berkeley edge detector is used to extract the edge

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Chen, Ming. "Fractional-Order Adaptive P -Laplace Equation-Based Art Image Edge Detection." Advances in Mathematical Physics 2021 (August 31, 2021): 1–10. http://dx.doi.org/10.1155/2021/2337712.

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In recent years, with the rapid development of image processing research, the study of nonstandard images has gradually become a research hotspot, for example, fabric images, remote sensing images, and gear images. Some of the remote sensing images have a complex background and low illumination compared with standard images and are easy to be mixed with noise during acquisition; some of the fabric images have rich texture information, which adds difficulty to the related processing, and are also easy to be mixed with noise during acquisition. In this paper, we propose a fractional-order adapti

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Wang, Yang. "Research on Flexible Capacitive Sensors for Smart Textiles." Journal of Physics: Conference Series 2181, no. 1 (January 1, 2022): 012038. http://dx.doi.org/10.1088/1742-6596/2181/1/012038.

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Abstract Smart textiles are a new era of smart textiles that not only have traditional textile functions, but also have information collection, feedback, and multiple intelligent interaction functions with users. As a manifestation of the combination of art and technology in the textile field, smart textiles are of great significance to traditional textiles, clothing, home textiles, and wearable devices. From the perspectives of the background, technology, and development prospects of smart textiles, this article systematically analyses the application technology of smart textiles in practice.

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Ismail, Hassan Ahmed. "Public Art Development." Academic Research Community publication 1, no. 1 (September 18, 2017): 7. http://dx.doi.org/10.21625/archive.v1i1.139.

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Please allow me to express my interest in participating in the event; the agenda and objective are of high significance for discussing the maturity and development of a sustainable "cultural and creative infrastructure" powered by cultural policies and practices. Involvement and lobbying for such topics is essential for the cultural and creative dynamics where creative cities attract creative people.While navigating through a search engine and typing a name of a city, the first images to appear visualize the built environment of the city. For instance when you type Cairo into Google, you will

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Van Zuijlen, Mitchell J. P., Hubert Lin, Kavita Bala, Sylvia C. Pont, and Maarten W. A. Wijntjes. "Materials In Paintings (MIP): An interdisciplinary dataset for perception, art history, and computer vision." PLOS ONE 16, no. 8 (August 26, 2021): e0255109. http://dx.doi.org/10.1371/journal.pone.0255109.

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In this paper, we capture and explore the painterly depictions of materials to enable the study of depiction and perception of materials through the artists’ eye. We annotated a dataset of 19k paintings with 200k+ bounding boxes from which polygon segments were automatically extracted. Each bounding box was assigned a coarse material label (e.g., fabric) and half was also assigned a fine-grained label (e.g., velvety, silky). The dataset in its entirety is available for browsing and downloading at materialsinpaintings.tudelft.nl. We demonstrate the cross-disciplinary utility of our dataset by p

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Shkolna, Olga, Olga Sosik, and Alla Buigasheva. "Stylistics of Ukrainian Fine Art, Architecture and Design in the Second Half XIX – Early XXI Centuries’ Period." Demiurge: Ideas, Technologies, Perspectives of Design 4, no. 2 (December 13, 2021): 291–98. http://dx.doi.org/10.31866/2617-7951.4.2.2021.246856.

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The aim is to explore the key concepts of stylistics of Ukrainian fine arts, architecture and various types of design of the second half of the XIX – early XXI centuries in the relationship of individual fields of knowledge. Research methods – hermeneutic, axiological, historical-genetic, historical-chronological, comparative, culturological, formal-stylistic, art analysis. The selected tools allow you to compare the stylistic features of different types of design (industrial, graphic, clothing, environment), fine arts and architecture. A novelty is an overview of evolutionary processes in ter

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McCulloch, John G. "The History of the Development of Melt Blowing Technology." International Nonwovens Journal os-8, no. 1 (March 1999): 1558925099OS—80. http://dx.doi.org/10.1177/1558925099os-800123.

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Almost a half century ago development efforts were initiated by very different entities, in widely different locations, to demonstrate one step processes to convert polymer to web: • Major fiber producers (DuPont, Freudenberg, Monsanto) began work on converting polymer (PE, PET, Nylon) into continuous “cold drawn” filaments and integrating the conversion of these filaments into a random-laid bonded nonwoven fabric. • An oil company (Exxon), building on the earlier work (1950's) of the Naval Research Labs to produce fine fibers, began work on converting their recently commercialized PP polymer

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Rogers, Nick. "Politicultural Sorting: Mapping Ideological Differences in American Leisure and Consumption." American Politics Research 50, no. 2 (February 14, 2022): 227–41. http://dx.doi.org/10.1177/1532673x211041143.

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The United States is in the grips of severe political polarization, which gridlocks government and strains the national social fabric. In one major aspect of the phenomenon, American popular culture is fragmenting along ideological lines, a process herein termed “politicultural sorting.” Previous studies have examined the politicization of individual products and activities (e.g., fine art, television, and coffee), and theorized that culture is dividing in a neatly bipolar fashion. Using proprietary data from the National Consumer Survey, rarely seen in academia, this study advances existing s

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Revenok, Natalia. "SCIENTIFIC RESTORATION OF WORKS OF DECORATIVE AND APPLIED ART IN THE SYSTEM OF HIGHER ART EDUCATION." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 30 (December 9, 2021): 92–106. http://dx.doi.org/10.33838/naoma.30.2021.92-106.

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Abstract. The article is devoted to the issues of scientific restoration of works of decorative and applied art in the system of art education at the National Academy of Fine Arts and Architecture. The processes of formation and improvement of the experience of the artist-restorer for the preservation of historical and cultural monuments are defined. The importance of solving the cultural and professional development of the future artist-restorer in the field of restoration of works of decorative and applied art is emphasized. The topic studied by the author raises a number of issues of the me

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Vilches, Patricia. "Alberto Blest Gana and the Sensory Appeal of Wealth." Open Cultural Studies 5, no. 1 (January 1, 2021): 81–95. http://dx.doi.org/10.1515/culture-2021-0006.

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Abstract This essay explores sensory stimuli in La aritmética en el amor [Arithmetic in Love/Economics of Love] (1860) as they relate to the consumer preferences (for clothing, furniture, jewellery) and purchasing practices of nineteenth-century Santiago, Chile. The novel presents detailed descriptions, for example, of fine fabrics, emphasising the sounds that the wearers of such fabric reproduce as they move about. Wealthy or not, people feel the pressure to present themselves in their best garments, but the “best noise” is made by the rich, who transmit the affect of opulence to the less for

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Wilson, D. E., and P. M. Day. "Ceramic regionalism in Prepalatial Central Crete: the Mesara imports at EM I to EM II A Knossos." Annual of the British School at Athens 89 (November 1994): 1–87. http://dx.doi.org/10.1017/s006824540001529x.

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This article presents results obtained through detailed stylistic analysis of a body of EM I–EM II A pottery at Knossos in association with a programme of petrographic analysis and scanning electron microscopy. From the Knossian ceramic assemblage, four specific ware groups were chosen for this study on the basis of shape, decoration, and fabric: fine painted, fine grey, painted semi-fine to coarse, and slipped and burnished. It is argued here, on stylistic grounds and on the basis of petrographic analysis, that these groups were imported to Knossos from south central Crete. In addition, scann

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Daugelaite, Aurelija, Indre Gražulevičiūte-Vileniške, and Mantas Landauskas. "Possibilities to Apply the Urban Acupuncture Concept in Kaunas: Social Aspect." Landscape architecture and art 13 (December 10, 2018): 18–27. http://dx.doi.org/10.22616/j.landarchart.2018.13.02.

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The concept of urban acupuncture, which has been gaining ground in recent decades, is based on the activation and revitalization of urban environments using small architectural or landscape architectural interventions in precise carefully selected locations of urban fabric. However, the rapid and unexpected design solutions of urban acupuncture, based on ecological design, nature dynamics, street art, material re-use, can cause different social and psychological reactions of urban population and these reactions may vary depending on cultural contexts. Consequently, in order to implement succes

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17

El-Deeb, Nahla Ahmed Hamdy. "The Aesthetic and Plastic Values for the Concept of Synthesis through the Ages and the Variables of Material and Designing the Hanging Textile." European Journal of Sustainable Development 9, no. 4 (October 1, 2020): 281. http://dx.doi.org/10.14207/ejsd.2020.v9n4p281.

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Synthesis means intermarriage and compatibility between more than one raw material in a single artwork. Interacting with its various properties and sources to reach a balance between expressive and technical aspects within the framework of the technical and technical capabilities of that raw material. By adding raw materials, they are woven with textured structures or by the new method developed through the art of gluing or collage and the art of assembly through deletion and addition within the scope of plastic treatments of the textile surface or by using both the traditional and the new met

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18

Gjerdingen, Robert O. "Music Theory Pedagogy: What Paul Taught Nadia." Music Theory and Analysis (MTA) 6, no. 2 (October 30, 2019): 230–54. http://dx.doi.org/10.11116/mta.6.2.4.

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The teaching of harmony in the United States, if judged objectively, has been a massive failure, even though a dedicated corps of fine musician-scholars labors to impart the curriculum to eager if not always adequately prepared students. These students are taught "about" harmony, as if the topic were really about tonality or the imaginary desires of chords. The only students who can perform and create harmony at a professional level are those who learned such skills outside the academy. The situation was not always so bleak. Nadia Boulanger, for example, learned the art of harmony from her tea

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19

Sultana, Bushra, Anees Ullah, Arsalan Ali Malik, Ali Zahir, Pedro Reviriego, Fahad Bin Muslim, Nasim Ullah, and Waleed Ahmad. "VR-ZYCAP: A Versatile Resourse-Level ICAP Controller for ZYNQ SOC." Electronics 10, no. 8 (April 9, 2021): 899. http://dx.doi.org/10.3390/electronics10080899.

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Hybrid architectures integrating a processor with an SRAM-based FPGA fabric—for example, Xilinx ZynQ SoC—are increasingly being used as a single-chip solution in several market segments to replace multi-chip designs. These devices not only provide advantages in terms of logic density, cost and integration, but also provide run-time in-field reconfiguration capabilities. However, the current reconfiguration capabilities provided by vendor tools are limited to the module level. Therefore, incremental run-time configuration memory changes require a lengthy compilation time for off-line bitstream

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20

Kristiningsih, Kristiningsih, Lestari Lestari, and Wiwik Herawati. "Analisis Strategi Positioning Produk Berdasarkan Persepsi Konsumen Pada Industri Batik Di Jawa Timur." MANAJERIAL 8, no. 01 (January 27, 2021): 85. http://dx.doi.org/10.30587/manajerial.v8i01.1975.

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Background - Competition in the Batik industry in Indonesia is quite sharp. Therefore it is necessary to apply the right marketing strategy in this industry. Whereas each batik industry that originates from the region has its own uniqueness that can attract the attention of consumers. Therefore, a positioning strategy for batik products is needed to be able to create more value in the minds of consumers compared to its competitors. Purpose - This research purposed to describe the position of competition (positioning) on batik industry in East Java based on the perceptions of local batik consum

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Cavalcanti, Daniel D., William Feindel, James T. Goodrich, T. Forcht Dagi, Charles J. Prestigiacomo, and Mark C. Preul. "Anatomy, technology, art, and culture: toward a realistic perspective of the brain." Neurosurgical Focus 27, no. 3 (September 2009): E2. http://dx.doi.org/10.3171/2009.7.focus09127.

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In the 15th century, brain illustration began to change from a schematic system that involved scant objective rendering of the brain, to accurate depictions based on anatomical dissections that demanded significant artistic talent. Notable examples of this innovation are the drawings of Leonardo da Vinci (1498–1504), Andreas Vesalius' association with the bottega of Titian to produce the drawings of Vesalius' De humani corporis fabrica (1543), and Christopher Wren's illustrations for Thomas Willis' Cerebri Anatome (1664). These works appeared during the Renaissance and Age of Enlightenment, wh

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22

Ahrendt, Dustin, and Arturo Romero Karam. "Development of a computer-aided engineering–supported process for the manufacturing of customized orthopaedic devices by three-dimensional printing onto textile surfaces." Journal of Engineered Fibers and Fabrics 15 (January 2020): 155892502091762. http://dx.doi.org/10.1177/1558925020917627.

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Today, additive manufacturing, also called three-dimensional printing, is used for producing prototypes as well as other products for various industrial sectors. Although this technology is already well established in the automotive, aviation and space travel, building, dental and medical sectors, its integration in the textile and ready-made industry is still in progress. At present, there is a lack of specific application scenarios for the combination of three-dimensional printing and textile materials, apart from fashion and shoe design. Hence, this article presents a digital computer-aided

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Sobota Matejčić, Gordana. "Institute for History of Art, Zagreb." Ars Adriatica, no. 2 (January 1, 2012): 167. http://dx.doi.org/10.15291/ars.447.

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In 2005, during the composing of the Inventory of the Moveable Cultural Heritage of the Church and Monastery of St Francis of Assisi at Krk, three wooden statues were found in the attic. These had once belonged to a lavish Renaissance triptych at the centre of which was a figure of the Virgin (107 x 45 x 27 cm), flanked by the figures of St John the Baptist (c. 105 x 28 x 30 cm), an apostle with a book (c. 93 x 32 x 22 cm), and, in all likelihood, St James the Apostle. A trace of a small left foot in the Virgin’s lap indicates that the original composition was that of the Virgin and Child. It

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Perkins, Sid. "Fine Fabric." Science News 168, no. 8 (August 20, 2005): 115. http://dx.doi.org/10.2307/4016538.

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Foster, Richard. "A Statue of Henry III from Westminster Abbey." Antiquaries Journal 91 (June 30, 2011): 253–82. http://dx.doi.org/10.1017/s0003581511000096.

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AbstractIt is generally assumed that no medieval figure sculpture has survived from the north front of the nave of Westminster Abbey after three and a half centuries of successive restorations. This assumption was challenged by the appearance at auction in 2007 of a life-sized statue of Henry iii bearing some of the stylistic hallmarks of the late thirteenth and fourteenth centuries. The statue, according to its vendor, was acquired from the masons’ yard at Westminster Abbey in 1980, during the most recent major restoration of the north front carried out by Peter Foster, Surveyor of the Fabric

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Mohanakrishnan, D., and M. Sureshkumar. "A Comparative Analysis of Orientation on the Shape Memory Effect of Fabric Reinforced Shape Memory Polymer Composites." Materials Science Forum 830-831 (September 2015): 529–32. http://dx.doi.org/10.4028/www.scientific.net/msf.830-831.529.

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Shape memory polymer composites (SMPC) are a new kind of smart materials where many researches have been carried out. In SMPC, shape memory polymers serves as a matrix material and particles or fibers act as reinforcements. As structural applications demand structures to withstand load and stiffness, particles reinforced SMPC does not serve for it. Therefore fiber/fabric reinforced SMPC used widely for such applications. SMPC’S changes its shape during a typical thermo-mechanical cycle and retracts to its original shape upon external stimulus (temperature). Molecular mechanism is the driving f

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YAMAMOTO, ATSUSHI. "Fine Melange Fabric, "MIXICA"." FIBER 64, no. 12 (2008): P.444—P.447. http://dx.doi.org/10.2115/fiber.64.p_444.

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28

Ottenhausen, Clemens. "FROM TEXTILE TO PLASTIC: ARCHITECTURE, EXHIBITION DESIGN, AND ABSTRACTION (1930–1955)." Artium Quaestiones, no. 32 (December 15, 2021): 89–112. http://dx.doi.org/10.14746/aq.2021.32.4.

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This article investigates the growing proliferation of curtains and wall hangings as key elements in the design of art exhibitions in the years 1930–1955. To demonstrate how textiles were successfully employed as mediators on the threshold between architecture, design objects, and fine arts, I first examine the increasing use of curtains in the interwar period, Fascist Italy, and Nazi Germany to subsequently explore how the role of fabrics in both countries’ rationalist and neoclassicist architecture also played a significant part in exhibition design after the Second World War. I chart how th

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Charitopoulos, George, Dionisios N. Pnevmatikatos, and Georgi Gaydadjiev. "MC-DeF." ACM Transactions on Architecture and Code Optimization 18, no. 3 (June 2021): 1–25. http://dx.doi.org/10.1145/3447970.

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Executing complex scientific applications on Coarse-Grain Reconfigurable Arrays ( CGRAs ) promises improvements in execution time and/or energy consumption compared to optimized software implementations or even fully customized hardware solutions. Typical CGRA architectures contain of multiple instances of the same compute module that consist of simple and general hardware units such as ALUs, simple processors. However, generality in the cell contents, while convenient for serving a wide variety of applications, penalizes performance and energy efficiency. To that end, a few proposed CGRAs use

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San Choon Kim. "Fine Art? Ugly Art?" Sogang Journal of Philosophy 37, no. ll (May 2014): 9–29. http://dx.doi.org/10.17325/sgjp.2014.37..9.

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Weinstein, Nicole. "Fine art." Nursery World 2016, no. 4 (February 22, 2016): 30–31. http://dx.doi.org/10.12968/nuwa.2016.4.30.

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Yao, Jiang Wei, and Wei Dong Yu. "Study on the Properties and Application of Optim™ Fine Fibers." Advanced Materials Research 287-290 (July 2011): 2561–64. http://dx.doi.org/10.4028/www.scientific.net/amr.287-290.2561.

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Optim™ fine is a new generation of ultrafine wool fibres, which are transformed by stretching and setting from merino wool. The Optim™ fine retains some of the physical and chemical properties of merino wool, but the morphology and other properties changes, such as the diameter, length, lusture, breaking extension and shrinkage. These changes results in the performance difference btween the fabric woven from Optim™ fine and fine wool fiber. To clearly understande the reason of the difference, the morphological and physical properties changes of Optim™ fine was examined in this paper, and the p

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Sari, Wahyu Triana, and Syamsul Bakhri. "STRATEGI DAN TANTANGAN PENGRAJIN LURIK KEMBANGAN DALAM MENGHADAPI PERSAINGAN USAHA INDUSTRI LURIK DI YOGYAKARTA." EQUILIBRIA PENDIDIKAN : Jurnal Ilmiah Pendidikan Ekonomi 2, no. 1 (January 18, 2018): 11. http://dx.doi.org/10.26877/ep.v2i1.1824.

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Abstract Lurik Kembangan is a traditional art product of Yogyakarta. Lurik Kembangan which still survive until now made by Non-Machine Weaving Machine. The more days pass, the variety of lurik becoming more diverse and creating more various products from fabric lurik. However, business competition is getting worse because there is only a few young people who willing to work as craftsmen and the impact of industrialization in Yogyakarta resulting the craftsmen’s income decreases. Qualitative research with case study approach aims to find out the strategies and challenges of lurik craftsmen in f

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Khachatrian, Liernik. "SOUND IMAGE OF DUDUK IN CHAMBER‑SYMPHONIC WORKS OF A. TERTERYAN AND R. ALTUNYAN." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 58, no. 58 (March 10, 2021): 129–43. http://dx.doi.org/10.34064/khnum1-58.08.

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Introduction. Today duduk is one of the most popular folk instruments. Modern academic composers include it in their works, and it is significant that it appears in large conceptual compositions, such as a symphony. Despite the significant interest of researchers in the fine art of playing the duduk, the sound image of this instrument is almost not assigned a role, and this article aims to fill this gap. Formulation of the problem. Today duduk is one of the most popular folk instruments. Modern academic composers include it in their works, and it is significant that it appears in large concept

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Harper, Catherine. "Damn Fine Art." Circa, no. 88 (1999): 63. http://dx.doi.org/10.2307/25563413.

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Bristol, Liliana. "Goldwork in Estonia in the 20th century as exemplified by a fragment of the altar cloth at the Kaarli Church in Tallinn." Studia Vernacula 8 (November 13, 2017): 109–21. http://dx.doi.org/10.12697/sv.2017.8.109-121.

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The aim of this article is to introduce the Estonian goldwork tradition. In folk art, goldwork, or metalwork embroidery, has also been referred to as ‘tinsel embroidery’. It is a form of embroidery which uses different types of metal threads (containing gold, silver, copper, and other metals) and spirals, which are attached to the fabric using a fine thread. In the Estonian context, goldwork is a somewhat rarefied and narrowly-spread handicraft technique. In Estonia, goldwork played an important role in the decoration of church and military textiles. At the request of the Lutheran Church

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Bristol, Liliana. "Goldwork in Estonia in the 20th century as exemplified by a fragment of the altar cloth at the Kaarli Church in Tallinn." Studia Vernacula 8 (November 13, 2017): 109–21. http://dx.doi.org/10.12697/sv.2017.8.109-121.

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The aim of this article is to introduce the Estonian goldwork tradition. In folk art, goldwork, or metalwork embroidery, has also been referred to as ‘tinsel embroidery’. It is a form of embroidery which uses different types of metal threads (containing gold, silver, copper, and other metals) and spirals, which are attached to the fabric using a fine thread. In the Estonian context, goldwork is a somewhat rarefied and narrowly-spread handicraft technique. In Estonia, goldwork played an important role in the decoration of church and military textiles. At the request of the Lutheran Church

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Farberova, Еlena A., Anastasia Yu Katysheva, Elena A. Tingaeva, Sergey A. Smirnov, and Andrey G. Starostin. "RESEARCH OF POSSIBILITY OF USING CHEMICAL METHOD OF FINE METAL PARTICLES REDUCTION FOR BACTERICIDAL SORBENTS PRODUCTION." IZVESTIYA VYSSHIKH UCHEBNYKH ZAVEDENII KHIMIYA KHIMICHESKAYA TEKHNOLOGIYA 63, no. 3 (March 8, 2020): 46–53. http://dx.doi.org/10.6060/ivkkt.20206303.6047.

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The present paper is concerned with a research of sorption and bactericidal properties of the fine metal particles applied on the surface of active carbon fabric by chemical sedimentation method. The ascorbic acid and natrium borane were used in the study process as metals, copper and silver reducing agents. Influence of reducer and fine metal nature onto the porous structure, as well as bactericidal and sorption characteristics of obtained fibrous sorbent samples are shown. It is determined that use of ascorbic acid for synthesis of copper and silver fine particles on the active carbon fabric

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Hlukhovtseva, Iryna. "Variant-synonymous varieties of generally used phrases in the works of M. Rudenko (lexical, morphological and phonetic)." Linguistics, no. 1 (43) (2021): 57–66. http://dx.doi.org/10.12958/2227-2631-2021-1-43-57-66.

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The article analyzes the variant-synonymous varieties of commonly used phrases used by M. Rudenko in his works, determines their functional load in the structure of the literary text. The subject of consideration are modified units that form variant or synonymous pairs with codified forms. In prose works, the author often uses variants of commonly used codified phraseological units or their synonyms. In the scientific literature, unfortunately, there are no clear criteria for distinguishing between variants and synonyms of phrases. Therefore, following V. Uzhchenko, we use the terms variant-sy

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Mitchell, Victoria. "Textiles: Art and the Social Fabric." TEXTILE 9, no. 2 (July 2011): 230–38. http://dx.doi.org/10.2752/175183511x13055600095608.

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Marinković, Slobodan, Tatjana Stošić-Opinćal, and Oliver Tomić. "Radiology and Fine Art." American Journal of Roentgenology 199, no. 1 (July 2012): W24—W26. http://dx.doi.org/10.2214/ajr.11.7934.

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White, Hilary. "It's a fine art." Practical Pre-School 2008, no. 92 (September 2008): 13–14. http://dx.doi.org/10.12968/prps.2008.1.92.37971.

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ATKINSON, R. L. "Geology and fine art." Geology Today 5, no. 6 (November 1989): 198. http://dx.doi.org/10.1111/j.1365-2451.1989.tb00667.x.

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Fortnum, Rebecca, and Christine Pybus. "Challenging fine art pedagogies." Art, Design & Communication in Higher Education 13, no. 1 (April 1, 2014): 3–6. http://dx.doi.org/10.1386/adch.13.1.3_2.

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Brus, Viktor V., Marc Gluba, Jörg Rappich, Felix Lang, Pavlo D. Maryanchuk, and Norbert H. Nickel. "Fine Art of Thermoelectricity." ACS Applied Materials & Interfaces 10, no. 5 (January 28, 2018): 4737–42. http://dx.doi.org/10.1021/acsami.7b17491.

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Berte, Lucia M. "Quality as Fine Art." Laboratory Medicine 38, no. 6 (June 2007): 345. http://dx.doi.org/10.1309/7renltb6xf7va4xt.

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Sandhu, Vijay Kumari. "Inspection—A Fine Art." JAMA Dermatology 154, no. 5 (May 1, 2018): 630. http://dx.doi.org/10.1001/jamadermatol.2018.0307.

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Syafei, Syafei, Efrizal Efrizal, Yasrul Sami, Zubaidah Zubaidah, Ariusmedi Ariusmedi, and Maltha Kharisma. "PENERAPAN RAGAM HIAS MINANGKABAU DALAM PEMBELAJARAN MEMBATIK BAGI GURU SENI BUDAYA SMPN DAN MTsN KABUPATEN PADANG PARIAMAN." Gorga : Jurnal Seni Rupa 10, no. 2 (December 30, 2021): 522. http://dx.doi.org/10.24114/gr.v10i2.31709.

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One of the obstacles in improving the quality of education and learning in schools is the lack of improvement in the quality of teachers. In addition, the limited opportunity to gain additional knowledge and skills for teachers is the cause of the decline in the quality of education. The results of the instructor team's discussion with Desmiyanti, S, Pd. a teacher in the field of Fine Arts Studies at SMPN 2 VII Koto Sungai Sariak, Padang Pariaman Regency (2020) that: the implementation of Fine Arts learning at SMPN Padang Pariaman Regency is on average taught by teachers with educational backg

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Jiamrungsan, Supamas. "The Ancient Technique of Weaving with the Contemporary Art." International Journal of Creative and Arts Studies 4, no. 1 (June 1, 2017): 13. http://dx.doi.org/10.24821/ijcas.v4i1.1951.

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This study is a qualitative research method. The purposes are firstly to trial production of Pha Yok Dok which is one of the local handicrafts, found in the north-eastern part of Thailand. It is the guidelines for handling core issues of the creation and must start from studying motif of design, focus on techniques the golden fabric is located at weaving with gold threads, called Yok Thong. Secondly, to improve the pattern of contemporary fabric are the synthesis of Yok Dok texti le design in making fabric. It is a complex process which requires highly skilled weavers. In researcher’s point of

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Chen, Hanqi, Yonghua Han, Jingang Li, Jia Bao, Chenxu Ma, and Ziang Sun. "An objective fabric pilling evaluation based on wavelet transform and Gabor filter." Journal of Engineered Fibers and Fabrics 17 (January 2022): 155892502211087. http://dx.doi.org/10.1177/15589250221108728.

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A new objective fabric pilling detection method is proposed for monochrome fabric without pattern. Firstly, through wavelet multi-resolution decomposition and reconstruction, remove the high-frequency noise such as fluff which is significantly different from the size of pills and low-frequency noise such as uneven illumination. After wavelet multi-resolution decomposition of fabric image, through analyzing the energy change law between each wavelet decomposition layer, and then the fabric is judged whether it is rough or fine texture. Then, according to the different color characteristics of f

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