Relevant bibliographies by topics / Fils explosés

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Fils explosés'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Fils explosés"

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Hurley, Alice Garbarini. "New Film Explores Migraine." Brain & Life 14, no. 6 (2018): 8–9. http://dx.doi.org/10.1097/01.nnn.0000550474.29498.cf.

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Kaur, Harmanpreet. "At Home in the World: Co-productions and Indian Alternative Cinema." BioScope: South Asian Screen Studies 11, no. 2 (December 2020): 123–45. http://dx.doi.org/10.1177/0974927620983941.

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Several Indian filmmakers and production houses making ‘alternative’ and ‘independent films’ have sought to develop co-production deals with European film funds, international film festivals, film markets and sales agents. Their bid is to build a profile with art house and ‘specialty cinema’ audiences in Europe, Asia and the USA, while also seeking to impact the Indian domestic market. This article analyses the assembling of such productions, and their aesthetic form, including a reflection on charges that their adaptation to international distribution requires a conformity to what is acceptable and intelligible to ‘international audiences’. It also explores how alternative films oriented to international art cinema affect the understanding of what constitutes ‘national cinemas’. The article explores these themes through two films, Qissa (2013) and The Lunchbox (2012).
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Griffith, Frank, and David Machin. "Communicating the ideas and attitudes of spying in film music: A social semiotic approach." Sign Systems Studies 42, no. 1 (May 26, 2014): 72–97. http://dx.doi.org/10.12697/sss.2014.42.1.04.

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Taking the example of two 1960s popular spy films this paper explores how social semiotics can make a contribution to the analysis of film music. Following other scholars who have sought to create inventories of sound meanings to help us break down the way that music communicates, this paper explores how we can draw on the principles of Hallidayan functional grammar to present an inventory of meaning potentials in sound. This provides one useful way to describe the semiotic resources available to composers to allow them to communicate quite specific ideas, attitudes and identities through combinations of different sounds and sound qualities, by presenting them as systems of meaning rather than as lists of connotations. Here we apply this to the different uses of music and sound in Dr No and The Ipcress Files which allows us to show how we can reveal different ideologies of spying.
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Deleyto, Celestino, and María del Mar Azcona. "The texture of the age: Digital construction of unbounded Space in Birdman (Iñárritu 2014)." Studies in Spanish & Latin American Cinemas 18, no. 1 (March 1, 2021): 73–88. http://dx.doi.org/10.1386/slac_00037_1.

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Like some of Alejandro González Iñárritu’s previous films, Birdman or (The Unexpected Virtue of Ignorance) (Iñárritu 2014) is an exploration of the place of individuals in the midst of various global forces, in this case, technological, social and cultural globalization. The film’s most relevant formal feature, the digitally created ‘long take’, also partakes of the director’s well-known penchant for technological and formal experimentation when telling a story. In Birdman, cinematic form is closely related to its thematic concerns, particularly the impact of technology on global processes. This article explores the confluence between form – digital cinema – and content in Birdman. It looks at the global virtual space created by the internet and social networks and how they affect our sense of being in the world. To this end, the film exploits the possibilities and connotations of the apparently uninterrupted single take that comprises most of the duration of the film and of the composited, digital-realistic space thus created.
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Bakina, T. V. "The Birth of a Hollywood Spectacle: Visual Expression and Narrative Functions of Costumes in Cecil B. DeMille’s Silent Films." Art & Culture Studies, no. 2 (June 2021): 252–85. http://dx.doi.org/10.51678/2226-0072-2021-2-252-285.

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The article explores the functions of film costumes in the works of Cecil B. DeMille, the American film director, whose pictures of the late 1910s and early 1920s are notable for their artistic achievements in the field of set and costume design. On the material of certain films from his “matrimonial cycle”, the author analyses the narrative and spectacular functions of costumes, while making an emphasis on the director’s role in the development of the artistic uniqueness and visual extravagance of Hollywood films of this period. The films of this cycle display some key strategies in film costume function- ing and design methods that would be adopted by the Hollywood film industry to become the new production standard in this field.
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Zeng, Zhaodong. "The Relationships in Novels from the Perspective of Literary Ethics—Taking the Film Lolita as an Example." Theory and Practice in Language Studies 9, no. 9 (September 1, 2019): 1140. http://dx.doi.org/10.17507/tpls.0909.10.

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Vladimir Vladimirovich Nabokov is an outstanding and productive Russian-Amercian writer. As the epitome work of the writer, Lolita must be the most controversial novel without doubt. This novel has been adapted into two versions of films: 1962 version and 1997 version. This paper will analyze the 1997 version of Lolita directed by Adrian Lyne. Most critics have mainly conducted the analysis of the film form the perspective of ethnics, postmodernism, narrative strategy, time as well as the image of death. However, there are few, if any, researches done from the perspective of literary ethics to dig into the relationships in the film. With the integration of ethics methods and literary research methods, literary ethics serves as a major new criticism approach and is mainly employed to conduct the analysis of literature. With the ethical factors unveiled in Lolita, this paper seeks to analyze three relationships: human beings and society, human beings and self, ethics and truth. The paper interprets the film Lolita from the perspective of literary ethics, explores the relationships in the film, exploits Vladimir Vladimirovich Nabokov’ s pursuit of truth, kindness and beauty, and also hopes to provide a new direction for later research on the film Lolita.
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White, Jerry. "Cold War Contexts: Pawlikowski in Film, Television, and European History." Film Quarterly 72, no. 3 (2019): 44–51. http://dx.doi.org/10.1525/fq.2019.72.3.44.

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Jerry White compares Paweł Pawlikowski's new film Zimna wojna (Cold War, 2018) to Karpo Godina's classic Slovenian film Rdeči boogie ali Kaj ti je deklica (Red Boogie, 1982), discussing the narrative and thematic continuities between the two films in the context of Cold War history and cinema. White also explores Pawlikowski's prior incarnation as a British documentary filmmaker named Paul to suggest a curious evolution; that in returning to his native Poland in his most recent films (Cold War and Ida), Pawlikowski has gone astray, abandoning the authenticity of his early British films such as Last Resort for a muddled romantic vision.
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Kijaszek, Wojciech, Waldemar Oleszkiewicz, Adrian Zakrzewski, Sergiusz Patela, and Marek Tłaczała. "Investigation of optical properties of silicon oxynitride films deposited by RF PECVD method." Materials Science-Poland 34, no. 4 (December 1, 2016): 868–71. http://dx.doi.org/10.1515/msp-2016-0111.

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AbstractIn this study, the authors deposited silicon oxynitride films by Radio Frequency Plasma Enhanced Chemical Vapour Deposition (RF PECVD) method. The research explores the relationship between the deposition process parameters and the optical properties of the deposited SiOxNy films. The optical constants of SiOxNy films were measured and calculated by spectroscopic ellipsometry method. Additionally, the authors investigated the possibility of controlling the deposited film composition by the flow ratio of different gaseous precursors: ammonia (NH3), diluted silane (2%SiH4/98%N2), nitrous oxide (N2O) and nitrogen (N2). The gas mixture introduced to the working chamber during the growth of the film has the influence on the Si–O and Si–N bonds formation and the ratio between these bonds determines the refractive index of the deposited film.
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O'Rourke, Chris. "Exploiting Ambiguity: Murder! and the Meanings of Cross-Dressing in Interwar British Cinema." Journal of British Cinema and Television 17, no. 3 (July 2020): 289–312. http://dx.doi.org/10.3366/jbctv.2020.0530.

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The crime film Murder! (1930), directed by Alfred Hitchcock for British International Pictures and based on the novel Enter Sir John (1929) by Clemence Dane and Helen Simpson, has long been cited in debates about the treatment of queer sexuality in Hitchcock's films. Central to these debates is the character of Handel Fane and the depiction of his cross-dressed appearances as a theatre and circus performer, which many critics have understood as a coded reference to homosexuality. This article explores such critical interpretations by situating Murder! more firmly in its historical context. In particular, it examines Fane's cross-dressed performances in relation to other cultural representations of men's cross-dressing in interwar Britain. These include examples from other British and American films, stories in the popular press and the publicity surrounding the aerial performer and female impersonator Barbette (Vander Clyde). The article argues that Murder! reflects and exploits a broader fascination with gender ambiguity in British popular culture, and that it anticipates the more insistent vilification of queer men in the decades after the Second World War.
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Gaustad, Terje. "Sweetening the Deal." Nordicom Review 30, no. 2 (November 1, 2009): 179–97. http://dx.doi.org/10.1515/nor-2017-0158.

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Abstract Various forms of public funding are used to encourage national film production, and one important quality of such funding is its ability to attract complementary private financing and thus maximize the resources available for national film. When the Norwegian government restructured its film support system in 2001, it was an explicit goal to attract more private investments into national films. Yet three years later, the government observed that while many national films now could show a healthy return on their private capital of more than 50 percent, there seemed to be a notable lack of participation from the traditional investment community in the financing of these films. The present article explores the economic reasons for the lack of involvement by applying project financing and transaction cost perspectives to a microanalysis of the financing and performance of all Norwegian films released theatrically in 2005.
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Dissertations / Theses on the topic "Fils explosés"

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Coulbois, Alain. "Etude de la transition préarc-arc dans les éléments fusibles." Thesis, Clermont-Ferrand 2, 2015. http://www.theses.fr/2015CLF22584/document.

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Le mécanisme de la transition préarc-arc dans les éléments de coupure du type fusible est encore mal connu à ce jour. La compréhension du phénomène requiert encore de nombreuses données fondamentales tels que la température ou la densité des vapeurs métalliques créées. Des hypothèses sont avancées pour expliquer la différence du temps de préarc prévue par les modélisations effectuées au sein du LAEPT avec celui constaté lors des expérimentations menées dans ce même laboratoire. Cet ouvrage tente de les vérifier par une approche expérimentale menées sur des fils explosés et des rubans fusibles. L’étude expérimentale est complétée par une recherche bibliographique sur les fils explosés. Ce complément propose de nouvelles pistes d’investigation pour la compréhension de l’amorçage de l’arc électrique sur les rubans fusibles. Enfin, toutes les méthodes de diagnostic et les grandeurs obtenues dans les tests les plus représentatifs sont données en fin d’ouvrage
Transition between prearcing and arcing stage remains not well known. Several fundamental data are needed as temperature or density of metalic vapour created to better understand the phenomenon. Hypothesis are mentioned to explain the difference of prearc time between modelisations and experiences that have been made in LAEPT. This study try to verificate them among experiences made on exploding wire and fuses ribbon. Experimental study is completed by a bibliographic review on exploding wires. This review permits to show other lines of investigation to understand the transition between prearcing and arcing stage on fuses ribbon. Finally, all the methods of diagnostic and the results obtained with the most representative tests are given at the end of the thesis
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Rydell, Erika K. "Seeing with the heart : a documentary film that explores origins of guilt among gay christians." Honors in the Major Thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1320.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Humanities
History
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Bourgoin, Céline. "La convention sur le marquage des explosifs plastiques et en feuilles aux fins de détection (Montréal, le 1er mars 1991), ou, Etude d'un des moyens de prévention du sabotage aérien /." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=27445.

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The aim of this thesis is to view the convention on the marking of plastic explosives for the purpose of detection as a preventive means against aerial sabotage. After having identified the terrorist phenomenon (Preliminary chapter), we have to know if the studied convention can fight against these well-organized groups who have already showed their violence with deadly success.
A preventive and deterrent action seems to be the best legal way to improve the detection of the explosives these groups use (First chapter). The institution of an international criminal law can be envisaged as a means of intimidation but I.C.A.O. has developped other measures and the convention is one of them. To be effective, this convention and its annex have to have a universal and compulsory application but these are conditions that they don't fulfill. Such negative observation is also to presented with regard to the conventional actors in the fight against sabotage (Chapter II). Indeed the international commission created by the convention still doesn't have the necessary supranational jurisdiction. Thus the sovereign States are keen on keeping their influence on the control of the marking. Obviously these States and other actors like U.N.O. can act in many ways on the international scene to fight against the aerial terrorism but new actors should exist. An international inquiring authority and an international court could reinforce this struggle.
Then this thesis has showed the gaps of the studied convention and consequently, the weakness of the detection systems in airports.
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Bourgoin, Céline. "La convention sur le marquage des explosifs plastiques et en feuilles aux fins de détection, Montréal, le 1er mars 1991, ou, Étude d'un des moyens de prévention du sabotage aérien." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ29820.pdf.

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Lafaye, Christophe. "Le génie en Afghanistan : adaptation d'une arme en situation de contre-insurrection (2001-2012) : hommes, matériels, emploi." Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM1041.

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Cette recherche doctorale en histoire immédiate, s'inscrit dans une réflexion plus large sur l'étude de nouveaux conflits, la culture et l'emploi des forces armées françaises sur le terrain, en prenant l'exemple de son engagement en Afghanistan. Elle porte particulièrement sur l'emploi de l'arme du génie dont nous postulons à la grande importance de ses savoir-faire sur le terrain, en situation de contre-insurrection
This doctoral research takes part on the study of the new conflicts, by taking the example of the French engineers in Afghanistan. We postulate for the big importance of these combat support units in situation of counterinsurgency
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Books on the topic "Fils explosés"

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MS-DOS 6 companion: The comprehensive reference that fully explores the power and features of MS-DOS 6. Richmond, Wash: Microsoft Press, 1993.

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Jayamanne, Laleen. Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463726245.

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Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz explores the poetic thinking of these master filmmakers. It examines theoretical ideas, including Maori anthropology of the gift and Sufi philosophy of the image, to conceive film as abundant gift. Elaborating on how this gift may be received, this book imagines film as our indispensable mentor - a wild mentor who teaches us how to think with moving images by learning to perceive evanescent forms that simply appear and disappear.
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Canada. Dept. of Foreign Affairs and International Trade. Aviation : convention on the marking of plastic explosives for the purpose of detection (with annex and declaration), Montreal, March 1, 1991, signed by Canada March 1, 1991, ratified by Canada November 29, 1996, in force June 21, 1998, in force for Canada June 21, 1998 =: Aviation : convention sur le marquage des explosifs plastiques et en feuilles aux fins de détection (avec annexe et déclaration), Montréal, le 1er mars 1991, signé par le Canada le 1er mars 1991, ratification du Canada le 29 novembre 1996, en vigueur le 21 juin 1998, en vigueur pour le Canada le 21 juin 1998. Ottawa, Ont: Minister of Public Works and Government Services Canada = Ministre des travaux publics et services gouvernementaux Canada, 1998.

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Raine, Michael, and Johan Nordström, eds. The Culture of the Sound Image in Prewar Japan. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789089647733.

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This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a ‘culture of the sound image’, it restores complexity to a media transition that is often described simply as slow and reluctant. In that vibrant sound culture, the talkie was introduced on the radio before it could be heard in the cinema, and pop music adaptations substituted for musicals even as cinema musicians and live narrators resisted the introduction of recorded sound. Taken together, the essays show that the development of sound technology shaped the economic structure of the film industry and its labour practices, the intermedial relation between cinema, radio, and popular music, as well as the architecture of cinemas and the visual style of individual Japanese films and filmmakers.
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Lamberti, Edward. Performing Ethics Through Film Style. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474444002.001.0001.

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Emmanuel Levinas’s ethical philosophy has had a significant influence on film theory in recent years. This book proposes a relationship between Levinasian ethics and film style. It argues that films can convey Levinasian ethics not just through their subject matter but also through their use of style. The book brings this relationship between ethics and style into a productive dialogue with theories of performativity, such as J. L. Austin’s speech-act theory, Jacques Derrida’s notion of originary performativity and Judith Butler’s reconfiguration of performativity within the socio-political sphere. It explores Levinas’s influence on film through the study of three directorial bodies of work: those of the Dardenne brothers, Barbet Schroeder and Paul Schrader. The book focuses on a range of films, including the Dardennes’ Je Pense à Vous (1992), La Promesse (1996), Le Fils (2002) and The Kid with a Bike (2011), Schroeder’s Maîtresse (1975), Reversal of Fortune (1990), Terror’s Advocate (2007) and Our Lady of the Assassins (2000) and Schrader’s American Gigolo (1980), Mishima: A Life in Four Chapters (1985), The Comfort of Strangers (1990), Dominion: Prequel to the Exorcist (2005) and Adam Resurrected (2008). In doing so, it demonstrates how films can perform a Levinasian ethics through different styles.
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Padmanabhan, Mekala. Orchestra and song. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199352227.003.0011.

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Orchestras have played a seminal role in creating a vibrant soundscape in Indian films since inception. From the earliest skeletal complement comprising violin, tabla and harmonium in silent films to the dynamic and expansive orchestral colour, timbre and styles of the twenty-first century, Tamil film orchestral sonorities have drawn global attention to the ‘Kollywood sound’. Music directors have adopted a cross-cultural approach to musical composition, enriching film background scores and song interludes while establishing film music’s distinctiveness as a musical genre. This chapter explores the logistical, artistic and creative processes employed by Tamil film music directors to create memorable musical narratives within the cinematic context.
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Jin, Dal Yong. Cultural Globalization in Korean Cinema. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039973.003.0004.

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This chapter examines the swift change experienced by the Korean film industry in conjunction with the Korean Wave. It investigates the primary causes of the roller coaster-like shifts within Korean cinema, including government cultural policies due to the significant role of the government in the midst of neoliberal globalization. It then maps out the nature of cultural hybridity in domestic films by comparing hybridized films between the Hallyu 1.0 era and the Hallyu 2.0 era. By textually analyzing film genres and themes of 240 films produced domestically between 1989 and 2012, the chapter explores not only the ways in which Korean cinema develops hybridity in domestic films, but also whether hybridity has generated new possible cultures that are free from Western influence. This eventually leads us to determine the major characteristics of hybrid Korean cinema in the Hallyu 2.0 era and its future direction in the global film market.
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Atakav, Eylem. Feminism and Women’s Film History in 1980s Turkey. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0010.

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This chapter explores the relationship between feminism and women's film history in the context of 1980s Turkey. In discussing women's film history, the chapter includes not only the history of women filmmakers and the films they have made but also the link between the history of Turkish film industry and feminism. It begins with a historical overview of the feminist movement in Turkey and then examines its visible traces in film texts produced during the 1980s in order to argue that those films can be most productively understood as explorations of gendered power relations. The chapter then considers how the enforced depoliticization introduced in Turkey after the 1980 coup opened up a space for feminist concerns to be expressed within commercial cinema. It also shows how this political context gave rise to the newly humanized, more independent heroine that characterized Turkish cinema during the period, but suggests that the films were nevertheless made largely within the structures of a patriarchal commercial cinema.
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Cooper, L. Andrew. Dario Argento. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037092.003.0001.

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This book explores the extreme violence that pervades Dario Argento's films, and particularly the ways in which they push the limits of visual and auditory experience by offending, confusing, sickening, and baffling the viewers. It looks at Argento's approach to his work over more than four decades of filmmaking, and his commitment to innovation that is evident in two closely related genres whose disturbing violence reaches previously unrecorded levels of pain, suffering, and mental anguish: crime thriller and supernatural horror. From his directorial debut, The Bird with the Crystal Plumage (1970), to Giallo (2009), Argento's films challenge a viewer's accepted ideas about film spectatorship, meaning, storytelling, and genre. This book also looks at the centrality of collaboration, particularly with family, in Argento's work by analyzing sixteen films that feature him as writer and director. Finally, it discusses how Argento's films function as rhetorical interventions against dominant views on film criticism, interpretation, narrative, and conventions through an examination of interpretive possibilities that connect the films to broader tendencies in film history.
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Murray Levine, Alison J. Vivre Ici. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786940414.001.0001.

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Vivre Ici analyzes a selection of films from the vast viewing landscape of contemporary French documentary film, a genre that has experienced a renaissance in the past twenty years. The films are connected not just by a general interest in engaging the “real,” but by a particular attention to French space and place. From farms and wild places to roads, schools, and urban edgelands, these films explore the spaces of the everyday and the human and non-human experiences that unfold within them. Through a critical approach that integrates phenomenology, film theory, eco-criticism and cultural history, Levine investigates the notion of documentary as experience. She asks how and why, in the contemporary media landscape, these films seek to avoid argumentation and instead, give the viewer a feeling of “being there.” As a diverse collection of filmmakers, both well-known and less so, explore the limits and possibilities of these places, a collage-like, incomplete, and fragmented vision of France as seen and felt through documentary cameras comes into view. Venturing beyond film analysis to examine the production climate for these films and their circulation in contemporary France, Levine explores the social and political consequences of these “films that matter” for the viewers who come into contact with them.
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Book chapters on the topic "Fils explosés"

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Balsom, Erika. "Bootlegging Experimental Film." In After Uniqueness, 81–105. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231176934.003.0004.

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This chapter explores the ambivalence of the copy by examining the impact of low-quality, unauthorized digital bootlegs on the domain of experimental film, an area of practice that has historically exhibited a strong investment in medium specificity and the moral rights of the filmmaker. I confront these issues through a case study of Josiah McElheny’s The Past Was A Mirage I’d Left Far Behind (2010), a year-long installation at the Whitechapel Gallery in London that consisted of copies of historical abstract films taken from UbuWeb – an online repository of low-definition files posted without permission of the filmmakers – and projected onto prismatic screens.
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Kim, Dong Hoon. "Colonial Film Spectatorship: Nationalist Enough?" In Eclipsed Cinema. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474421805.003.0005.

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In the last two chapters, my critical and historiographical concerns draw on theories of film spectatorship and reception in order to further extend the topography of Joseon cinema. The forth chapter considers film-viewing as a political domain in which various forms of colonial tensions were represented and mediated. Taking the dearth of local productions and the predominance of Hollywood productions into consideration, the author argues any attempt to limit Korean spectators’ movie-going and film-viewing patterns only to Joseon films is bound to be a reductionist understanding of Joseon film culture. Thus, the chapter explores the issues in colonial spectatorship in relation to not only local but imported films. It focuses particularly on how Korean spectators’ engagement with American films emerged as the main subject of political tensions and hegemonic struggles with regard to the colonial situation, detailing a variety of receptions and interpretations of the dominance of Hollywood film in the Joseon film.
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Fee, Annie. "Paris Looks to the North: Swedish Silent Film and the Emergence of Cinephilia." In Nordic Film Cultures and Cinemas of Elsewhere, 207–23. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474438056.003.0016.

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This chapter explores how the films of Swedish filmmakers Mauritz Stiller and Victor Sjöström were central to the efforts of 1920s French film critics to elevate the status of film to the level of high or modernist art. French audiences passionate about their film taste resisted the changes to their cinema-going habits and were very vocal about their preference for popular cinema. These moments of protest reveal powerful alternative strains of popular film culture amidst which the French First Wave critic-­‐filmmakers were trying to win over audiences and educate the general public using the example of Sweden as a model for “true film art.” This chapter provides an account of the violent rejection of several Swedish films by contemporary French audiences as passionate in their resistance to “artistic” films as they were in their defense of the familiar faces of Hollywood imports and French popular cinema.
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Cinquegrani, Maurizio. "Another Tale of Two Cities: Lviv and Łódź." In Journey to Poland, 114–45. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474403573.003.0006.

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This chapter explores the cinematic image of Lviv and Łódź in wide range of documentary films. It also offers comparisons between fictional and factual films of these places. The chapter also explores physical remnants of the past in the form of buildings which were occupied by Jewish schools, hospitals or homes, and on the role played by these places and ruins in the processes of memorialisation enacted in film.
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Britt, Thomas R. "Knock, Knock the Hustle: Resisting Commercialism in the African American Family Film." In Post-Soul Satire. University Press of Mississippi, 2014. http://dx.doi.org/10.14325/mississippi/9781617039973.003.0004.

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This chapter investigates the African American family film for portraits of black family life. Providing an analysis of three commercially-unsuccessful films – Louis C.K. Pootie Tang, Lance Rivera’s The Perfect Holiday, and Erik White’s Lottery Ticket – this chapter explores the means by which these films satirize the “supercapitalist” value system permeating the entertainment industry. These films point to alternative sources of happiness and fulfilment existing outside those provided by material comfort.
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Ulfsdotter, Boel, and Mats Björkin. "The Gothenburg International Exile Film Festival in Context." In Nordic Film Cultures and Cinemas of Elsewhere, 94–102. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474438056.003.0008.

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This chapter explores how in 1993 two Iranian immigrants to Sweden, Hossein Mahini and Hassan Mahini, launched a film festival in Sweden’s second largest city Gothenburg for films related to exile and refugee experiences, the Exile Film Festival. The programming of the festival represents the large range of exilic, diasporic, ethnic, immigrant, and refugee communities that are part of the contemporary public sphere. The festival also constitutes an overlooked elsewhere of cinematic programming outside of the main commercial, art house, or mainstream film festivals. It is also part of local, national, and international “ecology” of exhibition of non-Western films in general, and exile or diaspora film festivals in particular, including through the festival’s intervention into Gothenburg suburbs that rarely otherwise see this kind of cinematic programming. The chapter also discusses exilic cinephilia cultures in Sweden and the kinds of films that are screened at the festival. By so doing, it introduces a range of cinematic elsewhere.
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Barnard, Timothy P. "‘Sufficient Dramatic or Adventure Interest’: Authenticity, Reality and Violence in Pre-War Animal Documentaries from South-East Asia." In The Colonial Documentary Film in South and South-East Asia. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474407205.003.0012.

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In his chapter, Timothy Barnard explores issues of authenticity and the close relations that always existed between documentary and narrative cinema. Focusing on American films about Komodo dragons shot in Borneo in the 1920s and 1930s, he presents animal documentaries as a popular site where western film-makers showcased supposedly realistic images of animals that ironically led to exotic and fantastic film depictions of animals. He also argues that these films created a space where western (American) desires, cultural tensions and anxieties about the perceived savagery and violence outside of western civilisation could be projected.
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"4. Detectives, Traces, and Repetition in The Exploits of Elaine." In Film Serials and the American Cinema, 1910-1940, 145–82. Amsterdam University Press, 2018. http://dx.doi.org/10.1515/9789048537808-005.

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Keaveney, Christopher T. "Coming Home: Portraying Japanese Baseball on the Silver Screen." In Contesting the Myths of Samurai Baseball. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888455829.003.0004.

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Chapter 3 examines the long history of baseball films in Japan, a tradition nearly as old as the history of Japanese cinema itself. After a brief survey of the early history of cinema in Japan, a tradition whose history parallels that of the game of baseball chronologically, the study focuses on early shomingeki films and explores how baseball became an important marker of domesticity and middle class respectability in this genre of film in the 1930s. The chapter then examines several pivotal films in the postwar era, examining how baseball was used alternately to perpetuate a national hero in Suzuki Hideo’s Immortal Pitcher (1955) or to chart the corruption and greed surrounding professional baseball as in Kobayashi Masaki’s I Will Buy You (1956). In the 1960s and 1970s, as young filmmakers arose to challenge the dominance of the great postwar filmmakers and to produce often avant-garde and politically charged films that reflected an international challenge to the hegemony of Hollywood films, the baseball film was again adopted as a means to offer that challenge. Ōshima Nagisa’s Ceremonies, in a film that contests the very concept of the baseball film, uses baseball as a metaphor for the Japan’s abandonment of its citizens during the war. The recent splatter comedy baseball films of Yamaguchi Yūdai likewise play with the familiar tropes of Japanese baseball and of the baseball hero as antihero in problematizing the very concept of the baseball film.
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MacDonald, Scott. "James Benning Goes Digital." In The Sublimity of Document, 401–22. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190052126.003.0019.

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James Benning’s turn from 16mm filmmaking to digital filmmaking after his RR (2007) released the already prolific Benning from his struggles with 16mm film projection and print damage and unleashed a new wave of digital productivity. This interview explores Benning’s many digital films, including the several films that are part of his Two Cabins project (focusing on the cabins, lives, and writings of Henry David Thoreau and Ted Kaczynski), his Warhol-inspired portrait films—After Warhol (2011), Twenty Cigarettes (2011)—his three-hour-plus “single-shot” film, BNSF (2012), his cine-exploration of Vienna’s Naturhistorischesmuseum, and his personal epic, 52 Films (2015), an adventure into modifying a broad range of online postings from the internet—originally designed to be presented on fifty-two computers, but so far, shown mostly as interactive screenings with Benning present.
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Conference papers on the topic "Fils explosés"

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Yu, X., R. Rajamani, K. A. Stelson, and T. Cui. "Active Sound Transmission Control for Windows Using Cabon Nanotube Based Transparent Thin Film Speakers." In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-81108.

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This paper explores the development of active sound transmission control systems for windows using transparent thin film speakers. A unique transparent thin film speaker consisting of a piezoelectric PVDF thin film coated with compliant carbon nanotube (CNT) based transparent conductors is developed. Acid treatment for single-walled carbon nantotubes (SWNTs) and layer-by-layer (LBL) nanoassembly based surface modification of the substrates are used to obtain highly transparent and conductive CNT thin films on both sides of a PVDF film. The developed thin film speaker shows good acoustic response over a broadband frequency range, and has the advantages of being flexible, transparent, and lightweight. Experimental results are presented showing that over 10 dB reduction in sound transmission is achieved globally. The transparent thin film actuators can thus be effectively used as actuators for active sound transmission control systems for windows.
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Pan, Chunxia, and Shana Smith. "Extracting Geometrical Data From CAD STEP Files." In ASME 2003 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/detc2003/cie-48224.

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Most CAD tools currently do not have advanced capability built in for directly analyzing the feasibility of product assembly during the design stage. As a result, the feasibility of product assembly has to be analyzed using external assembly analysis tools. To integrate external assembly analysis tools with CAD tools, geometrical data from the CAD models must be extracted from CAD files and imported into the assembly analysis tools. To transfer geometrical data between CAD tools and assembly analysis tools, a neutral file format is needed. STEP (standard for the exchange of product model data) is a neutral file format for convenient and reliable data exchange between different design and manufacturing systems. Therefore, STEP is considered as one of the most popular formats for saving designs. As a result, to evaluate designs, extracting geometrical data from CAD-STEP file is important. Comparing with some other currently available methods, first translating STEP file into XML and then using Java DOM to get geometrical information from XML file is much better. This paper explores the process of extracting geometrical data from a CAD-STEP file for assembly sequence planning. A STEPXML translator, Java-XML parser and DTD (document type definition) generator are used on the JDK 1.4 platform. In this project, DOM (document object model) is applied as the API (Application Programming Interface) for XML.
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Chyu, Minking K., Unal Uysal, and Pei-Wen Lee. "Convective Heat Transfer in a Triple-Cavity Structure Near Turbine Blade Trailing Edge." In ASME 2002 International Mechanical Engineering Congress and Exposition. ASMEDC, 2002. http://dx.doi.org/10.1115/imece2002-32405.

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The present study explores the internal heat transfer in a triple-cavity cooling structure with a ribbed lip for a turbine blade trailing edge. The design consists of two impingement cavities, two sets of crossover holes, a third cavity and an exit slot with eleven ribs attached to it. Local heat transfer in each subregion is determined. Results indicate that the highest heat transfer occurs in the second impingement cavity. The exit slot area between the ribs is identified as a region of low heat transfer in the overall design. A comparison with enhancement induced by arrays of pin fins and fins of other geometries reveals that the triple-cavity design represents a lesser quality cooling scheme in the range of Reynolds numbers tested. Further improvement of the convective heat transfer at the exit slot with either film cooling, or different rib geometries appears to be essential to make the triple-cavity strategy superior to those of the traditional approaches for cooling of blade trailing edge.
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Castillo, Eduardo E., and Theodorian Borca-Tasciuc. "Development of a Scanning Transient Harman Method for Thermoelectric Properties Characterization." In ASME 2008 3rd Energy Nanotechnology International Conference collocated with the Heat Transfer, Fluids Engineering, and Energy Sustainability Conferences. ASMEDC, 2008. http://dx.doi.org/10.1115/enic2008-53038.

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Low-dimensional nanostructures and nano-composites may demonstrate a large enhancement of the thermoelectric figure of merit ZT, therefore measurements of their thermoelectric properties are of high interest. Techniques able to screen the thermoelectric properties of a large number of samples and also to measure the spatial distribution of thermoelectric properties in a specimen are needed. This work explores a scanning transient technique for thermoelectric characterization of thin films based on the Harman method. A one dimensional theoretical model was used to investigate the appropriate experimental setup and the effect of a scanning electrode/thermal probe contacting the top surface of the specimen. Results indicate that for micrometer thick films of ZT∼1 small current values of the order of mA and electrical contact resistance below 1 Ω are necessary to minimize the Joule heating effects and to take advantage of the Peltier effect when employing the bipolar technique. A proof of concept experiment was performed on an n-type Bi2Te3 pellet used in a commercial thermoelectric device. The experiment lays out the strategy to extract the thermoelectric properties. Seebeck coefficient of −241 μV/K and thermal conductivity of 1.48 W/m.K were obtained from the transient Harman method when the data reduction model included energy losses through the wire. These results prelude the feasibility of the scanning technique on thin film samples.
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Yerrabolu, Santosh Rohit, Joseph C. Mollendorf, Robert E. Baier, and Mark T. Ehrensberger. "Examination of Factors Influencing Intramedullary Reaming Into Femurs." In ASME 2014 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/detc2014-35710.

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This preliminary study explores material surface chemistry modifications to optimize intramedullary (IM) reaming into femurs. Understanding and quantifying the effects of surface chemistry will allow beneficial new material choices. M2 standard High Speed Steel Straight Shank Straight Fluke chucking reamers of 5/32” or ∼4mm diameter were reamed into RenShape®-BM5460 (bone analogs) blocks for the investigation. Sterilizations (Steam Autoclave and Radio Frequency Glow Discharge Treatment) and low friction coatings (Octadecyltrichlorosilane or ODS and 3-Hepta-fluoropropyl-methyl-dichloro-silane or 3-HEPT) were the surface modifications so far pursued in this study. The effects due to the presence of possible transfer films from bone analogs during reaming on cutting efficacies have been investigated on a custom made Orthopaedic Rotational Cutter Analysis System (ORCAS) test system. The results preliminarily suggest a transfer film from the bone analog resulting in reduction of peak loads and peak toques through repeated use. The low-friction coatings have induced lower peak loads and comparable peak torques, suggesting a corollary between low friction coatings and lower surgical efforts required.
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Adami, P., F. Martelli, F. Montomoli, and C. Saumweber. "Numerical Investigation of Internal Crossflow Film Cooling." In ASME Turbo Expo 2002: Power for Land, Sea, and Air. ASMEDC, 2002. http://dx.doi.org/10.1115/gt2002-30171.

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A full-3D unstructured solver is applied for the investigation of the physics involved in the flow of modern film cooling devices. The numerical simulation is based on a TVD upwind finite volume method that exploits the implicit time-marching approach. A conventional two equations eddy viscosity closure is considered for the turbulent flow field without wall-functions. The present application aims to investigate and discuss the flow field physics as obtained from a numerical RANS (Reynolds Averaged Navier-Stokes) simulation comparing different cooling duct systems devices. The CFD outcome is discussed against experiments considering the discharge coefficient as a means to quantify the accuracy of the numerical simulation. Particular attention is focused on the geometrical discretization, on the grid characteristics and on the capabilities of CFD for an efficient and realistic modelling of the flow field. The basic features of the film cooling technique are addressed considering the experimental test configurations investigated by Karlsruhe University for cylindrical, fanshaped and laid back fan shaped configurations with cross/parallel flows arrangement.
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Kakimpa, B., H. P. Morvan, and S. Hibberd. "Solution Strategies for Thin Film Rimming Flow Modelling." In ASME Turbo Expo 2015: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/gt2015-43503.

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This paper explores the role of surface tension, grid resolution, inertia term representation and temporal discretisation scheme in the numerical simulation of shear-driven thin-film rimming flows. An ideal film formulation and solution strategy, suitable for the simulation of smooth, shock and pool solutions is presented. Shock and pool solution stability is shown to be dependent on the provision of sufficient grid refinement to resolve key flow features present in the solution such as steep fronts and small wavelength capillary waves. A minimum grid refinement criterion is proposed based on the findings from a parametric study. A previously established dependence of solution stability on surface tension is shown to be linked to the sensitivity of the wavelengths of disturbances in the capillary zone on the surface tension coefficient. Solution strategies utilising un-physically high surface tension values to guarantee stability, are explored and shown to enhance stability by modifying the solution in the capillary zone to one that is resolvable on the available grid. The role of inertia in solution stability is also investigated and simplified inertia representations are shown to primarily affect accuracy but not stability.
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Deng, Xin, Cori Watson, Brian Weaver, Houston Wood, and Roger Fittro. "Lubricant Inertia in Water Lubricated Bearings." In ASME 2017 Fluids Engineering Division Summer Meeting. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/fedsm2017-69110.

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Oil-lubricated bearings are widely used in high speed rotating machines such as those used in the aerospace and automotive industries. However, with some applications including underwater machinery and environmentally friendly applications, water lubricated bearings have become increasingly used. Due to the different fluid properties between oil and water — namely viscosity — the use of water increases the Reynolds numbers drastically and, therefore, makes water-lubricated bearings prone to turbulence and fluid inertia effects. In other words, the linear approximation of the fluid film reaction forces due to the stiffness and damping parameters — as suggested in the traditional Reynolds equation — is not adequate and should be amended to include lubricant added mass. This is because water-lubricated bearings exhibit large lubricant inertia forces on the order of viscous forces. Additionally, stiffness and damping coefficients should be calculated with the turbulence effects included. The aim of this study was to investigate the methodology of modifying the traditional Reynolds equation to include lubricant inertia effects. This paper reviews the current status of research in the lubricant inertia of bearings and explores the development of methodologies to modify the Reynolds equation to include lubricant inertia in bearings. The Reynolds equation is a partial differential equation governing the pressure distribution of thin viscous fluid films in lubrication theory. The thin film hypothesis is used to directly relate the bearing film thickness to the lubricant film pressure. Adding lubricant inertia to the Reynolds equation is vital to improving the accuracy of the bearing model and more specifically its film pressure which is essential to predicting load carrying capabilities. The film pressure relates the gradient of the velocity tensor through the Reynolds equation, and resulting shear stresses then allow the turbulent momentum equations to be written in terms of an eddy-viscosity value. An extended Reynolds equation should be developed which takes into account turbulence and both convective and temporal inertia. The most complete form of the temporal inertia effect model should be developed and applied to the turbulent regime, consisting of both primary and secondary temporal inertia terms. The convective inertia model follows Constantinescu’s approach. This analysis develops a lubricant inertia model applicable to water-lubricated bearings. The results of this study could aid in improving future designs and models of water-lubricated bearings.
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El Hitti, Georges, Grace Mouawad, Khalil El Khoury, and Maroun Nemer. "Simulating the Heating Cycle of a Thin Film Photovoltaic Cell During Rapid Thermal Processing." In 2010 14th International Heat Transfer Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/ihtc14-22927.

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In this paper a detailed description of a modeling method for the heating cycle of a thin film Photovoltaic (PV) cell during Rapid Thermal Processing (RTP) is presented. The paper explores the challenges of numerically simulating the heating of the PV during RTP and proposes a comprehensive solution for solving these problems. In the proposed method, the thermal model is based on the Component Interaction Network (CIN) approach, while radiation is calculated by a zonal method based on the flux planes approximation and the Thin Layer Approximation (TLA) adapted for semitransparent sheets with small thickness. Various simulations using the model are performed and compared with experimental results. The comparisons demonstrate the efficiency of the modeling approach developed for PV cells in RTP chambers.
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Alony, Irit, Greg Whymark, and Michael Jones. "Sharing Tacit Knowledge: A Case Study in the Australian Film Industry." In InSITE 2007: Informing Science + IT Education Conference. Informing Science Institute, 2007. http://dx.doi.org/10.28945/3119.

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This paper explores tacit knowledge sharing. This case demonstrates the significance of knowledge sharing to organizational performance, by exploring the contribution of tacit knowledge sharing to the success of projects in the Australian Film Industry (AFI). The differences between knowledge sharing, collaboration and communication, and their interrelations are addressed. We also explore the concepts of knowledge, information, and data. In the interchanges reported here the knowledge shared is almost entirely tacit, and the “raw” data and information do not exist without the context that makes them knowledge. The paper includes the identification of many factors affecting knowledge sharing, not all of which have been identified by previous researchers. This research contributes to a better understanding of tacit knowledge and how that knowledge is shared. This in turn contributes to a better understanding of how knowledge management can be supported in a modern organization, where often the technology is used in ways not well understood by system managers and software developers. A better understanding can lead to better ICT design and support of knowledge sharing both within and across organizations.
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Reports on the topic "Fils explosés"

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Kumar, Indraneel, Lionel Beaulieu, Annie Cruz-Porter, Chun Song, Benjamin St. Germain, and Andrey Zhalnin. An Assessment of the Workforce and Occupations in the Highway, Street, and Bridge Construction Industries in Indiana. Purdue University, 2020. http://dx.doi.org/10.5703/1288284315018.

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This project explores workforce and occupations within the highway, street, and bridge construction industries (NAICS 237310) in Indiana. There are five specific deliverable comprised of three data reports, one policy document, and a website. The first data report includes an assessment of the workforce based on the eight-part framework, which are industry, occupations, job postings, hard-to-fill jobs, Classification of Instructional Programs (CIP), GAP Analysis, compatibility, and automation. The report defines a cluster followed by a detailed analysis of the occupations, skills, job postings, etc., in the NAICS 237310 industry in Indiana. The report makes use of specialized labor market databases, such as the Economic Modeling Specialists International (EMSI), CHMURA JobsEQ, etc. The analysis is based only on the jobs covered under the unemployment insurance or the Quarterly Census of Employment and Wages (QCEW) data. The second data report analyzes jobs to jobs flows to and from the construction industry in Indiana, with a particular emphasis on the Great Recession, by utilizing the Bureau of Labor Statistics (BLS) data. The third data report looks into the equal employment opportunity or Section 1391 and 1392 data for Indiana and analyzes specific characteristics of that data. The policy report includes a set of recommendations for workforce development for INDOT and a summary of the three data reports. The key data on occupations within the NAICS 237310 are provided in an interactive website. The website provides a data dashboard for individual INDOT Districts. The policy document recommends steps for development of the highways, streets and bridges construction workforce in INDOT Districts.
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Planting the Seeds of the Poisonous Tree: Establishing a System of Meaning Through ISIS Education. George Washington University, February 2021. http://dx.doi.org/10.4079/poe.02.2021.01.

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This paper explores the administration of the Islamic State's department of education and the system of meaning set up by the group under its governance. The research systematically analyzes a collection of education-related “ISIS Files” documents using critical discourse analysis to identify common narratives, values, and themes, particularly those aimed at indoctrinating children.
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