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1

Scottish Film Archive catalogue. Glasgow: Scottish Film Council, 1995.

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2

Hewitt, Marion. North West Film Archive: Film catalogue. Manchester: Manchester Polytechnic, 1985.

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3

McBain, Janet. Scottish film archive: A companion to the Scottish Film Archive catalogue. [Glasgow]: Scottish Film Council, 1996.

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4

Project, Activision Irish. Film and Video Archive Catalogue. London: AIP, 1990.

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5

Group, Society of Archivists (Great Britain) Film and Sound. Film and sound archive sourcebook. London: Society of Archivists, 1999.

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6

Society of Archivists. Film and Sound Group. Film and sound archive sourcebook. London: Society of Archivists, 1999.

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7

Reclaiming the archive: Feminism and film history. Detroit: Wayne State University Press, 2010.

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8

Film, Imperial War Museum Department of. A working guide to the film archive. (London): The Museum, 1987.

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9

filminstitut, Danske. Det første filmarkiv =: The first film archive. [S.l.]: Danish Film Archive, 2002.

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10

Callahan, Vicki. Reclaiming the archive: Feminism and film history. Detroit: Wayne State University Press, 2010.

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11

Archive, New Zealand Film, ed. New Zealand film: An illustrated history in association with the film archive. Wellington, N.Z: Te Papa Press, 2011.

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12

The art of Hammer: Posters from the archive of Hammer Films. London: Titan Books, 2010.

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13

Archive, National Film and Television. A for Andromeda to Zoo time: A to Z : the TV holdings of the National Film and Television Archive, 1936-1979. London: British Film Institute, 1994.

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14

Color and the moving image: History, theory, aesthetics, archive. New York: Routledge, 2012.

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15

Op den Kamp, Claudy. The Greatest Films Never Seen. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462981393.

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Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public.
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16

Hosena, Mohāmmada Jāhaṅgīra. Bāṃlādeśa Philma Ārkāibhera 25 bachara: Rajatajaẏantī smārakagrantha = The 25th anniversary of Bangladesh Film Archive. Ḍhākā: Bāṃlādeśa Philma Ārkāibha,Tathya Maṇtraṇālaẏa, Gaṇaprajātantrī Bāṃlādeśa Sarakāra, 2004.

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17

(Australia), National Film and Sound Archive. Keepin' silent: A selection of Australian silent films made from 1896 onwards, available from the national collection. Acton, A.C.T: National Film and Sound Archive, 1995.

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18

Wessex Film and Sound Archive. 1930s Infant school: Video compilation of film extracts held by the Wessex Film and Sound Archive : atKey Stage 2. Winchester: Hampshire County Council, 1995.

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19

Herzogenrath, Bernd, ed. The Films of Bill Morrison. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789089649966.

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Avant-garde filmmaker Bill Morrison has been making films that combine archival footage and contemporary music for decades, and he has recently begun to receive substantial recognition: he was the subject of a retrospective at the Museum of Modern Art, and his 2002 film Decasia was selected for the National Film Registry by the Library of Congress. This is the first book-length study of Morrison's work, covering the whole of his career. It gathers specialists throughout film studies to explore Morrison's "aesthetics of the archive"-his creative play with archival footage and his focus on the materiality of the medium of film.
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20

Britain), National Film and Television Archive (Great. A to Z: A for Andromeda to Zoo time : the TV holdings of the National Film and Television Archive, 1936-1979. London: British Film Institute, 1994.

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21

Head, Anne. A true love for cinema: Jacques Ledoux, curator of the Royal Film Archive and Film Museum of Belgium, 1948-1988. The Hague, Netherlands: Universitaire Pers Rotterdam, 1988.

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22

Siewert, Senta. Performing Moving Images. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985834.

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Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse.
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23

Bob, Burns. It came from Bob's basement: Exploring the science fiction and monster movie archive of Bob Burns. San Francisco: Chronicle Books, 2000.

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24

Charles, Barber. The Philip Kahgan Collection, UCLA Film and Television Archive: Conductors on film at the Hollywood Bowl 1927-1947 : comprehensive catalogue and performance notes. [Palo Alto, Calif.?]: C. Barber, 1995.

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25

Wessex Film and Sound Archive. Life in the 1930s: Video compilation of film extracts held by the Wessex Film and Sound Archive : at Key Stage 2. Winchester: Hampshire County Council, 1995.

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26

Archive, Wessex Film and Sound. Home front in Hampshire: Video compilation of film extracts held by the Wessex Film and Sound Archive : at Key Stage 2. Winchester: Hampshire County Council, 1995.

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27

Constructing the image of the Mexican Revolution: Cinema and the archive. Austin: University of Texas Press, 2010.

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28

Archive, Steven Spielberg Jewish Film. Israel newsreel collection. Jerusalem: Steven Spielberg Jewish Film Archive, Hebrew University of Jerusalem, Institute of Contemporary Jewry, 1992.

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29

Robert, Daudelin, and Le Roy Eric, eds. Autour des cinémathèques du monde: 70 ans d'archives de films = Film libraries around the world : 70 years of archive history = En torno a las filmotecas del mundo : 70 anõs de archivos de películas. Paris: Centre National de Cinématographie, 2008.

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30

Lin shi shi zheng ju. Xianggang dian ying zi liao guan., ed. Xianggang dian ying zi liao guan "Zhen cang zhan": Hong Kong film archive treasures : An exhibition. [Xianggang]: Lin shi shi zheng ju Xianggang dian ying zi liao guan, 1998.

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31

3 Screens Film Festival (2006 New Delhi, India). 3 screens public ka multiplex !: 3 Screens Film Festival presented by Delhi Film Archive and the India Social Forum, New Delhi, Nov. 10-12, 2006. New Delhi: Delhi Film Archive, 2006.

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32

Archive, University Art Museum and Pacific Film. Prints from the collection: In honor of R.E. Lewis : January 26-April 10, 1994. [Berkeley]: Regents of the University of California, 1994.

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33

Josias, Anthea. Mayibuye Centre film and video collection. Bellville: University of the Western Cape, 1994.

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34

Archive, North West Film, ed. The picture house: A photographic album of film and cinema in Greater Manchester, Lancashire, Cheshire and Merseyside from the collections of the North West Film Archive. (Manchester): The Archive, 1988.

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35

Simmon, Scott. More treasures from American film archives, 1894-1931: 50 films. San Francisco, Calif: National Film Preservation Foundation, 2004.

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36

Magliozzi, Ronald S. Treasures from the film archives: A catalog of short silent fiction films held by F.I.A.F. archives. Metuchen: Scarecrow, 1988.

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37

International Federation of Film Archives., ed. Treasures from the film archives: A catalog of short silent fiction films held by FIAF archives. Metuchen, N.J: Scarecrow, 1988.

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38

Claridge, Elaine. Bristol Photography and Film Archives. Bristol: Watershed MediaCentre, 1988.

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39

Roy, Eric Le. Cinémathèques et archives du film. Paris: Armand Colin, 2013.

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40

Graf, Ingrid, and Anita Raith. Filmschätze in Baden-Württemberg. Edited by Haus des Dokumentarfilms (Stuttgart, Germany). Gerlingen: Bleicher, 2002.

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41

Sargent, John. A London regional film archive. 1993.

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42

Amad, Paula. Counter-Archive: Film, the Everyday, and Albert Kahn's Archives de la Planete. Columbia University Press, 2010.

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43

Keller, Hans. Film Music and Beyond (Hans Keller Archive) (Hans Keller Archive). Plumbago Books, 2006.

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44

360 film classics from the National Film and Television Archive. [London]: BFI, 1998.

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45

Nick, James, and National Film and Television Archive., eds. 360 film classics from the National Film and Television Archive. [London]: British Film Institute, 1998.

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46

Martin, Benjamin Richard, ed. Inside the film archive: Practice, theory, canon. Stanford, Calif: Stanford Humanities Center, 1999.

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47

Designs, Pretty Simple. Victorville Film Archive: Blank Lined Notebook Journal. Independently Published, 2020.

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48

Vicki, Callahan, ed. Reclaiming the archive: Feminism and film history. Detroit: Wayne State University Press, 2010.

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49

Keller, Hans. Film Music and Beyond (Hans Keller Archive). Plumbago Books, 2006.

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50

Keller, Hans. Film Music and Beyond (Hans Keller Archive). Plumbago Books, 2006.

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