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Dissertations / Theses on the topic 'Fires in Theaters'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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1

Parsons, Michael S. "Fire Dance." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1302553794.

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2

Martinez, Amber Marie. "The Fatal Lamp and the Nightmare after Christmas: The 1811 Richmond Theatre Fire." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/4043.

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ABSTRACT THE FATAL LAMP AND THE NIGHTMARE AFTER CHRISTMAS: THE RICHMOND THEATRE FIRE OF 1811 By Amber Marie Martinez, Bachelor of Fine Arts in Theatre Performance A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre Pedagogy at Virginia Commonwealth University. Virginia Commonwealth University, 2015 Director: Dr. Noreen C. Barnes, Director of Graduate Studies, Department of Theatre “How strange a preface the loud laughter excited by a pantomime, to volumes of smoke and fire” (The American Standard, 27 December 1811). Building fires were
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3

Zarabadi, Naeimehalsadar. "Fire Safety in Historical Theatres (Italian-Style)." Doctoral thesis, Università degli Studi di Palermo, 2019. http://hdl.handle.net/10447/361521.

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The research starts from a punctual knowledge of the theatrical typology under many aspects and in-depth analysis: from the recognition of the monumental value and qualification of a historical theater, collective heritage to be preserved for future generations, we’ll investigate environmental, typological, distributive, functional, material and constructive characters in the earliest designing phases and after the adjustment and transformation interventions occurred. The main aim is identifying all the parts that are at risk of fire, the equipment implementation done to lower such a risk, wit
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4

Henne, Meredith Margaret. ""Miraculously Saved": Richmond and the 1811 Theater Fire." W&M ScholarWorks, 2007. https://scholarworks.wm.edu/etd/1539626537.

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5

Brown, Reginald C. "Fire and Cloud: An Adaptation of Richard Wright's Short Story to the Stage." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd_retro/34.

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This thesis records and details my journey of bringing to the stage Fire and Cloud, a short story by one of America's most respected and controversial writers, Richard Wright. It chronicles what I learned about him as a writer and the value of his work for the stage. In producing Fire and Cloud the director endeavored to assemble of group of actors who were willing to take risks while creating an environment for them in which they could function effectively as an ensemble.
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6

Chaffin, Carla Risch. "The Scenic Design Process for the Ohio State University's Premiere Production of the Fire Still Burns, A New York Devised and Directed by John R. Giffin." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1391703537.

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7

Kowalski, Elizabeth. "One Hundred Forty-Six| The score for a music and modern dance theater production about the Triangle Shirtwaist Factory Fire of 1911." Thesis, The University of North Carolina at Greensboro, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1541301.

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<p> <i>One Hundred Forty-Six</i> is a music and dance theater production portraying an artistic memorial to the victims, tragedy, and progress of the historical Triangle Shirtwaist Factory Fire of March 25, 1911. The music, composed by Elizabeth L. Kowalski, was scored for string quartet with added electronics. Images and sounds of textile factory work and the events of the fire and memorial are communicated throughout the music. The score is accompanied here by a written document explaining the work. <i>One Hundred Forty-Six </i> has an approximate duration of 45 minutes. The premiere was hel
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8

Powell, James Scott. "Learning under fire: a combat unit in the Southwest Pacific." Texas A&M University, 2006. http://hdl.handle.net/1969.1/4237.

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Engaging a determined enemy across a broad range of conditions, the U.S. Army in World War II's Southwest Pacific Area (SWPA) played an important role in the defeat of Japan. How units fought and learned in SWPA and how they adapted to the evolving challenges of their environment is the focus of this dissertation. The subject remains largely unexplored, especially in contrast to the attention the European theater has received. An examination of the 112th's performance not only illuminates an understudied area in the historiography of World War II but also offers relevant lessons for contempora
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9

Yardy, Danielle. "Stake and stage : judicial burning and Elizabethan theatre, 1587-1592." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:c90c5635-2258-4213-a445-4bfaf67d24d7.

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This thesis is the first sustained analysis of the relationship between Elizabethan theatre and the judicial practice of burning at the stake. Focusing on a five-year window of theatrical output (1587-1592), it argues that polemical literary presentations of burning are the key to understanding the stage's negotiation of this most particular form of judicial violence. Unlike other forms of penal violence, burning at the stake was not staged, and only fourteen incidences of the punishment are recorded in Elizabethan England. Its strong literary presence in Protestant historiography is therefore
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10

Graham, Alyce. "The Creativity Loophole: Needlework, Social Conventions, and the Permissibility of Creative Expression for Early American Women." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/141.

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This thesis investigates creative expression through needlework by wealthy or elite women in the eighteenth- and early nineteenth-century, focusing on women in the United States South. This inquiry begins in broad terms and proceeds to the close examination of one particular needlework sampler held in the collection of the Valentine Richmond History Center. The first chapter uses prescriptive literature popular in the eighteenth century to establish the restrictive, obedient, and subservient expectations for women’s behavior. The second chapter explores the reasons that the same books that pro
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11

Freitas, Elizabeth Jorge da Silva Monteiro de. "Gestão de teatros: os desafios do mercado." Universidade Federal da Bahia, 2007. http://www.adm.ufba.br/sites/default/files/publicacao/arquivo/bete_dissertacao-final.pdf.

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p. 1 - 125<br>Submitted by Santiago Fabio (fabio.ssantiago@hotmail.com) on 2013-01-28T19:06:39Z No. of bitstreams: 1 33.pdf: 375263 bytes, checksum: 77f772c08f79a88f6ddffa312442ac78 (MD5)<br>Approved for entry into archive by Fatima Cleômenis Botelho Maria (botelho@ufba.br) on 2013-01-30T13:00:17Z (GMT) No. of bitstreams: 1 33.pdf: 375263 bytes, checksum: 77f772c08f79a88f6ddffa312442ac78 (MD5)<br>Made available in DSpace on 2013-01-30T13:00:17Z (GMT). No. of bitstreams: 1 33.pdf: 375263 bytes, checksum: 77f772c08f79a88f6ddffa312442ac78 (MD5) Previous issue date: 2007<br>Este estudo prop
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12

De, Wagter Caroline. "Mouths on fire with songs: negotiating multi-ethnic identities on the contemporary North american stage." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210237.

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A travers une étude interculturelle détaillée et comparée de la production théâtrale minoritaire canadienne et américaine, ma thèse cherche à mettre en lumière les les apports thématiques et esthétiques du théâtre multi-ethnicque nord-américain contemporain à la tradition anglo-américaine du 20ème siècle. Les communautés asiatiques, africaines et aborigènes sont retenues comme poste d'observation privilégié de l'expression esthétique de la condition multiculturelle postcoloniale dans le théâtre nord-américain de la période allant de 1972 à nos jours. Sur base d'un corpus de pièces de théâtre,
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13

Bury, Jacques. "Des villes à l’épreuve du feu ? Autorités publiques, pompiers, policiers et gendarmes face à l’incendie au XIXe siècle." Electronic Thesis or Diss., Sorbonne université, 2021. http://www.theses.fr/2021SORUL086.

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L’incendie accidentel représente dans les villes un risque ancien, qui prend des formes et une intensité nouvelles au XIXe siècle sous le double effet de l’urbanisation et de l’industrialisation. Les nouveaux « régimes d’incendies urbains » se caractérisent par la coprésence de fortes vulnérabilités et d’aléas comportementaux qui rendent ce risque omniprésent et imprévisible. À ce titre, les incendies spectaculaires nourrissent des représentations iconographiques et littéraires marquées par une fascination pour le spectacle de la « belle horreur ». La lutte contre l’incendie relève alors, comm
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14

França, Patrícia Machado Goulart. "O arquivo pessoal do teatrólogo Augusto Boal: o espetáculo continua." reponame:Repositório Institucional do FGV, 2015. http://hdl.handle.net/10438/13717.

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Submitted by Patrícia França (patriciamgfranca@hotmail.com) on 2015-05-19T17:02:58Z No. of bitstreams: 1 DISSERTAÇÃO_PatríciaFrança.pdf: 7350828 bytes, checksum: bf2359decafda07fde617672590de60c (MD5)<br>Approved for entry into archive by ÁUREA CORRÊA DA FONSECA CORRÊA DA FONSECA (aurea.fonseca@fgv.br) on 2015-05-20T14:43:54Z (GMT) No. of bitstreams: 1 DISSERTAÇÃO_PatríciaFrança.pdf: 7350828 bytes, checksum: bf2359decafda07fde617672590de60c (MD5)<br>Approved for entry into archive by Marcia Bacha (marcia.bacha@fgv.br) on 2015-05-21T19:07:21Z (GMT) No. of bitstreams: 1 DISSERTAÇÃO_PatríciaF
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15

Huang, Kuo-Chun, and 黃國俊. "Using Fire Dynamics Simulator(FDS) to Simulate and Analyze Fire Spread in the Movie Theater." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/7xrs6z.

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碩士<br>國立交通大學<br>機械工程系所<br>106<br>This thesis mainly uses the FDS to analyze the fire field burning phenomenon by changing the parameters of the location of the escape port, the material of the ceiling , and the material of the wall. The fire source size and position of all scenarios are fixed. The total fire load is 1 MW. It is placed on the left corner of the last row. The growth rate of the fire source is described by the Ultra-fast growth curve. Seat material is fixed to PU. It can be directly observed that as long as the material of the ceiling or wall is non-combustible material, there wi
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16

Lin, Kan-Zhun, and 林侃諄. "Using Fire Dynamics Simulator to Simulate the Fire Suppression Effect of Water Mist in a Theater." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/3a3sr5.

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碩士<br>國立交通大學<br>機械工程系所<br>107<br>This thesis applied Fire Dynamic Simulator (FDS) to study the fire suppression effects of sprinklers in the theater, whose ceiling and wall material is set to be PU. The water droplet sizes of the sprinkler were categorized into three types: 1000µm (traditional sprinkler), 500µm and 100µm. The last two are of water mist. The designed fire source, located in the left corner of the last row of the theater, was in an ultra-fast growth curve and it reached the maximum heat release rate of 1MW. The seat material was PU. The parameters to observe the fire suppression
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17

林靖山. "The Application of Performance –Based Fire Safety Design on Movie Theaters and Atrium Buildings." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/61884675782684215369.

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碩士<br>國立交通大學<br>機械工程系所<br>96<br>In Taiwan, the present fire safety code is focus on “prescribed” one. For some special buildings, like gyms, movie theaters and atrium buildings, they are very hard to comply with the standard fire safety code. To solve the difficulty, it needs to apply the”performance-based design method” to ensure the performance of fireproof equipments to maintain the goal of occupant safety. This research analyzes and evaluates the performance of smoke control system designs and the occupant egress, respectively, by utilizing the verification procedures of performance-based
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18

Cheng-Chung, Fu, and 鍾富丞. "〝Yizhen Theater〞Creation of appropriating the shape of Taoism folklore files in Taiwan." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/74129684801163299047.

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碩士<br>國立高雄師範大學<br>跨領域藝術研究所<br>102<br>Abstract 　　The center of Taiwanese culture is in temples instead of public cultural centers across Taiwan. Temple architecture, carvings, paintings, calligraphy and embroideries are common art displays; temple squares are museums, outdoor theaters are festivals in communities, and mobile performances (for example, Yizhen) along streets are “Taiwanese Mobile Theaters”. 　　Since the participation of the Wang boat touring around Donggang border in 2011, I strongly sensed the attraction of traditional folk art. Moreover, I saw the meaning behind the continuation
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19

Diemont, Anthony Jan. "High temperature fabrics and flame retardant finishes for the theatre." 1985. http://catalog.hathitrust.org/api/volumes/oclc/12345744.html.

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20

Pillay, Charles Moghamberry. "A consideration of the relationship between religious ritual and theatre : with special reference to Hindu forms of worship." Thesis, 1991. http://hdl.handle.net/10413/6818.

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This study seeks to explore the relationship between religious ritual and theatre through an examination of the manner in which the Hindu religion functions. In the Introduction to this thesis, the nature of both religious rituals and theatre, and the similarities that exist between ' these forms of performance, are explored. At the heart of any performance is the desire to communicate. Religious rituals are primarily a means of communicating the philosophy of a particular religion. In this thesis, the basic beliefs and philosophy of the Hindu religion are described; the imagery, symbols and m
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