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Relevant bibliographies by topics / Jeffery Walker

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Academic literature on the topic 'Jeffery Walker'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Journal articles on the topic "Jeffery Walker"

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Cohen, H. "Jeffery Miles Walker." BMJ 338, mar06 2 (March 6, 2009): b924. http://dx.doi.org/10.1136/bmj.b924.

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Walker, Jeffrey. "Jeffrey Walker Responds." College English 53, no. 2 (February 1991): 231. http://dx.doi.org/10.2307/378211.

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Walker, Jeffrey. "Jeffrey Walker Responds." College English 52, no. 2 (February 1990): 217. http://dx.doi.org/10.2307/377457.

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Brown, Chris. "Review Article: International Political Theory Today." Millennium: Journal of International Studies 45, no. 2 (October 13, 2016): 193–200. http://dx.doi.org/10.1177/0305829816672316.

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The four books under review offer very different takes on the nature of International Political Theory, but still display certain, cross-cutting, similarities. The books under review are: Jack L. Amoureux, A Practice of Ethics for Global Politics: Ethical Reflexivity (London: Routledge, 2016, 268pp. £90). Michael W. Doyle, The Question of Intervention: John Stuart Mill & the Responsibility to Protect (New Haven: Yale University Press, 2015, 272pp. £58.99). Renée Jeffery, Reason and Emotion in International Ethics (Cambridge: Cambridge University Press, 2014, 252pp. £69.99). Michael Walzer, The Paradox of Liberation: Secular Revolutions and Religious Counterrevolutions (New Haven: Yale University Press, 2015, 172pp. £16.99).

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Fleming, David. "The Genuine Teachers of This Art: Rhetorical Education in Antiquity, Jeffrey Walker." Rhetoric Review 31, no. 4 (October 2012): 479–83. http://dx.doi.org/10.1080/07350198.2012.711202.

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Kennerly, Michele. "The Genuine Teachers of This Art: Rhetorical Education in Antiquity, by Jeffrey Walker." Rhetoric Society Quarterly 42, no. 4 (July 2012): 400–404. http://dx.doi.org/10.1080/02773945.2012.707966.

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Bezerra, Manoel I. Silvestre, Fernando Antonio Moala, and Yuzo Iano. "A Bayesian Analysis of Spectral ARMA Model." Mathematical Problems in Engineering 2012 (2012): 1–15. http://dx.doi.org/10.1155/2012/565894.

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Bezerra et al. (2008) proposed a new method, based on Yule-Walker equations, to estimate the ARMA spectral model. In this paper, a Bayesian approach is developed for this model by using the noninformative prior proposed by Jeffreys (1967). The Bayesian computations, simulation via Markov Monte Carlo (MCMC) is carried out and characteristics of marginal posterior distributions such as Bayes estimator and confidence interval for the parameters of the ARMA model are derived. Both methods are also compared with the traditional least squares and maximum likelihood approaches and a numerical illustration with two examples of the ARMA model is presented to evaluate the performance of the procedures.

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Mcquate, Grant T., and Tadashi Teruya. "Melon Fly, Bactrocera Cucurbitae (Diptera: Tephritidae), Infestation in Host Fruits in the Southwestern Islands of Japan before the Initiation of Island-wide Population Suppression, as Recorded in Publications of Japanese Public Institutions." International Journal of Insect Science 7 (January 2015): IJIS.S24582. http://dx.doi.org/10.4137/ijis.s24582.

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Bactrocera cucurbitae (Coquillett) is a tephritid fruit fly native to the Indo-Malayan region. Its distribution, though, has extended to include Africa, temperate Asia, and a number of Pacific islands. It became established in Japan in 1919 in the Yaeyama Islands and spread north in the Southwestern Islands of Japan. It was subsequently eradicated from these islands by an eradication program that extended from 1972 to 1993. As part of an effort to develop a worldwide database on the status of fruits as hosts of melon fly, the infestation data gathered from host fruits collected in this eradication program, before the initiation of suppression activities, are summarized here. Bactrocera cucurbitae infestation was documented in 24 plant taxa of four plant families (Caricaceae, Cucurbitaceae, Moraceae, and Solanaceae), with the following four new hosts identified: Ficus erecta Thunb., F. pumila L. (Moraceae), Solanum erianthum D. Don (Solanaceae), and Zehneria liukiuensis Jeffrey ex Walker (Cucurbitaceae).

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Harper, David A. T., Stephen K. Donovan, and Cornelis J. Veltkamp. "The micromorphic articulate brachiopod Gwynia from the western approaches, UK." Journal of Paleontology 70, no. 2 (March 1996): 331–33. http://dx.doi.org/10.1017/s0022336000023428.

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The micromorphic brachiopod genus Gwynia was established by William King (1859) on the basis of specimens described by Gwyn Jeffreys (1859) from the coast of Normandy and Belfast Lough. Additional, unpublished records of the genus from Larne and Portrush, collected by Dickie, Hyndman and Waller during the 1850s, were the last sightings of the taxon around Ireland (Massy, 1925). Despite the distinctive characteristics of the genus, Davidson (1861, p. 39) considered it had yet to be sufficiently determined whereas others (see Brunton and Curry, 1979, p. 46) have suggested the genus may be an immature form of Argyrotheca cistellula (Searles-Wood) with which Gwynia often co-occurs. However, that species is consistently transverse with marked exopunctae.

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Cermatori, Joseph. "Radical Gesture and the Politics of Postdramatic Tragedy: Reza Abdoh’s The Law of Remains." Journal of Contemporary Drama in English 8, no. 1 (May 11, 2020): 127–42. http://dx.doi.org/10.1515/jcde-2020-0010.

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AbstractDuring his short lifetime, Reza Abdoh (1963–1995) was hailed as a trailblazing theater artist in the avant-garde art scenes of both Los Angeles and New York, where he created a series of massive performance spectacles that sought to intervene critically in the American political status quo. His 1992 piece The Law of Remains stages a furious response to the US American AIDS crisis, depicting it through the allegorical lens of a film being made by Andy Warhol based on the life of queer serial killer and cannibal Jeffrey Dahmer. Performed in the ruins of an abandoned hotel ballroom, the piece drew attention in The New York Times for being “one of the angriest theater pieces ever hurled at a New York audience.” This article analyzes the political dimension of Abdoh’s theater by focusing on specific gestural elements that occur at key moments in The Law of Remains. Doing so, it brings together theories of gesture from Hans-Thies Lehmann, Giorgio Agamben, Judith Butler, and Walter Benjamin, and configures these viewpoints into a constellation through which the politics of gesture in Abdoh can be illuminated. What emerges in Abdoh is a politics of “hopeless hope,” one uniquely meaningful for our planetary present tense.

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Dissertations / Theses on the topic "Jeffery Walker"

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Hedengren, Mary L. "National Identity Transnational Identification: The City and the Child as Evidence of Identification Among the Poetic Elite." Diss., CLICK HERE for online access, 2010. http://contentdm.lib.byu.edu/ETD/image/etd3452.pdf.

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Jones, David Kenneth. "The music of Jeffrey Lewis." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/the-music-of-jeffrey-lewis(b712684d-e7c0-4194-9932-e484dd60a2e0).html.

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The present thesis investigates the music and career of Jeffrey Lewis (born 1942). The thesis is broadly divided into three sections. First is an account of the composer’s life, told mainly through an overview of his works, but also through a sketch of his early years in South Wales, his studies in Cardiff, Darmstadt, Kraków and Paris, his academic career in Leeds and Bangor, and his subsequent early retirement from academia. There follows a more detailed study of six works from the period 1978 – 1985, during which certain features of Lewis’s musical language came to the fore, perhaps most notably a very individual and instantly recognisable use of modal language. After an Epilogue, the thesis concludes with an Appendix in the form of a Catalogue in which all Lewis’s known compositions are listed, together with details of performances, broadcasts and recordings. Lewis’s music often plays with our temporal expectations; the close interrelationship between texture, structure, harmony and melody, and its effect upon our perception of the passage of time, are explored in the main analyses. These are conducted partly by means of comparison with other works by Lewis or his contemporaries. Memoria is examined in relation to a similarly tranquil score, Naaotwá Lalá, by Giles Swayne. The following chapter discusses the extra-musical inspiration for Epitaph for Abelard and Heloise, whose relationship to Tableau is then explored in the next. The difficulties of creating a large-scale structure that unifies the work’s various harmonic elements are also investigated. The analysis of Carmen Paschale considers it in relation to Lewis’s other choral music, whilst the final analytical chapter compares and contrasts two three-movement works, the Piano Trio and the Fantasy for solo piano. Lewis’s melodic writing in the Piano Trio is discussed in relation to that of James MacMillan, and the origins of the first movement of Fantasy in Oliver Knussen’s Sonya’s Lullaby are explored. In the Epilogue, the possible reasons for Lewis’s current neglect are explored, various influences on Lewis’s musical thinking are laid out, and his achievements are assessed.

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Turnbull, Jeffrey John. "The Architecture of Newman College." 2004. http://repository.unimelb.edu.au/10187/4871.

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This study engaged with the architecture of the ‘Initial Structure’ at Newman College, 1915-1918, so as to establish this building’s place in the oeuvre of Walter Burley Griffin (1876-1937). Griffin’s architecture at Newman College was unparalleled in Melbourne yet it has never been the subject of a comprehensive study. Further, a measure for Griffin’s creative method and architectural style has not been developed to date although much scholarship has been devoted to the identification of events and works in Griffin’s career. Furthermore a substantive analysis of the architecture of Walter Burley Griffin was lacking that defined and distinguished his work from that of the so-called ‘Prairie School’, and of Frank Lloyd Wright.
Walter Burley Griffin was the conceptual designer of Newman College, while Marion Mahony Griffin (1871-1961), his wife and architectural practice partner was its facilitator. An evaluation of Griffin’s university education, 1895-1899, drew out the compositional concepts of parti, types and architectonics, as his own preferred means of working. Griffin’s mature style in the college design was also indebted to his architectural practice and experiences in Chicago, 1899-1914. An initial assumption in this study was that Griffin was eclectic, as were the American predecessors he admired, Thomas Jefferson and Henry Hobson Richardson, as were Griffin’s contemporaries, Louis Henri Sullivan and Frank Lloyd Wright. Thus the sources of Griffin’s architectural ideas, elements, and methods of composition, have been traced in this study.
American campus designs were surveyed and comparisons made with the other three late 19th Century college buildings at the University of Melbourne to distinguish Griffins’ innovations in college planning, construction and form at Newman College. The description of the commissioning, committee-work and program for the Newman College building revealed the social and political idealism that linked Griffin with his supporters among Melbourne’s Roman Catholic community. Griffin worked with ‘structure’ in mind, both compositional and constructional. Particular partis, typologies and architectonic patterns have been 3 identified in the compositional structures of the college building design. Similarly Griffin’s adaptations of new and exploratory building techniques were investigated.
Griffin’s sources were not only American. He derived inspiration equally from seminal European and Asian precedents, which provided instances of an underlying compositional structure. In the architecture of Newman College the composite plans, mixed construction techniques and materials, and richly layered forms allowed Griffin scope to express ideal college purposes, spiritual universality, and organic wholeness.

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Books on the topic "Jeffery Walker"

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United States. Congress. Senate. Committee on Agriculture, Nutrition, and Forestry. To consider the nomination of Mr. Reuben Jeffery III and the renomination of Mr. Walter Lukken to be commis[s]ioners of the Commodity Futures Trading: Hearing before the Committee on Agriculture, Nutrition, and Forestry, United States Senate, One Hundred Ninth Congress, first session, June 9, 2005. Washington: U.S. G.P.O., 2005.

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Germany), Dominikanerkirche (Osnabrück, ed. Walking the dog: Der Hund im Fokus der Gegenwartskunst : Andreas Amrhein, Baldur Burwitz, Nicolas Dings, Rainer Fetting, Ulrich Gebert, Frank Herzog, Jeffrey Isaac, Mark Jenkins, Gerhard Kehl, Marta Klonowska, Isolde Krams, Marc Lüders, Stefan Mannel, Daniel Mohr, Jan Muche, Thomas Offhaus, Sebastian Osterhaus, Thorsten Passfeld, Alexander Raymond, Rudolf Reiber, Cornelia Schleime, Deborah Sengl, Carolein Smit, Maria Smits, Ekkehard Tischendorf, Patricia Waller : Kunsthalle Dominikanerkirche Osnabrück, 16. Oktober - 8. Dezember 2010. Bramsche: Rasch, 2010.

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Fiala, Michele L., and Martin Schuring. Great Oboists on Music and Musicianship. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915094.001.0001.

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This volume contains interviews with twenty-six of the most prominent oboists from around the world. The chapters are in prose format and highlight different aspects of each musician’s career, focusing on musicianship and pedagogy in ways that are applicable to all musicians. The interviews contain topics such as creating musical interpretations and shaping phrases, the relationship of vocal to instrumental music, taking orchestral auditions, and being a good ensemble player/colleague. The subjects describe their pedagogy and their thoughts on breathing and support on wind instruments, developing finger technique, and creating a useful warm-up routine. The oboists discuss their ideals in reed making, articulation, and vibrato. They also share stories from their lives and careers. The oboists and English hornists profiled from North America are Pedro Diaz, Elaine Douvas, and Nathan Hughes (Metropolitan Opera Orchestra); John Ferrillo (Boston Symphony Orchestra); Carolyn Hove (Los Angeles Philharmonic); Richard Killmer (Eastman School); Nancy Ambrose King (University of Michigan); Frank Rosenwein and Robert Walters (Cleveland Orchestra); Humbert Lucarelli (soloist); Grover Schiltz (formerly Chicago Symphony); Eugene Izotov (San Francisco Symphony, originally from Russia); Allan Vogel (Los Angeles Chamber Orchestra retired); David Weiss (formerly Los Angeles Philharmonic); Randall Wolfgang (New York City Ballet and formerly Orpheus Chamber Orchestra); Alex Klein (Brazil, formerly Chicago Symphony and currently Calgary, Canada); and Sarah Jeffrey, Toronto Symphony Orchestra. The performers based in Europe are Neil Black, Nicholas Daniel, and Gordon Hunt (England); Maurice Bourgue and David Walter (France); Thomas Indermühle (Switzerland); László Hadady (Hungary and France); and Omar Zoboli (Italy). From Australia is Diana Doherty of the Sydney Symphony Orchestra.

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To Consider the Nomination of Mr. Reuben Jeffery III and the Renomination of Mr. Walter Lukken to Be Commis[s]ioners of the Commodity Futures Trading:. Not Avail, 2005.

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Kaveny, Cathleen. Ethics at the Edges of Law. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190612290.001.0001.

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Ethics at the Edges of Law: Christian Moralists and American Legal Thought shows how methods and doctrines drawn from the American legal tradition can constructively advance the discussion of key issues in Christian ethics. More broadly, the book argues that religious ethicists should consider legal thought to be a valuable conversation partner on a par with philosophical thought. Each of the chapters places the work of an important contemporary figure in Christian ethics in conversation with particular legal cases and questions. The book is divided into three major parts: “Narratives and Norms,” “Love, Justice, and Law,” and “Legal Categories and Theological Problems.” Ethicists considered include John Noonan Jr., Stanley Hauerwas, Jeffrey Stout, Gene Outka, Margaret Farley, Paul Ramsey, Robert E. Rodes Jr., Walter Kasper, Germain Grisez and H. Tristram Engelhardt Jr. Legal topics explored include the development of the common law as a morally rich tradition, the relationship between rules and particular cases, and the role of individual experience in formulating generally applicable norms. Theological issues discussed include the meaning of covenant fidelity, the requirements of compassion, and the demands of neighbor love. Fruitful intersections between law and theological ethics are developed by considering particular examples and cases from contract law, criminal law, and health-care law. Ethics at the Edges of Law ends by examining the various and often conflicting meanings of the term “legalism,” which has long been considered a derogatory term in Christian moral thought.

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Book chapters on the topic "Jeffery Walker"

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Obrecht, Jas. "March 1967." In Stone Free, 130–43. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469647067.003.0008.

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As the month begins, the Jimi Hendrix Experience begins to get press coverage in the U.S. and make unforgettable television appearances on Beat-Club and, during the first of two European tours this month, on the Belgian show Vibrato. In a series of interviews, Hendrix addresses his stressful childhood, love for blues music, and dislike of the “ordinary.” Sting recalls the Experience’s performance in Yorkshire as “the first time I’d ever seen a black man.” With the release of the “Purple Haze”/“51st Anniversary” single, the band embarks on tour of Germany, while Michael Jeffery secures them an American deal with Reprise Records. In studio sessions, the Experience record “Manic Depression” and other tracks. On the opening night of the Walker Brothers tour, Jimi Hendrix upstages the other acts by burning a guitar onstage for the first time, nearly setting the Finsbury Park Astoria ablaze. As the Walker Brothers tour progresses, Jimi’s onstage antics become front-page news.

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Jeffrey, Francis. "Francis Jeffrey, Edinburgh Review." In Walter Scott, 79–84. Routledge, 2003. http://dx.doi.org/10.4324/9780203197714-10.

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Jeffrey, Francis. "Francis Jeffrey, unsigned review, Edinburgh Review." In Walter Scott, 35–51. Routledge, 2003. http://dx.doi.org/10.4324/9780203197714-3.

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Conference papers on the topic "Jeffery Walker"

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Sekhar, G. N., and G. Jayalatha. "Elastic Effects on Rayleigh-Be´nard-Marangoni Convection in Liquids With Temperature-Dependent Viscosity." In ASME 2009 International Mechanical Engineering Congress and Exposition. ASMEDC, 2009. http://dx.doi.org/10.1115/imece2009-12774.

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A linear stability analysis of convection in viscoelastic liquids with temperature-dependent viscosity is studied using normal modes and Galerkin method. Stationary convection is shown to be the preferred mode of instability when the ratio of strain retardation parameter to stress relaxation parameter (elasticity ratio) is greater than unity. When the ratio is less than unity the possibility of oscillatory convection is shown to arise. Oscillatory convection is studied numerically for Rivlin-Ericksen, Walters B′, Maxwell and Jeffreys liquids by considering free-free and rigid-free isothermal/adiabatic boundaries. It is found that there is a tight coupling between the Rayleigh and Marangoni numbers, with an increase in one resulting in a decrease in the other. The effect of variable viscosity parameter is shown to destabilize the system. The problem reveals the stabilizing nature of strain retardation parameter and destabilizing nature of stress relaxation parameter, on the onset of convection. The Maxwell liquids are found to be more unstable than the one subscribing to Jeffreys description whereas the Rivlin-Ericksen and Walters B′ liquids are comparatively more stable. Rigid-free adiabatic boundary combination is found to give rise to a most stable system, whereas the free isothermal free adiabatic combination gives rise to a most unstable system. The problem has applications in non-isothermal systems having viscoelastic liquids as working media.

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