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Academic literature on the topic 'Hopi Indians in fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Journal articles on the topic "Hopi Indians in fiction"

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Jeeva C and Velumani P. "Portrayal of Traditional Indian Womanhood in R.K. Narayan’s The Dark Room." INTERNATIONAL JOURNAL OF SCIENCE TECHNOLOGY AND HUMANITIES 2, no. 2 (October 30, 2015): 32–34. http://dx.doi.org/10.26524/ijsth50.

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The Indo-Anglican literature is different from the Anglo-Indian literature. The former is the genre written and created by the Indians through the English language; the latter is written by the Englishmen on themes and subjects related to India. The Indo-Anglican fiction owes its origin to the translations of various fictional works from the Indian languages into English, notably from Bengali into English. The Indo-Anglican writers of fiction write with an eye and hope on the western readers. This influenced their choice of the subject matter. In Indo-Anglican novels there are Sadhus, Fakirs, Caves, Temples, Vedanta, Gandhi, Rajahs and Nawabs, etc. to are to show the interest of western audience. They represent essentially the western idea of India. But at the same time there are elements of Indianness, Nationalism and Patriotism, glorification of India’s past and sympathy for the teeming millions of the country.

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Hedrick, Philip W. "Hopi Indians, ?cultural? selection, and albinism." American Journal of Physical Anthropology 121, no. 2 (May 5, 2003): 151–56. http://dx.doi.org/10.1002/ajpa.10180.

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Haley, Brian D. "Ammon Hennacy and the Hopi Traditionalist Movement: Roots of the Counterculture’s Favorite Indians." Journal of the Southwest 58, no. 1 (2016): 135–88. http://dx.doi.org/10.1353/jsw.2016.0000.

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King, William R. "Dionysos Among the Mesas: The Water Serpent Puppet Play of the Hopi Indians." American Indian Culture and Research Journal 11, no. 3 (January 1, 1987): 17–49. http://dx.doi.org/10.17953/aicr.11.3.l11173188683tuv7.

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Rogobete, Daniela. "On Garbage and Ice: Ethics of the Slums in Katherine Boo’s Behind the Beautiful Forevers." Romanian Journal of English Studies 14, no. 1 (November 27, 2017): 14–21. http://dx.doi.org/10.1515/rjes-2017-0003.

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Abstract The present paper dwells on the complex representation of the Indian slums in Katherine Boo’s 2012 novel Behind the Beautiful Forevers. Leaving behind the conventional oversentimentalised and over-optimistic literary and cinematographic depictions, the writer places her text on the boundary between fiction and journalism, discussing poverty, inequality, hope and despair in one of the most surprising cities of the globalised world, from a new perspective.

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Abdullah, Omar Mohammed, and Zainab Hummadi Fayadh. "Question of Identity." Al-Adab Journal, no. 134 (September 15, 2020): 13–28. http://dx.doi.org/10.31973/aj.v0i134.827.

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Since Jhumpa Lahiri has been regarded as a second generation Indian immigrant living in the United States. This has made her fully aware of the cultural mixing between India and America. This paper focuses on the process of mimicry and decolonization of Indian immigrants who live in the United States. Lahiri’s fiction Interpreter of Maladies reveals cultural identity, mimicry and decolonization that the immigrants experience while living in the target culture. This paper applies Homi Bhabha’s concept of mimicry and Frantz Fanon’s concept of decolonization to explore three short stories in Lahiri’s fiction Interpreter of Maladies namely; “When Mr. Pirzada Came to Dine” , “Mrs. Sen’s” and “This Blessed House”. The study concludes that some characters in these stories mimic the American culture as a result of their interaction with the Americans due to work or for being born and raised in America. Their imitation involves culture, tradition, language and religion. While, other characters decolonize and resist the American culture by rejecting everything related to this culture, in order to adhere to their original Indian identity and keep ties with their heritage.

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Beidler, Peter G. "First Death in the Fourth World: Teaching the Emergence Myth of the Hopi Indians." American Indian Quarterly 19, no. 1 (1995): 75. http://dx.doi.org/10.2307/1185352.

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Patterson, Michelle Wick. "The “Pencil in the Hand of the Indian”: Cross-Cultural Interactions in Natalie Curtis's The Indians' Book." Journal of the Gilded Age and Progressive Era 9, no. 4 (October 2010): 419–49. http://dx.doi.org/10.1017/s1537781400004205.

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Native American communities met the many challenges of the early twentieth century in ways that defy easy categories of “progressive” or “traditional.” Indian people used many different outlets, including cultural appeals to non-Indian audiences, to craft survival strategies. Natalie Curtis's The Indians' Book (1907), a collection of Native music, art, and folklore, became one of these outlets. Through an examination of the contributions made by two Native leaders, Lololomai (Hopi) and High Chief (Southern Cheyenne), this essay considers the ways in which local Native American leaders sought to shape popular representations of their tribes. Additionally, it explores how these leaders used Curtis's work to address local political and social issues in their communities. Their efforts to influence the themes of The Indians' Book represents an attempt to, as historian Frederick Hoxie terms it, “talk back to civilization.”

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Salvatore, Ricardo D. "From Fiction to History: The 1836 Execution of Indians." Quinto Sol 18, no. 2 (July 1, 2014): 1–31. http://dx.doi.org/10.19137/qs.v18i2.935.

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Ibarrola-Armendariz, Aitor. "Urban indians in the short fiction of Sherman Alexie." Revista de Estudios Norteamericanos, no. 23 (2019): 209–30. http://dx.doi.org/10.12795/ren.2019.i23.10.

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Dissertations / Theses on the topic "Hopi Indians in fiction"

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LaMotta, Vincent Michael. "Zooarchaeology and chronology of Homol'ovi I and other Pueblo IV period sites in the central Little Colorado River Valley, northern Arizona." Diss., Tucson, Ariz. : University of Arizona, 2006. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1597%5F1%5Fm.pdf&type=application/pdf.

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Sommerfeldt, Daniel M., and University of Lethbridge Faculty of Arts and Science. "Comparison of Blackfoot and Hopi games and their contemporary application : a review of the literature." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2005, 2005. http://hdl.handle.net/10133/283.

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This thesis compares the ancient games played by the Blackfoot confederacy and the Hopi Pueblos and examines their contemporary application. A literature review resulted in the aggregation of 34 Blackfoot games and 34 Hopi games. The 68 games were clustered into games of dexterity, guessing games, amusement, and games in legend. Twenty games were selected to be compared in the areas of equipment, purpose of play, how the game was played, number of participants, the gender allowed to play, the age of participants, season of play, the length of time to play the game, scoring, and how a winner was declared. This study also examines, through the literature review, personal communication and Internet information that the ancient games of the Blackfoot and the Hopi have contemporary application, which may be achieved with slight variations. Additional information on the composition, origins, linguistic families, possible tribal associations, and some European encounters of the Blackfoot and the Hopi was provided. This information is included as context to aid in the exclusion of games that may have been adopted from the Europeans. The thesis concludes there is an urgent need to identify the ancient games of Blackfoot and Hopi before knowledgeable elders are gone. Also it is recommended that this not be the end of the study of the games, but that it only be a beginning on which to build.
xiii, 116 leaves ; 29 cm.

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Cameron, Catherine Margaret. "Architectural change at a Southwestern pueblo." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185396.

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The architecture of the modern Hopi pueblo of Oraibi provides important data for the interpretation of prehistoric villages in the American Southwest and elsewhere. Using historic photographs, maps, and other documents, architectural change at Oraibi is examined over a period of almost 80 years, from the early 1870s to 1948, a span that includes an episode of population growth and a substantial and rapid population decline. Because archaeologists make extensive use architecture for a variety of types of prehistoric reconstructions, from population size to social organization, understanding the dynamics of puebloan architecture is important. This study offers several principals which condition architectural dynamics in pueblo-like structures in the Southwest and in other parts of the world. Four types of architectural change are identified at Oraibi: rooms were abandoned, dismantled, rebuilt, and newly constructed. Some changes were the result of the introduction of EuroAmerican technology and governmental policies. An increase in the rate of architectural change, especially new construction and rebuilding, suggests that population was increasing during the late 19th century. Patterns of settlement growth involved both the expansion of existing houses and the construction of new houses. Oraibi architecture, with contiguous rows of houses, may have restricted the development of extended families. After the 1906 Oraibi split, half the population left the village, and in the following decades, population continued to decline. Abandoned houses were often rebuilt and reoccupied by remaining residents. The number of rooms per house declined, especially upper story rooms. The areas of the settlement that continued to be occupied or were reoccupied were those around important ceremonial areas, such as the Main Plaza. The examination of architecture at historic Oraibi supplies links between social processes and architectural dynamics that are applicable to the prehistoric record. Patterns of intra-household architectural change and of settlement growth and abandonment, observed at Oraibi, provide keys to the investigation of similar processes at prehistoric sites.

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Green, Thomas Andrew 1953. "Irony and Indians: A collection of original fiction." Thesis, The University of Arizona, 1991. http://hdl.handle.net/10150/291722.

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The last in a long line of Mesoamerican cultures, the Aztecs massed in the metropolis of Tenochtitlan-Tlatelolco and neighboring cities in the Valley of Mexico, with bureaucracies and royal houses as cosmopolitan as those of their eventual conquerors, the Spaniards. In North America, however, tribal cultures developed organizations based not on the state, but on kin and family relations. The basis of this paper is a comparison of the values fostered by tribalism and those propounded by bureaucracy, whether Mexican or European or even Ming Chinese. The method employed is that of a series of six short pieces of original fiction (one for each of the cardinal points, one for Father Sky, and one for Mother Earth), based on research into the world-views of North American Indian cultures and tribal experiences, and which may be construed as a critique of the notion of the universality of human values.

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McCracken, David E. "The Great Plains trilogy. Book one, These God-forsaken lands. Part one (of three), Wayward horse." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1391232.

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This is the first of three parts in the first of three planned novels, collectively called The Great Plains Trilogy, which takes place between 1841 and 1845. Set against such historical events as the Battle of Plum Creek and the Texas Council House Fight, Part One follows Lock (a.k.a. Aidan Plainfield) in 1841, whose wife and daughter were killed by Comanches during the Victoria raid of 1840. Since the raid, Lock has left his life behind, surviving alone in the Great Plains. One morning he discovers that Comanches have stolen his horse, and he sets off to recover it. Along the way, he meets Mr. Pendleton, an Englishman who has been injured by Comanches, and Raymond Wales, a thief who has been mysteriously left to hang in the middle of the woods. Mr. Pendleton and Raymond Wales, each of whom have their own mysterious motivations, join Lock on his journey.
Department of English

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Moss, Maria. "We've been here before women in creation myths and contemporary literature of the Native American southwest /." Münster : Lit, 1993. http://catalog.hathitrust.org/api/volumes/oclc/30100337.html.

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Potts, Henry M. "Native American values and traditions and the novel : ambivalence shall speak the story." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26754.

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The commitment to community shared by Native American authors such as N. Scott Momaday, James Welch, and Louise Erdrich is partially evinced by each author's readiness to inscribe in novel form the values and traditions of the tribal community or communities with which he/she is closely associated. Many students of the novel will attest to its pliant, sometimes transmutable nature; nevertheless, as this study attempts to make clear, there are some reasons why Native American authors should reconsider using the novel as a means to express their tribal communities' values and traditions. Unambivalent prescriptions, however, seem more suited to the requirements of law or medicine; and so this study also examines some of the reasons why Native American authors should continue to embrace this relatively "new" art form persistently termed the novel.

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Schulz, Frank. "'How can you go to a Church that killed so many Indians?' : Representations of Christianity in 20th century Native American novels." Master's thesis, [Potsdam : Univ.-Bibliothek], 2002. http://deposit.ddb.de/cgi-bin/dokserv?idn=97197845X.

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Kastner, Marianne Sue. "Iktomi: A Character Traits Analysis of a Dakota Culture Myth." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/896.

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This qualitative study comparing three separate English-language versions of a single Dakota cultural myth "Iktomi" presents a novel systematic approach for analyzing Native American folk tales to understand how stories function as tools of transmission of cultural information and knowledge. The method involved coding character traits according to type with regard to representation, ability, or attribute to ascertain patterns among the codes and elucidate character roles and relationships, reorganizing the coded traits into paired polarized correspondences to clarify relationships among traits, and assessing pronoun use and documenter effect pointing to gender-specific character activity. Findings revealed an encoded framework illuminating how the tale is used to represent progressive stages in the Dakota vision quest. Analysis using simple word counts of character traits produced emergent patterns disclosing a male-specific focus on character activities with additional evidence delineating a framework for the vision quest traditionally regarded tribally as a male rite of passage.

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ChinchuChang and 張金株. "Harmony, Holocaust, Hope: the Identity Crisis in Indian Postcolonial Partition Fiction." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/g2u7ja.

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博士
國立成功大學
外國語文學系
102
This dissertation explores the identity crisis presented in Indian postcolonial fiction about India’s Partition with Pakistan in 1947. While the discussion principally focuses on Saadat Hasan Manto’s Mottled Dawn: Fifty Sketches and Stories of Partition, Bhisham Sahni’s Tamas, and Chaman Nahal’s Azadi, it is evident that much Indian partition fiction is narratives on/of the identity crisis that led to the most horrific acts of violence and the mass exodus in Indian history. From colonial order to postcolonial disorder, the three literary texts under discussion indicate a process of identity formation, deformation and re-formation when recognition of self identity is incompatible with social acceptance due to intergroup conflicts. In parallel with the theme of social identity loss and change, events in the texts are narrated in three phases: pre-partition coexisting harmony, partition genocidal holocaust, and post-partition reconciled hope. This narrative structure completes a birth-death-rebirth cycle and therefore achieves an effect of catharsis.

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Books on the topic "Hopi Indians in fiction"

1

The Hopi way: An odyssey. Santa Fe, N.M: Sunstone Press, 1985.

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The stolen gods. New York: Ballantine Books, 1994.

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The eagle dancer. Birmingham, Ala: Red Mountain Pub., 1996.

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Sisters of the dream: A novel. Flagstaff, Ariz: Northland Pub., 1989.

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Poleahla, Anita. Celebrate my Hopi name. Flagstaff, AZ: Salina Bookshelf, Inc., 2013.

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Polingaysi, Qoyawayma, ed. Broken pattern: Sunlight & shadows of Hopi history. Happy Camp, Calif., U.S.A: Naturegraph Publishers, 1985.

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Matthews, Patricia Anne Klein Ernst Brisco. The scent of fear. Long Preston: Magna Large Print Books, 1993.

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Clayton, Matthews, ed. The scent of fear. Thorndike, Me: Thorndike Press, 1992.

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Youyouseyah and Coates Ross, eds. When Hopi children were bad: A monster story. Sacramento, Calif: Sierra Oaks Pub. Co., 1989.

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Latterman, Terry. Little Joe: A Hopi Indian boy learns a Hopi Indian secret. Gilbert, AZ: Pussywillow Pub. House, 1985.

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Book chapters on the topic "Hopi Indians in fiction"

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Bold, Christine. "Did Indians Read Dime Novels?: Re-Indigenising the Western at the Turn of the Twentieth Century." In New Directions in Popular Fiction, 135–56. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-52346-4_7.

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Strong, Amy L. "The Violence of Race in “Indian Camp,” “The Doctor and the Doctor’s Wife,” and “Ten Indians”." In Race and Identity in Hemingway’s Fiction, 15–43. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230611276_2.

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Figueira, Dorothy M. "How Does It Feel to Be the Solution? Indians and Indian Diaspora Fiction: Their Role in the Marketplace and the University." In Indian Writing in English and the Global Literary Market, 48–62. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137437716_4.

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Forter, Greg. "Tragedy, Romance, Satire." In Critique and Utopia in Postcolonial Historical Fiction, 96–140. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198830436.003.0003.

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This chapter challenges David Scott’s contention that we should shift from Romance to tragedy in recounting the history of colonialism’s overcoming. This shift in genre means, for Scott, moving from a pre-Foucauldian understanding of power to a Foucauldian view in which the institutions of colonial modernity produce the colonized subject—and hence, cannot be meaningfully overthrown. J. G. Farrell’s The Siege of Krishnapur and Marlon James’s The Book of Night Women subvert Scott’s oppositions and reveal the limits of his prescriptions. Farrell’s text develops a satirical form that, in its depiction of the Indian Mutiny, exposes British power-knowledge as an ideological mystification for which there is indeed an “outside”—namely, the Indians’ insurrectionary agency. James’s text shows how power on the colonial plantation relied on the spectacle of the scaffold rather than the insidious tentacles of disciplinary power. The scaffold functioned to prohibit both full humanity and interracial “love,” Enlightenment promises that only the violence of slave rebellion could hope to fulfil.

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WHITELEY, PETER. "The End of Anthropology (at Hopi)?" In Indians and Anthropologists, 177–208. University of Arizona Press, 1997. http://dx.doi.org/10.2307/j.ctv1jf2d9c.17.

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Geertz, Armin W. "Hopi Hermeneutics: Ritual Person Among the Hopi Indians of Arizona." In Concepts of Person in Religion and Thought, 309–36. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110874372-020.

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McIntire, Elliot. "Early Twentieth Century Hopi Population." In A Cultural Geography of North American Indians, 275–95. Routledge, 2019. http://dx.doi.org/10.4324/9780429043963-15.

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Flint, Kate. "Indians, Modernity, and History." In The Transatlantic Indian, 1776-1930, 288–96. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691203188.003.0011.

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This chapter assesses how attitudes started to shift at the beginning of the twentieth century—partly under the influence of Western movies, partly as modernist writers and artists started to idealize the Indian for their own ends, and as other wannabe Indians, most notably Grey Owl, began to develop the association of Indianness with environmental preservation. It also looks at some contemporary writing by native peoples—especially James Welch and Leslie Marmon Silko—that aims to reappropriate nineteenth-century transatlantic history in a range of imaginative ways. By writing this fiction today, both Silko and Welch reclaim and rewrite the possibilities inherent for native peoples in the late nineteenth century. In so doing, they demonstrate that despite the importance, then and now, of tradition as both concept and practice within Indian society, identity, and modes of thought, it stands not isolated from modernity, but rather in mediation and dialogue with it. At a time when critical attention within American studies has increasingly turned toward imperialism and transnationalism, to explore the importance of the transatlantic Indian is to provide an important reminder that the internal colonial relations of the United States cannot be separated from these other trajectories.

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Bilimoria, Purushottama. "Totaram Sanadhya’s Experience of Racism in Early White Australia." In Indians and the Antipodes, 162–80. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199483624.003.0006.

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This chapter presents a fictionalized narrative of Totaram Sanadhya’s brief visit to Sydney in 1914. Pundit Sanadhya migrated to Fiji as an indentured labourer and spent twenty-one years on the Pacific Island. He became a nationalist and collaborated with C.F. Andrews in bringing down the indenture system. The story is based on the evidence provided in Sanadhya’s journal, published as My Twenty-One Years in the Fiji Islands (1991). As a work of fiction the narrative transcends temporal boundaries and refers to historical events that took place outside Sanadhya’s real time, such as Srinivasa Shastri’s visit to Australia and New Zealand in 1922–3 to inquire into race relations in these parts of the British Empire. This narrative embodies the process of circulation of people and ideas central to this book, with Sanadhya becoming an archetypal ex-indentured Indian from Fiji, visiting white Australia and encountering its racist bigotry.

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Flint, Kate. "Savagery and Nationalism: Native Americans and Popular Fiction." In The Transatlantic Indian, 1776-1930, 136–66. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691203188.003.0006.

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This chapter explores British popular writing. It considers some of the means by which stereotypes of Indians that emanated from the United States circulated within Britain and were modified and filtered through domestic concerns. The chapter first assesses the influence that James Fenimore Cooper had on transatlantic adventure and historical fiction, and then pass to Charles Dickens's often contradictory treatments of native peoples, before looking at the more complicated case of Mayne Reid. This British writer of popular Westerns employed contemporary American-generated stereotypes of Indians and at times reinforced that country's message of manifest destiny, yet he also managed to question certain political and racial aspects of American life in a way that offered up a warning to his home readership. These stereotypes are read through a consideration of the shifting nuances of the idea of the “savage” in mid-Victorian Britain.

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