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Books on the topic 'Iconographie romaine'

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Published: 4 June 2021
Last updated: 18 February 2022

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1

Tassignon, Isabelle. Iconographie et religion dionysiaques en Gaule Belgique et dans les deux Germanies. Genève: Diffusion Libr. Droz, 1996.

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2

Optimo principi: Iconographie, monnaie et propagande sous Trajan. Wetteren, Belgium: Moneta, 2007.

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3

Balty, Janine. Mosaïques antiques du Proche-Orient: Chronologie, iconographie, interprétation. Paris: Les Belles Lettres, 1995.

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4

Malbon, Elizabeth Struthers. The iconography of the sarcophagus of JuniusBassus. Princeton, N.J: Princeton University Press, 1990.

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5

The iconography of the sarcophagus of Junius Bassus. Princeton, N.J: Princeton University Press, 1990.

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6

The myth of Marsyas in the Roman visual arts: An iconographic study. Oxford, England: B.A.R., 1987.

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7

Papageorgiadou-Bani, Harikleia. The numismatic iconography of the Roman colonies in Greece: Local spirit and the expression of imperial policy. Athens, Greece: Kentron Hellēnikēs kai Rōmaikēs Archaiotētos, 2004.

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8

The numismatic iconography of the Roman colonies in Greece: Local spirit and the expression of imperial policy. Athènes: Centre de recherches sur l'antiquité grecque et romaine, 2004.

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9

Lichocka, Barbara. L' iconographie de Fortuna dans l'empire romain (Ier siècle avant n.è.-IVe siècle de n.è.) =: Ikonografia Fortuny w cesarstwie rzymskim (I W.P.N.E.-IV W.N.E.). Warszawa: Zakład Archeologii Śródziemnomorskiej Polskiej Akademii Nauk, 1997.

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10

Icks, Martijn. Images of Elagabalus. Nijmegen: [Radboud Universiteit], 2008.

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11

Images of Elagabalus. Nijmegen: [Radboud Universiteit], 2008.

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12

Liturgia del potere: Documenti di nomina e cerimonie di investitura fra principato e tardo impero romano. Napoli: Loffredo, 1999.

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13

International Colloquium on Roman Provincial Art (10th 2007 Arles, France and Aix-en-Provence, France). Les ateliers de sculpture régionaux: Techniques, styles, et iconographie : actes du Xe Colloque international sur l'art provincial romain, Arles et Aix-en-Provence, 21-23 mai 2007. Aix-en-Provence: Centre Camille-Jullian, 2009.

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14

International Colloquium on Roman Provincial Art (10th 2007 Arles, France and Aix-en-Provence, France). Les ateliers de sculpture régionaux: Techniques, styles, et iconographie : actes du Xe Colloque international sur l'art provincial romain, Arles et Aix-en-Provence, 21-23 mai 2007. Aix-en-Provence: Centre Camille-Jullian, 2009.

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15

Vassiliki, Gaggadis-Robin, ed. Les ateliers de sculpture régionaux: Techniques, styles, et iconographie : actes du Xe Colloque international sur l'art provincial romain, Arles et Aix-en-Provence, 21-23 mai 2007. Aix-en-Provence: Centre Camille-Jullian, 2009.

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16

de, Blois Lukas, and Impact of Empire (Organization), eds. The representation and perception of Roman imperial power: Proceedings of the Third Workshop of the International Network Impact of Empire (Roman Empire, c. 200 B.C. - A.D. 476), Netherlands Institute in Rome, March 20-23, 2002. Amsterdam: J.C. Gieben, 2003.

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17

Lovén, Lena Larsson. The imagery of textile making: Gender and status in the funerary iconography of textile manufacture in Roman Italy and Gaul. Göteborg [Sweden]: Department of Classical Archaeology and Ancient History, Göteborg University, 2002.

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18

Galinier, Martin, and François Baratte, eds. Iconographie funéraire romaine et société. Presses universitaires de Perpignan, 2013. http://dx.doi.org/10.4000/books.pupvd.7039.

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19

Visconti, E. Q. Iconographie Romaine, Vol. 1 (Classic Reprint) (French Edition). Forgotten Books, 2018.

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20

Université Jean Monnet-Saint-Etienne. Centre de recherche en histoire., ed. Iconographie impériale, iconographie royale, iconographie des élites dans le monde gréco-romain. Saint-Etienne: Publications de l'université de Saint-Etienne, 2004.

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21

Lefebvre, Sabine, ed. Iconographie du quotidien dans l’art provincial romain : modèles régionaux. ARTEHIS Éditions, 2017. http://dx.doi.org/10.4000/books.artehis.1585.

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22

Robert, Turcan, Blanc Nicole, and Buisson André, eds. Imago antiquitatis: Religions et iconographie du monde romain : mélanges offerts à Robert Turcan. Paris: De Boccard, 1999.

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23

Gowland, Rebecca. Ideas of Childhood in Roman Britain. Edited by Martin Millett, Louise Revell, and Alison Moore. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199697731.013.019.

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Since the 1990s there has been a burgeoning focus on the experience and treatment of children in the ancient world. The majority of studies have utilized historical and iconographic sources more than the archaeological record, resulting in an image of Roman childhood that is dominated by the view from Rome. For Roman Britain, the archaeological context, especially the funerary domain, is a fruitful source of evidence concerning childhood. The bioarchaeological and material evidence from Romano-British cemeteries is reviewed here. Skeletal remains provide valuable evidence relating to the health and care of past children. The integration of the skeletal data with the material evidence from the funerary context can illuminate past perceptions of childhood and the social construction of this earlier part of the life course. Theoretical and methodological developments within archaeology are paving the way for a more complete understanding of Roman childhood.
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24

Kress, Berthold. Studies on the Iconography of Universities in the Holy Roman Empire: Images on Seals and Maces. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827344.003.0003.

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This chapter provides an iconographic overview on how the universities of the Holy Roman Empire displayed their authority. It will focus on two aspects. The first is the development of iconographic formulae that can convey the constitution and activity of a university or one of its faculties; and the second is the role of coats of arms or other political signs that indicate the relation between the university and the rulers of the territory in which it was situated. A seventeenth-century legal treatise on insignia gives a long list of the signs of the head of a university: maces (Sceptra), robe (Epomis), register (Matricula), the presence of bedells, seals, books of statutes and privileges, and the keys to consistory and prison. Of these objects, only the two that regularly bear images is discussed in this chapter: the seals and the maces.
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25

Huskinson, Janet. Roman Sarcophagi and Children. Edited by Sally Crawford, Dawn M. Hadley, and Gillian Shepherd. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199670697.013.30.

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The chapter opens by defining ‘Roman’ and ‘children’ (in Roman sarcophagus terms) and problems inherent in both. The discussion starts with a brief description and outline of Roman burial practices involving sarcophagus burials, including how the city of Rome may have differed from e.g. northern Italy in terms of children and sarcophagi. The discussion then moves onto the reliefs that decorated sarcophagi and to the key question of how far their iconographies presented childhood as a differentiated stage of life and one which had particular resonances with Roman social ideals as played out in family terms, investigating the underlying issues in how children get represented, issues of family continuity, the portrayal of innocence, the dichotomy between unsocialized versus civilized, and the impact of Christianity.
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26

Feingold, Mordechai, ed. History of Universities. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827344.001.0001.

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This text contains a mix of learned articles and book reviews. The text contains a combination of original research and invaluable reference material. Topics covered include: democratic representation and fifteenth-century crisis at the University of Paris, the iconography found in universities in the Holy Roman Empire, and university reform in Victorian Britain.
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27

Malbon, Elizabeth Struthers. Iconography of the Sarcophagus of Junius Bassus: Neofitus Iit Ad Deum. Princeton University Press, 2014.

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28

Malbon, Elizabeth Struthers. Iconography of the Sarcophagus of Junius Bassus: Neofitus Iit Ad Deum. Princeton University Press, 1990.

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29

Malbon, Elizabeth Struthers. Iconography of the Sarcophagus of Junius Bassus: Neofitus Iit Ad Deum. Princeton University Press, 2014.

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30

Malbon, Elizabeth Struthers. Iconography of the Sarcophagus of Junius Bassus: Neofitus IIT Ad Deum. Princeton University Press, 2016.

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31

Carroll, Maureen. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199687633.003.0001.

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The introduction seeks to locate the youngest children in the Roman family and discusses the newly emerging theme of Roman infancy. It outlines the ways in which the book aims to fill a lacuna on the subject of infancy and earliest childhood, isolating the age group of the under one-year-olds because of the very particular historical circumstances that affected this period in the life cycle and attitudes toward it. The introduction presents a methodology for integrating archaeological evidence, material culture, and the iconography of infancy with social and cultural history, an approach for which this subject matter is especially well suited.
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32

Malbon, Elizabeth Struthers. The Iconography of the Sarcophagus of Junius Bassus: Neofitvs Iit Ad Devm. Princeton Univ Pr, 1991.

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33

Cohen, Ada. The Alexander Mosaic: Stories of Victory and Defeat (Cambridge Studies in Classical Art and Iconography). Cambridge University Press, 2000.

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34

Rives, James B. Religion in the Roman Provinces. Edited by Christer Bruun and Jonathan Edmondson. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780195336467.013.020.

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Without inscriptions, the study of religion in the Roman provinces would scarcely exist. Much can be learned from the rich material remains about sanctuaries, iconography, and even cult practices, but apart from a few scattered references in literary sources, we would know almost nothing of the names of the deities worshipped, very little of religious organization and cult personnel, and far less about key issues such as the interaction of local and imperial religious traditions. This chapter also emphasizes a few of the less obvious insights into ancient conceptions of the divine that we can gain from inscriptions.
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35

Carroll, Maureen. Infancy and Earliest Childhood in the Roman World. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199687633.001.0001.

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The book is a comprehensive study of infancy and earliest childhood in a cultural overview encompassing the entirety of the Roman Empire. It brings together some of the most recent discoveries and presents a fresh perspective on archaeological, historical, and social debates. Despite the developing emphasis in current scholarship on children in Roman culture, there has been little research on the role and significance of the youngest children in the family and society. Because of the very particular historical circumstances that affected the beginning of the life cycle of a Roman child, the book isolates the age group of the under one-year-olds to explore their lives as well as Roman attitudes towards the young and the perception of personhood. It integrates social and cultural history with archaeological evidence, funerary remains, material culture, and the iconography of infancy, an approach for which this subject matter is especially well suited. An examination of the many and varied strands of evidence enables us to contextualize the rhetoric about earliest childhood in Roman texts. The volume refutes the notion that high infant mortality conditioned Roman parents not to engage in the early life of their children or to view them, or their deaths, with indifference, and it concludes that even within the first weeks and months of life Roman children were invested with social and gendered identities.
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36

Trimble, Jennifer. Communicating with Images in the Roman Empire. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780195386844.003.0007.

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This chapter explores how the size, diversity, and connectivity of the Roman Empire in the first centuries CE fostered developments in image communication in a civilization in which levels of visual literacy, especially among city populations, should be considered quite well developed. At the same time, a full grasp of a monument’s iconography was not essential for effective communication at a range of levels. A remarkable, seemingly modern phenomenon of the period is the proliferation and stability of image use, enabling complex, varied interplays of empire and place to be articulated in all segments of society, with or without the involvement of the authorities.
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37

Ogden, Daniel, ed. The Oxford Handbook of Heracles. Oxford University Press, 2021. http://dx.doi.org/10.1093/oxfordhb/9780190650988.001.0001.

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The first half of the volume is devoted to the exposition of the ancient evidence, literary and iconographic, for the traditions of Heracles’ life and deeds. After a chapter each on the hero’s childhood and his madness, the canonical cause of his Twelve Labors, each of the Labors themselves receives detailed treatment in a dedicated chapter. The “Parerga” or “Side-Labors” are then treated in a similar level of detail in seven further chapters. In the second half, the Heracles tradition is analyzed from a range of thematic perspectives. After consideration of the contrasting projections of the figure across the major literary genres, epic, tragedy, comedy, philosophy, and in the iconographic register, a number of his myth-cycle’s diverse fils rouges are pursued: Heracles’ fashioning as a folkloric quest-hero; his relationships with the two great goddesses, the Hera that persecutes him and the Athena that protects him; and the rationalization and allegorization of his cycle’s constituent myths. The ways are investigated in which Greek communities and indeed Alexander the Great exploited the figure both in the fashioning of their own identities and for political advantage. The cult of Heracles is considered in its Greek manifestation, in its syncretism with that of the Phoenician Melqart, and in its presence at Rome, the last study leading into discussion of the use made of Heracles by the Roman emperors themselves and then by early Christian writers. A final chapter offers an authoritative perspective on the limitless subject of Heracles’ reception in the western tradition.
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38

Elkins, Nathan T. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190648039.003.0001.

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Although Nerva’s reign is largely the province of historians, owing to the lack of state-sanctioned art from his short reign, his coinage is very diverse and has been an untapped resource for studying contemporary “self-representation” in this period. It is argued that the emperor did not necessarily formulate coin iconography or messaging, as often assumed, but that it was directed at him, as were contemporary panegyric and poetry. He was, however, not the only audience. Coins were used by people throughout Roman society and so deploying quantitative and finds-based methods informs what images played the biggest role in contemporary praise and rhetoric and, to some degree, at what populations they were targeted.
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39

Elkins, Nathan T. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190648039.003.0005.

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The strong correspondence between laudatory rhetoric in poetry and panegyric and the images that appear on Nerva’s coins allows a reinvestigation of the age-old debate regarding the agency behind the creation of Roman imperial coin iconography. The evidence available, at least in Nerva’s reign, suggests that the emperor was not the agent; instead, a prominent individual in charge of the mint was responsible for the selection of the imagery. By attending to Trajanic records, it appears that such individuals were very close to the emperor and known to him. This suggests that prominent equestrians in charge of the mint thus were part of the emperor’s inner circle and walked in the same social circles as the people who inked praise directed at the emperor: Martial, Frontinus, Tacitus, and Pliny. These prominent equestrians were thus in a position to visualize the rhetoric used to praise the emperor.
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40

Zeeman, Nicolette. The Arts of Disruption. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198860242.001.0001.

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The Arts of Disruption offers a series of new readings of the allegorical poem Piers Plowman: but it is also a book about allegory. It argues not just that there are distinctively disruptive ‘arts’ that occur in allegory, but that allegory, because it is interested in the difficulty of making meaning, is itself a disruptive art. The book approaches this topic via the study of five medieval allegorical narrative structures that exploit diegetic conflict and disruption. Although very different, they all bring together contrasting descriptions of spiritual process, in order to develop new understanding and excite moral or devotional change. These five structures are: the paradiastolic ‘hypocritical figure’ (such as vices masked by being made to look like ‘adjacent’ virtues), personification debate, violent language and gestures of apophasis, narratives of bodily decline, and grail romance. Each appears in a range of texts, which the book explores, along with other connected materials in medieval rhetoric, logic, grammar, spiritual thought, ethics, medicine, and romance iconography. These allegorical narrative structures appear radically transformed in Piers Plowman, where the poem makes further meaning out of the friction between them. Much of the allegorical work of the poem occurs at the points of their intersection, and within the conceptual gaps that open up between them. Ranging across a wide variety of medieval allegorical texts, the book shows from many perspectives allegory’s juxtaposition of the heterogeneous and its questioning of supposed continuities.
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41

Odile, Cavalier, Aranegui Gascó Carmen, and Musée Calvet (Avignon France), eds. La Tarasque de Noves: Réflexions sur un motif iconographique et sa postérité : actes de la table ronde organisée par le musée Calvet, Avignon, le 14 décembre 2001. Avignon: Musée Calvet, 2004.

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42

Shaw, Ian, and Elizabeth Bloxam, eds. The Oxford Handbook of Egyptology. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199271870.001.0001.

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The Oxford Handbook of Egyptology presents a series of articles by colleagues working across the many archaeological, philological and cultural subdisciplines within the study of ancient Egypt from prehistory through to the end of the Roman Period. The volume seeks to place Egyptology within its theoretical, methodological, and historical contexts, both indicating how the subject has evolved and discussing its distinctive contemporary problems, issues and potential. Transcending conventional boundaries between archaeological and ancient textual analysis, it stresses the need for Egyptology to seek multidisciplinary methods and broader collaborations if it is to remain contemporary and relevant. It therefore serves as a reference work not only for those working within the discipline, but also as a gateway into Egyptology for archaeologists, anthropologists, sociologists and linguists. The book is organized into ten parts, the first of which examines the many different historical and geographical perspectives that have influenced the development and current characteristics of the discipline. Part II addresses the various environmental aspects of the subject: landscapes, climate, flora, fauna and the mineral world. Part III considers a variety of practical aspects of the ways in which Egyptologists survey, characterize and manage landscapes. Part IV discusses materials and technology, from domestic architecture and artefacts through to religious and funerary items. Part V deals with Egypt’s relations with neighbouring regions and peoples, while Part VI explores the sources and interpretive frameworks that characterize different phases of ancient Egyptian history. Part VII is concerned with textual and iconographic approaches to Egyptian culture, and Part VIII comprises discussions of the key aspects of ancient Egyptian scripts and philology. Part IX presents summaries of the current state of the subject in relation to a variety of textual genres, from letters and autobiographies to socio-economic, magical and mathematical texts. The final section covers different aspects of museology and conservation.
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43

O'Daly, Gerard. Augustine's City of God. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198841241.001.0001.

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The City of God, written in the aftermath of the Gothic sack of Rome in AD 410, is the most influential of Augustine’s works. It has played a decisive role in the formation of the culture of the Christian West. Gerard O’Daly’s book remains the most comprehensive modern guide to it in any language. The City of God has a wide scope, including cosmology, psychology, political thought, anti-pagan polemic, Christian apologetic, theory of history, biblical interpretation, and apocalyptic themes. This book, therefore, is about a single literary masterpiece, yet at the same time it surveys Augustine’s developing views through the whole range of his thought. It provides a running commentary on each part of the work. Further chapters elucidate the early fifth-century political, social, historical, and literary background, the works’s sources, and its place in Augustine’s writings. This new and extensively revised edition takes into account the abundant work, in Augustine studies and in research on late antiquity generally, in the twenty years since its first publication, while retaining the book’s focus on Augustine as writer and thinker in the Latin tradition, active at a time of rapid Christianization in a radically changing Roman Empire. It includes chapter-by-chapter suggestions for further reading, an extensive summary of the work’s contents, and a brief bibliographical guide to research on its reception. All Greek and Latin texts are translated. The book is aimed at readers of Augustine, and at the same time at a wider readership among students of late antiquity, theologians, philosophers, medievalists, Renaissance scholars, and historians of art and iconography.
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44

Chiesa di S. Nicola a Colli di Monte Bove: dipinti del '500 nel ducato di Tagliacozzo. Pietrasecca di Carsoli, Italy: Associazione Culturale Lumen (onlus), 2010.

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45

Kunst und Kirche im 20. Jahrhundert: Die Rezeption des Zweiten Vatikanischen Konzils. Paderborn, Germany: Ferdinand Schöningh, 2008.

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