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1

Hussein of Jordan, 1935-1999: A photographic history. [Amman]: King Hussein Foundation, 2000.

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2

Make it plain: A life of speaking. New York: PublicAffairs, 2008.

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3

Barré-Despond, Arlette. Jourdain: Frantz 1847-1935, Francis 1876-1958, Frantz-Philippe 1906. Paris: Editions du Regard, 1988.

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Suzanne, Tise, ed. Jourdain: Frantz--1847-1935, Francis--1876-1958, Frantz-Philippe--1906-1990. New York: Rizzoli, 1991.

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5

Ashton, Nigel John. King Hussein of Jordan: A political life. New Haven, Conn: Yale University Press, 2008.

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6

Satloff, Robert B. From Abdullah to Hussein: Jordan in transition. New York: Oxford University Press, 1993.

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7

Satloff, Robert B. From Abdullah to Hussein: Jordan in transition. New York: Oxford University Press, 1994.

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8

Dann, Uriel. King Hussein and the challenge of Arab radicalism: Jordan, 1955-1967. New York: Oxford University Press in cooperation with the Moshe Dayan Center for Middle Eastern and African Studies, 1991.

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9

King Hussein and the challenge of Arab radicalism: Jordan 1955-1967. New York: Oxford University Press in cooperation with the Moshe Dayan Center for Middle Eastern and African Studies, Tel Aviv University, 1989.

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10

Tarragon, Jean-Michel de, and G. Chatelard. The empire and the kingdom: Jordan as seen by the Ecole biblique et archéologique francaise de Jérusalem, 1893-1935. 2nd ed. [Amman]: The Jordan Museum, 2010.

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11

Vernon, Loeb, ed. King's counsel: A memoir of war, espionage, and diplomacy in the Middle East. New York: W.W. Norton & Co., 2011.

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12

Selected Letters of Vernon Lee, 1856-1935. Taylor & Francis Group, 2016.

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13

Geoffroy, Sophie, and Crystal Hall. Selected Letters of Vernon Lee 1856–1935. Edited by Sophie Geoffroy and Amanda Gagel. Routledge, 2020. http://dx.doi.org/10.4324/9781003089193.

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14

Gagel, Amanda. Selected Letters of Vernon Lee, 1856 - 1935. Routledge, 2016. http://dx.doi.org/10.4324/9781315537764.

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15

Gagel, Amanda, and Sophie Geoffroy. Selected Letters of Vernon Lee, 1856-1935, Volume 3. Taylor & Francis Group, 2018.

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16

Selected Letters of Vernon Lee, 1856-1935, Volume 2. Taylor & Francis Group, 2017.

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17

Foundation, King Hussein, ed. Hussein of Jordan, 1935-1999: A photographic history. [Amman]: King Hussein Foundation, 2000.

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18

Gagel, Amanda, and Sophie Geoffroy. Selected Letters of Vernon Lee, 1856-1935: Volume II - 1885-1889. Taylor & Francis Group, 2020.

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19

Gagel, Amanda, and Sophie Geoffroy. Selected Letters of Vernon Lee, 1856-1935: Volume II - 1885-1889. Taylor & Francis Group, 2020.

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20

Gagel, Amanda, and Sophie Geoffroy. Selected Letters of Vernon Lee, 1856-1935: Volume II - 1885-1889. Taylor & Francis Group, 2020.

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21

Selected Letters of Vernon Lee, 1856-1935: Volume II - 1885-1889. Taylor & Francis Group, 2020.

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22

Ashton, Nigel. King Hussein of Jordan: A Political Life. Yale University Press, 2008.

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23

Ashton, Nigel. King Hussein of Jordan: A Political Life. Yale University Press, 2008.

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24

King Hussein of Jordan: A Political Life. Yale University Press, 2010.

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25

Maxwell, Catherine. Vernon Lee’s Handling of Words. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198737827.003.0018.

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Early schooled in writing by a pedagogy rooted in dialogic exchange, Vernon Lee (1856–1935) made the interactive relationship between writer and reader central to her critical prose. Her early essays showcase her already distinctive prose voice—markedly different from a professional academic masculine voice. Quick to establish a rapport, Lee is a sympathetic guide, skilfully steering her readers through arguments and expositions, but also stimulating and involving them through impressionistic description, association, and intricate dynamic passages full of open-ended verb forms. Published in the 1890s and early 1900s, many of the essays in her innovative book The Handling of Words and Other Studies in Literary Psychology (1923) show her fascination with the idea of style as a form of contact and transaction between writer and reader, with style creating the perceptual patterns that persuade readers to think and imagine in ways not naturally their own.
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26

Contested Destiny: The Life of King Hussein of Jordan. Yale University Press, 2008.

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27

Anglo-American Support for Jordan: The Career of King Hussein. Palgrave Macmillan, 2008.

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28

Hussein And Abdullah Inside The Jordanian Royal Family. Saqi Books, 2010.

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29

King Hussein and the Challenge of Arab Radicalism: Jordan, 1955-1967 (Studies in Middle Eastern History). Oxford University Press, USA, 1991.

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30

Ruse, Michael. The Biology of War. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190867577.003.0006.

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The eugenical stupidity of warfare was a major theme in the thinking of Darwinians during the First World War. Americans Vernon Kellogg and David Star Jordan were very vocal on this theme, although as a result of spending time with the German High Command while on war relief work in Belgium, Kellogg gave up his pacifism and began to argue the necessity of the conflict. Eugenical worries also haunted the British, although some like Sir Arthur Keith saw the bright side to things, and felt that evolutionary good could come from conflict. The Scottish common sense of zoo director Peter Chalmers Mitchell showed that many of the wilder claims about the good and bad effects of war really don’t hold up. He argued that we must accept that culture overwhelms the biology of the case. Across the trenches, Friedrich von Bernhardi argued the virtues and necessity of war before, during, and after the conflict. Germany was betrayed by inadequates.
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31

O'Connell, Jack, and Vernon Loeb. King's Counsel: A Memoir of War, Espionage, and Diplomacy in the Middle East. Norton & Company, Incorporated, W. W., 2011.

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32

Pollack, Howard. Banjo Eyes. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190458294.003.0009.

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During the period 1940–41, Latouche became involved with the Kurt Kasznar revue Crazy with the Heat, the Ice-Capades of 1941, and other lesser efforts. However, his largest achievement immediately following Cabin in the Sky was Banjo Eyes, a show written for Eddie Cantor’s triumphant return to the Broadway stage, with music by Vernon Duke. The musical was an adaptation of John Cecil Holm and George Abbott’s popular 1935 farce Three Men on a Horse. After mixed reviews on the road in New Haven and Boston, management fired Latouche—or he quit, depending on the source—for not writing in a more accessible vein. The producers subsequently hired Harold Adamson to work with Duke as the show moved to Philadelphia and New York. The musical enjoyed a fair success on Broadway, but closed prematurely when Cantor decided to leave it on account of an undisclosed malady. Although the show has long been forgotten, some of the songs remain in the repertory.
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