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Journal articles on the topic 'Lesbian love stories'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Nevins, A., and C. Almvig. "Forbidden Love: The Unashamed Stories of Lesbian Lives." Gerontologist 34, no. 2 (1994): 281. http://dx.doi.org/10.1093/geront/34.2.281.

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Kobus, Aldona. "Jak nawiedzają lesbijki. Homo-spektralność, tożsamość i trauma w niezależnych podcastach Midnight Radio (2018) i Weaver (2021)." Przegląd Kulturoznawczy, no. 1 (59) (September 25, 2024): 77–98. http://dx.doi.org/10.4467/20843860pk.24.005.20071.

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The article presents the spectralisation of lesbian desire, i.e., the discursive production of the social invisibility of lesbians, through its presentation in two podcasts: Midnight Radio (2018) by Bobbie Parker and Weaver (2021) written and performed by Newton Sweeney. The issue of spectralisation combines uncanny studies with queer theory, developing the concept of the queer subject as a phantom emerging in heteronormative culture through the social repression of queerness (the process known as homo-spectrality). In this context, the podcast format is particularly interesting as a derivativ

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Martín Junquera, Imelda. "Ethics of care in Chicana lesbian writers." Anuario de Estudios Filológicos 47 (April 4, 2024): 165–86. http://dx.doi.org/10.17398/2660-7301.47.165.

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Chicana Lesbians: The Girls our Mothers Warned Us About (1991) by Carla Trujillo challenged conventional positions and ideology about gender and sexual roles when it was published. The controversial issue of the ethics of care, discussed and understood in ecofeminist theories as the imperative of heteropatriarchal societies towards women to become caretakers, finds in these texts reflections from the queer identities of their authors, transforming their actions into positive interactions. In this volume, relationships of sorority, expressing love and care for one another abound as the writers

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4

Ipsen, Pernille. "Writing My Seven Mothers Back Together." American Historical Review 130, no. 2 (2025): 786–805. https://doi.org/10.1093/ahr/rhaf014.

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Abstract Stories are the glue that hold families and communities together. Confronting past difficulties honestly can have a healing, strengthening effect on relations. But narrating an intimate history of people you love is risky. In this essay, I detail my experience writing and publishing a collective memoir of the seven feminists I called mother during my childhood in Denmark in the early 1970s. My mothers met in the Danish women’s liberation movement in 1971, and together four of them started the lesbian movement in 1974. The stakes in writing my mothers’ story were high. Their movement y

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Zwissler, Laurel. "Sex, Love, and an Old Brick Building: A United Church of Canada Congregation Transitions to LGBTQ Inclusion." Journal of the American Academy of Religion 87, no. 4 (2019): 1113–52. http://dx.doi.org/10.1093/jaarel/lfz045.

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AbstractWhereas much literature focuses on ways that Christian discourses can perpetuate homophobia and transmisogyny, there is less scholarly attention focused on Christian groups that embrace people with diverse gender and sexual identities. As this article demonstrates, it is precisely because of their traditional marginalization that active inclusion of LGBTQ people may come to serve as a signifier of less institutionally oriented and more socially progressive forms of religiosity, especially for communities actively negotiating intersecting neoliberal oppressions. Drawing on sustained fie

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Andersson, Catrine, and Charlotta Carlström. "More-Than-Two-Parent Families." lambda nordica 24, no. 2-3 (2020): 81–103. http://dx.doi.org/10.34041/ln.v24.581.

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Norms concerning family formation are generally based on ideals of coupled love and the two-parent-family, however, family practices frequently go beyond these norms. Families consisting of more than two parents that are co-parenting have only been studied to a small extent. Analysing Swedish newspaper and magazine articles on more-than-two-parent families between 1992 and 2016 we ask: How are more-than-two-parent families displayed in Swedish media stories? Are they portrayed as legitimate families, and if so, how is this legitimacy discursively constructed? What role does recognition play in

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7

Casanova, Fábio. "Portraying Homosexuality in Hollywood The Case of The Children’s Hour and Carol." Via Panoramica: Revista de Estudos Anglo-Americanos 11, no. 2 (2022): 62–72. http://dx.doi.org/10.21747/2182-9934/via11_2a5.

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This essay seeks to analyse the depiction of homosexuality in the films The Children’s Hour(1961) and Carol(2015). For that purpose, we start by considering the main plot points ofeach film. Then we move into an overview of the cultural and social background of each work. In the case of TheChildren’s Hour, we discuss the relationship between this and other Hollywood films from that time with the same subject. We also take into consideration the reception of the homonymous play by Lillian Hellman that inspired this film. As far as Carolis concerned, we delve into the social circuit of Patricia

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May, E. T. "Media and Public History: Broadman, Love Stories: Women, Men, and Romance, and Scagliotti, Before Stonewall: The Making of a Gay and Lesbian Community." Oral History Review 17, no. 1 (1989): 146–48. http://dx.doi.org/10.1093/ohr/17.1.146.

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9

Alabi, Festus Folorunso, and Mobolanle Ebunoluwa Sotunsa. "SODOMY IN NIGERIA AND THE MEDIA’S INTEREST: A STUDY OF ONDO NORTH SENATORIAL DISTRICT." Cultural Communication and Socialization Journal 5, no. 1 (2024): 28–34. https://doi.org/10.26480/ccsj.01.2024.28.34.

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Sodomy or homosexuality has, for some time now, mainstreamed itself in Europe and America. For instance, Pete Buttigieg – a married gay – is the current America’s Transport Secretary. Bolu Okupe, son of Doyin Okupe, a one-time Nigerian minister, lives in France. He has just come out of his closet to declare that he is gay. This ‘coming out’ has unsettled his Christian father. Besides, Charlie Boy’s daughter is a lesbian. Charlie Boy, whose real name is Charles Okputa, son of to late foremost Nigerian jurist, is a Nigerian music icon. A lot of such stories fill the media as well as the social m

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10

Souza, Janice Aparecida de, and Alessandra Sampaio Chacham. "O pessoal é político: reflexões sobre resistências lésbicas entre as montanhas de Minas Gerais durante os anos de 1970-1990." Simbiótica 10, no. 2 (2023): 120–39. http://dx.doi.org/10.47456/simbitica.v10i2.40028.

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Neste artigo, partimos de relatos de vinte e uma lésbicas que viveram sua juventude entre os anos 1970 a 1990 em Belo Horizonte, a fim de refletir sobre suas possíveis contribuições para o avanço dos direitos LGBTQIAPN+, a partir das lentes da teoria feminista pós-estruturalista. Optamos por uma abordagem metodológica qualitativa, utilizando da técnica de entrevista em profundidade para traçar as histórias de vida dessas mulheres, buscando identificar suas diferentes formas de resistência, ao criarem espaços próprios de sociabilidade, ainda que segregados, em busca de amizade, amor, romance e

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Riswanto, Riswanto, and Elni Hartati. "Analisis Tingkah Laku LGBT pada Film Spongebob Squarepants di Episode 49b." JOPPAS: Journal of Public Policy and Administration Silampari 6, no. 1 (2024): 1–7. https://doi.org/10.31539/joppas.v6i1.11752.

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This research examines the existence of LGBT behavior in the Spongebob Squarepants film in episode 49b with the rock-a-bye bivalve theme. This film also presents stories, events, music and other studies on the film Spongebob Squarepants, a cartoon film that is widely watched and loved by children. Written by Stephen Hillenburg and directed by Sean Dempsey. This research is aimed at gaining a deeper understanding of LGBT (Lesbian, Gay, Bisexual, Transgender) behavior towards transgender people. This research is a qualitative descriptive research, where this research will analyze, take notes, ta

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Ekka, Abhay Leonard. "Transformation of Folklore in Suniti Namjoshi's Literary Works." Innovation The Research Concept 9, no. 1 (2024): E29—E34. https://doi.org/10.5281/zenodo.10653498.

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This paper has been published in Peer-reviewed International Journal "Innovation The Research Concept"                 URL : https://www.socialresearchfoundation.com/new/publish-journal.php?editID=8400 Publisher : Social Research Foundation, Kanpur (SRF International)                  Abstract : Folklore is an expression of social, cultural, economic and political life of social groups. The transfer and preservation of folklore was

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Sushma. "QUEST FOR SELF-FULFILLMENT IN JEANETTE WINTERSON'S ORANGES ARE NOT THE ONLY FRUIT." July 30, 2017. https://doi.org/10.5281/zenodo.7725041.

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Jeanette Winterson, being a versatile writer of repute, has produced novels, short stories collections, film scripts, essays etc. Love, sexuality and story telling are the dominant themes in her works. Winterson questions the traditionally accepted feminist roles and deals with issues regarding distinct gender and sexuality. Her primary interest in the novel is to show how the dominant roles of behaviour and ideologies were used to fix traditional gender roles and sexual conventions and how these roles have fixed and specified women's roles and behaviour. Oranges Are Not the Only Fruit is

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14

Clark, Caroline T., Rachel Skrlac Lo, and Alyssa Chrisman. "Countering Censorship of Queer Picturebooks Through Disorientation and Epistemic Responsibility." Reading Research Quarterly 60, no. 3 (2025). https://doi.org/10.1002/rrq.70042.

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ABSTRACTIn this paper, we examine patterns in the censoring of sexuality and gender identity in children's literature over recent decades to inform our analysis of current challenges to and bans of queer picturebooks. To do so, we supplement critical content analysis (CCA) methodology with a genealogical approach to more fully contextualize censoring over time. Drawing on critical, epistemic, and queer theories, we show how knowledge of queerness is disoriented, (re)produced, and (un)done over time via children's picturebooks. Our analysis suggests that censored queer picturebooks may expand t

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15

Rutherford, Amanda, and Sarah Baker. "Upgrading The L Word: Generation Q." M/C Journal 23, no. 6 (2020). http://dx.doi.org/10.5204/mcj.2727.

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The L Word: Generation Q is the reboot of The L Word, a long running series about a group of lesbians and bisexuals in Los Angeles in the early 2000s. Both programmes are unique in their positioning of lesbian characters and have been well received by audiences and critics alike. These programmes present a range of characters and narratives, previously excluded from mainstream film and television, bringing a refreshing change from the destructive images typically presented before. We argue that the reboot Generation Q now offers more meaningful representation of the broader lesbian and transge

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16

Bauman, Rebecca. "Beyond bambole: Female Friendship in Italian Transnational Television." altrelettere, May 19, 2022. http://dx.doi.org/10.5903/al_uzh-63.

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Recent television programming in Italy has begun to focus on the themes of female friendship and girlhood, moving from a long history of traditionally male-centered narratives towards stories that privilege female subjectivity. This article analyzes this recent trend by looking at three different programs: the HBO/Rai adaptation of Elena Ferrante’s Neapolitan Novels L’amica geniale; the Netflix production Baby, based on the 2013 Rome teen prostitution scandal; and the web series SKAM Italia, based on the international series that originated in Norway. Despite their apparent distinctions in ter

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17

Chatterjee, Ankita, and Sutanuka Banerjee. "Reminiscences of Kothas: Exploring Spatial Intimacies in Ruth Vanita’s Memory of Light." Rupkatha Journal on Interdisciplinary Studies in Humanities 15, no. 2 (2023). http://dx.doi.org/10.21659/rupkatha.v15n2.26.

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This paper aims to study the representation of same-sex desire in Ruth Vanita’s Memory of Light (2020) and analyze how the socio-spatial dynamics of the kotha helps to reconstruct female-to-female intimacy and convey a different idea of community and a sense of belonging in history. The novel, which traces the relationship between two courtesans, is also a recreation of the pre-modern Lucknow and its vibrant kothas with distinct architectural features. Beyond its overt function of entertaining the male patrons, the kothas as all-female establishments also served as a space of security and inti

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18

Carpenter, Richard. "The Heart of the Matter." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2658.

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   During his speech in Plato’s The Symposium, Aristophanes explains that humans were originally round, composed of two people joined together in a perfect sphere with four arms, four legs, and two faces. Unfortunately, humans grew arrogant and ambitious; as a result, Zeus punished them by cleaving them in two. Now altered from their natural form, humans yearn for their former selves: “It is from this situation, then, that love for one another developed in human beings. Love collects the halves of our original nature, and tries to make a single thing out of the two parts so a

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Lindop, Samantha Jane. "Carmilla, Camilla: The Influence of the Gothic on David Lynch's Mulholland Drive." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.844.

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It is widely acknowledged among film scholars that Lynch’s 2001 neo-noir Mulholland Drive is richly infused with intertextual references and homages — most notably to Charles Vidor’s Gilda (1946), Billy Wilder’s Sunset Boulevard (1950), Alfred Hitchcock’s Vertigo (1958), and Ingmar Bergman’s Persona (1966). What is less recognised is the extent to which J. Sheridan Le Fanu’s 1872 Gothic novella Carmilla has also influenced Mulholland Drive. This article focuses on the dynamics of the relationship between Carmilla and Mulholland Drive, particularly the formation of femme fatale Camilla Rhodes (

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20

Anderson, Sandra. "Branded by the Pink Triangle by K. Setterington." Deakin Review of Children's Literature 3, no. 1 (2013). http://dx.doi.org/10.20361/g22882.

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Setterington, Ken. Branded by the Pink Triangle. Toronto, ON: Second Story Press, 2013. Print. One of the problems that gay youth face is that they do not grow up connected to LGBT (lesbian, gay, bisexual, and transgender) community history as there are no elders in their families that can tell them what it was like to be gay in days past. This well written and engaging book tells the story of an important time in LGBT history as it documents the Nazi persecution of gay men in WWII and documents the first use of the pink triangle (today reclaimed as a symbol of gay pride) as a Nazi symbol of g

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Raj, Senthorun. "Impacting on Intimacy: Negotiating the Marriage Equality Debate." M/C Journal 14, no. 6 (2011). http://dx.doi.org/10.5204/mcj.350.

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Introduction How do we measure intimacy? What are its impacts on our social, political and personal lives? Can we claim a politics to our intimate lives that escapes the normative confines of archaic institutions, while making social justice claims for relationship recognition? Negotiating some of these disparate questions requires us to think more broadly in contemporary public debates on equality and relationship recognition. Specifically, by outlining the impacts of the popular "gay marriage" debate, this paper examines the impacts of queer theory in association with public policy and commu

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22

Gregg, Melissa. "Normal Homes." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2682.

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   …love is queered not when we discover it to be resistant to or more than its known forms, but when we see that there is no world that admits how it actually works as a principle of living. Lauren Berlant – “Love, A Queer Feeling” As the sun beats down on a very dusty Musgrave Park, the crowd is hushed in respect for the elder addressing us. It is Pride Fair Day and we are listening to the story of how this place has been a home for queer and black people throughout Brisbane’s history. Like so many others, this park has been a place of refuge in times when Boundary Streets

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Brien, Donna Lee. "Fat in Contemporary Autobiographical Writing and Publishing." M/C Journal 18, no. 3 (2015). http://dx.doi.org/10.5204/mcj.965.

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At a time when almost every human transgression, illness, profession and other personal aspect of life has been chronicled in autobiographical writing (Rak)—in 1998 Zinsser called ours “the age of memoir” (3)—writing about fat is one of the most recent subjects to be addressed in this way. This article surveys a range of contemporary autobiographical texts that are titled with, or revolve around, that powerful and most evocative word, “fat”. Following a number of cultural studies of fat in society (Critser; Gilman, Fat Boys; Fat: A Cultural History; Stearns), this discussion views fat in socio

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Mallan, Kerry, and John Stephens. "Love’s Coming (Out)." M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.1996.

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In The Threshold of the Visible World, Kaja Silverman advances a subtle, ethical, post-Lacanian account of what constitutes “the active gift of love” and how this might be expressed on the screen. She argues for an orientation of subject to love object which is not merely an alternative to romantic passion, but an account of how identification of the loving subject and love object “might function in a way that results in neither the triumph of self-sameness, nor craven submission to an exteriorised but essentialized ideal”. In a move particularly relevant to our focus in this paper, she goes o

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Child, Louise. "Magic and Spells in <em>Buffy the Vampire Slayer</em> (1997-2003)." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3007.

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Introduction Many examinations of magic and witchcraft in film and television focus on the gender dynamics depicted and what these can reveal about attitudes to women and power in the eras in which they were made. For example, Campbell, in Cheerfully Empowered: The Witch-Wife in Twentieth Century Literature, Television and Film draws from scholarship such as Greene's Bell, Book and Camera, Gibson's Witchcraft Myths in American Culture, and Murphy's The Suburban Gothic in American Popular Culture to suggest connections between witch-wife narratives and societal responses to feminism. Campbell e

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Broussard, Anna Maria. "Barbieland." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3053.

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Greta Gerwig’s 2023 film Barbie presents Barbieland as a matriarchal society, and arguably as an asexual utopia where the various iterations of Barbie, Ken, and other Mattel dolls live in harmony. The movie critiques the system of compulsory sexuality that pushes a rejected Ken into his takeover of Barbieland. Further complicating this asexual reading of the Barbie is the history of the Mattel dolls as unsexed, a criticism that has been laid at the feet of many asexual individuals whose lack of sexual desire often renders them as inhuman. While the blossoming field of asexuality studies has so

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Pendleton, Mark, and Tanya Serisier. "Some Gays and the Queers." M/C Journal 15, no. 6 (2012). http://dx.doi.org/10.5204/mcj.569.

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Introduction Gore Vidal, the famous writer and literary critic, was recently buried next to his long-term partner, Howard Austen. The couple, who met in the 1950s, had lived together happily for decades. They were in many ways the kind of same-sex couple frequently valorised in contemporary gay marriage campaigns. Vidal and Austen, however, could not serve as emblematic figures for this campaign, and not only because the two men had no interest in marriage. Vidal, who reportedly had over a hundred lovers, both male and female, once attributed the longevity of their relationship to its platonic

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Hudson, Kirsten. "For My Own Pleasure and Delight." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.529.

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IntroductionThis paper addresses two separate notions of embodiment – western maternal embodiment and art making as a form of embodied critical resistance. It takes as its subject breeder; my unpublished five minute video installation from 2012, which synthesises these two separate conceptual framings of embodiment as a means to visually and conceptually rupture dominant ideologies surrounding Australian motherhood. Emerging from a paradoxical landscape of fear, loathing and desire, breeder is my dark satirical take on ambivalent myths surrounding suburban Australian motherhood. Portraying my

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Dutton, Jacqueline. "Counterculture and Alternative Media in Utopian Contexts: A Slice of Life from the Rainbow Region." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.927.

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Introduction Utopia has always been countercultural, and ever since technological progress has allowed, utopia has been using alternative media to promote and strengthen its underpinning ideals. In this article, I am seeking to clarify the connections between counterculture and alternative media in utopian contexts to demonstrate their reciprocity, then draw together these threads through reference to a well-known figure of the Rainbow Region–Rusty Miller. His trajectory from iconic surfer and Aquarian reporter to mediator for utopian politics and ideals in the Rainbow Region encompasses in a

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Green, Lelia, Kelly Jaunzems, and Harrison See. "Porno." M/C Journal 27, no. 4 (2024). http://dx.doi.org/10.5204/mcj.3092.

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Is what constitutes pornography in the mind of the beholder? This issue of M/C Journal sought articles on “porno”: a deliberately informal, almost friendly, playful term for a content category which evokes many complex responses. Indeed, the categories of materials deemed to be “pornographic” offer rich insights into the cultures that classify, create, and circulate the materials that key publics consume, overtly or – more commonly – covertly. The clandestine dynamic is further heightened when the people consuming and discussing such content include those who are deemed too young to do so. The

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Driver, Susan. "Pornographic Pedagogies?: The Risks of Teaching ‘Dirrty’ Popular Cultures." M/C Journal 7, no. 4 (2004). http://dx.doi.org/10.5204/mcj.2383.

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Uhh, dirrty Filthy Nasty (too dirrty to clean my act up If you ain’t dirrty .. you ain’t here to party)—Christina Aguilera “DIRRTY” The teacher engaged in a pedagogy which requires some articulation of knowledge forms and pleasures integral to students’ daily life is walking a dangerous road.—Henry Giroux and Roger Simon, “Schooling, Popular Culture and a Pedagogy of Possibility” Pornography and pedagogy have been positioned as mutually exclusive domains within educational discourses that seek to regulate the borders between rational knowledge and sexually lewd commercial imagery. Yet these re

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Dernikos, Bessie P., and Cathlin Goulding. "Teacher Evaluations: Corporeal Matters and Un/Wanted Affects." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1064.

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Introduction: Shock WavesAs I carefully unfold the delicate piece of crisp white paper, three rogue words wildly jump up off the page before sinking deeply into my skin: “Cold and condescending.” A charge of anger surges up my spine, as these words begin to now expand and affectively resonate: “I found the instructor to be cold and condescending.” Somehow, these words impact me both emotionally and physiologically (Brennan 3): my heart beats faster, my body temperature rises, my stomach aches. Yet, despite how awful I feel, I keep on reading, as if compelled by some inexplicable force. It is n

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Turnock, Julie. "Painting Out Pop." M/C Journal 2, no. 4 (1999). http://dx.doi.org/10.5204/mcj.1764.

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Film directors in American cinema have used the artist (painter, singer, thespian, writer, etc.) as a vehicle for auteurist identification in feature bio-pics for decades. The portrayal of the protagonists in these films usually falls victim to the "Van Gogh" syndrome, that is, the insistance on the creative inner turmoil, the solitary, misunderstood genius, and brave rebellion of its central character. This approach, however, breaks down completely when confronted with the void that is the historical figure known as "Andy Warhol." The popular image of Warhol, his studied superficiality, unapo

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Sanders, Shari. "Because Neglect Isn't Cute: Tuxedo Stan's Campaign for a Humane World." M/C Journal 17, no. 2 (2014). http://dx.doi.org/10.5204/mcj.791.

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On 10 September 2012, a cat named Tuxedo Stan launched his campaign for mayor of the Halifax Regional Municipality in Nova Scotia, Canada (“Tuxedo Stan for Mayor”). Backed by his human supporters in the Tuxedo Party, he ran on a platform of animal welfare: “Tuxedo Stan for Mayor Because Neglect Isn’t Working.” Artwork Courtesy of Joe Popovitch As a feline activist, Tuxedo Stan joins an unexpected—if not entirely unprecedented—cohort of cats that advocate for animal welfare through their “cute” appeals for humane treatment. From Tuxedo Stan’s internet presence to his appearance on Anderson Coop

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Rose, Megan Catherine, and Patrick W. Galbraith. "Mutating Hyperfemininity in <em>Bishōjo</em>-Inspired Art." M/C Journal 28, no. 2 (2025). https://doi.org/10.5204/mcj.3168.

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Introduction “With most people, you cannot tell just from looking at them that they are fighting a silent, unseen battle”, says Sugary Symbiote, a Black, disabled, and sapphic artist in the United States. “That is what a lot of my illustrations represent. The girl is surrounded by cute things that make her happy, but she still feels alone and sad” (Sugary Symbiote). Central to her work is the bishōjo, or “cute girl”, drawn from manga, anime, and related media. While scholarship has largely treated bishōjo as objects produced for and by men (Galbraith; Galbraith and Rose), artists such as Sugar

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