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1

Feser, Frauke. "The visiting artist researcher experiment." Journal of Science Communication 14, no. 01 (2015): C02. http://dx.doi.org/10.22323/2.14010302.

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The visiting artist researcher experiment discussed here brought together visual artists and climate scientists, amongst them my research group which studies storms. The artists’ stay led to a dialogue between our diverging perspectives and an open exchange of ideas. The exchange in my research group was more interactive than I had expected. Many conversations provided insights into ideas and work flows of the artists and, eventually, a new view on our storm studies.
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Benjamin, Elliot. "The creative artist support group: a case study." Journal of Public Mental Health 13, no. 3 (2014): 142–45. http://dx.doi.org/10.1108/jpmh-11-2013-0072.

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Purpose – The purpose of this paper is to describe the therapeutic benefits of a community-based creative artists support group. The author is also the participant/facilitator of the group, which has been ongoing for the past eight months. The relevant experiences of three participants in the group have been chosen, to briefly illustrate the diverse kinds of social and therapeutic value that people with creative artistic inclinations may benefit from. Design/methodology/approach – The philosophy of the author's facilitation of this creative artist support group is based upon the humanistic psy
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Alamsyah, Alamsyah, Siti Maziyah, and Vicky Very Angga. "Dari Kentrung hingga Ken Palman: Pasang Surut Kesenian Kentrung Jepara, 1970-2021." Jurnal Sejarah Citra Lekha 8, no. 1 (2023): 44–55. http://dx.doi.org/10.14710/jscl.v8i1.49936.

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This article discusses the development of kentrung art, a traditional art originating from a city on the north coast of Java, namely Jepara. Kentrung has been present to accompany the people of Jepara for a long time and has become one of the instruments in religious rituals in Jepara. In addition, kentrung is also one of the entertainment's communities. In the 1970s to 1980s, kentrung experienced its heyday because it was in great demand by the public. However, in subsequent periods, kentrung faced challenges threatening its existence. Using historical methods, this article examines the adapt
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Hernández-Castellano, Pedro M., M. Dolores Marrero-Alemán, Ana M. Aranda-Loureiro, Fernando Ortega-García, Rubén Paz-Hernández, and Antonio N. Benítez-Vega. "Development of Interactive Learning Materials in Engineering of Manufacturing Processes." Materials Science Forum 903 (August 2017): 63–69. http://dx.doi.org/10.4028/www.scientific.net/msf.903.63.

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This work presents several interactive learning materials developed by the Group of Educational Innovation Manufacturing Engineering of the University of Las Palmas de Gran Canaria. This work presents the methodology followed, the main results achieved, the first classroom experiences, their evolution, new materials that are being developed, and the conclusions obtained from this line of work.
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Costantini, Erica, and Elena Tammaro. "the arts at play: working with artists and PCP in organizations." Rivista Italiana Costruttivismo 6, no. 1 (2018): 25–32. http://dx.doi.org/10.69995/guui7820.

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The workshop presented at the EPCA 2016 conference, after highlighting the strong connections between PCP and contemporary arts and their effectiveness in improving organizational growth, introduced a methodology for operating inside organizations which assumes the co-construction of the intervention by a PCP consultant, responsible for the analysis of client’s needs and group processes, an artist, the catalyst for change, and a producer, the crucial mediator between consultant, client and artist. The workshop participants experienced this intervention methodology by working directly with an a
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6

Rycroft, Simon. "The Artist Placement Group: an archaeology of impact." cultural geographies 26, no. 3 (2019): 289–304. http://dx.doi.org/10.1177/1474474018821860.

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7

Baek, Yoonjee, Changmu Jung, and Heesun Joo. "Residents’ Perception of a Collaborative Approach with Artists in Culture-Led Urban Regeneration: A Case Study of the Changdong Art Village in Changwon City in Korea." Sustainability 13, no. 15 (2021): 8320. http://dx.doi.org/10.3390/su13158320.

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This study asserts that the higher the degree of artists’ and residents’ participation in a culture-led renewal project, the higher the level of residents’ satisfaction. Engaging artist groups and introducing cultural programs can facilitate building a collaborative network between artists and residents. This paper adopts an experimental study method and defines the experimental and control groups as follows: the experimental group (Changwon city) has relatively high artist participation, and the control group (Sacheon, Gimhae, Miryang cities) have relatively low artist involvement. Multiple r
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MARTINS, ROSANA, IRENE KNYSAK, and ROGÉRIO BERTANI. "A new species of Loxosceles of the laeta group from Brazil (Araneae: Sicariidae)." Zootaxa 94, no. 1 (2002): 1. http://dx.doi.org/10.11646/zootaxa.94.1.1.

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A new species of Loxosceles, L. puortoi, is described from Palmas, State of Tocantins, Brazil. This is the first native species of the laeta group known for Brazil. Males can be distinguished from other species of this group by the very long and narrow femur and tibia of the male palp. Females can be distinguished by the presence of four narrow and long spermathecae with similar width and not largely fused in the basal portion, tibia and tarsus of the palp not incrassate and leg II longer than leg IV.
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Malveira, Ricardo, Renata Ferreira da Silva, Renata Patrícia da Silva, and Amanda Mauricio Pereira Leite. "NAS TRANSPARÊNCIAS DA CIDADE PRÁTICA IMAGÉTICA, PERFORMATIVA E RITUAL." Revista Observatório 4, no. 2 (2018): 1033. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n2p1033.

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Olhar, pensar e sentir a cidade sempre foi importante e na atualidade torna-se uma necessidade. O presente estudo busca promover uma breve discussão sobre prática artística como estratégia para perceber o espaço urbano da cidade de Palmas como lugar de intervenção e pesquisa. A percepção de transparências são os resultados da performance-instalação intitulada “Na rotatória tem encruzilhada”, organizada pelo grupo de pesquisa Transver.
 
 PALAVRAS-CHAVE: Rotatória; Encruzilhada, performance-instalação.
 
 
 ABSTRACT 
 Looking, thinking and feeling the city has alwa
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Bezerra, Gustavo Iago Silva, Érico Bezerra De Sena, and Kelly Cristina Gomes Alves. "MORTALIDADE PREMATURA POR DOENÇAS DO APARELHO CIRCULATÓRIO EM PALMAS, TOCANTINS." Revista de Patologia do Tocantins 4, no. 2 (2017): 54. http://dx.doi.org/10.20873/uft.2446-6492.2017v4n2p54.

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Introdução: As Doenças Crônicas Não Transmissíveis (DNCT) representam a principal causa de morte no mundo, principalmente em populações de baixa renda. Destacam-se as doenças do aparelho circulatório, respondendo, no Brasil, por 31% do total de óbitos. Objetivos: Identificar os óbitos por doenças do aparelho circulatório e investigar os fatores de risco em Palmas, Tocantins, no período de 2011 a 2013. Métodos: Trata-se de um estudo transversal e descritivo. Os dados foram coletados dos relatórios de óbitos por Doenças do Aparelho Circulatório da Secretaria Municipal de Saúde de Palmas ocorrido
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11

Rifkind, Gabrielle. "The Creative Process of the Artist and Group Analyst." Group Analysis 28, no. 3 (1995): 331–37. http://dx.doi.org/10.1177/0533316495283009.

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The author describes how as an artist she sets a frame or boundary around her work that acts as a container. She then searches for something familiar, perhaps of a derivative nature, before moving into a period of not knowing and potential chaos but finally into the creation of something new. Similarly in a group a boundary is created that creates sufficient safety for members to explore the familiar and cohesive before moving into a position of greater tension and unfamiliarity but ultimately into the possibility of reconstruction and coherence. Artist and analyst both hold the balance betwee
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Bílek, Jan. "Pátečníci v kresbě." Acta Musei Nationalis Pragae – Historia litterarum 65, no. 3-4 (2020): 41–47. http://dx.doi.org/10.37520/amnpsc.2020.021.

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The article deals with depictions of a looser private group associated with the writer Karel Čapek (1895–1938). The company as a group was captured in three drawings by the artist and writer Adolf Hoffmeister (1902–1973), which he dated to 1927. The public is most familiar with the drawing called Pátečníci [Friday Men], best visually representing the topic. The artist also made other drawings associated with the Friday Men.
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McCrary, Jan. "Ethnic Majority/Minority Status: Children's Interactions and Affective Responses to Music." Journal of Research in Music Education 48, no. 3 (2000): 249–61. http://dx.doi.org/10.2307/3345397.

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This study is an examination of the effect of classroom ethnic majority/minority status on third-, fifth-, and seventh-grade children's ( N = 118) interactions and affective responses while these children listened to and discussed a Latin salsa artist, an African-American rhythm and blues artist, and a European-American folk artist. Classroom ethnic-group proportions determined African-American and European-American children's classroom status. The study also examined the children's preference ratings for each artist. The researcher recorded the children's interactions on a laptop computer whi
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Hammerschlag, Keren Rosa. "The Gentleman Artist-Surgeon in Late Victorian Group Portraiture." Visual Culture in Britain 14, no. 2 (2013): 154–78. http://dx.doi.org/10.1080/14714787.2013.780828.

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15

Kunnap, V. "The Paper "Stream"." Public Voices 2, no. 3 (2017): 7. http://dx.doi.org/10.22140/pv.385.

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Yu, Sang-Min, and Yun-Suk Lee. "A Study on the Relationship between Institutional Factors and Stress in Popular Culture Artists." Korea Association Of Cultural Economics 27, no. 1 (2024): 181–207. http://dx.doi.org/10.36234/kace.2024.27.1.181.

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This study aims to analyze the stress experienced by popular culture artists in the changing work environment. This study used the data from the '2021 Survey on Artists & Activities' in Korea. We analyzed the impact of institutional factors on artists' stress by popular culture field through Ordered logistic regression analysis between film, broadcast, and popular music artists and their stress levels. Career Interruption, Activities period, education, On-the-job injury, residence area and full-time status of broadcast artist significantly affected artist's stress. Also, Public Pension Sal
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Ginzburg, G. N. "What should be the specifi city of the works of quantum artists?" Voprosy kul'turologii (Issues of Cultural Studies), no. 9 (September 30, 2024): 808–10. http://dx.doi.org/10.33920/nik-01-2409-05.

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In this article, the author relies on the provisions of the Quantum Art Manifesto, created in 2008 by Roberto Denti, an Italian theorist, architect, artist, computer graphic artist and designer. The ideas of the Manifesto were logically continued in the creation of the International Group of Artists Quantum Movement in 2012, which was then transformed into the International Academy of Arts and Quantum Science IAMAQ-Italy in 2020.
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18

Bolt, Alan. "Ways of Being an Artist." New Theatre Quarterly 7, no. 26 (1991): 107–12. http://dx.doi.org/10.1017/s0266464x00005388.

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By way of coda to our earlier coverage in NTQ of Nicaraguan theatre under the Sandinista government, we include here an interview with Alan Bolt, one of the best-known and most controversial of the playwrights of the revolutionary period. The interview was conducted in September 1989, just a few months before the free elections ended the fragile, insidiously-obstructed Sandinista experiment in socialism with a South American face. While dedicated to the ideals of the Sandinistas, for whom he had fought underground during the Somoza dictatorship, Alan Bolt found himself increasingly opposed to
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19

Ko, Kyong-ok. "Exhibitions (1993-2000) of the Feminist Artist Group 30 Carat." Journal of History of Modern Art 55 (June 30, 2024): 135–69. http://dx.doi.org/10.17057/kahoma.2024..55.006.

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20

Nitsun, Morris. "Artist and Group Facilitator: Thoughts on Paper by Gillian Recordon." Group Analysis 28, no. 1 (1995): 97–99. http://dx.doi.org/10.1177/0533316495281008.

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21

Baker, Felicity A., Neryl Jeanneret, and Anna Clarkson. "Contextual factors and wellbeing outcomes: Ethnographic analysis of an artist-led group songwriting program with young people." Psychology of Music 46, no. 2 (2017): 266–80. http://dx.doi.org/10.1177/0305735617709520.

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Group-based therapeutic songwriting has been applied to enhance the wellbeing of young people. Artist-led songwriting experiences have potential to enhance wellbeing of young people but this has not yet been fully explored. Understanding how this activity impacts wellbeing can advance practice. This study offers a music therapy perspective on artist-led group songwriting, highlighting contextual factors that impacted wellbeing outcomes. A two-day artist-led songwriting program with 85 young people was observed. Video footage, ethnographic field notes and artefacts were thematically analysed an
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22

Griniuk, Marija. "Crossroads of Eastern Europe and the Arctic North – Artistic Personas and Creative Processes of Border-Crossing Artists." Migration Letters 20, no. 4 (2023): 97–105. http://dx.doi.org/10.47059/ml.v20i4.3196.

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This essay explores the development of an artistic persona and choices within the creative processes of border-crossing artists. Similar to the act of border crossing, the transcorporeal experience contains attempts to enter the unity of the body of the artist and the artwork with the socio-politics of the new site for artistic expression. In the action of border-crossing, artistic practice enters the holistic approach as the human, functioning in the new and unfamiliar society, and as the artist, thus continually shaping the individual’s artistic persona and artistic voice. The focus group da
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Fusco, Coco. "Art Communities at Risk: On Cuba." October, no. 178 (2021): 135–43. http://dx.doi.org/10.1162/octo_a_00444.

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Zemite, Ieva, Kristīne Freiberga, and Nadīna Medne. "INVISIBLE ARTISTS: RECOGNITION AND SUPPORT FOR CULTURAL AND CREATIVE PROFESSIONALS IN THE BALTICS." Culture Crossroads 23 (January 10, 2024): 28–52. http://dx.doi.org/10.55877/cc.vol23.382.

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The aim of this research is to define what kind of key challenges and implemented solutions regarding the artist status are common in Europe, and how to develop a systematic approach for artist recognition and support in the Baltic context. Using qualitative research methodology (desk research, qualitative interviews, focus group discussions) the authors analyze the current theoretical and empirical discussion in the European Union member states and especially in the Baltic countries, highlighting different practices and experiences in defining the status and recognition of the artist, and sup
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Pardue, Derek, and Eduardo Santos. "A night in the life of a migrant street artist: In conversation with visual artist Shp." Crossings: Journal of Migration & Culture 13, no. 1 (2022): 43–45. http://dx.doi.org/10.1386/cjmc_00054_7.

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The following text is a transcription and translation from a conversation with Eduardo Santos, a Brazilian tagger and street artist who currently lives in Lisbon, Portugal. Santos, more widely known as Shp (‘sheep’), member of the group Pregos (literally translated as ‘nails’), responded to questions about identity, life philosophy and art through a series of WhatsApp audios. In addition, Shp and Xiên, another Brazilian migrant, provide a voice-over for a ten-minute video that shows a ‘night in the life’ of a pixador, the name given in Brazilian Portuguese to a street artist who practises the
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Sauer, Stephanie. "The Accidental Archives of the Royal Chicano Air Force." Boom 2, no. 4 (2012): 118–25. http://dx.doi.org/10.1525/boom.2012.2.4.118.

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This excerpt offers a collection of the myth and truth—often indistinguishable—behind The Royal Chicano Air Force, an artist collective that played a key role in the Chicano civil rights movement. Playing with ideas about the preservation of history and its perceived truth, the archives – a series of original artist books - blend Pre-Columbian and Western record-keeping practices with running historical references to make real the ongoing mythologizing of the group, and to offer alternative readings of California history and public space.
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Monteiro, Leandro C., and Guilherme Muricy. "Patterns of sponge distribution in Cagarras Archipelago, Rio de Janeiro, Brazil." Journal of the Marine Biological Association of the United Kingdom 84, no. 4 (2004): 681–87. http://dx.doi.org/10.1017/s0025315404009750h.

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The structure and distribution of the sponge community in five sites and four habitats in Cagarras Archipelago, Rio de Janeiro, Brazil, are described. The archipelago has three major islands (Cagarra, Palmas, and Comprida), and four islets. Qualitative samples were taken by SCUBA diving in the three islands and in two islets, and quantitative samples were taken in Palmas Island only. Cluster analysis using Jaccard's coefficient on qualitative data grouped the two islets (Cagarra Bank and Cagarra Islet), which are more exposed to wave action, and the three islands formed a group of relatively s
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Weissensteiner, Elisabeth, and Christian Freksa. "Wolkenkuckucksheim: Art as Metaphor of the Mind." Leonardo 45, no. 5 (2012): 414–22. http://dx.doi.org/10.1162/leon_a_00437.

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Wolkenkuckucksheim is a site-specific interactive computer installation created for the Cognitive Systems Group at the University of Bremen, Germany. It was conceived and implemented by the authors: an artist interested in the syntax of space and the semantics of materials, and a cognitive scientist investigating the cognitive implications of ubiquitous computing. The project unites the artistic approach of creating metaphors and the scientific approach of theoretical inquiry. In this essay, artist and scientist show in a dialogical manner how art and science gain complementary insights by wor
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Hullick, James. "Prosthetic Abilities: Conceptualizing Sound Machines for Amplified Elephants." Leonardo 49, no. 2 (2016): 148–55. http://dx.doi.org/10.1162/leon_a_00921.

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This article discusses how an understanding of prosthetic imagining has influenced the making of sound machines for the Amplified Elephants—a group of sound artists living with intellectual disabilities. This research is contextualized through the discussion of relevant precedent artists: performance artist Stelarc and sound artist Ernie Althoff. The article presents the point that sound art (including music) is a predominantly prosthetic art form; sound-making devices (including traditional musical instruments) can be conceived of as prosthetic audio devices. Investigating notions of prosthes
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Diosi, Ivor “ID.” "Molding the Signifier: Codesculpting the Possible Shapes of a Future Consciousness." Leonardo 50, no. 1 (2017): 80–81. http://dx.doi.org/10.1162/leon_a_01355.

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This article introduces the art/science/transmedia project Molding the Signifier and maps out its wider cultural and societal connotations, reach and significance, with specific reference to its staging within the Trust Me, I’m an Artist event (an EU Creative Europe-funded project) that took place in Prague in 2015. As the work itself strives to artistically bridge and synthesize recent—in the opinion of the authoring artist group—existentially highly relevant results in science, so the article provides an overview and synthesis of their art/science fusion approach and methods.
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Beregovska, Khrystyna. "Analyzing the Identity Within the Works of William Kurelek." Demiurge: Ideas, Technologies, Perspectives of Design 2, no. 1 (2019): 128–36. https://doi.org/10.31866/2617-7951.2.1.2019.170363.

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The aim of the research.The article deals with the problem of identity in the works of Ukrainian-Canadian artist William Kurelek. It outlines the necessary pre-conditions of the research in the context of his artistic searches. Based on in-depth analysis of a numerous series created by the artist, the research distinguishes four separate types of identity, which the artist presented, in the following contexts: national, social, personal, and group. Each type of identity is analyzed according to type, and supporting examples of Kurelek’s works are provided. Research methodology. General s
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Macfarlane, Siân. "Finding Lily F. Whaite: Exploring Victorian Women Artists’ Experiences through Practice-Led Research." Collections: A Journal for Museum and Archives Professionals 14, no. 3 (2018): 383–402. http://dx.doi.org/10.1177/155019061801400312.

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Henry Clarence Whaite (1828-1912) was an English artist, drawn to North Wales by his desire to paint the landscape, becoming part of a burgeoning arts scene based around Betws-y-Coed. Lily F. Whaite (1876-1959), his daughter, was an artist in her own right and one of the founding members of the first women's arts group in Wales, the Gwynedd Ladies’ Arts Society. The archive of H. Clarence and Lily F. Whaite, located at the National Library of Wales, is extensive in nature and includes a number of photographs, sketches, personal papers, and, crucially, personal letters among father, daughter, a
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Zhumabekova, Dana Zh, and Madina B. Kapeu-Kokhanova. "XTH INTERNATIONAL VIOLIN COMPETITION “ASTANA-VIOLIN” IN MEMORY OF DAVID OISTRAKH." Arts education and science 1, no. 38 (2024): 192–98. http://dx.doi.org/10.36871/hon.202401192.

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From 6 to 11 November 2023, Astana hosted the Xth International Violin Competition “Astana- Violin” in memory of David Oistrakh. The event was timed to mark the 25th anniversary of the founding of the Kazakh National University of Arts and was held with the support of the Ministry of Culture and Information of the Republic of Kazakhstan. The jury of the Xth International Violin Competition “Astana-Violin” was headed by Aiman Mussakhajayeva, People’s Artist of the Republic of Kazakhstan, Hero of Labor of Kazakhstan, Rector of KazNUI. It included People’s Artist of the Russian Federation Zakhar
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Aishat S., Danieva, and Bagirokov Hazret Z. "Art criticism discourse in the linguistic space: cognitive structures of consciousness by A.S. Pashaev." Kavkazologiya 2024, no. 2 (2024): 480–91. http://dx.doi.org/10.31143/2542-212x-2024-2-480-491.

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The article analyzes the features of the art criticism discourse of the Honored Artist of the Che-chen Republic A. Sh. Pashayev. The goal is to reveal the specifics of the cognitive-semantic struc-tures of the linguistic consciousness of the artist, presenting the national ethnoculture with the help of surreal symbols. The study reveals the features of self-awareness, worldview and the sys-tem of relationships between a creative personality and the outside world, broadcasting in the Chechen artistic space a new direction for the North Caucasus socio-cultural space - surrealism. It should be em
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Stavila, Tudor. "Teodor Buzu's extemporaries: light and singularity." Akademos, no. 2(69) (October 2023): 177–81. http://dx.doi.org/10.52673/18570461.23.2-69.21.

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A notorious representative of the contemporary Bessarabian artistic diaspora, Teodor Buzu is a well-known name in the Romanian and Central European artistic scene. Having settled for over three decades in Tabor in the Czech Republic, the artist takes part with devotion in exhibitions in the Republic of Moldova and in European countries. He is a versatile artist, working in watercolour, easel painting, graphic design, ceramics, monumental painting, and book graphics. He is a member of the Volary Group, together with his friends, the Czech painters Pavel Klima and Vit Pavlik, sharing a passion f
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Burgess, Claudia R. "Untangling Geometric Ideas." Teaching Children Mathematics 20, no. 8 (2014): 508–15. http://dx.doi.org/10.5951/teacchilmath.20.8.0508.

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This geometry lesson uses the work of abstract artist Wassily Kandinsky as a springboard and is intended to promote the conceptual understanding of mathematics through problem solving, group cooperation, mathematical negotiations, and dialogue.
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Cooper, Patrick K. "Hip hop education = informed artist citizens." Journal of Popular Music Education 3, no. 2 (2019): 359–62. http://dx.doi.org/10.1386/jpme.3.2.359_1.

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What follows is a spoken word piece delivered at the Suncoast Music Education Research Symposium in February of 2019 to a group of higher education faculty and doctoral students. It is the intersection of hip hop lyrics and my white privilege, effectively composed as an artistic response to demonstrate the deep knowledge contained within hip hop lyrics and the value gleaned from their critical analyses. The impetus for this piece was my desire to show the conference attendees an alternative to perpetuated and damaging stereotypes about hip hop, a problem which I perceive as the prevalent under
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Jorge-Araujo, Pedro, Milagros Torres-García, Magdalena Marrero-Montelongo, and Carmen Navarro Rodríguez. "Creencias y actitudes de adolescentes españoles hacia el consumo de tabaco en pipa de agua." Enfermería Global 17, no. 2 (2018): 65–85. http://dx.doi.org/10.6018/eglobal.17.2.278471.

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Objetivo: Identificar las creencias y actitudes de los estudiantes de educación secundaria obligatoria y bachillerato de la provincia de Las Palmas respecto al consumo de tabaco en pipa de agua. Dicho objetivo responde a la reciente y rápida expansión del consumo de tabaco en pipa de agua entre los adolescentes europeos, la relativa escasez de datos acerca de sus determinantes y la falta de estudios al respecto en los adolescentes de nuestro país.Método: La muestra, constituida por 1770 alumnos de la provincia de Las Palmas, se obtuvo estratificando cada bloque académico por áreas geográficas,
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Dennison, Lynda. "An Illuminator of the Queen Mary Psalter Group: The Ancient 6 Master." Antiquaries Journal 66, no. 2 (1986): 287–314. http://dx.doi.org/10.1017/s0003581500028092.

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This study traces the career of a single illuminator (the Ancient 6 Master) who was active in England from c. 1310 to 1335. For much of this time it can be shown that he worked in collaboration with the artist of Queen Mary's Psalter, one of the most profusely illustrated English manuscripts in existence Although a large number of books have been grouped under the heading of the ‘Queen Mary’ style, they have never received a proper classification, nor has any detailed attention been given to the problem dating. This paper attempts both to isolate the works in which the two artists participated
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Strickland, Christopher M. "The Way of the Artist Educator paradigm: Fusing artistic studio practice and teaching pedagogy." International Journal of Education Through Art 16, no. 2 (2020): 227–44. http://dx.doi.org/10.1386/eta_00028_1.

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The purpose of this autoethnographic study is to examine the experiences of visual arts educators who identify themselves as Artist Educators. In particular, this article investigates how these Artist Educators perceive the fusion of their artistic studio practice with their teaching pedagogy, and how the perception defines their identity and impacts their creative and classroom practices. This study involved a focus group of six individuals, including the researcher. All the participants were practising artists, currently employed or recently retired K-12 visual arts educators certified in th
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Campos, Vinícius Rosendo Vieira, Giovanna Santos Vieira, Letícia Fernanda Ramos, and Anderson Barbosa Baptista. "Etiological and susceptibility profile of microorganisms causing urinary tract infection in pregnant women in the city of Palmas, Brazil." Research, Society and Development 11, no. 15 (2022): e200111536973. http://dx.doi.org/10.33448/rsd-v11i15.36973.

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Urinary tract infections (UTIs) are inflammatory pathologies resulting from the multiplication of microorganisms in the urinary tract. The risk group includes pregnant women, due to physiological changes caused by pregnancy, and such conditions are related to a greater risk of maternal-fetal complications. Treatment is based on the most likely etiology and should consider microbial sensitivity to antimicrobials, given the increasing emergence of resistance. Given the need to monitor the pathogenic epidemiology and its susceptibility, the study aims to determine the etiological and susceptibili
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Nimbley, Michael, and Catherine Bourgeois. "Presenting: Michael Nimbley." Canadian Journal of Disability Studies 10, no. 2 (2021): 325–32. http://dx.doi.org/10.15353/cjds.v10i2.808.

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The following is the working script from Montreal-based artist Michael Nimbley’s presentation about his professional career. The script was co-created with his creative ally Catherine Bourgeois, the founder and artistic director of Montreal-based theatre group, Joe Jack & John. Joe Jack & John is a theatre company that produces original, bilingual, multidisciplinary shows combining video, dance, and the spoken word. Their artistic approach is deeply humanistic and inclusive; their creations represent a social microcosm by integrating professional actors with an intellectual disability
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Hernández, P., M. D. Monzón, A. N. Benítez, et al. "Rapid Manufacturing Experience in Training." Materials Science Forum 759 (July 2013): 47–54. http://dx.doi.org/10.4028/www.scientific.net/msf.759.47.

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Rapid Manufacturing (RM) is considered as a set of innovative manufacturing technologies, many of which are in continuous development phases, and are becoming increasingly important to develop new products with high added value. Procesos de Fabricación research group, at the University of Las Palmas de Gran Canaria (ULPGC) is a founding member of the Spanish Rapid Manufacturing Association (ASERM), and has over ten years of expertise in research, transfer and training activities in these new technologies. ASERM, marked among its strategic objectives to promote and support RM training. As a re
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Grant, Cynthia. "CAN AN IMMIGRANT SOUTH KOREAN THEATRE ARTIST BE HEARD IN CANADA?" Canadian Theatre Review 117 (January 2004): 22–24. http://dx.doi.org/10.3138/ctr.117.006.

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Huynhee Seo came to Canada in 1997, after spending fifteen years working in activist theatre with a group called Tobagi Theatre, based in the southwest of South Korea in Kwangju. In Kiang, a very unique project of community development had taken place, through an initiative called the Wildfire Night School. Several popular educators, brilliant intellectuals influenced by Paolo Freire, transformed communities of the poor. So in 1980, when the military government was installed, it was in Kwangju that there was community resistance. Initially a street theatre group as part of the community action
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Gardner, Sally. "Noa Eshkol and the Idea of a Chamber Dance Group." Dance Research Journal 50, no. 1 (2018): 67–79. http://dx.doi.org/10.1017/s0149767718000049.

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Noa Eshkol (1924–2007) was an Israeli dance artist who developed a movement notation system in collaboration with her colleague, the architect Avraham Wachman. Consideration of Eshkol's dance values, particularly as they pertain to dance's basis in movement, understood as a material that can be “thought,” like music, by means of a notation system, and the role of the dancers as the work's primary audience, can contribute to the ongoing task of investigating dance modernism and its variety of authorship and spectatorship modes.
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González Cruz, María Isabel, and María Jesús Rodríguez Medina. "On the pragmatic function of anglicisms in Spanish: a case study." Revista Alicantina de Estudios Ingleses, no. 24 (November 15, 2011): 257. http://dx.doi.org/10.14198/raei.2011.24.11.

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Anglicisms are a complex phenomenon resulting from language contact and cultural globalization. They are greatly encouraged by the technological and cultural influence exerted by the Anglo-American world. Little has been said so far about usage as a factor. Besides, there is a type of anglicism of a pragmatic nature which remains almost unexplored. It is used in some communicative situations with a sort of expressive or aesthetic function, which some authors have called “ludic” or “empathic”, since they tend to mark oral discourse with humorous or ironic features. In this article we will appro
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Romero, Alemán María del Mar. "A pilot study on gamified and conventional e-quizzes reinforcing human histology among first-year medical and physiotherapy students." Anatomical Sciences Education 17, no. 4 (2024): 844–54. https://doi.org/10.1002/ase.2406.

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This study explored the impact of traditional teaching combined with gamified and nongamified e-tests on first-year medical and physiotherapy students' perceptions, knowledge retention, and academic performance. Conducted from February 2021 to May 2022 at the University of Las Palmas de Gran Canaria, it involved a single group of students in human histology courses.  Key findings: Both gamified (Quizizz) and nongamified (Moodle) e-tests facilitated learning and motivated students. Students preferred gamified e-tests. Overall&nbsp
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Mizera-Pęczek, Patrycja, Anna Krasnova, Magdalena Sasin, and Aleksandra Sieczych-Kukawska. "Dual careers as sustainable careers for performing artists in times of crisis. A contextual approach to the construct of a sustainable arts career." PLOS ONE 19, no. 12 (2024): e0314933. https://doi.org/10.1371/journal.pone.0314933.

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For an individual, a sustainable career is a sequence of events in one’s professional life that both brings professional satisfaction to the career actor, but also allows them to stay healthy, fit, satisfied with their non-work life, feel stable and secure, and free to decide their professional future. It is challenging to pursue a career as a performing artist in such a way that the artist can say of their career that it is sustainable. Indeed, research shows that artists struggle with job instability, being paid below expectations, high competition for lucrative career opportunities and the
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Mithlo, Nancy Marie. "Decentering Durham." American Indian Culture and Research Journal 43, no. 4 (2019): 25–28. http://dx.doi.org/10.17953/aicrj.43.4.2017.

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This section of the AICRJ special issue on fraud looks back to a 2017 group conversation (first published in First American Art Magazine no. 19 (Fall 2017): 84–89) as four Native American scholars and artists respond to the then-traveling retrospective exhibit Jimmie Durham: At the Center of the World in light of Durham’s long-standing claims to Cherokee identity. In “Decentering Durham,” Chiricahua Apache scholar Nancy Marie Mithlo argues that, “Cultural institutions continue to accept his platform, and, in doing so … deny Indigenous cultural sovereignty to name our own members and leaders.”
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Søndergaard, Morten. "Punctures in the Periphery. Show-Bix and the Media Conscious Practice of Per Højholt." Nordlit 11, no. 1 (2007): 115. http://dx.doi.org/10.7557/13.1754.

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Around 1967 and onwards, Per Højholt (1923-2004) performs a series of punctures in the periphery of a small and self-conscious avant-garde in Denmark - experiments that combine most of the known art forms and genres in a still more active dialogue with new media and technology.One of the first things Højholt engaged himself in at the time was Show-Bix, which is best described as an artist group consisting of the photographer and visual artist Poul Ib Henriksen, composer Gunner Møller Pedersen, and Per Højholt (at the time described largely as a poet). The group was operative from 1968 and unti
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