Relevant bibliographies by topics / Indic Love stories

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Academic literature on the topic 'Indic Love stories'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Indic Love stories"

1

Ibrahim, Amrita. "Law, Love, and Marriage: Television News and the Production of Publicity in North India." BioScope: South Asian Screen Studies 8, no. 2 (2017): 224–43. http://dx.doi.org/10.1177/0974927617728139.

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Journalism’s mandate is a paradoxical one: to publicize stories of social injustice and sustain their visibility in the public domain, while battling the decay of publicity that is inherent in the very genre of information that is daily news. In this article, I argue that the legitimacy and credibility that Hindi crime journalists create for stories relies on their keen understanding of a complex terrain of institutional scripts and social actions from which the news stories themselves emerge. Analyzing a breaking news story on Hindi channels in 2011, featuring a secret marriage, kinship role
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Yaqoub, Muhammad, Zhang Jingwu, and Jonathan Matusitz. "The Chinese Love Affair with Indian Films: A Promising Future." India Quarterly: A Journal of International Affairs 79, no. 3 (2023): 370–86. http://dx.doi.org/10.1177/09749284231183333.

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This cross-sectional study examines the acceptance of Indian cinema among Chinese cinephiles to determine how the audience perceives and is influenced after watching Indian films. Researchers surveyed the local Chinese audience and collected 2,129 valid self-structured e-questionnaires. Respondents belonged to Mainland China. Results showed significant characteristics that make Indian movies attractive to about 50% of the Chinese population. Findings also indicate that Chinese people still welcome good stories from India in blockbuster Bollywood films, despite tense Sino-Indian relations. Indi
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McDonagh, Josephine, and Briony Wickes. "The nineteenth-century opium complex: From Thomas Love Peacock to Sherlock Holmes." Literature & History 29, no. 1 (2020): 3–18. http://dx.doi.org/10.1177/0306197320907437.

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This introduction to the special issue proposes that two discrete nineteenth-century histories of opium – a literary history, initiated by the drug confessions of De Quincey, and a colonial history, exemplified by the commercial activities of the East India Company (in which Thomas Love Peacock participated) in cultivating opium in Bengal for export to China, leading to the first Opium War – are common elements in a nineteenth-century ‘opium complex’, a set of interlocking practices of individuals and (quasi)state actors, extending across the globe. Sherlock Holmes detective stories are read a
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Rozin, Vadim Markovich. "Three lives of Ekaterina Shapinskaya (for the release of the book "Time and Fate. Stories of my life")." Культура и искусство, no. 2 (February 2022): 18–30. http://dx.doi.org/10.7256/2454-0625.2022.2.37345.

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The article presents a comment and reflections on the recently published book by the famous Russian cultural critic Ekaterina Nikolaevna Shapinskaya. Her fate was very unusual: having been educated in the USSR, she lived in India, where she mastered the traditional genre of Indian dance and achieved considerable success in this field, then returned to Russia, where, on the one hand, she introduced the audience to Indian dances, and on the other hand, gradually, having spent a lot of work, she moved from the sphere of art to philosophy and science (defended her dissertations, published scientif
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Rajarajan, R. K. K. "Sempiternal ‘Pattiṉi’: Archaic Goddess of the Vēṅkai-tree to Avant-garde Acaṉāmpikai". Studia Orientalia Electronica 8, № 1 (2020): 120–44. http://dx.doi.org/10.23993/store.84803.

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A seal of the Indic culture represents a goddess standing close to a tree and receiving sacrifices. Seven more goddesses, hypothetically the Ēḻukaṉṉimār or Sapta Mātṛkā, are linked with the Tree Goddess. The ancient Tamil Caṅkam literature, the Naṟṟiṇai and Cilappatikāram (c.450 ce), mention a goddess of the vēṅkai tree, the Vēṅkaik-kaṭavuḷ. In Tiṭṭakuṭi in south Ārkkāṭu district is located a temple dedicated to Vaidhyanāthasvāmi, the goddess called Acaṉāmpikai or Vēṅkai-vaṉanāyaki (cf. Dārukavana or Vaiṣṇava divyadeśa-Naimisāraṇya). The presiding goddess of Tiṭṭakuṭi, according to the sthalap
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Chakraborty, Arijit. "Love and Spirituality in Anita Desai’s ‘Cry, the Peacock’ and Rabindranath Tagore’s ‘Breezy April’." SMART MOVES JOURNAL IJELLH 8, no. 2 (2020): 12. http://dx.doi.org/10.24113/ijellh.v8i2.10408.

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Rabindranath Tagore (1861-1941) was the first non-European and the first Indian to win the Nobel Prize for Literature in 1913. He was awarded the prize for Gitanjali. Tagore was a multi-faceted personality who not only composed poems, verses, short stories, novels etc but also sketched and painted with equal brilliance. As a flag-bearer, he presented the best of India to the West and vice-versa. In Breezy April, Tagore combines romanticism with spiritualism. On the other hand, Anita Desai (born-1937) is the youngest among the women novelists of eminence in India. The spiritual aspect of human
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Lal, Malashri. "Tagore, Imaging the ‘Other’: Reflections on The Wife’s Letter & Kabuliwala." Asian Studies, no. 1 (December 1, 2010): 1–8. http://dx.doi.org/10.4312/as.2010.-14.1.1-8.

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Rabindranath Tagore in his Nobel Prize Acceptance speech said poignantly, “The spirit of India has always proclaimed the ideal of unity…. It comprehends all, and it has been the highest aim of our spiritual exertion to be able to penetrate all things with one soul…to comprehend all things with sympathy and love.” This ideal of a humanitarian world found expression in Tagore’s work in many genres and, to a great measure, he experimented innovatively by entering the minds of people substantially different from himself. The essay looks into his portrayal of a married Bengali woman and an Afghan t
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Pandey, Dr Prachi. "Women in Conjugality in the autobiography of Shobha De." International Journal of English Literature and Social Sciences 9, no. 5 (2024): 229. http://dx.doi.org/10.22161/ijels.95.29.

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The autobiography Selective Memory :Stories from my life of Shobha De that depicts not only the inner self of her behind being a public person but also the position of women with and without conjugality . She portrays the intense problems a women faces in her own marriage and outside her marriage .De writes about her problems of urban elite class in metro cities of India of which she is part of it.Her autobiography shows a true image of every Indian women whose first priority is always her family and friends and a true selfless love towards her husband and children ,it’s all about emotional ap
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Borah, Jayashree. "The Luit in Bhupen Hazarika’s Songs: A Metaphor for Exploring Assam’s Linguistic and Ethnic Politics." IAFOR Journal of Arts & Humanities 8, no. 1 (2021): 83–93. http://dx.doi.org/10.22492/ijah.8.1.07.

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The river Brahmaputra, also known as Luit, has always occupied an important place in the cultural mindscape of the people of Assam, a state in the northeast of India. A source of great pride because of its sheer size and the myths and lore associated with it, it has nevertheless brought untold misery to people over the years because of annual flooding. Authors and musicians of the land have found in the Luit an apt metaphor to tell stories of love, loss, belonging and pain. In the songs of Bhupen Hazarika (1926-2011), a renowned music composer from Assam, the Brahmaputra becomes a character th
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Voigt, Vilmos. "Širdies istorija." Lietuvos kultūros tyrimai 5 (2014): 110–20. https://doi.org/10.53630/lkt.2014_2.6.

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The article discusses the medieval stories about stealing the heart when sleeping at night and later tearing or eating it. One of the most important and beautiful depictions of the „stealing heart“ scene is to be found in the famous love allegory Le livre du couer d‘amours épris by „king“ René Ier d‘Anjou, dit le Bon (1409–1480). A bizarre motif in medieval European literature should also be mentioned: the topic of „eating one‘s lover‘s heart“. Usually called by the German name Herzmäre (= Heart-story), the story might stem from Late Ancient India. European witchcraft texts refer often to hear
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Books on the topic "Indic Love stories"

1

Sudhir, Kakar, ed. Indian love stories. Lotus Collection, Roli Books, 1999.

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Aruna, Jethwani, ed. Language of love: An anthology of short stories. Sterling Publishers, 1995.

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Menon, Geeta. A gift of love: 17 short stories. Children's Book Trust, 2010.

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Ruskin, Bond, ed. The Penguin book of classical Indian love stories and lyrics. Penguin Books, 1996.

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Pran, Nevile, ed. Love stories from the Raj. New York, 1995.

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1948-, Mathur Kanchan, ed. Love stories of Rajasthan. Books Treasure, 2008.

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Harmeet. The slim Punjabi: [food, traditions, love-stories]. Amaryllis, 2013.

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8

1938-, Intirā Śrīn̲ivācan̲, and Bhat Chetna, eds. Best loved Indian stories. Penguin Books, 1999.

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9

Veeraraghavan, Avinash. I love my India: Stories for a city. Dewi Lewis, 2004.

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10

Mehrotra, Palash Krishna. Eunuch Park: Fifteen stories of love and destruction. Penguin Books India, 2009.

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Book chapters on the topic "Indic Love stories"

1

Kapila, Shuchi. "Conclusion: Retelling South Asian Stories, Magar Pyaar Se (with Love)." In Postmemory and the Partition of India. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-43397-9_7.

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Fisher, Barbara. "4. The Family Square." In Trix. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0377.04.

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“The Family Square,” an invented family name, refers the period when all four Kiplings were joyfully reunited in India. From the age fifteen to twenty-one, Trix was extremely happy as one side of the square, spending the winter months in Lahore and the hot months in the cool hill stations of Dalhousie and Simla. All four Kiplings wrote articles, stories, poems, and reviews. Trix and Rudyard created poetic parodies from Wordsworth to Whitman, which were published in 1884 in a little book called Echoes. One year later, with encouragement from Rudyard, Trix published “The Haunted Cabin,” a seemin
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Lamb, Sarah. "Sexuality and Love." In Being Single in India: Stories of Gender, Exclusion, and Possibility. University of California Press, 2022. http://dx.doi.org/10.1525/luminos.125.f.

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Roye, Susmita. "Young Shoulders, Mighty Responsibilities." In Mothering India. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190126254.003.0004.

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By the final decades of the nineteenth century, the child-wife had come under the purview of reformist legislation in British India. Infant marriage was widely prevalent in most parts of the subcontinent and in imitation of the high dogmatic standards set by brahmanical castes, other lower castes and classes too adopted early marriage. Besides religious directives, believers in child marriage put forth many other ‘practical’ reasons for the continuance of this practice. They argued that such indissoluble marriage that practically lasted from birth to death signified a higher form of love and b
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Kabat, Julie. "A Test of Family Values." In Love Letter from Pig. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496847232.003.0001.

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This chapter discusses how the author's older brother, Luke, wrote to their parents to tell them that he was applying to volunteer for the Mississippi Summer Project. Their parents told him to come home and they asked for the author's help to persuade her brother not to go. The chapter details how Luke talked about Mahatma Gandhi and how he had developed the practice of satyagraha, nonviolent civil resistance, to oppose British rule in India. For years growing up, the author and her brother had listened whenever their mother told them compelling family stories about her father and her brother
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Schimmel, Annemarie. "1993." In The Life of Learning. Oxford University Press, 1994. http://dx.doi.org/10.1093/oso/9780195083392.003.0014.

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Once upon a time there lived a little girl in Erfurt, a beautiful town in central Germany—a town that boasted a number of Gothic cathedrals and was a center of horticulture. The great medieval mystic Meister Eckhart had preached there; Luther had taken his vow to become a monk there and spent years in the Augustine monastery in its walls; and Goethe had met Napoleon in Erfurt, for the town’s distance from the centers of classical German literature, Weimar and Jena, was only a few hours by horseback or coach. The little girl loved reading and drawing but hated outdoor activities. As she was the
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Vanashree. "Why Do Rural Poor Continue to Remain Poor and Uneducated?" In Rural India and Peasantry in Hindi Stories. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192871572.003.0006.

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Abstract The elegiac tone of the vignette, ‘Pita’ records the narrator’s reminiscences of his father’s (a school headmaster) disillusionment and death after it is driven home that despite the tall promises of Swaraj, rural education was not likely to seek the attention of the political class. The subsequent long narrative of ‘Shadayantra’ (Conspiracy) invokes the scenario of a government school in Bihar in the decades of the 1990s (post-Mandal), where ‘connection’ is the key to the appointment of the teachers. This lone government school, among three villages, is marked by a tumbling building,
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Rao, Maithili. "Rom com Revamped." In The Millennial Woman in Bollywood. Oxford University PressDelhi, 2022. http://dx.doi.org/10.1093/oso/9780190130473.003.0003.

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Abstract Romance, the essence of Sringara rules in popular cinema but finds new expression in the Bollywood romcom of the new millennium. It released the love story from the suffocating grip of conservatism and turned it into a caper about relationships, successfully Indianizing a winning Hollywood formula that was petering out. It has come a long way since the first commercial success (Hum Tum, 2004 inspired by When Harry Met Sally, 1989) and continues to be rewritten for the millennial generation with large production houses to back it. Unlike love stories of the 1990s (Dilwale Dulhania Le J
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Jha, Amaresh. "Unveiling the Evolution and Global Ascendancy of South Asian Cinema." In Global Development of Asian Cinema in the Film Industry. IGI Global, 2025. https://doi.org/10.4018/979-8-3693-6940-1.ch007.

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South Asian cinema is experiencing a global boom. This descriptive analysis explores the diverse film industries of India, Pakistan, Bangladesh, and other South Asian countries, highlighting their unique cultural influences and historical contexts. While Bollywood dominates the region, each nation has a rich cinematic tradition. The study projects a significant economic rise, with revenue reaching US$6.39 billion by 2029. Factors like growing disposable incomes and a global love for diverse stories fuel this growth. Strategic investments in production and digital platforms further propel South
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Munsi, Urmimala Sarkar. "‘Extending’ Uday Shankar’s Dance Pedagogy?" In Women Performers in Bengal and Bangladesh. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192871510.003.0012.

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Abstract Amala Shankar (1919–2020) often told her students—the essayist being one of them—the stories of her first prolonged tour of Europe, as a small child of eleven years, with Uday Shankar and his dance troupe. Over the years, the essayist has tried to imagine the glory and grandeur of their dance explorations, in which Amala was first an apprentice, then a troupe member, and finally Uday’s wife, a fellow performer, and a pedagogue of repute. Amala’s book Sat Sagarer Pare (Beyond the Seven Seas) about her first tour with Uday, the innumerable anecdotes she often shared with her students, a
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