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Relevant bibliographies by topics / Garland, Hamlin, Women in literature

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Academic literature on the topic 'Garland, Hamlin, Women in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Journal articles on the topic "Garland, Hamlin, Women in literature"

1

Martin, Quentin E. "Selected Letters of Hamlin Garland, and: Hamlin Garland: A Bibliography, with a Checklist of Unpublished Letters (review)." Resources for American Literary Study 26, no. 1 (2000): 129–31. http://dx.doi.org/10.1353/rals.2000.0015.

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Scharnhorst, Gary. "Hamlin Garland and Feminism: An Early Essay Recovered." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 2, no. 1 (January 1989): 15–18. http://dx.doi.org/10.1080/19403364.1989.11755183.

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3

BERLINER. "The Landscapes of Hamlin Garland and the American Populists." American Literary Realism 47, no. 3 (2015): 219. http://dx.doi.org/10.5406/amerlitereal.47.3.0219.

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4

Price, Kenneth M., and Robert C. Leitz. "The Uncollected Letters of Hamlin Garland to Walt Whitman." Walt Whitman Quarterly Review 5, no. 3 (January 3, 1988): 1–13. http://dx.doi.org/10.13008/2153-3695.1175.

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Payne, James Robert. "Perceptions of Multicultural America in Personal Narratives of Hamlin Garland." a/b: Auto/Biography Studies 3, no. 2 (January 1987): 41–45. http://dx.doi.org/10.1080/08989575.1987.10815436.

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Langdon, Alison. "Alan Lupack, Arthurian Literature by Women. Garland, 1999." Medieval Feminist Forum 33 (March 2002): 51–52. http://dx.doi.org/10.17077/1536-8742.1276.

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Campbell. "Summers in Arcady: The Deep Time of Evolutionary Romance in James Lane Allen, Hamlin Garland, and Edith Wharton." American Literary Realism 52, no. 2 (2020): 95. http://dx.doi.org/10.5406/amerlitereal.52.2.0095.

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Storey, Mark. "Country Matters: Rural Fiction, Urban Modernity, and the Problem of American Regionalism." Nineteenth-Century Literature 65, no. 2 (September 1, 2010): 192–213. http://dx.doi.org/10.1525/ncl.2010.65.2.192.

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Mark Storey, "Country Matters: Rural Fiction, Urban Modernity, and the Problem of American Regionalism" (pp. 192––213) This essay intervenes in the critical debates surrounding nineteenth-century American regionalism, arguing that such debates have tended to ignore the possibility of a shared and trans-regional category of "rural fiction." Developing this notion, I suggest that literary representations of rural life in the late nineteenth century are a crucial and neglected way of understanding the geographically indiscrete transformations of urban-capitalist modernity. Further, by examining these transformations through the prism of rural fiction, we can challenge the urban-centric tendency of postbellum American literary history. Drawing on several writers who have been the focus of much of critics' attentions on regionalism (Edward Eggleston, Hamlin Garland, and Sarah orne Jewett in particular), this essay considers both the generic and thematic instabilities of rural fiction, arguing that these instabilities serve to encode and refract the social and cultural context from which this fiction emerges. Reading rural fiction against the background of the increasing similarities between geographically distinct areas of rural life, and reconsidering many of the works that we currently gather under the regionalist rubric as, instead, rural, a distinct perspective can be gained on the standardizing and flattening processes of modernity itself.

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Boyce, Isabella. "Neighbourliness and Privacy on a Low Income Estate." Sociological Research Online 11, no. 3 (September 2006): 59–69. http://dx.doi.org/10.5153/sro.1401.

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This paper critically examines theories which suggest relationships between neighbours have diminished in importance in people's day-to-day lives because of macroscopic and microscopic forces such as: greater social mobility, the growth of individualism and an ever increasing number of women entering into paid employment (see Young, 1999 and Putnam, 2000). In this paper I provide new empirical evidence that challenges theories of neighbourly disassociation. By drawing on fieldwork data collected on a low income housing estate in the South of England, I am able to illustrate that: 1) intimate and strong relationships existed between neighbours that were moulded out of, and strengthened by, the need for shared solidarities in the face of financial, emotional and social hardship brought about by personal circumstances; 2) residents understood and accepted there was a ‘trade-off’ between neighbourly assistance and the issue of privacy; 3) contrary to current British and American literature (see Putnam, 2000; Garland, 2001) women were still actively undertaking the role of social facilitators on the estate; 4) community and neighbourly bonds were reinforced through trivial and traumatic events such as children's parties to the death of a loved one; 5) and residents’ interest in one another engendered a sense of security for women in the public environment.

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10

Weber, Brenda R. "Always Lonely: Celebrity, Motherhood, and the Dilemma of Destiny." PMLA/Publications of the Modern Language Association of America 126, no. 4 (October 2011): 1110–17. http://dx.doi.org/10.1632/pmla.2011.126.4.1110.

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Just what is it about fame that so alienates women? or, why is it that famous women often speak of their experience of celebrity as something that is ultimately lonely and a shabby substitute for love? And why are these statements of loneliness in celebrity attenuated for mothers? Whether it is a famous American author of the nineteenth century and mother of seven, Harriet Beecher Stowe; an iconic and volatile star of the mid–twentieth century and mother of three, Judy Garland; or a twenty-first-century reality celebrity and mother of eight, Kate Gosselin, these women suggest that the experiences of fame are isolating and ultimately unsatisfying. To paraphrase Stowe, it is not fame and celebrity that satisfies the heart of the female star; it is the old-fashioned comforts of love. Their combined comments are thus a corrective to fans' implied perception of famous people as happy, when, indeed, their celebrity seems to have alienated them from love. Whether the female celebrity seeks romantic or familial love is not clear, and we would do well to realize that the abstract palliative is actually a culturally imagined comfort that probably has little to do with either these women in particular or stardom more broadly. But the consistent remarks about fame as a condition of loneliness establish a discursive imperative that the famous woman speak of longing for affective completion, in turn suggesting that public ardor cannot satisfy the woman's heart. In other words, fame cannot replace love.

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Dissertations / Theses on the topic "Garland, Hamlin, Women in literature"

1

Gustafson, Neil. "Getting back to their texts : a reconsideration of the attitudes of Willa Cather and Hamlin Garland toward pioneer life on the Midwestern agricultural frontier." Thesis, 1995. http://hdl.handle.net/10125/9763.

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Books on the topic "Garland, Hamlin, Women in literature"

1

Donald, Pizer, ed. Hamlin Garland, prairie radical: Writings from the 1890s. Urbana: University of Illinois Press, 2010.

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2

Alcott, Louisa May. A Garland for Girls. Fairfield: 1st World Library, 2006.

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3

Sappho. Sappho, a garland: The poems and fragments of Sappho. New York: Farrar, Straus, Giroux, 1993.

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4

Pizer, Donald. Significant Hamlin Garland: A Collection of Essays. Anthem Press, 2014.

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5

P, Silet Charles L., Welch Robert E, and Boudreau Richard, eds. The Critical reception of Hamlin Garland, 1891-1978. Troy, N.Y: Whitston Pub. Co., 1985.

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Alcott, Louisa May. A Garland for Girls. IndyPublish.com, 2005.

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Alcott, Louisa May. A Garland for Girls. Kessinger Publishing, LLC, 2005.

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Alcott, Louisa May. A Garland for Girls. Hard Press, 2006.

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Alcott, Louisa May. A Garland For Girls. BookSurge Classics, 2004.

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A Garland for Girls. Ottawa: eBooksLib, 2005.

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Book chapters on the topic "Garland, Hamlin, Women in literature"

1

Hook, Andrew. "Hamlin Garland (1860-1940)." In American Literature in Context, 115–28. Routledge, 2016. http://dx.doi.org/10.4324/9781315535814-9.

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Lauter, Paul. "Canon Theory and Emergent Practice." In Canons and Contexts. Oxford University Press, 1991. http://dx.doi.org/10.1093/oso/9780195055931.003.0012.

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I want to begin with what some might cite as a characteristic move of the socialist intellectual in capitalist society: namely, biting the hand that feeds you. In the course of explaining to me the rejection by the National Endowment for the Humanities board of a highly-rated proposal for a Seminar for College Teachers, the NEH program officer wrote that “some reviewers were concerned that the focus on the canon, while doubtless an important issue for teachers of American literature, lacked the kind of scholarly significance generally expected of Summer Seminars. . . .” Pursuing this theme, he later wrote that my “application was rather more thesis-driven than most of our seminar proposals.” I discover everywhere signs of this division. On the one side, we find the supposedly pedagogical or professional problems raised by the question of the canon, and on the other side, what is lauded as “of scholarly significance” or, more simply, criticism or theory. In a recent “Newsletter for Graduate Alumnae and Alumni" issued by the Yale English Department, for example, Cyrus Hamlin ruminates “precisely how this procedure of hermeneutical recuperation” he is proposing “should affect the canon and the curriculum of our institution is difficult to say. . . .” and he proceeds to ignore the question (p. 2). In the same document, Margaret Homans suggests why he does so. “At Yale,” she writes . . . while post-structuralism has proven to be intellectually more unsettling than liberal humanism, the feminist versions of post-structuralism are institutionally more easily accommodated than some of the projects of liberal feminism, such as challenging the content of the canon we teach, with its vast preponderance of white, male authors (p. 4). . . . Interestingly, Homans here appropriates the project of canon revision solely to the domain of “liberal feminism,” a common enough way of trying to limit the scope of this intellectual movement to a supposed clique of uppity, middleclass women.

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