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Moraes, Anita de. "Os olhos do gato. O narrador de viagens Erico Verissimo." Universidade de São Paulo, 2005. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-01072013-121557/.
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Esta dissertação estuda o conjunto de livros de viagens de Erico Verissimo (Gato preto em campo de neve, A volta do gato preto, México e Israel em abril) e propõe uma introdução à análise do gênero da literatura de viagem brasileira, reconstituindo a trajetória desse narrador em uma perspectiva crítica que busca estabelecer uma relação entre as rotas do viajante e os rumos do escritor. Essa abordagem permite interpretar os diferentes perfis do mesmo narrador e verifica como o estudo da literatura de viagem pode ser levado a uma revisão a partir de seu relevante papel histórico, político e social.This dissertation looks into the set of travel books by Erico Verissimo (Gato preto em campo de neve, A volta do gato preto, México e Israel em abril) and proposes an introduction to the analysis of the Brazilian travel literature gender, reconstructing the story of this narrator from a critical perspective which tries to establish a relation between the traveler and the writers route. This approach allows an interpretation of the different profiles of the same narrator and sees how the study of travel literature can be taken to a review from its relevant historic, political and social role.
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Paula, Breno Rodrigues de. "Estudo comparativo acerca do espaço e do tempo em "O gato preto" e O processo /." Araraquara : [s.n.], 2012. http://hdl.handle.net/11449/91513.
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Orientador: Luiz Gonzaga MarchezanBanca: Karin Volobuef
Banca: Rauer Ribeiro Rodrigues
Resumo: O espaço e o tempo são elementos estruturais de fundamental importância na narrativa literária, podendo assumir funções diversas. Os métodos e os recursos narrativos de que o escritor dispõe são variados. A sua instauração gera uma relação entre ambos de valores estéticos e narrativos muitas vezes diferentes para cada obra. Cada escritor projeta-os segundo a sua concepção estético-literária e ao seu estilo. Partindo deste axioma, que é a existência do espaço e do tempo como categorias narrativas, analisamos duas obras literárias específicas: o conto "O gato preto", de Edgar Allan Poe, e o romance O Processo, de Franz Kafka. A partir da análise das respectivas obras, verificamos como ambas as categorias narrativas se apresentam em um conto e em um romance e como elas auxiliam na obtenção de efeitos pré-definidos, como, por exemplo, os efeitos elencados na filosofia da composição e no realismo fantástico, respectivamente. Objetivamos ressaltar as especificidades de como Poe e Kafka retratam o espaço e o tempo em ambas narrativas. Pretendemos estudar, desta forma, os principais aspectos narrativos do conto e do romance em questão de modo a ressaltar as suas especificidades, elencando as suas funções narrativas, para tanto trabalhamos com os conceitos de espaço tópico e descrito, além dos aspectos do tempo a partir do nível narrativo e do nível diegético
Abstract: Space and Time are structural elements of fundamental importance in literary narrative, and may take several functions. The methods and narrative procedures the writer arranges are diverse. Their establishment generate a relationship between them which aesthetic and narrative values are often different for each work. Each writer designs them according to their style, as well as their aesthetic-literary conceptions. From this axiom, which is the existence of space and time as narrative categories, we analyze two specific literary works: the short story called "The Black Cat" by Edgar Allan Poe, and the novel The Judgment by Franz Kafka. Drawing on the analysis of their works, we see how both categories are presented in a short story and in a novel and how they assist in achieving predefined effects, such as the ones listed in "The Philosophy of Composition" and in the Fantastic Realism, respectively. Our aim is to highlight the specificities of how Poe and Kafka portray Space and Time in both narratives. By doing so, we intend to study the main narrative aspects of the short story and the novel in question so as to highlight their specific features, listing their narrative functions. Therefore, the concepts of topic and described Space, in addition to the aspects of Time from the narrative and diegetic levels are focused
Mestre
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Cai, Zheng. "Cold literature on Gao Xingjian's novels and stories /." online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?MR29875.
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Tan, Qionglin. "Han Shan, Chan Buddhism and Gary Snyder : perspectives on Gary Snyder's ecopoetic way." Thesis, University of Wales Trinity Saint David, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683225.
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Ferreira, J?nior Tito Matias. "Entre fronteiras: a escrita imigrante de Julia Alvarez em How the Garc?a girls lost their Accents." Universidade Federal do Rio Grande do Norte, 2014. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16335.
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Previous issue date: 2014-06-02This master s thesis aims at investigating the way in which diasporic subjects in the novel How the Garc?a Girls Lost their Accents (1992) cope with the clash of two cultures the Caribbean one, from the Dominican Republic, and the North-American one, from the U.S., as well as the implications of such negotiations in the lives of immigrants, once it apparently depicts the plight of those who are torn between mother-lands and mother-tongues (IYER, 1993, 46). At the same time, the implications of such negotiations in the lives of immigrants are relevant issues in the writing of Julia Alvarez. For this, there is the analysis of the uses of family memories as one of the main strategies immigrant writers possess to recall their identities. Moreover, this thesis will also consider the language issue for the construction of the immigrant identity insofar as bilingualism is a key factor in the negotiation the Garc?a girls must effect between their Caribbean and their American halves in order to understand where they stand in the contemporary world. In order to build a theoretical framework that supports this master s thesis, we list the works of Homi K. Bhabha (1990, 1996, 2003, 2005), Stuart Hall (2001, 2003), Julia Kristeva (1994), Salman Rushdie (1990, 1994), Sonia Torres (2001, 2003) among other contributions that were crucial to the completion of this academic research
A presente disserta??o objetiva investigar a maneira em que sujeitos diasp?ricos ficcionais da obra How the Garc?a Girls Lost their Accents (1992), de Julia Alvarez (1950 ), negociam o embate entre duas culturas a caribenha, oriunda da Rep?blica Dominicana, no Caribe, e a estadunidense, proveniente dos Estados Unidos da Am?rica, j? que aparentemente espelha a dor daqueles que se encontram divididos entre terras natais e l?nguas maternas (IYER, 1993, p. 46). As implica??es desta negocia??o na vida do imigrante s?o quest?es relevantes na escrita de Alvarez. A autora leva em considera??o o uso das mem?rias da esfera familiar como uma das estrat?gias essenciais empregadas por escritores imigrantes para rememorar sua(s) identidade(s). A signific?ncia da escrita das reminisc?ncias do ?mbito familiar ? observada como um meio de apresentar a coletividade da escrita imigrante e, mais importante, como um meio que escritores imigrantes de diferentes lugares usam para se sentirem conectados uns com os outros. Do mesmo modo, leva-se tamb?m em considera??o a quest?o da l?ngua na constru??o da identidade imigrante para buscar entender onde as irm?s Garc?a se posicionam no mundo contempor?neo, visto que o bilinguismo ? um fator chave na negocia??o que agencia entre suas por??es caribenha e estadunidense. Dentre os autores estudados, citamos Homi K. Bhabha (1990, 1996, 2003, 2005), Stuart Hall (2001, 2003), Julia Kristeva (1994), Salman Rushdie (1990, 1994), Sonia Torres (2001, 2003) e outras contribui??es que foram imprescind?veis para a finaliza??o desta pesquisa
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Murray, Matthew. "Body Matters: Gary Snyder, The Self and Ecopoetics." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2513/.
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Gary Snyder has offered, in poems and essays, ways to acknowledge the interrelationships of humans with the more-than-human. He questions common notions of selfness as well as understandings of what it is to be human in relationship to other species and ecosystems, and he offers new paradigms for the relationship between cultures and the ecosystems in which these cultures reside. These new paradigms are rooted in a reevaluation of our attitudes toward our physical bodies which impacts our relationship to the earth and raises new possibilities for an ecological spirituality or philosophy. The sum of Snyder's endeavors is a foundation for an understanding of ecopoetics.
Snyder's poem "The Trail is Not a Trail" is an interesting place to begin examining how human perceptions of the self are central to the kinds of relationships that humans believe are possible between our species and everything else. In this poem there is a curious fusion of the speaker and the trail. In fact, with each successive line they become increasingly difficult to separate. The physical self is central to Snyder's poetry because his is a poetry of the self physically rooted in ever-shifting relationship with the biosphere.
The relationship of the self to the biosphere in Snyder's poetry also points toward a spiritual experience that can be called ecomysticism, by which I mean the space where new ecological paradigms and mystical understandings of the world overlap.
Ecomysticism goes beyond mysticisms that describe a spiritual being longing for supernatural experience while being "unfortunately" trapped in a physical body. Ecomysticism emphasizes the spiritual and physical interrelatedness or interconnectedness of all matter, the human and the more-than-human.
The integration of the spiritual and physical aspects of the self is only possible through an awareness of the interrelatedness of the self and the non-human. New paradigms for the self are thus central to ecopoetics, a poetics that seeks to heal the rift between humans and the biosphere.
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Harner, Devin Grant. "Landscape and memory in the poetry of Philip Levine and Gary Snyder." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 156 p, 2007. http://proquest.umi.com/pqdweb?did=1257806661&sid=6&Fmt=2&clientId=8331&RQT=309&VName=PQD.
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Diver, Ruth Louise. "Enfance et déracinement : Nathalie Sarraute, Romain Gary /." e-Thesis University of Auckland, 2010. http://hdl.handle.net/2292/5679.
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Thesis (PhD--French)--University of Auckland, 2010.At head of title: The University of Auckland, School of European Languages and Literature in joint registration with / en cotutelle avec Univeristé Paris 8 (Vincennes-Saint Denis), UFR Historie, Littératures, Sociologie, Départment de Littérature Française. "A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in French and Comparative Literature, the University of Auckland = Thése pour obtenir le grade de Docteur en Langues et Littératures Françaises Université Paris 8 (Vincennes-Saint Denis), 28.1.2010."
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Cinq-Mars, Chloe. "Pomme, suivi de, Le double divinisant chez Gary." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32902.
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The first part of this Master's thesis is a story presented as an inner monologue where three periods of the narrator's life (the winter when she was nine years old, a recent trip to Ireland and her return to Montreal) interlace as three parallel miscarried lives. At times through entire episodes, at times through the echo of sentences once spoken or heard, Pamela's past lives contaminate the story of her forced return to Montreal to attend her father's funeral. They intermingle in a duplicate narrative, a fabled dialogue between times.In the second part, we intend to analyse the theme of the double in two of Romain Gary's novels: Au-dela de cette limite votre ticket n'est plus valable and Gros-Calin. The study demonstrates that the subject uses doubling to engender his self so that he can avoid the determinism that condemns him to a non-existence. Gary's hero refuses any god other than the one within himself: an infinite and immortal double from whom he has become seperated against his will at birth. He reinstates his unlimited potential as a creator by returning to a time before this world, a time not determined by external forces. He then undertakes to give life to his divine double by projecting him on others. The hero hopes that he will thus be endlessly reborn. The embodied ideal double, however, soon turns into the original which the hero imitates, becoming a double himself.
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Fortes, Luciane dos Santos. "Garn! I'm a good girl, I am." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/107173.
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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2013.Made available in DSpace on 2013-12-05T23:25:08Z (GMT). No. of bitstreams: 1 319062.pdf: 1155695 bytes, checksum: 1183cbeee5b9a0236f1b3345b340359f (MD5) Previous issue date: 2013
Esta pesquisa está inserida nos Estudos Descritivos de Tradução e tem como objetivo analisar duas traduções para o português brasileiro da peça Pygmalion de Bernard Shaw. Mais especificamente, analisar como os dois tradutores brasileiros Miroel Silveira (1964) e Millôr Fernandes (2005) traduziram o dialeto cockney da personagem Eliza Doolittle. Esta variação linguística específica tem associações geográficas e culturais. O cockney é a forma de inglês falado na área de East End de Londres pela chamada classe trabalhadora e tem um papel central na narrativa de Pygmalion. O modelo teórico metodológico proposto por Lambert e Van Gorp (1985) foi utilizado para a análise das traduções. A hipótese inicial levantada por este estudo foi a de que os tradutores, apesar de utilizarem abordagens diferentes, não apagariam os traços dialetais, pela importância desse elemento no desenvolvimento da peça, o que vai de encontro às observações de Milton (2002) no que se refere à prática comum de apagamento de dialetos na tradução literária no Brasil. O que se verificou pela análise é que Miroel Silveira ambientou a peça no Rio de Janeiro e traduziu o cockney de Eliza funcionalmente para um pseudodialeto suburbano com marcação da oralidade principalmente pelo uso de gírias, deixando bem marcado, dessa forma, seu background social, enquanto Millôr Fernandes optou por traduzir funcionalmente o cockney a um pseudodialeto caipira, porém mantendo a peça em Londres.
Abstract : This research is embedded within the Descriptive Translation Studies and aims at analyzing two translations into Brazilian Portuguese of the play Pygmalion by Bernard Shaw. Specific attention is given to how the two Brazilian translators Miroel Silveira (1964) and Millôr Fernandes (2005) translated the cockney accent of the character Eliza Doolittle. This linguistic variation has specific geographical and cultural association. Cockney is the form of English spoken in London's East End area by the so-called working class and has a central role in the narrative. The methodological model proposed by Lambert and Van Gorp (1985) was used for the analysis of the translations. The initial hypothesis formulated that the two translations, despite the different approaches, would not erase the dialect due to its importance to the development of the play, going against observations made by Milton (2002) to what refers to the common practice of erasing dialects in literary translations in Brazil. The analysis verified that Miroel Silveira changed the setting of the play to Rio de Janeiro and translated Eliza?s cockney accent functionally to a suburban pseudo dialect with orality marks mainly by slang usage, marking the social background. On the other hand, Millôr Fernandes chose to translate cockney functionally into a pseudo ?caipira? dialect, however, keeping the setting of the play in London.
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Rojas-Trempe, Lady. "Estructura, ideología y exilio en los cuentos Andamos hyendo Lola de Elena Garro." Thesis, University of Ottawa (Canada), 1985. http://hdl.handle.net/10393/4927.
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Grapin, Scott. "Grind the ink, wet the brush, dance the pine tree reading and writing nature with Gary Snyder's Riprap and Mountains and rivers without end /." Click here for download, 2008. http://proquest.umi.com/pqdweb?did=1564017691&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.
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Paula, Breno Rodrigues de [UNESP]. "Estudo comparativo acerca do espaço e do tempo em O gato preto e O processo." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/91513.
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O espaço e o tempo são elementos estruturais de fundamental importância na narrativa literária, podendo assumir funções diversas. Os métodos e os recursos narrativos de que o escritor dispõe são variados. A sua instauração gera uma relação entre ambos de valores estéticos e narrativos muitas vezes diferentes para cada obra. Cada escritor projeta-os segundo a sua concepção estético-literária e ao seu estilo. Partindo deste axioma, que é a existência do espaço e do tempo como categorias narrativas, analisamos duas obras literárias específicas: o conto “O gato preto”, de Edgar Allan Poe, e o romance O Processo, de Franz Kafka. A partir da análise das respectivas obras, verificamos como ambas as categorias narrativas se apresentam em um conto e em um romance e como elas auxiliam na obtenção de efeitos pré-definidos, como, por exemplo, os efeitos elencados na filosofia da composição e no realismo fantástico, respectivamente. Objetivamos ressaltar as especificidades de como Poe e Kafka retratam o espaço e o tempo em ambas narrativas. Pretendemos estudar, desta forma, os principais aspectos narrativos do conto e do romance em questão de modo a ressaltar as suas especificidades, elencando as suas funções narrativas, para tanto trabalhamos com os conceitos de espaço tópico e descrito, além dos aspectos do tempo a partir do nível narrativo e do nível diegético
Space and Time are structural elements of fundamental importance in literary narrative, and may take several functions. The methods and narrative procedures the writer arranges are diverse. Their establishment generate a relationship between them which aesthetic and narrative values are often different for each work. Each writer designs them according to their style, as well as their aesthetic-literary conceptions. From this axiom, which is the existence of space and time as narrative categories, we analyze two specific literary works: the short story called The Black Cat by Edgar Allan Poe, and the novel The Judgment by Franz Kafka. Drawing on the analysis of their works, we see how both categories are presented in a short story and in a novel and how they assist in achieving predefined effects, such as the ones listed in “The Philosophy of Composition” and in the Fantastic Realism, respectively. Our aim is to highlight the specificities of how Poe and Kafka portray Space and Time in both narratives. By doing so, we intend to study the main narrative aspects of the short story and the novel in question so as to highlight their specific features, listing their narrative functions. Therefore, the concepts of topic and described Space, in addition to the aspects of Time from the narrative and diegetic levels are focused
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Bressan, Sulivan Antonio. "Drama em pauta : Beaumarchais e Lorenzo da Ponte, um estudo intertextual de F?garo." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2009. http://tede2.pucrs.br/tede2/handle/tede/1891.
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Previous issue date: 2009-01-13As rela??es intertextuais entre a pe?a As bodas de F?garo, escrita por Pierre Augustin Caron de Beaumarchais, em 1784, e a ?pera hom?nima composta por Wolfgang Amadeus Mozart, dois anos depois, sob adapta??o de Lorenzo da Ponte. O trabalho est? dividido em tr?s partes, denominadas de atos. O autor procura demonstrar que a censura, ao inv?s de sufocar o talento criador, apenas o incentiva a buscar meios de burl?la. Lorenzo da Ponte, mesmo tendo alijado da adapta??o as partes mais ofensivas ? nobreza, preservou o car?ter subversivo da obra de Beaumarchais; e Mozart, ao contr?rio do que muitos imaginam, n?o era ignorante, ou mesmo indiferente, ao significado de suas ?peras. S?o analisadas tamb?m as rela??es entre m?sica e literatura, com base no libreto de Lorenzo da Ponte e na m?sica de Mozart.
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Boechat, Fernanda Boarin. "O vaivém dum gato : interfaces entre ficção e realidade nas narrativas de viagem Gato preto em campo de neve e A volta do gato preto de Erico Verissimo." reponame:Repositório Institucional da UFPR, 2017. http://hdl.handle.net/1884/52602.
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Orientador : Prof. Dr. Paulo Astor SoetheTese (doutorado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Programa de Pós-Graduação em Letras. Defesa: Curitiba, 22/08/2017
Inclui referências : f.390-412
Resumo: Na presente pesquisa, apresentamos a investigação das duas primeiras narrativas de viagem do escritor brasileiro Erico Verissimo (1905-1975), a saber, Gato preto em campo de neve (1941) e A volta do gato preto (1946), escritas após as duas primeiras estadias do escritor nos Estados Unidos, as quais oficializam a participação de Erico na política de Boa Vizinhança estadunidense instituída entre os anos 1933 e 1945 com os países da América Latina. Para tanto, não só tratamos das duas obras em interface com esta política específica, destacando as potencialidades de diálogo entre o discurso literário e o discurso extraliterário, mas procuramos também realçar o lugar político exercido por Erico Verissimo nesse contexto, que, a nosso ver, é definitivo para a construção de sua posição de intelectual ao longo da carreira. Assim, observamos como é possível apontar para a revalorização não só da obra literária no amplo debate que se estabelece em uma comunidade de comunicação, mas também do papel do escritor enquanto intelectual, e não somente graças à sua produção literária, mas especialmente por meio dela. Tivemos em vista a obra literária como objeto artístico e político, mas também como voz do sujeito escritor, tendo como horizonte as dinâmicas comunicativas da literatura e seus aspectos ligados à linguagem compreendida aqui como medium, ou seja, não como simples instrumento de comunicação por meio do qual se dá uma interlocução, mas como meio em que se evidenciam aspectos de diversas ordens: histórica, social, política, entre outras. Por fim, demonstramos em que medida as duas narrativas dialogam com um possível e mais amplo projeto literário de Erico Verissimo. Esse projeto, ao tecer como um todo a obra do escritor, vê-se impregnado de aspectos contextuais de produção e recepção, mas sobretudo impregna, com tessitura própria, a ampla rede de associações que urde e sobre a qual se estende. Palavras-chave: Erico Verissimo, política de Boa Vizinhança, narrativa de viagem, linguagem, discurso literário.
Zusammenfassung: In der vorliegenden Forschungsarbeit werden die zwei ersten Reiseberichte des brasilianischen Schriftstellers Erico Verissimo (1905-1975) untersucht - Gato preto em campo de neve (1941) und A volta do gato preto (1946). Die beiden Reiseberichte entstanden nach zwei Aufenthalten von Erico Verissimo in den USA zwischen 1933 und 1945, im Kontext der Good Neighbor policy - der nordamerikanischen Ära der guten Nachbarschaft in Bezug auf die lateinamerikanischen Staaten. Hierfür betrachten wir die zwei Reiseberichte nicht ausschließlich hinsichtlich der spezifischen Politik, während wir dialogale Potenziale zwischen extraliterarischen und literarischen Diskurse erkennen, sondern untersuchen ebenfalls die politische Rolle von Erico Verissimo in diesem Kontext, die unserer Meinung nach entscheidend für die Konstruktion seiner selbst als Intellektueller während seiner Autorenlaufbahn ist. Hierbei beobachten wir nicht nur die diskursive Aufwertung eines literarischen Werks innerhalb einer Kommunikationsgemeinschaft, sondern auch eine Aufwertung des Schriftstellers als Intellektueller dank seines Werkes, aber auch mittels seines Werkes. Wir verstehen hierbei das literarische Werk als künstlerisches und politisches Objekt, aber auch als Stimme des Autors. Hinsichtlich dessen verstehen wir die kommunikativen Praktiken der Literatur in Bezug auf Sprache als Medium, d. h., nicht nur als schlichtes Kommunikationsinstrument sondern als Medium in dem sich u.a. historische, soziale und politische Aspekte manifestieren. Zuletzt zeigen wir auf, inwiefern die beiden Reiseberichte dialogisch mit dem weiteren literarischen Projekt von Erico Verissimo interagieren. Dieses Projekt, das die Gewebestruktur des Gesamtwerk des Autors vorgibt, wird selbst durch kontextabhängige Aspekte der Produktion und Rezeption durchflochten, aber fädelt sich dabei vor allem als strukturelles Netz hinein in ein größeres Geflecht, dessen Assoziationen es hervorruft. Schlüsselwörter: Erico Verissimo, Good Neighbor policy, Reisebericht, Sprache, literarischer Diskurs.
Abstract: This research explores the two first travel reports by the Brazilian author Erico Verissimo (1905- 1975), viz., Gato preto em campo de neve (1941) and A volta do gato preto (1946). Written after his two first stays in the USA, these reports concretized Verissimo's participation in the north American Good Neighbor policy with the countries of Latin America between 1933 and 1945. Examinations of these two narratives in relation to the Good Neighbor policy illuminate the potential for dialogue between extraliterary and literary discourses while contextualizing Verissimo's writing within his sociohistorical and political milieu. This contextualization is crucial for understanding his engagement as an intellectual throughout his career. In addition, my research not only observes possible reasons for the valorization of literary work within extensive debates of a communication community, but it also analyzes the revaluation of the author's place as an intellectual not only through his literary production, but because of it. This research interprets literary work as an artistic and political object as well as a manifestation of the author's voice. Seen from this view, communicative dynamics of literature and aspects related to language as medium serve as more than instruments of communication: they are components that make visible various orders (e.g., historical, social, political, among others). Finally, this dissertation demonstrates how the two travel reports interact with the author's more extensive literary project. This project, while weaving the work of the author as a whole, is impregnated with contextual aspects of production and reception, but above all, it impregnates, with its own structure, the wide network of associations that creates and on which it extends. Keywords: Erico Verissimo, Good Neighbor policy, travel report, speech, literary discourse.
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Ananias, Denise de Castro. "Literatura de viagem : trajetórias e percursos - análise em A Volta do Gato Preto e México de Erico Verissimo." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/13116.
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Este trabalho, inserido no âmbito dos estudos comparados, propõe-se a analisar o conceito de narrativa de viagem em duas obras de Erico Verissimo – mais precisamente – A volta do gato preto e México. No que diz respeito à metodologia, busca pontuar e desenvolver os aportes teóricos comparatistas. Por meio dos estudos comparados é possível transitar com mais clareza por questões relevantes dessa disciplina, tais como intertextualidade, interdisciplinaridade, alteridade, identidade, nacionalidade, questões de tempo e espaço e de deslocamentos/viagens, levando-se em conta, é claro, o enfoque não apenas geográfico, mas também a identidade cultural dos textos do corpus, procurando ressaltar pontos em comum e níveis de alteridade entre os dois romances. Analisase, também, as suas influências, a riqueza de fontes históricas e literárias e a possível contribuição da literatura de viagem na formação de diversas culturas.This paper, within comparative studies, is aimed at analyzing the concept of travel in two masterpieces of the writer Erico Verissimo – more precisely – A volta do gato preto and México. The methodological issue is focused on the development of comparative theoretical bases. The comparative studies goal allows them to interact and clarify relevant matters to this discipline, such as intertextuality, interdisciplinarity, alterity, identity, nationality and questions about time and space of commutation/travels. Of course, it also takes into account the focus not only on geographic areas, but also on the cultural identity of the confronted texts, which are the corpus of this dissertation. Thus, it is in this sense that this paper intends to act, always highlighting common points and alterity levels between these two novels. Furthermore, it is also necessary to analyze their influences, the value of the historical and literary sources and the possible contribution of travel literature in the formation of many cultures.
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Ther, Céline. "La Magie dans l'oeuvre romanesque de Romain Gary et Emile Ajar." Phd thesis, Université d'Avignon, 2009. http://tel.archives-ouvertes.fr/tel-00739521.
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Depuis le roman intitulé Les Enchanteurs sous le nom de Romain Gary, acte de naissance de l'écrivain Émile Ajar, jusqu'aux derniers romans signés Émile Ajar, la question de la création littéraire est la ligne conductrice des œuvres de Romain Gary. L'étude de la magie dans l'œuvre romanesque de Romain Gary et Émile Ajar est ainsi dirigée sur le thème de la fidélité en la fiction au sein du roman. Dans la première partie, la foi est examinée sous le modèle du saltimbanque à travers le roman des Enchanteurs. Dans la deuxième partie, l'emprunt d'une identité nouvelle, Ajar, brisant les barrières de la seule identité biologique, implique des changements esthétiques et littéraires. Ces métamorphoses permettent d'analyser les rapports de l'auteur entre être et expression lorsque la création littéraire a une portée ontologique et, de surcroît, les rapports de l'écrivain avec un XXe siècle désenchanté.
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Karidis, Electra. "Towards an interpretation of reading : Elena Garro's short stories as theories of themselves." Thesis, University of Birmingham, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369084.
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Yeung, Wai-yee Jessica. "From China to nowhere : the writings of Gao Xingjian in the 1980s and early 90s /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B17546084.
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Perreur, Carine. "Le rêve américain dans l'oeuvre de Romain Gary." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2010. http://tel.archives-ouvertes.fr/tel-00719429.
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Le rêve américain est une source d'espoir pour les personnages garyens qui, en localisant leurs rêves et en leur offrant des modèles idéaux, leur insuffle une force nouvelle. Cette Amérique, faite de clichés que Gary détourne ou s'approprie, peut prendre appui dans la réalité mais il en amplifie les traits, jusqu'à réinventer un pays plus grand que nature, mythique et miraculeux. Le Nouveau Monde, libérateur de la Seconde Guerre mondiale, a gardé, pour les personnages européens, une image plus intacte que l'Europe meurtrie. Vu comme neuf et différent, il est la destination rêvée, mais difficile d'accès, pour ceux qui veulent changer de vie et " devenir quelqu'un ". Il pourrait peut-être même laisser apparaître cet homme nouveau qu'espère Gary. Mais les États-Unis sont loin d'être parfaits et Gary nuance avec lucidité ces images, évoquant un pays affecté par des problèmes et remises en questions qui sont souvent l'écho de ses propres interrogations et déceptions. La terre promise imaginée par les personnages n'est qu'un pays, presque comme les autres, de même que les Noirs américains, que certains auraient voulu croire différents et supérieurs aux autres hommes, ne sont qu'humains : tous sont capables du pire comme du meilleur. Les textes garyens sont ancrés dans la culture américaine, nourris par l'histoire contemporaine, parfois l'actualité brûlante, et par des citations, références ou parodies puisées dans un vaste fonds littéraire et populaire américain. Gary connaît l'Amérique et refuse d'en donner une image trop simple ; il utilise son omniprésente ironie pour s'en distancier, mais il conserve toujours son intérêt pour ce pays qui trace un chemin vers le futur.
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Arruda, Luciana Fonseca de. "A morte, o vazio e o amor: uma análise interdisciplinar de O urso e o gato montês, de Kazumi Yumoto." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-29062018-140040/.
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Neste trabalho apresentamos a obra O Urso e o Gato montês da autora japonesa Kazumi Yumoto. Esse é o terceiro livro de Yumoto traduzido para o português trata da temática da morte, os outros dois são livros infanto-juvenis. Nesse livro, junto com a ilustradora Komako Sakai, Yumoto constrói uma narrativa ímpar em que o leitor se depara com o luto de forma delicada e percorre o processo de negação até a aceitação em que o personagem caminha. Fazemos uma análise da morte nos baseando na teoria de Kubler-Ross sobre os estágios do luto, juntamente com o vazio gerado por ela pela ausência da pessoa amada tendo em vista os conceitos de Okano sobre o vazio oriental, e por fim o amor, que é o laço condutor de tudo e que nos é apresentado nos personagens constituintes dessa narrativa. Embasados em teorias de análise de imagens, psicologia e pedagogia, nos debruçamos em um estudo da obra pensando na função da literatura como papel de formação e humanização do indivíduo.In this work we present the book The Bear and the Wild Cat by the Japanese author Kazumi Yumoto. This is the third of her books translated to Portuguese that deals with the theme of death, it is also approached in two other of her children\'s books. In this book, along with illustrator Komako Sakai, Yumoto constructs a unique narrative in which the reader is confronted with mourning and goes through the process of denial until the acceptance in which the character walks to. We make an analysis of death based on Kubler-Ross\'s theory of the stages of mourning, with the emptiness generated by it by the absence of the loved one taking Okanos point of view about the empty orient, and finally, the love that is the connection link of everything, which is presented to us in the characters of this narrative. Based on theories of image analysis, psychology and pedagogy, we focus on a study of the book thinking about literature playing a role of training and humanization of the individual.
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Migliorança, Cibelle Figueiredo. "As reverberações de um gato narrador em As horas nuas de Lygia Fagundes Telles." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21192.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This research proposes the study of the novel As horas nuas (1989) by Lygia Fagundes Telles. The focus of the analysis is the zooliteratura, a field that studies the animal from a transdisciplinary perspective, investigating different aspects of the relationship between humans and animals. Our special attention is dedicated to Rahul, one of the novel's narrators and a cat. We will also turn our attention to some of the author's short stories in which the presence of animals is also noted, especially in narratives in which dogs and cats appear. We aim to question the role of the animals in the works of Lygia Fagundes Telles and what effect is generated by the recurrent presence of these animals. The hypothesis is that the author uses these animals to try to understand human nature, as if the treatment given to the animals by their owners was an unmasking of the true essence of these people. The methodology used is bibliographic type and it has the theoretical and critical support of Gérard Genette, Wayne Booth and Maria Lúcia Dal Farra, as reference for the study of the novel, and Maria Esther Maciel, a reference and a pioneer in Brazil when relating to studies in zooliteratura
Este trabalho propõe o estudo do romance As horas nuas (1989) de Lygia Fagundes Telles. O foco da análise será o da zooliteratura, campo que estuda a questão do animal sob uma ótica transdisciplinar, investigando diferentes aspectos das relações entre humanos e animais. Nossa especial atenção recaiu particularmente em Rahul, que além de ser um dos narradores do romance é um gato. Também voltamos nossa atenção para alguns dos contos da autora em que a presença de bichos se mostrou contundente. Principalmente nas narrativas em que aparecem cães e gatos. Indaga-se qual o papel dos animais na obra de Lygia Fagundes Telles e qual o efeito que se gera com a recorrente presença destes bichos. A hipótese é de que a autora se utiliza destes animais para tentar compreender a natureza humana. Como se o tratamento concedido aos animais por seus donos fosse um desmascaramento da verdadeira essência dessas pessoas. A metodologia empregada foi do tipo bibliográfica e teve o respaldo teórico e crítico de Gérard Genette, Wayne Booth e Maria Lúcia Dal Farra, como referência para o estudo do romance, e Maria Esther Maciel, pioneira no Brasil com estudos na área, com relação a zooliteratura
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Cerqueira, Luciana dos Santos. "GALO-DAS-TREVAS: um diálogo entre ciência e literatura - aspectos de tempo e memória na obra de Pedro Nava." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/13429.
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Previous issue date: 2009-05-22Secretaria da Educação do Estado de São Paulo
This study follows the line of research History, Science and Culture and it´s objective is to study the memoirs work of Pedro Nava, specifically the fifth tome of his memories Galo das trevas. Along of humanity history, the time has been target of intense reflexions in several fields of knowledge. Science and literature are two areas in which the mankind has bend to think about the theme. Our work, following an interdisciplinary approach which the history of science allows, intends to place and to reflect the memoirs tessitura of Pedro Nava as result of a dialogical scientific-literary from the end of XIX century, which influenced the literature, in general, until this author´s memories written from the second half of century XX, as a reading resulting from the dialogue between science and literature
Esta dissertação segue linha de pesquisa História, Ciência e Cultura e terá como objetivo estudar a obra memorialística de Pedro Nava, mais especificamente o quinto volume de suas memórias Galo-das-trevas. Ao longo da história da humanidade, o tempo tem sido alvo de intensas reflexões em diversas áreas do conhecimento. A ciência e a literatura são dois campos do saber com os quais o homem tem se debruçado para pensar sobre o tema. Nosso trabalho, dentro de um enfoque interdisciplinar que a história da ciência permite, propõe situar e refletir a tessitura memorialística de Pedro Nava como resultado de um processo dialógico científico-literário do final do século XIX, que influenciou a literatura, no geral, até as memórias do autor escritas a partir segunda metade do século XX, como uma leitura fruto do diálogo entre ciência e literatura
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Kaiser, Marjolijn 1984. "Don't Believe a Word I Say: Metafiction in Contemporary Chinese Literature." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11495.
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ix, 106 p.This thesis focuses on the metafictional elements in selected works of the contemporary Chinese authors Gao Xingjian, Huang Jinshu, and Wang Xiaobo. I define metafiction as both a formal feature inherent in the text and the result of an approach towards that text. I argue that metafiction confronts us with the (postmodern) issues of 1) the ontological status of the text, 2) the figure of the author and reader, and 3) the (ambiguous) relationship between fiction and reality. Simultaneously, it accepts and celebrates this self-conscious and ambiguous character, encouraging readers to do the same. By combining elements from the indigenous literary tradition and international literary movements, contemporary Chinese metafiction is a valuable contribution to the study of metafiction. Ultimately, it shows what it means to write and read in a Chinese as well as in a global context.
Committee in charge: Prof. Alison Groppe, Chairperson; Prof. Maram Epstein, Member; Prof. Xiaoquan Raphael Zhang, Member
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Norton-Poulin, Frédéric. "Il était une fois, suivi de La perspective Ajar : analyse sociopoétique de La vie devant soi de Romain Gary." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0017/MQ47531.pdf.
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Conklin, Robert Brian. "A fools' parade through three modern American novels : Catch-22, Slaughterhouse-five, and the World according to Garp /." Connect to resource, 1986. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1243521288.
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Gallo, Leila Bianca Mélega. "Machado de Assis e Luiz Eduardo Frin: literatura em cena." Pontifícia Universidade Católica de São Paulo, 2016. https://tede2.pucsp.br/handle/handle/14777.
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Previous issue date: 2016-03-14This work investigates fissures between literature and theater, from the dramatization of the story "Missa do Galo", by Machado de Assis. The play, entitled "Missa do Galo", directed by Luiz Eduardo Frin, is part of the Machadianas Project, of Ágora Theatre. The research aims is to: reflect on the dramatization of this machadiano tale; seize, at the play, poetic procedures of modern and contemporary theater scene, as well as analyze the insertion of the epic element on stage. The need of the staging of the modern times in working with devices that do not connect representation to the verisimilitude, led this research to focus on the introduction of narrative expedient in contemporary theater scene, guiding through the following problematization: How far, the staging of play "A Missa do Galo," by Luiz Eduardo Frin, discusses the "theatricality", involving literature and theater? How does the epic and poetic staging live in the staging? The theoretical background concerning the conceptions of contemporary theater scene is mainly supported in the studies of Bertolt Brecht, Anatol Rosenfeld, Peter Szondi, Pierre Sarrazac and Hans-Thies Lehmann. The reasearch is also guided in authors such as Yves Stalloni, Emil Staiger, Roland Barthes and Silvia Fernandes to seize the intrinsic theatricality both in literature and in the staging. Among the final considerations, we emphasize: the play "A Missa do Galo" is not classified as a simple adaptation of Machado de Assis' tale, and it is up to the stage the responsibility to unveil Machado's tale through its dramatization
Este trabalho investiga fissuras entre literatura e teatro, a partir da teatralização do conto Missa do Galo , de Machado de Assis. A peça, intitulada A Missa do Galo , dirigida por Luiz Eduardo Frin, está inserida no Projeto Machadianas, do Ágora Teatro. A pesquisa tem como objetivos: refletir sobre a teatralização desse conto machadiano; apreender, na peça, procedimentos poéticos da cena teatral moderna e contemporânea, assim como analisar a inserção do elemento épico no palco. A necessidade da encenação dos tempos atuais em trabalhar com artifícios que não conectem a representação à verossimilhança, conduziu este trabalho a centrar-se na introdução de expedientes narrativos na cena teatral contemporânea, guiando-se pela seguinte problematização: Até que ponto, a encenação da peça A Missa do Galo , de Luiz Eduardo Frin, põe em discussão a teatralidade , envolvendo literatura e teatro? Como o épico e o poético convivem na encenação? A fundamentação teórica acerca das concepções da cena teatral contemporânea se apoia principalmente nos estudos Bertolt Brecht, Anatol Rosenfeld, Peter Szondi, Pierre Sarrazac e Hans-Thies Lehmann. Pauta-se, também, em autores como Yves Stalloni, Emil Staiger, Roland Barthes e Silvia Fernandes para apreender a teatralidade intrínseca tanto na literatura como na encenação. Entre as considerações finais, ressaltam-se: a peça A Missa do Galo não se classifica como uma simples adaptação do conto de Machado de Assis, e cabe ao palco a responsabilidade de desvendar o conto machadiano por meio de sua teatralização
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Trapp, Carisa Ann. "El realismo mágico en pedro páramo, los recuerdos del porvenir y oficio de tinieblas." Oxford, Ohio : Miami University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1156780054.
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Alabdullah, Nada A. A. "The Beats: The Representation of a Battered Generation." University of Dayton / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1398678807.
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Salinas, Vásquez Millaray. "Mujeres e indígenas: intersección de las violencias patriarcal y colonial en Ixtepec: una lectura en tres planos de Los recuerdos del porvenir de Elena Garro." Tesis, Universidad de Chile, 2017. http://repositorio.uchile.cl/handle/2250/143616.
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Miner, Joshua D. Velarde Luis R. "Transnational compositionality and Hemon, Shteyngart, Díaz A no man's land, etc. /." [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/ark:/67531/metadc12164.
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Rodriguez, Oscar Bazan. "El espacio mítico en la novela castellano-leonesa contemporánea: La lluvia amarilla de Julio Llamazares, El reino de Celama de Luis Mateo Díez y La soñadora de Gustavo Martín Garzo." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1281991465.
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Yao, Tong. "Die Vielfältigkeit der Literatur : ein Vergleich zwischen den "Wahlverwandtschaften" von Johann Wolfgang von Goethe mit dem klassischen chinesischen Roman "Der Traum der roten Kammer" von Cao Xueqin und Gao E /." Berlin : Logos-Verl, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2861582&prov=M&dok_var=1&dok_ext=htm.
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Christensen, Laird Evan. "Spirit astir in the world : sacred poetry in the age of ecology /." view abstract or download file of text, 1999. http://wwwlib.umi.com/cr/uoregon/fullcit?p9947971.
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Thesis (Ph. D.)--University of Oregon, 1999.Typescript. Includes vita and abstract. Includes bibliographical references (leaves 356-371). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9947971.
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Fortin, Alexandra. "L'invention de l'identité : lecture en miroir de Au-delà de cette limite votre ticket n'est plus valable de Romain Gary et de La Vie devant soi d'Émile Ajar /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2001. http://theses.uqac.ca.
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Salas, Perea Carlos. "El caciquismo en el México rural a través de obras selectas literarias mexicanas." Laramie, Wyo. : University of Wyoming, 2007. http://proquest.umi.com/pqdweb?did=1317323651&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.
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Ribeiro, Pedro Mandagar? "1975 : o dispositivo engajamento : Zero, de Ign?cio de Loyola Brand?o, e El oto?o del patriarca, de Gabriel Garc?a M?rquez." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2012. http://tede2.pucrs.br/tede2/handle/tede/2053.
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Previous issue date: 2012-03-27This dissertation is part of a contemporary trend of writing the literary history of a single year in this case, 1975. To do that, I take Michel Foucault s concept of apparatus, and its development by Hans Ulrich Gumbrecht and Giorgio Agamben, and describe the apparatus of engagement. The apparatus is described genealogically, through readings of Jean-Paul Sartre and Theodor Adorno. I show that the concept of engagement has three different meanings, which I describe as three levels. The novels Zero, by Ign?cio de Loyola Brand?o, and El oto?o del patriarca, by Gabriel Garc?a M?rquez, both published in 1975, are analyzed in what pertains to their narrators and protagonists, and the results are compared to the described levels of engagement. The conclusion shows that there is a presence of the apparatus of engagement in these novels. In the concluding remarks, the historical inscription of the novels is discussed, both relating to Latin American general history and to cultural and literary history
Esta tese se inscreve dentro do projeto contempor?neo de escrever a hist?ria da literatura de um s? ano, no caso o ano de 1975. Para tanto, toma-se o conceito de dispositivo, de Michel Foucault, e seus desenvolvimentos por Hans Ulrich Gumbrecht e Giorgio Agamben, e se descreve o dispositivo engajamento. O dispositivo ? descrito de maneira geneal?gica, a partir de leituras de Jean-Paul Sartre e Theodor Adorno. ? mostrado que o conceito de engajamento apresenta tr?s acep??es, descritas como tr?s n?veis. A seguir se analisam os romances Zero, de Ign?cio de Loyola Brand?o, e El oto?o del patriarca, de Gabriel Garc?a M?rquez, ambos publicados em 1975, no que se refere aos seus narradores e protagonistas, e se comparam os resultados da an?lise aos n?veis do engajamento descritos anteriormente. Conclui-se que h? a presen?a do dispositivo engajamento nas obras analisadas. Nas considera??es finais, discute-se a inscri??o hist?rica dos romances, tanto na hist?ria geral da Am?rica Latina quanto em rela??o ? hist?ria liter?ria e cultural
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Widhagen, Anna-Karin. "Les thèmes de l’amitié et de la solidarité dans La vie devant soi de Romain Gary (Émile Ajar) et Kiffe, kiffe demain de Faïza Guène." Thesis, Högskolan Dalarna, Franska, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-35089.
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Dans ce mémoire, nous étudions comment les thèmes de l’amitié et de la solidarité sont représentés dans les romans La vie devant soi (1975) de Romain Gary (Émile Ajar) et Kiffe, kiffe demain (2004) de Faïza Guène. Dans la notion d’amitié, nous incluons également l’amour qui existe entre les membres d'une famille. Les récits se déroulent dans le cadre des quartiers populaires parisiens et les thèmes sont véhiculés par les auteurs à travers la voix d’un enfant/adolescent et à l’aide d’un style humoristique. Après notre analyse de ces thèmes, nous pouvons constater que la représentation de l’amitié consiste principalement en un amour entre une mère et un enfant ainsi que d’une amitié entre un enfant/adolescent et des personnes plus âgées. En ce qui concerne la solidarité, elle est surtout représentée par l’entraide parmi les voisins dans le quartier. Les résultats de la présente étude suggèrent qu’il y a plus de similitudes que de différences dans la représentation de ces thèmes. Les dissemblances sont principalement dues aux différentes époques où se déroulent les récits et les circonstances dans lesquelles se trouvent les personnages principaux.This paper examines how the themes of friendship and solidarity are portrayed in the two novels The Life Before Us (1975) by Roman Gary (Émile Ajar) and Kiffe Kiffe Tomorrow (2004) by Faïza Guène. In the notion of friendship, this paper includes love that exists between family members. Within the context of working-class Parisian neighborhoods, the authors explore these themes through the narration of a child/teenager by using a humorous style. The results of the study indicate that the representation of friendship for the protagonists mainly consists of a love between a mother and a child and of a friendship between the child/teenager and an older individual. As far as solidarity is concerned, it is mainly represented by the mutual aid within the community among neighbors. The results of the present study suggest that there are more similarities than differences in the representation of the themes. The points of contrast generally relate to the particular era or setting in which the stories unfold and the particular set of circumstances experienced by the main characters.
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Dainese, Francesca. "À chacun sa cicatrice ˸ écritures de l'identité chez Romain Gary, Georges Perec et Patrick Modiano." Electronic Thesis or Diss., Paris 3, 2019. http://www.theses.fr/2019PA030059.
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L’objectif de cette thèse est d’explorer le thème de l’identité chez trois auteurs français d’origine juive, dont l’activité littéraire s’étend des années 1960 à nos jours : Romain Gary, Georges Perec et Patrick Modiano. La tragédie de l’Holocauste surgit dans leurs œuvres respectives sous la forme d’une interrogation tourmentée des origines. Les trois auteurs partagent en effet une même expérience de perdition et de recherche au sein de l’Histoire, face à une transmission difficile de la mémoire du passé et à une réappropriation problématique du présent. Pourtant, ils abordent ces thèmes chacun d’une manière singulière, en raison d’un vécu historique différent : celui de héros de la Résistance pour Gary, d’« enfant caché » pour Perec et de « fils de collabo » pour Modiano. Dans le sillage de Paul Ricœur, nous concevons l’identité comme un récit qui met continuellement en jeu les pierres angulaires du moi, se reconstruisant et se déconstruisant, sans jamais se définir de façon définitive. En ce sens, le « ressassement identitaire » des trois auteurs peut être lu dans la réécriture d’une série de motifs autobiographiques, d’origine traumatique, qui reviennent dans leurs œuvres respectives de manière obsessionnelle et perturbante. Dans la première partie de la thèse, en partant de Freud et des Trauma Studies, nous étudions le rapport entre identité et mémoire, en nous concentrant particulièrement sur le principe de la répétition en tant que résultat traumatisant de l’expérience autobiographique et historique des trois auteurs. Dans la deuxième partie, dans la continuité des études de Foucault sur la « fonction auteur », il s’agira de voir comment la recherche de l’identité personnelle se nourrit de la création d’une posture d’auteur et d’un nom d’auteur, en relation avec la création d’un corpus littéraire. Enfin, dans la troisième partie, nous analyserons la répétition comme l’instrument d’introjection de l’altérité, en considérant chaque auteur comme un intertexte des mots des autres. Le ressassement et la répétition peuvent-ils être des « formes-sens » (H. Meschonnic) de la recherche identitaire ? Oui, mais à une condition : qu’elles jouent sur les notes d’une variation esthétique essentielleThis thesis aims to explore the theme of identity in the works of three French authors of Jewish origin, whose literary activity extends from the 1960s to the present day: Romain Gary, Georges Perec and Patrick Modiano. The three writers deal differently with the trauma of the Holocaust as a consequence of their different historical experiences: Gary was a hero of the Resistance, Perec survived the Holocaust as a Hidden Child and Modiano was the son of a Jewish collaborator. The theme of the Holocaust recurs in their works as a tormented and intimate interrogation to their origins. The three authors share the experience of being lost and researching into history. The difficult transmission of the memory of the past is accompanied by a problematic re-appropriation of the present. In this thesis, in accordance with Paul Ricœur, identity is conceived as a narrative that reconstructs and deconstructs the self, with no ultimate and clear definition of what it really is. Starting from Freud and the Trauma Studies, I study the relationship between identity and memory, focusing particularly on the principle of repetition as the traumatic result of the autobiographical and historical experiences of the three authors. In the second part of the thesis, following Foucault's studies on the “author-function”, I analyze how the search for personal identity is combined with and nurtured by the creation of an authorial posture and role, in reference to literary corpus of the three authors. In the third part, repetition is analyzed as an instrument of introjection of otherness, therefore considering each writer as an intertext of pre-existing words by other authors. Can rewriting and repetition be ‘‘form-sense’’ (H. Meschonnic) of the search for identity? Yes, provided that they are performed as aesthetic variations on a leading autobiographical theme
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Rafael, Laura. "The role of history in the recent Mexican novel : a study of five historical novels by Elena Garro, Carlos Fuentes, Fernando del Paso, Paco Ignacio Taibo II and Rosa Beltrán /." St Andrews, 2007. http://hdl.handle.net/10023/323.
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LAW, Ching. "高行健之戲劇 : 理論與實踐." Digital Commons @ Lingnan University, 2006. https://commons.ln.edu.hk/otd/17.
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高行健的戲劇作品與理論，兼備中西文化主題（motifs），東西方劇場的手法，最適合作比較文學的範例。本文全面分析高行健的劇作與理論，從主題與形式兩方面，審度劇作中重複出現追尋自我的主題。其劇作包括《絕對信號》、《車站》、《野人》、《彼岸》、《冥城》、《逃亡》、《山海經傳奇》、《生死界》、《對話與反詰》、《夜遊神》、《周末四重奏》、《八月雪》、《叩問死亡》；五個現代折子戲包括《模仿者》、《躲雨》、《行路難》、《喀巴拉山口》、《獨白》；一個舞劇《聲聲慢變奏》共計十八部戲劇。又整理探究理論文集《對一種戲劇的追求》、《沒有主義》、以及《文學的理由》。作者的主體意識扣緊不同時期的逃亡經驗，經一番外求與內尋的過程，不斷抗衡與否定不同的「他者」。這種抗衡，固然呈現人類本質的狀態，卻缺乏主體的自主性，也展示主題的矛盾。因為無論「他者」怎樣不斷置換為集體、強權、中國、性、慾望等對象，也不能抹殺其先於主體的實存性，反倒確立了主體的依附性。所以他的主體都一貫逃避中心、集體、缺乏實質的內涵，卻又內外交困，無法安頓。這種不斷反詰的精神，又反映在劇作的「間離」的形式上。高行健以敘事、三重角色與儀式（rituals），間離觀眾與角色。雖然他追求戲劇本質，嘗試回復中國儺戲與戲曲的傳統，也緊隨現當代劇作家如布萊希特（Bertolt Brecht）、惹奈（Jean Genet），但是難以調動觀眾的直覺感知經驗，達至娛人的目的。更有甚者，因為敘事手法的視點所限，宣揚個人主義的目的，昭然若揭。他的儀式意在增強戲劇的假定性，不在於回歸中國的佛道傳統，但效果不彰。他的「表演三重論」源於中國戲曲與布萊希特，貢獻止於為表演的監控意識命名，缺乏系統落實的方法，故難以與斯坦尼斯夫斯基（Konstantin Stanislavsky）、以及格羅多夫斯基（Jerzy Grotowski）的表演系統相提並論。本文試以高行健的劇作與理論，與現當代的國際劇作家、以及劇場理論家的成就互相發明，以鑑定其戲劇地位。
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Grimm, Rachel Mihuta. "L'Enjeu du jeu: L'Identité comme performance dans La Voyeuse interdite et Garçon manqué de Nina Bouraoui." Ohio University Honors Tutorial College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1340130803.
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Miner, Joshua D. "Transnational Compositionality and Hemon, Shteyngart, Díaz; A No Man's Land, Etc." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12164/.
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Contemporary transnational literature presents a unique interpretive problem, due to new methods of language and culture negotiation in the information age. The resulting condition, transnational compositionality, is evidenced by specific linguistic artifacts; to illustrate this I use three American novels as a case study: Nowhere Man by Aleksandar Hemon, Absurdistan by Gary Shteyngart, and The Brief Wondrous Life of Oscar Wao by Junot Díaz. By extension, many conventional literary elements are changed in the transnational since modernity: satire is no longer a lampooning of cultures but a questioning of the methods by which humans blend cultures together; similarly, complex symbolic constructions may no longer be taken at face value, for they now communicate more about cultural identity processes than static ideologies. If scholars are to achieve adequate interpretations of these elements, we must consider the global framework that has so intimately shaped them in the twenty-first century.
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Britz, Andreas. "Hidden in Plain Sight: John Berryman and the Poetics of Survival." Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1274991004.
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Rafael, Laura. "The role of history in the recent Mexican novel : a study of five historical novels by Elena Garro, Carlos Fuentes, Fernando del Paso, Paco Ignacio Taibo II and Rosa Beltran." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/323.
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This thesis sets out to investigate the development of the recent historical novel in Mexico by examining a corpus of five novels. Elena Garro’s 'Los recuerdos del porvenir' (1963) represents the final point of the novel of the Revolution and it is the link with the recent historical novel. Carlos Fuentes’ 'Terra Nostra' (1975) and Fernando del Paso’s 'Noticias del Imperio' (1978) belong to the group containing the postmodern historical novel. 'Terra Nostra' summarizes all the concerns of postmodernism and can be considered as a paradigm of this current of thought. 'Noticias del Imperio' seeks a reconciliation between history and literature in an attempt to get closer to the historical truth. Paco Ignacio Taibo II’s 'La lejanía del Tesoro' (1992) is a representative novel in the way it melds history with the mystery novel, developing the genre of the historical thriller. Lastly, Rosa Beltrán’s 'La corte de los ilusos' (1995), and in particular its treatment of history is pertinent to this thesis due to the fact that women have been traditionally silenced by official history. This novel gives them a voice. From its beginnings, the historical novel confronted the problem of being questioned for its lack of accuracy when dealing with the past. This skepticism sparked a long lasting debate that initially degraded the historical novel as secondary genre that could never contribute to historical knowledge. However, as a result of recent theories that seek to defend the poetic nature of history, a theory developed initially by Hayden White, the recent historical novel has sought to debunk historiography’s claim to be the only possible way to recount the past. This thesis advances the theory that the recent historical novel in Mexico is the result of a search for a genuine identity, as well as a quest to develop an alternative, yet truthful, interpretation of a past whose true nature has been distorted by decades of historical officialdom. This process is seen in a context of increasing democratisation and globalisation.
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Leblond, Aude. "Poétique du roman-fleuve, de Jean-Christophe à Maumort." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2010. http://tel.archives-ouvertes.fr/tel-00714342.
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Marquée par la longueur, le réalisme et la lisibilité, l'esthétique du roman-fleuve chez Romain Rolland, Martin du Gard, Jules Romains et Duhamel peut paraître anachronique dans le paysage littéraire de l'entre-deux-guerres. Le roman-fleuve maintient en effet l'ambition démiurgique dans un contexte historique qui semble l'interdire. Trace d'une volonté toujours vivace de créer un livre-monde alors même que les certitudes positivistes s'écroulent, la poétique du roman-fleuve est plus intempestive qu'anachronique : c'est son présent qui rend improbables ses choix esthétiques. Au-delà du traumatisme de la Première Guerre, le roman-fleuve tâche d'élaborer un livre-monde, fût-il précaire ; il travaille à se faire tombeau. Il rend compte des bouleversements de la perception du moi, du temps et de la collectivité - ces éléments qui rendent caduc le paradigme naturaliste, auquel la critique a jusqu'ici rattaché le roman-fleuve. La composition de ce reflet fantomatique de la Belle Époque oscille entre construction et fragmentation. Son dispositif pragmatique conduit à dépasser le postulat mimétique, pour révéler une conception très moderne des pouvoirs de la fiction. Contre le rêve d'un " roman objectif " [Martin du Gard], le roman-fleuve fait émerger un dialogue entre auteur et lecteur. Ce sous-genre se révèle en définitive comme le lieu d'une expérimentation politique, fictionnelle et générique. Invitant le lecteur à reconnaître les interactions multiples entre mondes fictifs et monde réel, il lui permet de distinguer les différentes logiques génériques qui entrent en tension dans le texte. Il appelle ainsi une lecture réflexive et orchestre un apprentissage littéraire.
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SOUZA, Flávia Roberta Menezes de. "Em busca de Luciana: um estudo das instâncias narrativas em três romances de Dalcídio Jurandir." Universidade Federal do Pará, 2016. http://repositorio.ufpa.br/jspui/handle/2011/8069.
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O presente trabalho propõe um estudo sobre uma personagem singular em toda obra de Dalcídio Jurandir (1909-1979): Luciana. A história dessa personagem é encontrada de modo fragmentado no sexto, sétimo e oitavo romances da série Extremo Norte, na ordem: Primeira manhã (1967), Ponte do Galo (1971), Os habitantes (1976). Essa fragmentação é motivada pelas mudanças das “instâncias produtivas do discurso narrativo” (GENETTE, 1995) e pela constante participação do discurso das personagens – “characters’ discourse” (SCHMID, 2010) - na constituição da história de Luciana. Por essa razão, entende-se que Luciana é uma personagem cuja configuração precisa ser melhor estudada, a fim de compreender de que maneira o discurso do narrador, dos personagens e da própria Luciana contribuem para a sua composição enquanto personagem. As teorias no campo da narratologia de Gérard Genette (1995) e Wolfgang Schmid (2010) e a teoria do romance polifônico de Mikhail Bakhtin (2010) desempenham, neste trabalho, a importância de descrever os fenômenos responsáveis pelos diferentes discursos sobre Luciana e de ajudar a pensar o status dessa personagem no discurso narrativo dos três romances.
This paper proposes a study of a singular character in every work of Dalcídio Jurandir (1909- 1979): Luciana. The story of this character is found fragmented in the sixth, seventh and eighth novels of the Extremo Norte series, following the order: Primeira manhã (1967), Ponte do Galo (1971), Os habitantes (1976). This fragmentation is driven by changes in "productive instances of narrative discourse" (GENETTE, 1995) and the constant participation of the speech of the characters - "characters' discourse" (SCHMID, 2010) – in the constitution of Luciana's story. For this reason, it is understood that Luciana is a character whose setting needs to be further studied in order to understand how the discourse of the narrator, of the characters and of Luciana herself contribute to her composition as a character. The theories in the field of narratology of Genette (1995) and Wolfgang Schmid (2010) and the polyphonic novel theory of Mikhail Bakhtin (2010) play in this work the importance of describing the phenomena responsible for the different discourses on Luciana and assist to think of the status of this character in the narrative discourse of the three novels.
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Homana, Sabina [Verfasser]. "L'enjeu éthique dans l'œuvre de Romain Gary / Sabina Homana." 2009. http://d-nb.info/997614315/34.
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Darnell, Michael Richard. "Networks of Displacement Genealogy, Nationality, and Ambivalence in Works by Vladimir Nabokov and Gary Shteyngart." Thesis, 2016. https://doi.org/10.7916/D8D79BQ4.
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In this dissertation I examine Vladimir Nabokov’s and Gary Shteyngart’s use of family metaphors to manage intersecting Russian and American literary and cultural continuities. Both authors fashion their relationships to literary predecessors and common cultural narratives in terms of disrupted filial relationships, describing both an attachment to the conservative narratives of the nation and a desire to move beyond their rigid structure. I articulate this ambivalence as a productive state of transnational subjecthood that allows these authors to navigate apparently oppositional national identities. Central to this reorientation is a critique of the hierarchical schema of the national canon, which frames literary culture as a determinative series of authoritative relationships. By reimagining these relations as part of a branching network of co-constituting associations, we open the space for transnational subjects to move within and overlap these networks.
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Kraus, James W. "Gary Snyder's biopoetics : a study of the poet as ecologist." Thesis, 1986. http://hdl.handle.net/10125/9284.
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