Relevant bibliographies by topics / Instruments de musique – Conservation

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Instruments de musique – Conservation'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Instruments de musique – Conservation"

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Barclay, R. L. "La conservation des instruments de musique." Museum International (Edition Francaise) 48, no. 1 (2009): 9–14. http://dx.doi.org/10.1111/j.1755-5825.1996.tb00713.x.

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RAMEL, SYLVIE. "Conservation and restoration of electroacoustic musical instruments at the Musée de la Musique, Paris." Organised Sound 9, no. 1 (2004): 87–90. http://dx.doi.org/10.1017/s1355771804000111.

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The Museum of Music in Paris possesses a collection of 280 instruments from the twentieth century. Most of them belong to the general families of electric and electronic musical instruments, which we will call ‘electrophones’, in deference to the name chosen by Curt Sachs (1940). The instruments are gathered in families so that the whole collection illustrates the milestones of the twentieth century; for instance, the museum has a large set of diverse Ondes Martenot. However, due to its scarcity, the Trautonium is represented by one of Oscar Sala's Mixtur-Trautonia.Like any museum, we have to
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Lemouton, Serge, Alain Bonardi, Laurent Pottier, and Jacques Warnier. "On the Documentation of Electronic Music." Computer Music Journal 42, no. 4 (2019): 41–58. http://dx.doi.org/10.1162/comj_a_00486.

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In a concert performance of musique mixte (i.e., music combining electronics with acoustic instruments), the documentation accompanying the score is of great importance. But this information is often missing or, at best, incomplete. Moreover, there has never been a systematic study of this subject. For these reasons, we decided to examine the documentation practices of the electroacoustic repertoire, with the goal of proposing a documentation model allowing for a better transmission and conservation of this repertoire.
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Dugot, Joel, Helene Charnasse, and Laurence Helleu. "Instruments et musique instrumentale." Galpin Society Journal 44 (March 1991): 161. http://dx.doi.org/10.2307/842220.

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Aubert, Laurent, and Lucie Rault. "Instruments de musique du monde." Cahiers de musiques traditionnelles 14 (2001): 277. http://dx.doi.org/10.2307/40240413.

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Siclen, Charles C. Van, and Christiane Ziegler. "Catalogue des Instruments de Musique Égyptiens." Journal of the American Research Center in Egypt 22 (1985): 228. http://dx.doi.org/10.2307/40000420.

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DUCHESNE-GUILLEMIN, Marcelle. "Les instruments de musique dans l'antiquité." Iranica Antiqua 31 (January 1, 1996): 213–38. http://dx.doi.org/10.2143/ia.31.0.519281.

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DUCHESNE-GUILLEMIN, Marcelle. "Les instruments de musique dans l'antiquit?" Iranica Antiqua 31, no. 1 (2005): 213–38. http://dx.doi.org/10.2143/ia.31.1.519281.

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Gaël, Jean-François. "4. Petite salutation aux instruments de musique." Vibrations 2, no. 1 (1986): 177–86. http://dx.doi.org/10.3406/vibra.1986.910.

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Dugot, Joel, and Catherine Homo-Lechner. "Sons et instruments de musique au moyen age." Galpin Society Journal 51 (July 1998): 199. http://dx.doi.org/10.2307/842771.

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Dissertations / Theses on the topic "Instruments de musique – Conservation"

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Livshin, Arie. "IDENTIFICATION AUTOMATIQUE DES INSTRUMENTS DE MUSIQUE." Phd thesis, Université Pierre et Marie Curie - Paris VI, 2007. http://tel.archives-ouvertes.fr/tel-00810688.

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Cette thèse traite de divers aspects d'Identification Automatique d'Instruments de Musique (IAIM). L'IAIM signifie, d'une manière intuitive, que pour un enregistrement musical donné, l'ordinateur essaie d'identifier quels instruments de musique sont utilisés dans quelles parties de l'enregistrement. La recherche en IAIM s'est développée au cours des 10 dernières années en particulier grâce à son utilisation en tant que composant d'un moteur de recherche "intelligent" pour la musique. Ce moteur de recherche peut trouver la musique sur internet ou sur des lecteurs MP3 selon des critères "intelli
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Doré, Cécile Hoornaert Alain. "Odontologie et instruments de musique à vent." [S.l.] : [s.n.], 2007. http://castore.univ-nantes.fr/castore/GetOAIRef?idDoc=16516.

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Hoppe, Georgia Charlotte. "Die instrumentale Revolution : Entwicklung, Anwendung und Ästhetik neuer Spieltechniken für Rohrblattinstrumente /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1992. http://catalogue.bnf.fr/ark:/12148/cb35539429j.

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Vergez, Christophe. "Analyse du fonctionnement des instruments de musique à vent." Habilitation à diriger des recherches, Université de la Méditerranée - Aix-Marseille II, 2010. http://tel.archives-ouvertes.fr/tel-00535716.

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Les études présentées visent à mieux comprendre le fonctionnement des instruments de musique et en particulier leurs aspects non linéaires. Ces travaux sont motivés par la volonté d'explorer les liens entre les paramètres géométriques ou mécaniques de l'instrument (fixés par le facteur), les paramètres de contrôle (ajustés en temps réel par l'instrumentiste) et les caractéristiques du son produit. Ces travaux se concentrent sur les instruments à vent : à anche simple (ex: clarinette, saxophone), à anche double (ex: hautbois), cuivres (ex: trompette), à jet d'air oscillant (ex: flûtes). Les tra
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Meurisse, Thibaut. "Contrôle actif appliqué aux instruments de musique à vent." Thesis, Paris 6, 2014. http://www.theses.fr/2014PA066527/document.

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Au début du 21ème siècle, l'innovation dans le domaine des instruments de musique se fait surtout par le biais de la synthèse sonore, via des synthétiseurs et des ordinateurs. Cependant, si ces instruments permettent une création presque infinie de sons nouveaux, l'interaction entre le musicien et son instrument est bien plus pauvre qu'avec un instrument mécanique, ce qui provoque une perte d'expressivité musicale et réduit l'utilité d'une grande maîtrise du geste instrumental. Dans le but d'innover tout en conservant ce geste musical, cette thèse propose d'appliquer le contrôle actif aux inst
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Eitschberger, Astrid. "Musikinstrumente in höfischen Romanen des deutschen Mittelalters /." Wiesbaden : Reichert, 1999. http://catalogue.bnf.fr/ark:/12148/cb39049241r.

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Restle, Konstantin. "Bartolomeo Cristofori und die Anfänge des Hammerclaviers : Quellen, Dokumente und Instrumente des 15. bis 18. Jahrhunderts /." München : Editio Maris, 1991. http://catalogue.bnf.fr/ark:/12148/cb35463799j.

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Chabrier, Jean-Claude C. "Analyses de musiques traditionnelles : identification de systèmes acoustiques, scalaires, modaux & instrumentaux : représentation morpho-mélodique, structuro-modale & du langage instrumental." Paris (213 Av. de Versailles, 75016) : Arabesques, 1996. http://catalogue.bnf.fr/ark:/12148/cb371718879.

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Pin, Bernard. "Recherches sur les instruments de musique mécaniques et les automates." Paris, EPHE, 2013. http://www.theses.fr/2013EPHE4002.

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Le sujet de la présente thèse, intitulée « Recherches sur les instruments de musique mécaniques et les automates », comprend, quant à son principal, des travaux biographiques inédits sur Pierre Honoré Davrainville (1784-1866), ainsi que sur ses successeurs Jean Kelsen (1795-1844) et Pierre Ernest (1826-1910), le fils de ce dernier. Ces trois facteurs d’orgues mécaniques constituèrent, à la suite de Jacques Honoré Davrainville (1753-?), son fondateur, une lignée de praticiens qui, de Louis XVI à la IIIe République, représentèrent l’excellence française de cette discipline. Nous avons établi cha
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Benacchio, Simon. "Contrôle actif modal appliqué aux instruments de musique à cordes." Thesis, Paris 6, 2014. http://www.theses.fr/2014PA066537/document.

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Cette thèse se propose d’appliquer un contrôle actif modal aux instruments de musique de la famille des cordes. Les objectifs principaux sont de proposer une démarche et des méthodes adaptées permettant l’application de ce type de contrôle, d’explorer les possibilités qu’il offre et d’en étudier les effets sur les instruments. Tout d’abord, les types de contrôle existants et leurs applications aux instruments de musique sont rapidement présentés. Le constat que les paramètres modaux des instruments sont de bons descripteurs de ses attributs perceptifs mène à choisir la méthode de contrôle acti
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Books on the topic "Instruments de musique – Conservation"

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Journées d'études de la S.F.I.I.C. (9th 2000 Limoges, France). Instruments pour demain: Conservation & restauration des instruments de musique : 9es Journées d'études de la Section française de l'Institut international de conservation, Limoges, 15-16 juin 2000. SFIIC, 2000.

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Juliette, Barbet, ed. Un musée aux rayons X: Dix ans de recherche au service de la musique. Musée de la musique, Cité de la musique, 2001.

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Salvador-Daniel, Francisco. Musique et instruments de musique du Maghreb. La Boîte à documents, 1986.

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Hen, Ferdinand J. de. Instruments de musique indiens: = Indische muziekinstrumenten = Indian musical instruments. Mardaga, 2001.

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1942-, Sabatier Roland, ed. Le livre des instruments de musique. Gallimard, 1988.

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Gandjodjo, Hippolyte. Instruments traditionnels de musique au Benin. Projet d'appui à la valorisation du patrimoine musical et choregraphique du Benin, 2005.

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Fatḥī, Zighundah, Centre des Musiques Arabes et Méditerranéennes (Tunisie), and Tunisia Wizārat al-Shuʼūn al-Thaqāfīyah, eds. Les Instruments de musique en Tunisie. Centre des Musiques arabes et méditerranéennes, 1992.

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Yue qi: Les instruments de musique. San min shu ju gu fen you xian gong si, 1997.

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Hsü, Chʻang-hui. Musique de Taiwan. G. Trédaniel, 1992.

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Hen, Ferdinand J. de. Instruments de musique indonésiens =: Muziekinstrumenten uit Indonesië = Indonesian musical instruments. Mardaga, 2001.

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Book chapters on the topic "Instruments de musique – Conservation"

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Barrett, Christopher B., Erwin H. Bulte, Paul Ferraro, and Sven Wunder. "Economic instruments for nature conservation." In Key Topics in Conservation Biology 2. John Wiley & Sons, 2013. http://dx.doi.org/10.1002/9781118520178.ch4.

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Bucur, Voichita. "Preservative Conservation of Musical Instruments." In Handbook of Materials for String Musical Instruments. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32080-9_16.

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Kossida, Maggie, Anastasia Tekidou, and Maria A. Mimikou. "Subsidies for Drinking Water Conservation in Cyprus." In Use of Economic Instruments in Water Policy. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-18287-2_7.

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Bucur, Voichita. "Restoration and Conservation of Metallic Wind Musical Instruments." In Handbook of Materials for Wind Musical Instruments. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19175-7_19.

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Kuemlangan, B., J. Sanders, P. Deupmann, and C. De Young. "Integrative policy and legal instruments, approaches and tools." In Governance of Marine Fisheries and Biodiversity Conservation. John Wiley & Sons, Ltd., 2014. http://dx.doi.org/10.1002/9781118392607.ch12.

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Cooke, Benjamin, and Ruth Lane. "Market-Based Instruments and Conservation Practices on Private Land." In Making Ecologies on Private Land. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-31218-3_6.

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Scovazzi, Tullio. "International Legal Instruments as a Means for the Protection of Cultural Heritage." In Transcultural Diplomacy and International Law in Heritage Conservation. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-0309-9_11.

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Couvreur, Aurélie. "Entre sceptres divins et instruments de musique cérémoniels: le symbolisme des bâtons de sonnailles aztèques." In La quête du serpent à plumes. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.behe-eb.4.00265.

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Kassim, Wahab. "Land Conservation in the Albertine Graben Region of Uganda: A Critical Analysis of the Legal Regimes." In Legal Instruments for Sustainable Soil Management in Africa. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36004-7_5.

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Patil, Sheetal, Seema Purushothaman, and Elisabeth Gsottbauer. "Economic Instruments to Reconcile Conservation and Livelihoods: Analysing the Potential for Bamboo in Karnataka." In Livelihood Strategies in Southern India. Springer India, 2013. http://dx.doi.org/10.1007/978-81-322-1626-1_10.

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Conference papers on the topic "Instruments de musique – Conservation"

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Willeart, Saskia. "Digitizing collections of musical instruments in Africa." In SOIMA 2015: Unlocking Sound and Image Heritage. International Centre for the Study of the Preservation and Restoration of Cultural Property, 2017. http://dx.doi.org/10.18146/soima2015.1.05.

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In 2013–2014 the Musical Instruments Museum (mim) in Brussels worked with Musée de la Musique (MMO) in Ouagadougou, Burkina Faso, and the Musée Panafricain de la Musique (MPM) in Brazzaville, the Republic of the Congo to build digital inventories of their musical instrument collections. The purpose of this digitization campaign has been to provide a more complete view of musical world heritage by incorporating not only African instruments but also the African terminology that describes these instruments, into international research databases. The cooperative digitization work has helped brin
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Haitjema, Han, Bas W. van Dorp, M. Morel, and Piet H. J. Schellekens. "Uncertainty estimation by the concept of virtual instruments." In Lasers in Metrology and Art Conservation, edited by Jennifer E. Decker and Nicholas Brown. SPIE, 2001. http://dx.doi.org/10.1117/12.445615.

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Forde, Lucy C., and Eleanor F. Howick. "Development of a calibration system for electronic distance measuring instruments." In Lasers in Metrology and Art Conservation, edited by Jennifer E. Decker and Nicholas Brown. SPIE, 2001. http://dx.doi.org/10.1117/12.445609.

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Frascaroli, Fabrizio, and Thora Fjeldsted. "CANCELLED: Grassroots economics for conservation: instruments and alliances for a new economic order." In 5th European Congress of Conservation Biology. Jyvaskyla University Open Science Centre, 2018. http://dx.doi.org/10.17011/conference/eccb2018/108184.

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Dupont, Valérie. "The role of soft law vs hard law instruments in the enforcement of biodiversity offsets and their impacts on stakeholders." In 5th European Congress of Conservation Biology. Jyvaskyla University Open Science Centre, 2018. http://dx.doi.org/10.17011/conference/eccb2018/107565.

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Nieuwoudt, W. L., and G. R. Backeberg. "Application of economic instruments, tradable licenses and good governance for sustainable water conservation." In SUSTAINABLE IRRIGATION 2008. WIT Press, 2008. http://dx.doi.org/10.2495/si080021.

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Fioretto, Elena, Nora Lombardini, Cristiana Achille, and Cinzia Tommasi. "ENHANCING AND MANAGING DATA AND DIGITAL COMPETENCIES FOR ARCHITECTURE TEACHING AND TRAINING IN THE FIELD OF PROTECTION OF HERITAGE." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12139.

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Given the growing relevance, at national and international levels, of restoration and conservation interventions on existing buildings, the Universities have developed degree courses with specific addresses in “Conservation of Architectural and Environmental Heritage”. The students that attend this course become a graduate with specific, extensive, and updated skills in the field of knowledge, protection, conservation, reuse, and enhancement of architectural and environmental heritage. The complexity of the intervention is faced through the contribution of the various disciplines that contribu
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Romeo, Emanuele. "Conservazione e valorizzazione dei sistemi fortificati ridotti allo stato di rudere in Val Tanaro (Piemonte)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11435.

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Conservation and enhancement of ruined fortified systems in Tanaro Valley (Piedmont)The contribution reports on a research concerning the preparatory investigation of some fortified systems of Tanaro Valley (Piedmont) in view of their restoration. The research highlighted the strong connection between the castles and the memory of events and characters that were linked to these architectures; the relationship between landscape and ruins that, today, represents a potential resource for the territory; the willingness of local authorities to improve knowledge, protection and enhancement of this h
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Colomo, Carlos Manuel, José Luis Pérez, José Miguel Gómez, and Francisco Javier Rosales. "METODOLOGÍA Y APLICACION PRÁCTICA PARA LA DIGITALIZACIÓN DE PATRIMONIO COFRADE MEDIANTE LA FUSION DE DATOS DE LÁSER ESCANER Y FOTOGRAMÉTRICOS." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.3517.

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results obtained in using free software and fusion of data from laser scanner and photographs. In this sense, one of the problems that can occur when Heritage documentation is made, is the impossibility of move the object of study from other places with appropriates environment conditions to capture data. This problem is especially important in the case of sculptures found upright with certain height, where many upper portions are hidden by the inability to locate safely locate the instruments. This paper show a case of study with this problem and provides the solution to capture data in cenit
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Sorbo, Emanuela, and Gianluca Spironelli. "INFORMATIVE MODELS OF CULTURAL HERITAGE. THE “UNFINISHED” CHURCH OF BRENDOLA." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12097.

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The paper is an initial form of dissemination of the research activities carried out by the IUAV University of Venice working group which, on behalf of the Municipal administration of Brendola, seeks to delineate the application of a methodology for the study and analysis of the architectural and landscape heritage of significant cultural interest that is in a state of abandonment. The case study application is the church of San Michele Arcangelo in Brendola (Vicenza), known as the “Incompiuta” (“Unfinished”). The case study proposed is an interesting exemplar of ecclesiastical architecture, d
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