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Dissertations / Theses on the topic 'Irish independence'

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1

O'Byrne, Deirdre. "Irish women's rural fiction since independence." Thesis, Loughborough University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274711.

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2

Linge, John. "British forces and Irish freedom : Anglo-Irish defence relations 1922-1931." Thesis, University of Stirling, 1995. http://hdl.handle.net/1893/1689.

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Anglo-Free State relations between the wars still awaits a comprehensive study ... This is in par a reflection of the larger failure of British historians to work on Anglo-Irish history '" the Right has been ill at ease dealing with Britan's greatest failure, whilst the Left has found tropical climes more suited for the cultivation of its moral superiority. When R.F.Holland made this apposite comment, just over a decade ago, he may have been adding to the very problems he identified. Writing within the context of the 'Commonweath Alliance', he was joining a distinguished list of British and Irish historians who have sought to fiter inter-war Anglo-Free State relations through the mesh of Empire-Commonweath development. Beginning with A. Berredale Keith in the 1920s, this usage continued in either direct or indirect form (by way of particular institutions of Commonweath) from the 1930s to the 1970s through the works of W.K. Hancock, Nicholas Mansergh and D.W. Harkness, and was still finding favour with Brendan Sexton's study of the Irish Governor-Generalship system in the late 1980s.2 But herein a contradiction has developed: cumulative study of the unnatural origins and performance of the Free State as a Dominion has moved beyond questions of function to ask whether the Free State was in fact ever a Dominion at alL. 3 As such, there seems ever more need to step back from inter-Commonwealth study and refocus on the precise nature of the Free State's central relationship with Britan in this period. It is of course acknowledged that outwith the established zones of internal Irish and Empire-Imperial study there is no home or forum for one of the most enduring quandares of modern Europea history. Even if it is accepted that 'pure' Anglo-Irish history did not end in 1922, the weight of research based on the ten yeas prior, as against the ten yeas subsequent, suggests an easy acceptance, on both sides of the Irish Sea, and Atlantic, of the absolute value changes in that relationship. Studies covering the transition to independence, such as those of Joseph M. CUITan and Sheila Lawlot, have taen only tentative steps beyond 1922, and may indeed have epitomised an approach that subsequent Irish studies have done little to dispel; in the 1980s, major overviews by RF. Foster and J.J. Le have been notably reluctant to evaluate the quality of that new found freedom with continuing reference to Ireland's giant neighbour. Though Foster, and others, have noted that the main aim of the Free State in the 1920s was 'self-definition against Britan', the point is the extent to which Britan was wiling to allow the same. There has then been little impetus for direct Anglo-Free State inter-war study, and although the tide has begun to turn since the mid-1980's, notably through the achievements of Paul Canning, Deidre McMahon and, shortly before his death, Nicholas Mansergh6, it is probable that we are stil a long way short of being able to produce a comprehensive and coherent review of the period. Apar from the crucial Anglo/Irish-Anglo/Commonwealth dichotomy,there remains the political chasm dividing the Cosgrave years of the 1920s from those of de Valera's 1930s; indeed the overwhelming preoccupation with post-1931 confrontations has often, as in the case of McMahon's fine study, taen as its contrasting staing point the supposedly compliant 'pro-Treaty' years of 1922-31. It is hard to bridge this gulf when the little direct work on these earlier years, mostly concentrating on the two fundamenta issues of Boundar and financial settlement, has tended not to question this divide. Although Irish historians have turned an increasingly sympathetic eye on the internal politics and problems of these early yeas, the apathetic external image, in contrast to the later period, has been persistent. Nowhere has this negativity been more apparent than on the, also vita, topic of defence relations. For a subject that has been given more than adequate attention in terms of the 1921 Treaty negotiations and the Treaty Ports issue of the 1930s, the period in between has had little intensive coverage. In this regard the negative response of W.K.Hancock in 1937, stating that Cosgrave did not bother to question British defence imperatives, was stil being held some fifty yeas later by Paul Canning.7 Thus an enduring and importt image has emerged of defence relations re-enforcing the above divide, an image that has had to stand for the lack of new reseach. This does not mea that the image is necessarly an entirely false one, but it does mean that many of the supposed novelties of the de Valera yeas have been built on largely unknown foundations. The Treaty Ports issue is also vita to this thesis, but then so are other defence related matters which had an impact specific to the 1920s. In other words, the human and political context of how both countries, but the Irish government in paricular, coped with the immediate legacy of centuries of armed occupation, with the recent 1916-21 conflct, and with the smaller scale continuity of British occupation, was bound to cast old shadows over a new relationship. But how big were these shadows? It was on the basis of placing some detaled flesh on the skeleton of known (and unknown) policies and events that this thesis took shape. Frustrations and resentments could tae necessarily quieter forms than those which characterised the 1930s, and in the end be no less significant. If the first objective is then to make solid the continuity of defence affairs, it is appropriate to begin with a brief evaluation of the Treaty defence negotiations before tang a close look at British operations in the South in 1922 - the year when a reluctant Cosgrave was to inherit a situation where British forces were close to the development of civil war. Despite our growing knowledge of Britan's part in the progress of that war, there is stil a general perception that its forces became peripheral to events after the Truce of July 1921, and that its Army was, and had been, the only British Service involved in the struggle against armed republicanism.This is simply not the case, and it is to be wondered whether the proper absorption of Irish historians with the internal dynamics of the period, together with the authoritative quality of Charles Townshend's history of the 1919-21 British campaign, have not produced inhibitions to wider inquiry. 8 In any event, as the Admiralty was to play a central par in later defence relations it seems right to introduce, for the first time, the Royal Navy's importt role in the events of 1922. The point here is to establish that the actions and perceptions of both Services were to have repercussions for later attitudes. After these chapters, the following two aim to look at the cumulative legacy of British involvement and how both countries adjusted to the many unresolved questions thrown up by the Treaty and the unplanned contingencies of 1922. Retaining the theme that neither country could escape the past, nor trust to the future, chapter six returns to the physical and political impact made by the continuing presence of British forces in and around the three Treaty Ports, and along and across the Border. The final two chapters explore how all these factors helped determine the conditions for, and consequences of, one of the most damaging episodes of the later 1920s - the complete failure of the joint coasta defence review scheduled for December 1926.In all, the cumulative emphasis on the politics of defence may ilustrate what it was to be a small aspiring country that had little choice but to accept Britan's version of what was an inevitably close relationship, and to endure what Britan claimed as the benign strategic necessity of continued occupation.
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3

McLaughlin, Robert. "Irish Canadians and the Struggle for Irish Independence, 1912-1925: A Study of Ethnic Identity and Cultural Heritage." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/McLaughlinR2004.pdf.

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4

Rast, Mike. "Tactics, Politics, and Propaganda in the Irish War of Independence, 1917-1921." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/history_theses/46.

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This thesis examines the influences on and evolution of the Irish Republican Army‘s guerrilla war strategy between 1917 and 1921. Utilizing newspapers, government documents, and memoirs of participants, this study highlights the role of propaganda and political concerns in waging an insurgency. It argues that while tactical innovation took place in the field, IRA General Headquarters imposed policy and directed the conflict with a concern for the political results of military action. While implementing strategies necessary to effective conflict of the war, this Headquarters staff was unable to reconcile a disjointed and overburdened command structure, leading its disintegration after the conflict.
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5

Kouno, Hiromi. "The writing career of Lady Jane Francesca Wilde and the Irish Independence Movement." Thesis, University of Nottingham, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430579.

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6

Cook, Geoffrey Stephen. "The development of social security in Ireland (before and after independence) 1838-1990." Thesis, London School of Economics and Political Science (University of London), 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319908.

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7

Sheridan, Sara Grace. "Identity and independence: the relationship between the Gaelic revival and the Irish separatist movement." Thesis, Boston University, 2004. https://hdl.handle.net/2144/27766.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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8

Lambert, Sharon. "Female emigration from post-independence Ireland : an oral history of Irish women in Lancashire c1922-1960." Thesis, Lancaster University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.242891.

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9

Kautt, William Henry. "Logistics & counter-insurgency : procurement, supply & communications in the Irish War of Independence, 1919-1921." Thesis, University of Ulster, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412151.

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10

Prandi, Francesca. ""the easter rising of 1916: A step towards the independence of ireland analysed through the works of irish writers."." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/7137/.

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The 1916 Easter Rising, an unsuccessful insurrection which resulted in the Irish War of Independence, generated a deep change in the political landscape in Ireland. The purpose of this work is to describe this crucial period in the history of Ireland through the voices of Irish writers who expressed their ideas and feelings about the way Ireland was close to gaining its independence. Thanks to songs, poems and literature, I analysed the events of that period through the eyes of the Irish people. Authors like Roddy Doyle and William Butler Yeats were fundamental in examining this topic very thoroughly. Through their works, they were able to convey their knowledge about the events of those years and, at the same time, to give their own opinion, as Irish people, on the topic.
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11

Hutton-Williams, Francis Brent. "Irish cultural politics, Thomas McGreevy and the Avant-Garde, 1922-1941." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:c6fbe4ba-3908-4e45-a012-00fa766cd1eb.

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This thesis analyses the responses of Irish writers and painters to a phase of national self-assertion that had arguably lost its liberating potential. It shows how the exhaustion of revolutionary pressures in Ireland after independence complicates the ties between creative activity and political activism. Drawing on a wide range of scholarship within political theory, literary criticism and art history, I chart an emerging network of literary and artistic techniques that confronts the representational aesthetics of the nation with strategies of paradox, reversal and renewal. My readings of the work of Denis Devlin, Samuel Beckett, James Joyce, Mainie Jellett, Jack Butler Yeats and, in particular, Thomas McGreevy, provide a means by which to distinguish other cultural possibilities that were imagined and pursued from 1922 to 1941, including McGreevy’s own aspiration to remould 'A Cultural Irish Republic'. The thesis argues that Ireland's political and artistic avant-garde were forcibly divided during this period: two factions that had been split apart by the effects of civil war and censorship. As such it will be preoccupied with a central question: how to sustain cultural strategies of revolutionary significance when the frontier between creative activity and political activism can no longer be straightforwardly crossed.
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12

Ruane, Blathna. "An assessment of the independence of the Irish Supreme Court in the context of constitutional law with particular reference to the system of judicial appointments." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.318446.

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13

Batista, Camila Franco. "Entrelaçando temporalidades: passado e presente em A star called Henry, de Roddy Doyle." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-06102015-151653/.

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A Star Called Henry (1999), do escritor irlandês Roddy Doyle (1958-), é o primeiro livro da trilogia The Last Roundup, cujo protagonista é Henry Smart. Este nasce em Dublin no início do século XX e desempenha papel importante na luta pela independência da Irlanda. Juntamente com os Irish Volunteers, Smart combate no Levante de Páscoa de 1916, auxilia na escrita da declaração de independência do país e torna-se soldado do Irish Republican Army (IRA) durante a Guerra da Independência (1919-1921). Henry é um herói, mas não do tipo clássico: filho de um assassino de aluguel e de uma adolescente pobre, Smart é ladrão desde os primeiros anos de vida e, durante suas lutas pela Irlanda, afirma não estar interessado no ideal nacionalista, uma vez que luta por dinheiro, comida e reconhecimento. Vivendo às margens da sociedade, Henry Smart desconstrói uma aura romântica em torno do Levante, da Guerra da Independência e dos heróis nacionalistas. O ponto de partida desta pesquisa é o questionamento sobre o impulso do autor em escrever um romance histórico em tempos de prosperidade financeira, pois Doyle publica a obra durante o período conhecido como Tigre Celta (1994-2008). Também questionamos por que o autor decide representar Dublin e os heróis nacionais de modo contrastante com o simbolismo nacionalista. Entendemos que o contexto de publicação do romance influencia a produção artística e, dessa forma, ao escolher a temática histórica, Doyle constrói uma crítica ao nacionalismo do início do século XX e também à sociedade do Tigre Celta. O autor entrelaça temporalidades a fim de expor as lacunas e inconsistências do passado e também do presente.<br>A Star Called Henry (1999), by the Irish writer Roddy Doyle (1958), is the first book of the trilogy The Last Roundup, whose protagonist is Henry Smart. He is born in Dublin at the beginning of the twentieth century and he plays an important role in the fight for Irelands independence. Along with the Irish Volunteers, Smart fights in the 1916 Easter Rising, helps to write the proclamation of independence and becomes a soldier of the Irish Republican Army (IRA) in the War of Independence (1919-1921). Henry is a hero, but not the classic kind: the son of a hired killer and a poor teenager, Smart is a thief since his early years and, when he fights for Ireland, he is not interested in the nationalist ideal, since he fights for money, food and recognition. Living at the margins of society, Henry Smart deconstructs the romantic aura around the Rising, the War of Independence and the nationalist heroes. The starting point of this research is to investigate the authors impulse to write a historical novel in times of financial prosperity, since Doyle publishes the book during the Celtic Tiger era (1994-2008). We also aim to understand why the author decides to represent Dublin and the nationalist heroes in a way that contrasts with the nationalist symbolism. We understand that the context of publication influences the artistic production, and, therefore, when choosing the historical theme, Doyle criticizes both the early twentieth-century nationalism and the Celtic Tiger society. The author intertwines temporalities in order to expose the gaps and inconsistencies of the past and the present.
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14

Destenay, Emmanuel. "Expériences de guerre et retours à la vie civile des combattants irlandais, 1914-1928." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040200.

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Le travail de recherche présenté ici a pour objectif de dégager les particularités des combattants irlandais engagés dans l’armée britannique pendant le Premier Conflit mondial et d’apprécier la singularité de leur sortie de guerre. Le champ chronologique est volontairement large dans la mesure où il dépasse 1918 pour traiter de la question des mémoires de guerre et de la démobilisation des unités irlandaises. Ainsi, notre travail entend montrer dans quelle mesure la situation endogène en Irlande influence la participation et les expériences de guerre des engagés volontaires et se répercute sur leur réinsertion dans le tissu urbain irlandais. En s’intéressant au retour des anciens combattants sous un angle socio-économique, politique et culturel notre travail enrichit l’historiographie de la période révolutionnaire irlandaise 1919-1924. L’étude des trajectoires des rescapés de la Première Guerre mondiale permet de traiter du réengagement d’anciens combattants irlandais dans les brigades républicaines et dans les unités de l’armée britannique tout en travaillant sur les actes de violence et de cruauté dont ils font l’objet. Les questionnements que suscite notre travail sont multiples, et se situent au croisement de l’histoire politique, de l’histoire sociale, de l’histoire culturelle et de l’anthropologie de l’expérience combattante<br>This research work aims to identify the characteristics of the Irish soldiers who served in the British Army during the First World War and assess their peculiar post-war situation. We chose a wide chronological field, beyond 1918, in order to cover the war remembrance and demobilisation issues of Irish units. We aim to show how the endogenous situation in Ireland influenced the volunteers’ war effort and impacted their reintegration into Irish civil life. Our work enriches the 1919-1924 Irish revolutionary period’s historiography by focusing on socio-economic, political and cultural factors. Studying the life story of Irish First World War survivors enables us to span their enlistment in Republican brigades or British Army units, while also covering the acts of violence and cruelty committed against them. Our work lies at the crossroads of numerous political, social and cultural questions, as well as raising the anthropological issues of the Irish veterans’ experience
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15

Siemund, Peter. "Independent Developments in the Genesis of Irish English." Universität Potsdam, 2006. http://opus.kobv.de/ubp/volltexte/2010/3508/.

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Content: 1. Introduction 2. Retention versus Transfer 3. The Universalist Approach: Basic Concepts 4. Empirical Basis 5. Two Case Studies 5.1. Medial Object Perfects 5.2. Nominative Subject Pronouns in Non-finite Clauses 6. Summary and Conclusion
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16

Meehan, Niall. "Tuning out the troubles in southern Ireland : revisionist history, censorship and problematic Protestants." Thesis, University of Bath, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683549.

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This thesis is an examination of the influence and impact of the ‘Troubles’ in Northern Ireland, post 1968, on the practice of Irish history, on southern Irish broadcast media and on the southern Irish modernisation process. I will examine the uneasy and contested transition in systems of hegemony in a society where the state is not coterminous with perceptions of nationhood, where society is anxiously suspended between conservation of its existence and popular nationalist aspirations, where southern economic dependency interacted uneasily with northern political instability and sectarianism. The thesis examines the ‘Ulsterisation’ of the War of Independence by some historians and its aftermath as an ideological project. It pays particular attention, using the case-study method, to the imposition of a sectarian character on republican forces during the war of independence by the highly influential Newfoundland historian Peter Hart, and will explain why this research is ideologically problematic within Irish historiography. I will link this to (in a second case-study) the project undertaken in the early 1970s by Irish government minister (also an academic historian and political scientist) Conor Cruise O’Brien to undermine and eradicate from popular awareness secular anti-imperialist aspects of Irish nationalist consciousness, primarily through, in case-study three, the imposition of broadcasting censorship and support for repression. I question O’Brien’s positing of a ‘Catholic nationalism’ as an overarching basis for Irish statehood by, in case-study four, an examination the largely unexplored socio-economic position of Protestants in southern Ireland and the forms of social control imposed on and within that community. The thesis examines how official reaction to the conflict combined repression and broadcasting censorship during the 1970s to revise popular perceptions of Irish history and Irish society. Control of understanding of the present was combined with attempts to take control of perceptions of the past, in order to circumscribe the parameters of what is feasible in the present, so as to preserve the socio-economic status quo. It specifically explores the impact of the post 1968 Northern Ireland conflict on: • The attempt by proponents of Irish revisionist historiography to portray Irish resistance to British rule as ‘Catholic nationalism’ and as a mirror image generally of Ulster unionist sectarianism; in the context of • The simultaneous transformational change of economic direction in the southern Irish economy and society, which imparted to this project increased impetus, opportunity and political scope.
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17

Lundberg, Matilda, and Emelie Strömfors. "Abort eller barnamord : svenska och irländska journalisters rapportering om abort." Thesis, Södertörns högskola, Institutionen för samhällsvetenskaper, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-18246.

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I denna studie undersöks hur journalister på Sveriges och Irlands största dagstidningar, Dagens Nyheter och Irish Independent, rapporterar om abort under perioden 1 januari - 1 augusti 2012. Studiens teoretiska utgångspunkt har inspirerats av Jesper Strömbäcks teori om mediernas gestaltningsmakt. Carol Lee Bacchis ‘What´s the problem’-approach har gett en förståelse för att abortfrågan ses på olika sätt i olika delar av världen. Bill Kovach och Tom Rosenstiels journalistiska riktlinjer har varit utgångspunkt för vad som förväntas av yrkesverksamma journalister världen över. För att besvara hur journalisterna på de båda tidningarna rapporterar om abort genomfördes en kvantitativ analys som omfattade 152 texter. Den kvantitativa analysen kompletterades med en kvalitativ analys av fem texter från varje tidning. Studien visar att de ideologiska och kulturella strukturer som återfinns i samhället i hög grad återspeglas i hur journalister rapporterar om abort. Abort omskrivs med en högre acceptans i Dagens Nyheter och mer konservativt i Irish Independent. Samtidigt är svenska journalisters rapportering om abort mer likriktad än de irländska journalisternas, som visar på en bredare spann av åsikter och sätt att se på abortfrågan. Det finns inte enbart skillnader i hur irländska och svenska journalister rapporterar om abort. Studien visar att även om journalisterna har olika syn på abortfrågan ser de på den som makthavarnas ansvar - inte individens. Svenska journalisters rapportering om abort blir även mer lik de irländska journalisternas när abortfrågan övergår till att handla om det mer etiskt känsliga ämnet fosterdiagnostik.
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18

Destenay, Emmanuel. "Expériences de guerre et retours à la vie civile des combattants irlandais, 1914-1928." Electronic Thesis or Diss., Paris 4, 2014. http://www.theses.fr/2014PA040200.

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Le travail de recherche présenté ici a pour objectif de dégager les particularités des combattants irlandais engagés dans l’armée britannique pendant le Premier Conflit mondial et d’apprécier la singularité de leur sortie de guerre. Le champ chronologique est volontairement large dans la mesure où il dépasse 1918 pour traiter de la question des mémoires de guerre et de la démobilisation des unités irlandaises. Ainsi, notre travail entend montrer dans quelle mesure la situation endogène en Irlande influence la participation et les expériences de guerre des engagés volontaires et se répercute sur leur réinsertion dans le tissu urbain irlandais. En s’intéressant au retour des anciens combattants sous un angle socio-économique, politique et culturel notre travail enrichit l’historiographie de la période révolutionnaire irlandaise 1919-1924. L’étude des trajectoires des rescapés de la Première Guerre mondiale permet de traiter du réengagement d’anciens combattants irlandais dans les brigades républicaines et dans les unités de l’armée britannique tout en travaillant sur les actes de violence et de cruauté dont ils font l’objet. Les questionnements que suscite notre travail sont multiples, et se situent au croisement de l’histoire politique, de l’histoire sociale, de l’histoire culturelle et de l’anthropologie de l’expérience combattante<br>This research work aims to identify the characteristics of the Irish soldiers who served in the British Army during the First World War and assess their peculiar post-war situation. We chose a wide chronological field, beyond 1918, in order to cover the war remembrance and demobilisation issues of Irish units. We aim to show how the endogenous situation in Ireland influenced the volunteers’ war effort and impacted their reintegration into Irish civil life. Our work enriches the 1919-1924 Irish revolutionary period’s historiography by focusing on socio-economic, political and cultural factors. Studying the life story of Irish First World War survivors enables us to span their enlistment in Republican brigades or British Army units, while also covering the acts of violence and cruelty committed against them. Our work lies at the crossroads of numerous political, social and cultural questions, as well as raising the anthropological issues of the Irish veterans’ experience
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19

Martins, Renata Cristófani. "Codificação automática das causas de morte e seleção da causa básica de morte: a adaptação para o Brasil do software Iris." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/6/6132/tde-21082012-151114/.

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Introdução - Uma das formas de se aumentar a qualidade das informações sobre causas de morte é automatizar o processo de sua elaboração. O software Iris é um dos mecanismos disponíveis para esse fim. Suas principais características é que ele segue as regras internacionais de mortalidade e ele é independente de idioma. Objetivo - Elaborar para o Iris um dicionário na língua portuguesa e avaliar a sua completitude para a codificação das causas de morte. Método - O dicionário criado com dados do arquivo eletrônico do volume 1 da CID-10 e com o Tesauro da Classificação Internacional de Atenção Primária. Foi utilizado o Iris V4.0.34 e, como codificação manual, o que o Programa de Aprimoramento das Informações de Mortalidade no Município de São Paulo (PRO-AIM) da Secretaria Municipal de Saúde de São Paulo escreveu nas declarações de óbito. Caso o Iris não codificasse as causas de morte, ajustes eram feitos no dicionário ou na tabela de padronização. Resultado - O Iris é capaz de codificar as causas de morte e selecionar a causa básica de morte, ambas automaticamente, é um software recente que está em constantes adequações, é independente de idioma e para usá-lo em cada país é necessário realizar somente um dicionário de causas de morte. No teste para avaliação da primeira versão do dicionário em português, o Iris apresentou um desempenho satisfatório. Foi capaz de codificar diretamente 50,6 por cento das declarações de óbito e, após ajustes e acréscimos no dicionário e na tabela de padronização, o software codificou todas as linhas em 94,44 por cento das declarações. Das declarações não codificadas completamente 89,19 por cento delas tinham algum diagnóstico contido no capítulo XX da CID-10. O Iris apresentou 63,1 por cento de concordância nas declarações de óbito pareadas considerando todas as causas de morte com códigos completos de 4 caracteres da CID-10. Conclusão - A realização dos ajustes no dicionário ou na padronização faz parte do processo de desenvolvimento do dicionário e que esse processo é continuo. Com as novas versões do Iris e atualizações e aprimoramento da codificação das causas externas, avanços serão feitos para que ele seja mais compatível com a realidade brasileira. Somado a isso, as futuras versões do Iris com um dicionário mais desenvolvido podem satisfazer as necessidades de codificação automática e melhorar a precisão dos dados de causa morte paras estudos de saúde pública.<br>Introduction - One way to increase the quality of causes-of-death statistics is to use computers for applying the rules systematically. Iris software is an available system for this purpose. Its main characteristics are that it follows international rules of mortality and it is language independent. Objective - Produce a Portuguese dictionary for Iris and assess its completeness of coding of causes of death. Methods - The creation of the dictionary used two sources: the electronic file of volume 1 of ICD-10 and Thesaurus of Classificação Internacional de Atenção Primária. Was used Iris V4.0.34 and for manual coding the codes at the Programa de Aprimoramento das Informações de Mortalidade no Município de São Paulo (PRO-AIM) of Secretaria Municipal de Saúde of São Paulo has written on death certificates. If Iris couldnt codify the causes of death, adjustments were made in the dictionary or standardization table. Results - Iris is able to encode causes of death and select the underlying cause of death, either automatically; is a recent software that is in constant adjustments; is a language independent software and to use it in your country you need only dictionary of causes of death. In the test for evaluation the first version of the Portuguese dictionary Iris showed satisfactory performance. He was able to code directly for 50.6 per cent of death certificates and, after adjustments and additions in the dictionary and standardization table, the software coded all lines in 94.44 per cent of death certificate. The statements do not fully coded 89.19 per cent had a diagnosis contained in Chapter XX of ICD-10. Iris presented 63,1 per cent agreement on paired death certificates considering all causes of death and 4-digit ICD-10 code level. Conclusion - making adjustments in the dictionary or the standardization is part of the development process of the dictionary and that this process is ongoing. With new Iris versions and updates in the management of the coding external causes, progress will be made to make it more compatible with the Brazilian reality. Added to this, future versions of Iris with a dictionary more developed can meet the needs of auto-tagging and improve the accuracy of data causes death to public health studies.
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Trayers, Shane Nicole. "National family allegory: Irish men and post-independence novels and film." 2006. http://hdl.handle.net/1969.1/ETD-TAMU-1112.

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This dissertation explores the ideological functions of the National Family Allegory in post-Independence novels and film created by male authors and film directors. Ideology functions as a lingering force in service of the status quo, the current power structure, and these works recreate the same family structures as those established during colonization and through national myth. The roles of Mother Ireland, savior sons, and failing fathers repeat, sometimes through creative means. Although the texts attempt to subvert the allegory, many post-Independence works eventually show the traditional and conservative family structure of the National Family Allegory. The first chapter, “Importantly Motherless: Spontaneous Child Creation and Male Maternity,” analyzes the connection between the missing Mother figure and male fantasies of pregnancy and child creation. Because of the lack of stable family structure, usually connected to early childhood abandonment or mistreatment, the novels discussed in this chapter show the absolute necessity of family in creating a personal and national identity. In the second chapter, “’You Can’t Protect Your Women’”: Male Irish Terrorists as Protector in Popular American and Irish Films, 1984-1998,” the young man/son protagonist in his role as protector of the woman/Mother figure is analyzed in six different films. In the third chapter, “Articulation and Stasis: The Son as Haunted Echo of the Father in McCann’s Songdogs,” discusses the father and son dynamic in relation to the missing mother in this diasporic novel to indicate that the Irish National Family Allegory holds true even during the dispersion of post-Famine Irish identity. The last chapter, “Failing Fathers,” examines the father figure in Roddy Doyle’s A Star Called Henry, Patrick McCabe’s The Butcher Boy, and John McGahern’s Amongst Women. A father’s traditional role is to function in the public sphere and also to control the family, yet each of these father’s fail in their roles, which is typical of the National Family Allegory role established within the literature.
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DAVIS, Donagh. "Infiltrating history : structure and agency in the Irish independence struggle, 1916-1921." Doctoral thesis, 2015. http://hdl.handle.net/1814/35963.

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Defence date: 19 May 2015<br>Examining Board: Professor Dr. Dr. h. c. Donatella della Porta (EUI Supervisor); Professor Lucy Riall, European University Institute; Professor Jack A. Goldstone, George Mason University; Doctor Bill Kissane, London School of Economics.<br>This thesis is a historical-sociological study of the Irish independence struggle, which culminated in the partition of Ireland in 1920, and the secession of most of the island from the United Kingdom in 1922. It asks how the Irish separatist project was able to go from political marginality up to 1916, to the attainment, with widespread popular support, of an essentially independent state covering most of Ireland just a few years later - a violent and unexpected process. Focusing on the years 1916-1921, the thesis explains what happened as a path dependent reactive sequence - that is, a chain of events initiated by a highly contingent happening, setting in motion a series of reactions and counter-reactions. That highly contingent happening was the Easter Rising of 1916 - a surprise attack on British rule in Dublin - and it was the product of the agency of a small band of rebels. The sequence it set in motion brought deep structural tensions to the boil - but this might never have happened were it not for the agency of the rebels. The thesis examines this classic paradox of the structure-agency relationship via a focus on the strategic interaction of the Irish rebels and the British state, and attempts to identify the key causal mechanisms involved. These mechanisms were shaped by key British policy choices as much as by rebel action - from the British government's initial decision to back-pedal on meaningful Irish autonomy, to the subsequent policy drift towards brutal and indiscriminate repression in Ireland. The thesis suggests that were it not for the crucial transformative event that started this fateful sequence in 1916, Ireland might well have stayed within the United Kingdom.
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Wang, Wei, and 王偉. "Seperating iris texture and cosmetic contact lens by using independent component analysis." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/b49g28.

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碩士<br>國立交通大學<br>光電工程研究所<br>105<br>Many iris recognition systems operate under the assumption of a lack of cosmetic contact lens, because the use of cosmetic contact lenses severely degrades the accuracy of iris recognition system. In this thesis, we propose using independent component analysis to avoid the features of cosmetic contact lenses being extracted. Firstly, we design an image acquisition system that is able to capture two different bands of wavelength. Then, we assumed the texture of the iris and the cosmetic contact lens are two independent components. The images of the iris with a cosmetic lens are formed through linear addition. Lastly, the theory of independent component analysis is used to estimate the component of the cosmetic contact lens. In order to acquire iris features that are free from the texture of cosmetic lens, we used the component of cosmetic contact lens as the mask in the extraction of the iris features. Extensive experiments are conducted on a database containing more than 2000 iris images of iris both normal and wearing cosmetic contact lens, and captured through 4 different bands of wavelength. Experiment result shows that the proposed method is able to achieve at least minimum, a 3 times enhancement in verification rate.
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