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Relevant bibliographies by topics / Horn (Musical instrument) Horn (Musical instrument) / Dissertations / Theses

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Dissertations / Theses on the topic 'Horn (Musical instrument) Horn (Musical instrument)'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Farnsley, Stephen H. "Gunther Schuller, his influence on the French horn." Virtual Press, 1985. http://liblink.bsu.edu/uhtbin/catkey/469339.

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Gunther Schuller is presently one of America's most influential music personalities. As one colleague of Schuller's at the New England Conservatory has written, "In many ways, Gunther Schuller is a modern incarnation of the renaissance man, with his interests and abilities flowing from him like ripples in a pond."1 Schuller, in his six decades, has been one of the nation's first-rate orchestral horn players and has participated in the instrument's introduction into the jazz medium; his interest in musicological research has encompassed the study of various types of music and resulted in Early

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2

Hessel, Eric. "Addressing Technical and Musical Demands of Contemporary Music for Horn through Newly-Composed Etudes." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538667/.

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Contemporary music for horn often requires techniques and musical or notational considerations that are unconventional with respect to the standard pedagogy of the instrument. As such, these considerations often represent a level of challenge to which the average-intermediate to advanced-hornist is unprepared to approach or altogether unfamiliar. The most prominent of these demands arising in the last few decades of the twentieth century through today include microtonality (such as extended just intonation and quarter tones), extended techniques in combination or juxtaposition (such as multiph

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3

Strauchen, Elizabeth Bradley. "Giovanni Puzzi : his life and work : a view of horn playing and musical life in England from 1817 into the Victorian era (c.1855)." Thesis, University of Oxford, 2000. http://ora.ox.ac.uk/objects/uuid:e42fa98b-daf6-454b-9f54-2a79588d5120.

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The focus of this dissertation is a comprehensive study of the life and work of Giovanni Puzzi, nineteenth-century Britain's most celebrated virtuoso of the horn. In his hands, the horn -- hitherto largely known to England's aristocracy as an obstreperous member of the orchestra or popular form of pleasure garden entertainment became a sought-after attraction at London's most fashionable and exclusive concerts. An examination of Puzzi's activities as an orchestral player and as a soloist in a wide variety of public and private concerts chronicles his rise to celebrity and establishes his posit

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4

Rekward, Susan J. "The Horn at the Paris Conservatoire and its Morceaux de Concours to 1996." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278364/.

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A work concerning the history of the Paris Conservatoire and music education in France. Follows the development of the horn and its correlation with the French school of horn playing. Includes biographic information on the horn professors of the Conservatoire through 1997, as well as a comprehensive list of the morceaux de concours for horn, 1795-1996.

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5

Wick, Heidi F. "Applying Natural Horn Technique to Modern Valved Horn Performance Practice." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu991314575.

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6

Theoro, Jaqueline de Paula 1974. "A importância dos quintetos de sopro de Anton Reicha no repertório camerístico dos trompistas = estudo analítico e interpretativo dos quintetos n. 1 opus 88 e n. 24 opus 100, à luz de seus tratados de harmonia, composição e melodia." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284941.

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Orientador: Eduardo Augusto Ostergren<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-17T08:09:14Z (GMT). No. of bitstreams: 1 Theoro_JaquelinedePaula_M.pdf: 36298604 bytes, checksum: 01c942b426e99e3195f815a54b7a21b7 (MD5) Previous issue date: 2010<br>Resumo: Verificando a importância dos Quintetos de Sopro de Anton Reicha, no repertório camerístico dos trompistas, esta pesquisa tem como finalidade apresentar um estudo analítico e interpretativo das obras "Quinteto em Mi bemol Maior opus 88 nº1" e "Quinteto em Si bemol

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7

Ormsby, Verle A. "John Jacob Graas, Jr. : jazz horn performer, jazz composer, and arranger." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/560288.

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This paper is divided into two broad sections. The first section traces the life and career of John Graas through an examination of the contents of the John Graas Memorabilia and Memorial Library, which contains photo albums, newspaper clippings, records and tapes, approximately one hundred original compositions, and personal correspondence between the author and people who knew and worked with Graas.The second section is an examination and discussion of Graas's original compositions. This discussion traces Graas's compositional development and growth as an acknowledged jazz composer through t

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8

Feitosa, Radegundis Aranha Tavares. "O ensino de trompa: um estudo dos materiais didáticos utilizados no processo de formação do trompista." Universidade Federal da Paraíba, 2013. http://tede.biblioteca.ufpb.br:8080/handle/tede/6607.

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Made available in DSpace on 2015-05-14T12:52:32Z (GMT). No. of bitstreams: 1 parte1.pdf: 3947611 bytes, checksum: 9453979f5d939cdb409198b7bcbc5cb0 (MD5) Previous issue date: 2013-03-15<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Research on instrumental teaching have gone through significant development in recent decades, gaining, as a result, considerable importance and legitimacy, especially within the context of research in music education. Based on this fact, the present work shows the results of a study on instrumental teaching, contemplating most spec

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9

Daigle, Jennifer B. "An Investigation of Novice Middle and High School Band Directors’ Knowledge of Techniques and Pedagogy Specific to the Horn." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1151003398.

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10

Feitosa, Radegundis Aranha Tavares. "Música brasileira popular no ensino da trompa: perspectivas e possibilidades formativas." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/8667.

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Submitted by Morgana Silva (morgana_linhares@yahoo.com.br) on 2016-09-19T17:29:54Z No. of bitstreams: 1 arquivototal.pdf: 9245207 bytes, checksum: e18f96b9b74564baa6c917552ea31490 (MD5)<br>Made available in DSpace on 2016-09-19T17:29:54Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 9245207 bytes, checksum: e18f96b9b74564baa6c917552ea31490 (MD5) Previous issue date: 2016-06-10<br>Research on popular music teaching have gone through development in recent years, gaining, as a result, considerable importance and legitimacy, especially within the context of research in music education. Based o

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11

Coueffe, Alban. "Instruments (de musique) d’un spectacle aborigène à Taïwan : herméneutique d’une performance « hors sol »." Thesis, Lyon 3, 2012. http://www.theses.fr/2012LYO30002.

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Cette thèse tente d’analyser différents phénomènes observables à partir d’un sujet apparemment délimité de manière claire dans le temps et l’espace : un spectacle touristique au sein d’un parc d’attractions à Taïwan, mettant en scène des instruments de musique dits traditionnels. Cette délimitation dans le temps et l'espace se produit à plusieurs niveaux — c’est-à-dire dans plusieurs échelles de temps et d’espace — d’un plus global (Taïwan) à un plus local (la scène) en passant par un niveau intermédiaire (le parc). Mais avant tout, ce sujet se situe dans l’espace limité d’une monographie — ce

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12

Merati, Mohammad Ali. "Les formes fondamentales de la musique kurde d’Iran et d’Irak : hore, siâw-çamane, danses, maqâm." Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100075/document.

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L’examen de différentes formes d’expression vocales et instrumentales kurdes d'Iran et d'Irak, liées à quatre dialectes, permet de dégager un idiom commun de la musique traditionnelle kurde, avec sa grammaire modale et rythmique. Cette recherche s'appuie sur des enquêtes dans les régions kurdes d’Iran et d’Irak et sur la collecte d'une centaine d'heures d’enregistrements de mélodies vocales et instrumentales. Elle prend en compte la diversité linguistique et religieuse ainsi que la place de la musique, de la poésie, de la danse et des instruments et fait apparaître une certaine unité au-delà d

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13

Spivey, Zachary James Rogner. "The Scriabin Mystic Hexachord as a Structural Harmonic and Motivic Device in Three Parables for Solo Instruments by Vincent Persichetti." Ohio University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1628334738542662.

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14

Thorvaldsdottir, Anna S. Thorvaldsdottir Anna S. Thorvaldsdottir Anna S. Thorvaldsdottir Anna S. "Music and ideas." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p1453657.

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Thesis (M.A.)--University of California, San Diego, 2008.<br>Accompanying disc contains sound files of recordings of the musical compositions. The 1st work for 13 instruments; 2nd for 2 oboes, 2 clarinets, 2 bassoons, and 2 horns; 3rd for voice, 6 stethoscopes, and computer which manipulates sounds picked up by the stethoscopes. Title from first page of PDF file (viewed July 11, 2008). Available via ProQuest Digital Dissertations. Includes bibliographical references: P. 137.

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15

Lemmer, Natalie Carina. "The propagation of the sound of the horn." Thesis, 1987. http://hdl.handle.net/10413/8882.

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The purpose of this study was to formulate a theory of the propagation of sound waves within the horn and to discover the sound spectrum and directional characteristics of the instrument. The dissertation also includes a brief discussion of the history and development of the horn.<br>Thesis (M.Mus.)-University of Natal, Durban, 1987.

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16

Moller, Polly Louise Springhorn. "The history and practice of multiple-pitch sonorities on the flute and french horn in Western art music tradition." Diss., 1994. http://catalog.hathitrust.org/api/volumes/oclc/31274075.html.

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17

Armer, Shannon L. "The most common orchestral excerpts for the horn a discussion of performance practice /." Diss., 2006. http://upetd.up.ac.za/thesis/available/etd-02122007-101022/.

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18

Smit, Neil. "Creating new music for horn through collaborative practice." Thesis, 2014. http://hdl.handle.net/10019.1/95843.

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Thesis (MMus) – Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: This thesis considers the creative process involved in the composition and performance of new music for the horn. It sets out to describe the challenges and opportunities for composers and performers in this process and the value of collaboration between the two parties. There is a limited body of chamber music that includes the horn in South Africa, possibly because composers are not sufficiently acquainted with the complexities of this instrument and are hesitant to embark on a journey into the ‘unknown’. With few South Afri

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19

Silva, Nelson Miguel Oliveira da. "Aspetos técnicos de flexibilidade na trompa: uma proposta para a melhoria da performance musical dos alunos do ensino básico." Master's thesis, 2018. http://hdl.handle.net/1822/57762.

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Relatório de estágio de mestrado em Ensino de Música<br>Este Relatório de Estágio aborda o Estágio Profissional realizado no Conservatório de Música de Barcelos no ano letivo 2017/2018, nos Grupos de Recrutamento M20 (Trompa) e M32 (Classes de Conjunto). Este estágio inseriu-se no âmbito do Mestrado em Ensino de Música da Universidade do Minho. A intervenção realizada teve como principal objetivo a melhoria da performance musical dos alunos de trompa através do aperfeiçoamento da sua técnica de flexibilidade, contribuindo com sugestões pedagógicas e despoletando o espírito crítico dos al

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20

Hall, Philip Jeremy. "Portfolio of compositions and exegesis: Leitmotifs and their development." 2009. http://hdl.handle.net/2440/56830.

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This submission for the degree of Master of Music at the Elder Conservatorium of Music, University of Adelaide, consists of a portfolio of original compositions supported by an explanatory exegesis. The portfolio consists of six works: The Gingerbread Man, for a sinfonietta ensemble (woodwind quintet, two violins, viola, cello, double bass and percussion); a Jazz Quintet (alto saxophone, fluegel horn, vibraphone, tambourine and double bass); a Horn Quintet and String Quartet (violin, two violas and cello); Alone (for solo horn and 3 female voices – SSA); and Sonata for Horn (or Tuba) and Piano

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21

"A portfolio of music compositions." 2003. http://library.cuhk.edu.hk/record=b5891434.

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Quintet for winds and piano -- Preludes and fugues for piano solo -- Variation for string quartet.<br>Wong Kong Yu.<br>Thesis submitted in: December 2002.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 2003.<br>Includes bibliographical references (leaves ).<br>Abstracts in English and Chinese.<br>Abstract --- p.1 Page<br>Scores with Notes:<br>Chapter 1. --- Quintet for Winds and Piano<br>Note --- p.2 Pages<br>Score --- p.30 Pages<br>Chapter 2. --- Preludes and Fugues for Piano Solo<br>Note --- p.2 Pages<br>Score --- p.31 Pages<br>Chapter 3. --- Variations for String Quartet<br>Note

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22

"A portfolio of music compositions." Thesis, 2004. http://library.cuhk.edu.hk/record=b6073653.

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Alien-colour : for woodwind quintet -- Two bagatelles for the solo piano -- Duodecat : for large ensemble -- Moonlight : for solo voice and percussion -- Activation : for orchestra.<br>Yang Jin Fong.<br>"June 2004."<br>Thesis (D.Mus.)--Chinese University of Hong Kong, 2004.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Abstracts in English and Chinese.

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