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Journal articles on the topic 'Genre canon'

Author: Grafiati

Published: 30 May 2022

Last updated: 31 July 2025

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1

Shapiro, Lisa. "Canon, genre et historiographie." Dix-septième siècle 296, no. 3 (2022): 417–33. http://dx.doi.org/10.3917/dss.223.0417.

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2

BANKAUSKAITĖ-SEREIKIENĖ, Gabija. "Genre: Canon or Transformation?" Respectus Philologicus 29(34) (April 25, 2016): 9–11. http://dx.doi.org/10.15388/respectus.2016.29.34.17.

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3

Malkina, Victoria Ya. "GENRE CANON AND INTERIOR MEASURE OF THE GENRE IN THE POPULAR LITERATURE." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 6 (2022): 12–26. http://dx.doi.org/10.28995/2686-7249-2022-6-12-26.

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The article offers one possible option for distinguishing between mass and high literature namely by relying on the specific features of the genre poetics. The definition of the genre by Mikhail Bakhtin is used as a methodological basis. Having regard to the historical poetics and evolution of the genre category that has been described in the works of Sergey Averintsev, Samson Broitman and others, the article substantiates the following hypothesis: in European literature, starting from the second half of the 18th century, we can see two main genre-forming principles that are existing in parall

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4

Kaznokh, Iryna. "Cyclical Composition's Dramaturgical Principles of the Easter Canon (on the Irmologion Material of the 70s – 80s of the XVII Century)." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 3, no. 1 (2020): 18–26. https://doi.org/10.31866/2616-7581.3.1.2020.204335.

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Over the centuries, church liturgical practice has formulated perfect musical forms, the structure of which is built on internal genres, united by the common idea of all parts. The classification of their musical dramaturgy is determined by the musical-philological component that builds the liturgical and artistic integrity of the cyclic form of the work. This form is represented by the Easter canon, which holds a special place among all works of Byzantine hymnography. The purpose of the research is to consider the compositional structure of the Easter canon genre in the context of its th

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Esty, Jed. "The Genre that Ate the Canon." Novel 51, no. 1 (2018): 151–55. http://dx.doi.org/10.1215/00295132-4357700.

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Kolmogorova, Anastasia V., and Polina A. Kolmogorova. "“My canary died. Come to us for Christmas”: The dynamics of the genre canon of a message in a postcard in diachrony and in ontogenesis (based on postcards written by children from the corpus “I am writing to you”)." International Journal “Speech Genres” 19, no. 2 (42) (2024): 195–205. http://dx.doi.org/10.18500/2311-0740-2024-19-2-42-195-205.

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The article features the speech genre “a message in a postcard” in Russian communicative practice of two periods: the period before 1917 Revolution and the Soviet period. The research is based on a subcorpus of 253 postcards written by children from the collection of postcards digital corpus “I am writing to you”. By observing the mastery of the genre canon by non-adult native speakers, we consider both the specifics of the speech genre and the dynamics of its changes that occurred at the turning point of two periods. The analysis showed that the speech genre “a message in a postcard” is sensi

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Kovalova, Nataliia А. "GENRE FEATURES OF THE POSTMODERN NOVEL “PERFUME: THE STORY OF A MURDERER” BY P. SÜSKIND." Alfred Nobel University Journal of Philology 1, no. 23 (2022): 69–77. http://dx.doi.org/10.32342/2523-4463-2022-1-23-6.

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The purpose of the article is to define the genre features of Patrick Süskind’s novel as a postmodern work. The task is to determine the artistic components, which will serve as a basis for establishing the genre affiliation of the analyzed work. The study employs the elements of formal and cultural-historical methods of analysis. It is emphasized that the peculiarity of this novel is its genre eclecticism. It is noted that the work actualizes the Faustian image of the human/superhuman, who is marginal and disadvantaged, rejected by society, extremely talented, but has no moral values. The wor

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Korzheva, Alina Evgenievna. "Genre-based tradition of happy ending in Ye. Zamyatin’s Tales." SHS Web of Conferences 122 (2021): 02003. http://dx.doi.org/10.1051/shsconf/202112202003.

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The article deals with Ye.I. Zamyatin tales from the perspective of their compliance with the genre canons of a fairytale. The authors explore the Tales of Fita cycle as well as the tales “The Devourer” and “The Church of God” included in the collection “Big Kids’ Fairytales”. Special attention is paid to the endings of tales; the authors analyze their correspondence to the canons of folklore and literary fairytales formulated by the researchers of this genre: V.Ya. Propp, V.P. Anikin, and I.P. Lupanova. There is a mixture of the fairytale genre with the genre of socio-political satire in Ye.I

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Martynenko, Ekaterina А. "ALASDAIR GRAY’S LANARK (1981): WORKING WITH PRECEDENT TEXTS OF THE SCIENCE FICTION CANON." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 7, no. 1 (2022): 150–61. http://dx.doi.org/10.18522/2415-8852-2022-1-150-161.

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The article is devoted to the analysis of Alasdair Gray’s debut novel Lanark (1981) in the context of the world science fiction genre canon. The novel is marked by complex intertextual links, which go beyond quotations and imagery as the writer creatively employs established genre models. Lanark’s fantastic books aim at criticizing consumerism and capitalist totalitarianism. For this reason, they present a number of references to both Aldous Huxley’s Brave New World and George Orwell’s 1984. The novel also contains utopian elements. However, socialist ideals still remain an unattainable dream

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10

Vorobeva, Lidiia V. "“THE CLIFF” BALLAD BY C. A. CUI: ON THE PROBLEM OF GENRE INTERPRETATION." Arts education and science 3, no. 40 (2024): 62–66. http://dx.doi.org/10.36871/hon.202403061.

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The article examines the genre canon of the ballad and its reflection in C. A. Cui’s piano opus “The Cliff” from the cycle In Argenteau. The history of the creation of the work is revealed. The influence of the programme content and plot on the dramaturgy and composition of the work is noted. The role of the anagram AGEEA (ArGEntEAu), which coincides with the name of the castle of Argenteau in Belgium, is highlighted. Cui’s work is analysed in terms of its compliance with the parameters of the ballad genre canon at the level of content, dramaturgy, form, intra-genre structure, and means of mus

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11

Heelan, Patrick. "Comments and Critique." Science in Context 3, no. 2 (1989): 477–88. http://dx.doi.org/10.1017/s0269889700000910.

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The ArgumentIn this rejoinder to Gyorgy Markus (Science in Context 1:5–51), I argue that although there are nonphilosophical hermeneutical studies of communication among scientists (a “weak” hermeneutics) from which much can be learned about scientific practices, there is also the philosophical genre of a hermeneutics of natural science (a “strong” hermeneutics), with which this paper is concerned. The former is the nonphilosophical use of hermeneutics in the study of texts and historical sources; the latter is a philosophy pursued within a working canon of philosophical works defined principa

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12

RADOMAN, Aleksandar. "LITERARY CANON AND MONTENEGRIN ORAL LITERATURE IN THE PRE-VUK PERIOD." Lingua Montenegrina 30, no. 2 (2022): 155–90. https://doi.org/10.46584/lm.v30i2.943.

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This paper presents the results of several years of archival work, the aim of which was to shed light on the oldest layer of preserved Montenegrin oral heritage. The author described 18 manuscripts created in Boka Kotorska in the period between 1696 and 1833, which have not been sufficiently scientifically explored. The corpus contains a large number of epic and lyrical oral literary genres, which offers a wide space for the analysis of both the very genesis and structure of the genre, as well as the thematic-motive characteristics of individual poems.

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Dunin-Dudkowska, Anna. "The cover letter as a genre of speech in teaching Polish as a foreign language." Acta Universitatis Lodziensis. Kształcenie Polonistyczne Cudzoziemców 26 (December 19, 2019): 231–43. http://dx.doi.org/10.18778/0860-6587.26.16.

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Genres are products of cultures, reflecting the needs and practices of communities that have created them. Teaching the Polish language to foreigners, we should make them familiar with numerous Polish genres of speech, recommended in programmes of teaching Polish as a foreign language. The cover letter is a relatively new genre in the Polish continuum of speech, adopted from the Anglo-Saxon culture after the transition in 1989. It is a complex genre, deriving from others, such as the official letter, application, advertisement letter, and CV. The article presents a description of the genre, ac

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Khavzhokova, Lyudmila Borisovna. "Versification as a genre-forming factor in the sonnet sequence “Faithful to Love” by M. Bemurzov." Philology. Issues of Theory and Practice 17, no. 4 (2024): 1217–22. http://dx.doi.org/10.30853/phil20240176.

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The paper addresses the problem of identifying the role of versification factors in shaping certain genres and genre forms of Adyghe poetry. The study is based on the sonnet sequence “Faithful to Love” by the Circassian poet Mukhadin Hamidovich Bemurzov (1948-2007). The study aims to determine the genre-forming functions of meter, rhyme, and stanzaic structure in a specific literary context. The study is original in that it represents the first attempt to consider the listed components of versification as dominant genre features of sonnets comprising the sonnet sequence “Faithful to Love”. As

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15

Richter, David H., and Michael Gamer. "Romanticism and the Gothic: Genre, Reception, and Canon-Formation." Studies in Romanticism 42, no. 4 (2003): 587. http://dx.doi.org/10.2307/25601651.

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16

Сапожнік, Ольга. "MUSICOLOGICAL-CULTURAL AND ARTISTIC-AESTHETIC ANALYSIS OF THE GENRE PALETTE OF CHURCH CHANTS ON THE EXAMPLE OF CANONICAL AND NON-CANONICAL WORKS." УКРАЇНСЬКА КУЛЬТУРА : МИНУЛЕ, СУЧАСНЕ, ШЛЯХИ РОЗВИТКУ (НАПРЯМ: культурологія) 48 (June 12, 2024): 138–46. http://dx.doi.org/10.35619/ucpmk.v48i.762.

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A comprehensive musicological and cultural cross-section of the specifics of the use of spiritual genres of sacred music during church services is carried out; the problem of the presence of canonical liturgical texts in these spiritual chants is highlighted; The specifics of the existence of the studied genres of sacred music with secular, non-canonical texts on church themes in the Orthodox tradition are determined. A musical-theoretical, artistic-aesthetic and lexical-phonetic analysis of the genre spectrum of sacred music of Ukrainian Orthodoxy, which crystallized over the centuries in chu

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17

Agnihotri, Indu. "Book review: Shobna Nijhawan, Hindi Publishing in Colonial Lucknow: Gender, Genre, and Visuality in the Creation of a Literary ‘Canon’." Indian Journal of Gender Studies 28, no. 1 (2021): 138–41. http://dx.doi.org/10.1177/0971521520980864.

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18

Kokhan, Olga N. "SARAH WATERS AND VICTORIAN CANON." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 7, no. 3 (2022): 185–202. http://dx.doi.org/10.18522/2415-8852-2022-3-185-202.

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The article examines the specifics of the work of the modern British writer Sarah Waters with Victorian canon. The author’s forms of interaction with the Victorian text are investigated with references to the author’s revisionist stand of a professional historian, to her creative reflection on Victorian canon in the spirit of the historiographical novel, and interest in popular genres of Victorian era (Dickens’ socio-psychological novel, sensational novel, publications in the popular magazine “All the Year Round”). Waters’ novels use the Dickensian code and popular sensational plots in order t

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19

Trubetskova, Elena G. "Doctors as heroes of our time: On the ‘resuscitation’ of the occupational novel in modern mass literature." Izvestiya of Saratov University. Philology. Journalism 21, no. 4 (2021): 477–82. http://dx.doi.org/10.18500/1817-7115-2021-21-4-477-482.

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The article proposes an approach to consider modern mass literature portraying doctors in line with the revival of the tradition of the occupational novel. There are traces of similarities with the genre canon at the plot-compositional, figurative and stylistic levels of the text. The differences between contemporary works and the established Soviet model of the genre are also highlighted.

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20

Сердюк Данил, Витальевич. "ДУАЛИЗМ ЗАПАДНОЙ И ВОСТОЧНОЙ КУЛЬТУРЫ В ПАСХАЛЬНОМ РАССКАЗЕ А. КУПРИНА". Дальневосточный филологический журнал, № 1 (27 лютого 2024): 26–32. http://dx.doi.org/10.24866/2949-2580/2024-1/26-32.

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The article is devoted to the consideration of three Easter stories by A. Kuprin “By order”, “Bonza” and “Easter eggs”. The change in the canon of the Easter story through the introduction of elements of the Buddhist religion into the domestic calendar genre is considered. The motifs of the Easter gift and the child's image that form the meaning of the genre are analyzed.

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21

Radeljković, Ivan. "Canon et genre littéraire au regard de la poésie moderne." Littérature N°196, no. 4 (2019): 79. http://dx.doi.org/10.3917/litt.196.0079.

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22

Girzheva, G. N., and V. I. Zaika. "Hagiographic topoi as elements of the image of a character in Yuri Buida’s story “The Miracle of Buyanikha (The poem)”." Memoirs of NovSU, no. 4 (2023): 328–34. http://dx.doi.org/10.34680/2411-7951.2023.4(49).328-334.

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The title of the story “The Miracle of Buyanikha” indicates the genre definition of the presence in the text of signs of hagiography, the horizon of expectation is determined, it is an expectation guideline, as well as a genre specification — a poem. Topoi — the main elements, ceremonial practices: images, motives, speech formulas, guarantees, etc. — are defined by the canon as genre signs of hagiography. The story contains images of various kinds of miracles, which, by their presence, suggest that Buyanikha belongs to the category of those to whom the hagiographic texts are dedicated. However

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23

Zolotukhin, Veniamin Timofeevich. "E. A. BARATYNSKY’S ELEGY «DESOLATION» AS A DIALOGUE WITH V. A. ZHUKOVSKY." Russkaya literatura 4 (2022): 128–36. http://dx.doi.org/10.31860/0131-6095-2022-4-128-136.

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The article describes the transformation of genre canon in E. A. Baratynsky’s elegy «Desolation». The elegy in question is jusxtaposed with the poetry of V. A. Zhukovsky, in particular with his work in the elegiac genre, which forms the closest literary context of the poem. The analysis of the poetics of «Desolation» shows how Baratynsky charters a new trajectory for the traditional remembrance plot by «misreading» the older poet.

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Codeso, Patricia Varona. "In search of a Byzantine narrative canon: the Vita Basilii as an uncanonical work." Byzantine and Modern Greek Studies 39, no. 2 (2015): 173–90. http://dx.doi.org/10.1017/s0307013100015330.

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The problem of the literary genre of Vita Basilii and, by extension, of the lack of Byzantine examples of purely secular biography is one of the most well known literary controversies of Byzantine studies. With respect to this problem a revision of the usual parameters involved in the definition of literary genres will be suggested, one which will cover not only formal aspects but also contextual and functional ones. This study will propose that the features related to these parameters could be classified as more or less prototypical, thus laying the foundation for an approach to canonical nar

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Pecherskykh, L. O. "Living canonicity: a possible example of modernity (on the material of the novel "Radio Night" by Yu. Andrukhovych)." Bulletin of Luhansk Taras Shevchenko National University, no. 7 (345) (2021): 125–34. http://dx.doi.org/10.12958/2227-2844-2021-7(345)-125-134.

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The article states that the entire creative path of Yu. Andrukhovych is connected with the process of creating the canon of the postmodern novel in Ukrainian literature. The work systematises updated by the writer in his novels of the 1990s — 2000s components of the genre canon, such as parodying the flaws and contradictions of modern civilization, the multiplicity of choices in every life situation, performativity as a means of communication, openness and no boundaries to depict any aspect life, programmatic violation of stereotypes and taboos, demonstration of linguistic and stylistic virtuo

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26

Faria, Luís. "Luís Alberto de Abreu e a peça "Um dia ouvi a Lua": a poética aristotélica como cânone." Cadernos de Literatura Comparada, no. 43 (2020): 175–91. http://dx.doi.org/10.21747/21832242/litcomp43a11.

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This article discusses how the use of Brazilian colloquial language and the epic theatrical elements in the play One day I saw the moon (Um dia ouvi a Lua), written by Luís Alberto de Abreu, compose the work’s mechanisms of this Brazilian playwright. These mechanisms allow the author to build his own dramatic poetic works based on storytelling. Abreu dialogues with the Aristotle’s Poetics, or the Aristotelian canon. The playwright attempts to know how the epic genre works according to Aristotle and he brings this idea to the Brazilian reality. Abreu makes a contemporary form of theatrical art.

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Karpychev, Mikhail. "On Art Contents of Maqam." Ideas and Ideals 13, no. 4-2 (2021): 384–99. http://dx.doi.org/10.17212/2075-0862-2021-13.4.2-384-399.

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The article is devoted to researching Islamic professional oral music. Maqam is the most high form of this, its conception is spiritual catharsis. Maqam is a chain of ascending parts, each of them elaborating on the main theme of the music. It progresses to a culmination and then descends to the cuitial stage. Maqam’s spiritual contents are the sorrow of love in the form of improvisation first of all, but also songs and dances. Maqam unites dramatic and lyrical characters. Every maqam has its own semantic canon, which is actualized by means of the deepest research of human feelings. Semantic a

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28

Tarasova, Irina A. "Literary genre in the mind of the reader: Empirical approach." International Journal “Speech Genres” 19, no. 1 (41) (2024): 23–28. http://dx.doi.org/10.18500/2311-0740-2024-19-1-41-23-28.

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From a cognitive point of view, literary genres do not exist regardless of their perception; they should be embodied in the reader’s mind. The purpose of cognitive genre study is to consider genre as a form of mental representation. According to our hypothesis, this representation combines figurative and propositional ways of encoding information. There is no doubt that the reconstruction of the mental representation of the genre in the mind of the reader requires an experimental study. This article publishes the results of a pilot experiment conducted among university students of pedagogical

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Turna, Murat. "Essay Genre and Montaigne's Essays." Adnan Menderes Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 12, no. 1 (2025): 64–75. https://doi.org/10.30803/adusobed.1585302.

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Originating in the cultural accumulation of antiquity, the essay is a literary genre that found its own form in the Middle Ages. Montaigne's Essays written in the 16th century are considered the prototype of the genre. From past to present, the essay has always been a genre that emphasizes the individual and the sense of self. In this respect, it has an important place in modern literature that puts the individual at the center. The personal opinion, feeling and interpretation observed in Montaigne's work is the key to the relationship of the essay with other literary genres. This article will

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В.А., РОМОДАНОВСКАЯ. "СВЯЩЕННОЕ ПИСАНИЕ И СИСТЕМА ЖАНРОВ ДРЕВНЕРУССКОЙ ЛИТЕРАТУРЫ: К ПОСТАНОВКЕ ПРОБЛЕМЫ". Гуманитарные науки в Сибири 30, № 3 (2023): 5–13. http://dx.doi.org/10.15372/hss20230301.

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Система жанров древнерусской литературы, по словам Д.С. Лихачева, определялась христианским мировоззрением средневекового человека, причем формальные признаки жанров были строго регламентированы особенностями их церковного употребления. Кроме структурной характеристики жанра могут быть определены его способности к развитию и трансформации. Развитие жанра - создание новых произведений по образцу существующих, причем развитием жанра обусловлено появление и новых литературных направлений, что, в свою очередь, приводит к трансформации жанра - таком его видоизменении, когда при сохранении формальны

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Bogdanova, E. D. "Mieczysław Weinberg’s Requiem. In a Dialogue with the Canon of the Genre." Art of Music, no. 1 (June 2024): 332–79. http://dx.doi.org/10.51678/2307-5015-2024-30-332-379.

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Mieczysław (Moisei) Weinberg’s Requiem opus 96 for soprano solo, boys’ choir, mixed choir and orchestra, based on poems by Dmitry Kedrin, Federico García Lorca, Sara Teasdale, Munetoshi Fukagawa and Mikhail Dudin, is a large-scale composition close to both cantata and oratorio in terms of its genre. It represents some essential features of the composer’s vocal and symphonic style. The work was not performed in the composer’s lifetime and has never become a subject of musicological research. The author analyzes the work’s structure and thematic material, its system of leitmotifs and semantics i

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Pulatova, Victoria I. "From the History of English Dystopia of the End of the 20th Century: Conceptual and Substantial Dominants of the Novel The Children of Men by P.D. James." Studia Litterarum 8, no. 3 (2023): 68–81. http://dx.doi.org/10.22455/2500-4247-2023-8-3-68-81.

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The paper suggests the analysis of the way dystopian genre invariant was realized in the novel The Children of Men by the English writer P.D. James. Particularly, the author of the article studies the novel’s conceptual and thematic elements regarding dystopian canon. Firstly, the article characterizes literary dystopia. Secondly, it defines the level of novel’s research in Russian and English literary studies. Thirdly, using the methods of genre typology and artistic analysis, the article investigates conceptual and thematic content of the novel, that is defined, according to the canon, by th

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Qutbuddin, Tahera. "Is Oration Literature?" Journal of Arabic Literature 55, no. 2-3 (2024): 213–37. http://dx.doi.org/10.1163/1570064x-12341516.

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Abstract Is oration literature? More specifically, can we read the multi-functional Arabic oration (khuṭbah) of the 1st/7th and 2nd/8th centuries as part of the classical prose canon? In this article, I argue that if our definition of literature includes beautiful language, admiration expressed by literary theorists, and masterful articulation of themes to evoke audience response, early Arabic oration is most certainly literature. I demonstrate this claim by analyzing the rhythmic and graphic oral aesthetics of early Arabic oration, the views of medieval theorists regarding its distinguished p

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Nurzhamal Ussenova, Islam Zhemeney, and Zinolgabden Bysengaly. "Transition from Autobiography to Memoir in <i>Babur-nama</i>." Asiatic: IIUM Journal of English Language and Literature 18, no. 2 (2024): 155–72. https://doi.org/10.31436/asiatic.v18i2.3426.

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The need to study the genre specifics of Babur-nama (Trans. A.S. Beveridge) is conditioned primarily by the interest in genre modifications and transitions from one genre form (autobiographical) to another (memoir), which can be traced by the example of this work. The purpose of this study was to consider the genre nature and the development of the memoir genre in Turkic literature in the case of ?ah?r-ud-D?n Muhammad Babur’s Babur-nama. Methods of selective artistic, genre, historical and cultural, contextual, and graphic analysis were used. In particular, it preserves the features of autobio

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35

Karivets', Ihor. "Richard Rorty and the Expediency of History of Philosophy (Foreword to the Ukrainian translation of Richard Rorty’s article “The Historiography of Philosophy: Four Genres”)." Humanitarian vision 7, no. 1 (2021): 54–57. http://dx.doi.org/10.23939/shv2021.01.054.

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For readers of the journal, we propose the first Ukrainian translation of the article "Historiography of Philosophy: Four Genres" by the American postmodernist philosopher Richard Rorty, in which he considers possible strategies of historic-philosophical researches and their role in the development of philosophical thinking. Richard Rorty claims that the main task of historic-philosophical researches is to constantly change the philosophical canon, not to allow it to catch in certain stereotypical views of well-known philosophers who are part of it, for instance, Plato, Aristotle, Kant, Hegel

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36

Hoffman, Emily. "This is the Legacy of Garry's Show: Restoring It's Garry Shandling's Show to the American Sitcom Canon." Popular Culture Review 35, no. 1 (2024): 135–67. http://dx.doi.org/10.1002/j.2831-865x.2024.tb00812.x.

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ABSTRACTThough largely forgotten, It's Garry Shandling's Show is a pivotal sitcom text that reclaims the self‐reflexive, meta‐narrative style of The George Burns and Gracie Allen Show. Shandling births the contemporary sitcom by de‐centering the idealized nuclear family; using Brechtian direct address that fuses the sitcom with stand‐up comedy; and parodying specific genres, films, and television shows. These destabilizing features turn the calcified genre into the television equivalent of Mikhail Bakhtin's carnival.

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Brown, Tamara Lizette. "Expanding the Black Film Canon: Race and Genre across Six Decades." Journal of American History 108, no. 2 (2021): 412–13. http://dx.doi.org/10.1093/jahist/jaab202.

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Pace, Barbara G. "The Textbook Canon: Genre, Gender, and Race in US Literature Anthologies." English Journal 81, no. 5 (1992): 33. http://dx.doi.org/10.2307/819892.

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Kuznetsova, A. V. "The Semiotics of a Genre: Gothic Canon in the Ironic Mode." Current Issues in Philology and Pedagogical Linguistics, no. 1 (March 25, 2023): 142–51. http://dx.doi.org/10.29025/2079-6021-2023-1-142-151.

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The article is devoted to the semiotics of the gothic story genre in its ironic transformation in Russian classic literature, in particular, in the compositional and axiological transformations found in “The Queen of Spades” by A. Pushkin. The relevance of the study is determined by the growing interest in understanding the nature of aesthetic semiosis, in the set of stable features of a certain genre, the conditions for their changes and demand in specific historical eras. The aim of the article is to analyze the semiotic parameters of the ironic mode that transforms the gothic tradition in A

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Pace, Barbara G. "The Textbook Canon: Genre, Gender, and Race in US Literature Anthologies." English Journal 81, no. 5 (1992): 1. http://dx.doi.org/10.58680/ej19928062.

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Milner, Andrew. "Viral Science Fiction." Extrapolation: Volume 63, Issue 1 63, no. 1 (2022): 7–20. http://dx.doi.org/10.3828/extr.2022.3.

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This article begins by explaining how sf as a genre has recently “gone viral.” It then proceeds to a brief overview of the history of pandemic fiction, in the Bible, in the literary canon, and in genre sf. It concludes with a more detailed analysis of Albert Camus’s La Peste (1947), which argues that this novel exhibits many characteristics Darko Suvin attributes to sf. The paper concludes that either La Peste is in fact sf or Suvin’s famous definitions are themselves misconceived.

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Kozlov, Vladimir I., and Oksana S. Miroshnichenko. "EVENTFULNESS IN RUSSIAN NON-CANONICAL IDYLL." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 8, no. 1 (2023): 36–52. http://dx.doi.org/10.18522/2415-8852-2023-1-36-52.

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The article offers a solution to the problem of eventfulness, characteristic for the poetic idyll in Russian poetry of the XIX–XXI centuries. Due to a shift in emphasis in the perception of idyllic heritage, а number of scholars define this genre as “eventless”. In particular, it is the idyll in the non-canonical era that is used by a number of poets as a sign of a “consummate word”, which is usually disintegrated in genre struggle for the right to complete a lyrical whole. In this case poems, using idyllic topoi, as a rule, are completed according to the models of other lyrical genres, such a

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Batovska, Olena. "Artistic and Stylistic Principles of Interpreting the Mass Genre in Contemporary Compositional Practice." Bulletin of KNUKiM. Series in Arts, no. 48 (June 24, 2023): 49–56. https://doi.org/10.31866/2410-1176.48.2023.282440.

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The aim of the article is to determine the artistic and stylistic principles of interpreting the genre of the Mass in contemporary compositional practice. The objectives of the study are: to identify the most significant features of the genre tradition of the Mass in European musical culture and its projection on contemporary musical creativity; to determine the stable and variable components of the Mass genre tradition in the spiritual works <em>Missa Festiva</em> by J. Leavitt and <em>Requiem</em> by N. Telfer; to analyse the selected works for the research material

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Zhanarka, Ibrayeva, Ibrayeva Adeliya, and Maimakova Almagul. "GENRE SPECIFICITY OF AGATHA CHRISTIE'S WORKS." Annali d'Italia 64 (February 27, 2025): 47–53. https://doi.org/10.5281/zenodo.14937485.

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The detective genre is one of the most popular and readable in the modern world. The main elements of the detective story are intricate plots, investigations and intrigues, which attracts readers of different ages. Relevance of the study: the detective as a genre has not been sufficiently explored in contemporary society and is in its formative stages. The purpose of the study is to analyse the popular works of the detective genre by Agatha Christie, to identify the main types of characters in her novels, to determine the characteristic features of the author’s style in the works, to con

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Fedotov, Oleg. "Experiment with Canon (on the Poetics of A. Voznesensky’s Sonnets)." Проблемы исторической поэтики 22, no. 4 (2024): 313–30. https://doi.org/10.15393/j9.art.2024.14462.

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Andrei Voznesensky, who proved himself to be an “atomic minstrel,” an unreserved singer of scientific and technical revolution, whole-heartedly striving for the future, was not, objectively speaking, an ardent fan of the sonnet, as, indeed, were his idols and teachers Mayakovsky and Pasternak. However, he nevertheless paid a certain tribute to this ancient genre-strophic form, enriching it with radical innovations. The article analyzes the so-called “Impromptu Sonnet” (1998), which completes the poet’s sonnet ensemble. The title of the poem simultaneously serves as its genre definition. The mo

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ELLIOT, MICHAEL D. "New Evidence for the Influence of Gallic Canon Law in Anglo-Saxon England." Journal of Ecclesiastical History 64, no. 4 (2013): 700–730. http://dx.doi.org/10.1017/s002204691300153x.

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The importance of canon law collections to Anglo-Saxon legal culture has long been thought negligible, especially in comparison to the considerable importance of an alternative genre of canonical literature known as the penitential handbook. Over the past several decades, however, evidence for the use and circulation of continental canon law collections in pre-Conquest England has been mounting, to the extent that it could challenge traditional notions about the dominance of penitential law in the early English Church. This study presents new evidence for the reception in Anglo-Saxon England o

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Heim, Lea Laura. "Rewriting the Nation: German-Turkish Transformations of the Bildungsroman." Journal of Frontier Studies 6, no. 2 (2021): 37–67. http://dx.doi.org/10.46539/jfs.v6i2.291.

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Literatures arising in the context of migration and cultural contact are known to provoke the nationally confined canonisation of literature. While the view that so-called ‘migrant literature’ does belong to German literature and culture is widely established within recent scholarship, the literary means of claiming space in the national canon are still an under-researched topic. The purpose of the study is to analyse the literary means of claiming space in the national canon and thereby investigate the permeability of its boundaries. By rewriting a canonical genre of German literature, which

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Khaybullina, Angelina Airatovna, Elvira Firdavilevna Nagumanova, and Kadisha Rustembekovna Nurgali. "Genre Strategy of Modern Russian-Language Poetry in Kazakhstan." International Journal of Criminology and Sociology 9 (April 5, 2022): 2609–15. http://dx.doi.org/10.6000/1929-4409.2020.09.321.

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At the end of the 20th century, the poetry of Kazakhstan made a great stride forward, which can be compared with the ideas of the cultural revolution. Unlike Russian poetry being changed throughout the 20th century, Kazakh poetry has made a breakthrough in its development only for the last two decades, allowing it to fit the conventions of modern world poetry. The present article aims at revealing the features of the functioning of the Russian-language poetry of Kazakhstan at the end of the 20th – the beginning of the 21st century. The authors of the article define those changes that have occu

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Strub, Whitney. "Trans Porn Genealogy beyond the Queer Canon." TSQ: Transgender Studies Quarterly 7, no. 2 (2020): 174–91. http://dx.doi.org/10.1215/23289252-8143336.

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Abstract While placing transgender pornography under the sign of queerness has been a necessary feature of queer politics, much of the genealogy of trans porn falls more within the orbit of heteronormative capitalism and was enacted through the problematic figure of the “she-male.” Queer and trans scholars have been eager to seize on the work of queer trans culture workers but less attentive to the pioneering efforts of Kim Christy and Joey Silvera, who occupy complicated positions not entirely commensurate with queerness. Christy emerged out of 1970s transfeminine culture to shape “she-male”

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Podlubnova, Yulia S. "“The Face of the Old Urals Is Changing Before Our Eyes”: An Evolution of Industrial Essays in the Literature of the Urals of the 1920–1930s." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 30, no. 1 (2024): 43–53. http://dx.doi.org/10.15826/izv1.2024.30.1.004.

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The article examines Ural industrial essays of the 1920–1930s which appeared as a genre from travel notes and travel essays but almost immediately received a soviet political frame (essays by L. M. Reisner, some publications in the magazine “The Comrade Terenty”). We reveal the leading importance of the industrial essay in the Ural literature of the First Five-Year Plan era. We especially highlight the genre of the essay-portrait the heroes of which are shock workers, leaders of production. We emphasize the combination of documentary optics and the socialist realist canon in the Ural essays of

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