Relevant bibliographies by topics / Italian Watercolor painting

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Academic literature on the topic 'Italian Watercolor painting'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Italian Watercolor painting"

1

Śnieżyńska-Stolot, Ewa. "Maksymilian Cercha malarz Tatr. Z cyklu „Zapomniani mieszkańcy Krakowa”." Rocznik Biblioteki Naukowej PAU i PAN 65 (2020): 131–39. http://dx.doi.org/10.4467/25440500rbn.20.009.14168.

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Maksymilian Cercha a Painter of the Tatras. From the “Forgotten Citizens of Kraków” Series Maksymilian Cercha (1818–1907), whose life was linked to Kraków, was born in an assimilated Italian family and is known as a drawer, cataloguer of gravestones in the churches of Kraków and a co-author of a publication titled the Monuments of Kraków. In this paper however, his Tatra-themed paintings are discussed, which are yet to be included in the Art History. Cercha was Jan Nepomucen Głowacki’s student, who established Tatra mountains themed landscape painting in Kraków. In the summertime, he used to t
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2

Akhmylovskaya, Larisa Alekseevna. "Portrait of an artist in the context of the era: Saeki Yuzo." Pan-Art 3, no. 4 (2023): 245–55. http://dx.doi.org/10.30853/pa20230040.

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The study aims to recreate the portrait of the Japanese artist Saeki Yuzo (1898-1928), a representative of the “yoga” movement, in the context of his contemporary era. The author addresses the transformation of the Japanese art community of the Meiji and Taisho eras, identifies the peculiarities of formation of the “yoga” and “nihonga” painting trends in Japanese art, considers the main periods of Saeki Yuzo’s life and creative work (the first Paris period, the creation of Italian watercolors, return to Japan, the second Paris period). The paper is novel in that it is the first to determine ho
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3

Королёва, А. Ю., and Е. В. Яйленко. "The theme of Italy in the works by Vasily Surikov." Iskusstvo Evrazii [The Art of Eurasia], no. 1(28) (March 31, 2023): 66–85. http://dx.doi.org/10.46748/arteuras.2023.01.006.

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В статье впервые в отечественной научной литературе ставится вопрос о значении впечатлений, полученных В.И. Суриковым во время путешествия по Италии в 1884 году, для его искусства, в первую очередь — для развития замысла картины «Боярыня Морозова». Актуальность постановки исследовательской задачи объясняется слабой изученностью творческой деятельности Сурикова времени заграничной поездки, хотя тогда им был выполнен ряд важных произведений, преимущественно в технике акварели. Между тем данные работы представляют значительный интерес уже с точки зрения их высокого художественного совершенства, п
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4

Zavialova, Anna. "Bulldog Bobby: pet and model of Anna Ostroumova-Lebedeva." Academia 2 (2023). http://dx.doi.org/10.37953/2079-0341-2023-2-1-167-171.

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This article consideres image of the bulldog Bobby presented in the drawings, painting and woodcut by Anna Ostroumova-Lebedeva for the first time. She has been drawing a dog from life in various techniques – pencil, watercolor, ink, charcoal for many years. It has been established that traditions of the 17th-century Dutch art, 19th-century Russian art as well as French Impressionists art simultaneously influenced the painting “Interior with a dog”. It was also found that Italian colored woodcut chiaroscuro influenced the engraving “Bobby” along with the traditions of dog portraits in Russian a
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5

Тан, Ц. "The Interaction of National Traditions and Italian Art in the Watercolor Landscape Painting of China in the XVI–XVIII Centuries." Музыковедение, no. 7 (September 28, 2022). http://dx.doi.org/10.25791/musicology.7.2022.1263.

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6

Franks, Rachel. "A True Crime Tale: Re-imagining Governor Arthur’s Proclamation to the Aborigines." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1036.

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Special Care Notice This paper discusses trauma and violence inflicted upon the Indigenous peoples of Tasmania through the process of colonisation. Content within this paper may be distressing to some readers. Introduction The decimation of the First Peoples of Van Diemen’s Land (now Tasmania) was systematic and swift. First Contact was an emotionally, intellectually, physically, and spiritually confronting series of encounters for the Indigenous inhabitants. There were, according to some early records, a few examples of peaceful interactions (Morris 84). Yet, the inevitable competition over r
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Books on the topic "Italian Watercolor painting"

1

Pasquali, Marilena. Morandi acquerelli: Catalogo generale. Electa, 1991.

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2

Fino, Lucio. Gouaches napoletane: Nelle collezioni private. Grimaldi, 1998.

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Fino, Lucio. Gouaches napoletane: Nelle collezioni private. Grimaldi, 1998.

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Mammucari, Renato. Acquarellisti romani dell'Ottocento. Argonauta, 1993.

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Züst, Pinacoteca cantonale Giovanni, ed. Trasparenze: L'acquarello tra romanticismo e Belle Epoque. U. Allemandi, 2011.

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Tomiato, Monica. L'acquerello in Piemonte: Dall'Ottocento a oggi. Daniela Piazza editore, 2018.

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7

Mammucari, Renato. Acquerellisti romani: Suggestioni neoclassiche, esotismo orientale, decadentismo bizantino, realismo borghese. Edimond, 2001.

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8

Galli, Federica. Federica Galli: Mostra antologica, acqueforti 1954/1990. Fabbri, 1990.

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9

Galli, Federica. Federica Galli: Mostra antologica : dal viale napoleonico di Cherasco alle campagne e alle vedute di Venezia : Palazzo Salmatoris, Cherasco, 5-27 settembre 1998. Città di Cherasco, Assessorato alla cultura, 1998.

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Galli, Federica. Federica Galli: Acqueforti : 1972-1998. L'Incisione, 1998.

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