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Journal articles on the topic 'Love poetry, German'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Mahlmann-Bauer, Barbara. "Sigmund von Birken, der Literaturbetrieb, Netzwerke und Werkpolitik." Scientia Poetica 24, no. 1 (2020): 1–56. http://dx.doi.org/10.1515/scipo-2020-001.

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AbstractSigmund von Birken belongs to the »Trio of poets from Nürnberg«, together with Georg Philipp Harsdörffer and Johann Klaj whose posthumous fame is mainly due to their pastoral poetry with fullsounding verses in praise of peace and love. Birken started his career with an enormous upshot as organizer of multi-media spectacles during the peace ceremony in Nürnberg in 1650. Apart from his hymns and pastoral love poems, Birken’s poetry does not belong to the canon of early modern literature in Germany. If he had lived longer, he would probably have edited later all those poems which he had w

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Samide, Irena. "Von der Nützlichkeit des Unnützen: Über den Sinn der Poesie im fremdsprachlichen Unterricht." Journal for Foreign Languages 16, no. 1 (2024): 277–90. https://doi.org/10.4312/vestnik.16.277-290.

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The article discusses the role of literature in foreign language teaching, with a specific focus on the genre of poetry. It unequivocally answers the central question of whether incorporating literary texts into foreign language classrooms is meaningful and beneficial. The article challenges the widespread notion that students must have an advanced level of language proficiency to engage with literary texts. Through three very different examples of authentic poetry, it demonstrates how literary texts can be seamlessly integrated into foreign language teaching and which competencies can be deve

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Teixeira, J. Carlos. "Tandaradei and the lovers’ bette: a translation experiment of Under der linde." Translation Matters 5, no. 2 (2023): 123–35. http://dx.doi.org/10.21747/21844585/tm5_2a8.

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This essay discusses an experimental translation class conducted as part of the 'Introduction to German Culture in the European Context' course at the University of Porto. The course focuses on medieval German lyric poetry, specifically the Minnesanggenre, exploring themes of love, honor, and power. In the 2023/2024 edition of the course, 17 students from diverse cultural backgrounds translated the initial stanza of Walther von der Vogelweide's poem Under der linden. The essay reflects on the challenges and decisions involved in translating the poem across different languages.

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Abbasova, Sevinj Zakir. "“ALI AND NINO”: BETWEEN POETRY AND REALITY." Scientific Journal of Polonia University 62, no. 1 (2024): 9–19. http://dx.doi.org/10.23856/6201.

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One of the most interesting and enigmatic works of art of the history of Azerbaijan culture in terms of a lot of problems is a novel of “Ali and Nino”. This work whose author is still unknown can be considered as the masterpiece of world literature both in artistic and aesthetic terms and also from the point of view of intellectual level. The point is that there are some examples of creativity in the world that they are covered with the secrets between the destiny and love of reader and author and become target of different opinions for a long time. Personality and tragedies of Shakespeare, co

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Noie, Saber. "Comparison of Emerson and Hafiz Based on Claudio Guillen's Comparative Literary Theory of Influence." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 2, no. 1 (2019): 12–23. http://dx.doi.org/10.33258/birle.v2i1.182.

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The poetry of Khajeh Mohammad Hafiz Shirazi has vastly influenced the poetry of Ralph Waldo Emerson, as many critics have noted but have not demonstrated. Emerson is an American poet whose work reflects the influences of Persian poets, among which that of Hafiz is remarkable. The influence of Hafiz on Emerson includes memorable images, themes and motifs. While one can argue that this influence was indirect, it is obvious from the closeness of certain similarities, from Emerson’s intimate knowledge of Hafiz’s poetry, and from his love for Persian poetry, that the influence was more direct than

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Shahar, Galili. "Goethe’s Song of Songs : Reorientation, World Literature." Prooftexts 40, no. 1 (2023): 110–39. http://dx.doi.org/10.2979/ptx.2023.a899251.

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Abstract: The engagement of the German poet Johann Wolfgang von Goethe (1749–1832) with biblical Hebrew poetry already during the early stages of his career in the 1770s and later during the Divan period (1814–27) was associated with his study of Oriental literatures. Under the influence of his mentor and friend, Johann Gottfried Herder, Goethe devoted himself to studying and translating Hebrew and Arabic sources (mostly from the Latin), among them the Song of Songs, alongside chapters from the Qurʿan. In his late work his reflections on the Hebrew biblical poem were associated with his interp

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Klinck, Anne L. "Lyric Voice and the Feminine in Some Ancient and Mediaeval Frauenlieder." Florilegium 13, no. 1 (1994): 13–36. http://dx.doi.org/10.3138/flor.13.002.

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In the study of mediaeval European literature, especially that of France and Germany, the terms chanson de femme and Frauenlied have come to be conventional designations for a distinct type of poem—more broadly defined than a genre: a female-voice love-lyric in a popular rather than a courtly mode. To use the language of Pierre Bec, femininity here is “textual” rather than “genetic.” Most of these “women’s songs” are attributed to male authors, although there has been a tendency to trace the type back to preliterate songs actually composed by women. Goethe, Jakob Grimm, and others saw in the e

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Петри, Э. К. "“The Joy of Love and the Sorrow of Love”: German Folk Songs from the Liederhort collection." АКТУАЛЬНЫЕ ПРОБЛЕМЫ ВЫСШЕГО МУЗЫКАЛЬНОГО ОБРАЗОВАНИЯ, no. 1(72) (April 1, 2024): 26–35. http://dx.doi.org/10.26086/nk.2024.72.1.005.

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Классическое собрание немецких народных песен Liederhort не слишком известно в российском музыкознании. Между тем оно явилось источником вдохновения для многих композиторов эпохи романтизма и более позднего времени. Коллекцию песен начинал собирать Людвиг Эрк, а завершил и систематизировал Франц Бёме. Изданный им трехтомный труд до сих пор считается незаменимым справочником для исследования немецких народных песен. Он назван «Deutscher Liederhort» («Библиотека немецких песен»), но часто обозначается сокращённо как «Erk-Böhme» или просто – Liederhort. Его значение можно сравнить с «Волшебным

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Hon, Jan K. "Minnesang trifft Pijjut und Midrasch." Beiträge zur Geschichte der deutschen Sprache und Literatur 145, no. 4 (2023): 580–641. http://dx.doi.org/10.1515/bgsl-2023-0037.

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Abstract The essay examines the fourteenth-century Yiddish poem ›Yosef Ha-Tsadik‹ about Joseph and Potipharʼs wife. The poem, presented here in a new critical edition, is primarily based on Hebrew and Aramaic midrashic and liturgical sources but also incorporates elements derived from German courtly love poetry, mainly to express Potipharʼs wifeʼs advances toward Joseph. It can thus be read as a Jewish dialogue with Christian secular literary traditions. Drawing on a comparison with the Jewish pretexts – some of which are presented here for the first time in German translations – and a number

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Volkova, Anna G. "THE RECEPTION OF FRANCISCAN MYSTICS IN EUROPEAN POETRY OF THE 17TH CENTURY." Vestnik of Kostroma State University, no. 3 (2020): 117–21. http://dx.doi.org/10.34216/1998-0817-2020-26-3-117-121.

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European poetry of the 17th century has its own complicated metaphoric language the interpretation of which depends on understanding of different contexts. It is especially true about religious poetry that does not only use metaphors, motifs and stories from the Bible but also perceive the biblical text through some confessions and often through some directions within a confession. Such cultural and historical code is important and necessary for reception and interpretation of poetical text. Franciscans as a special direction in Roman Catholic spirituality influenced very much on European lite

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Mabee, Barbara. "Boria Sax: The Romantic Heritage of Marxism. A Study of East German Love Poetry." GDR Bulletin 14, no. 2 (1988): 65–67. http://dx.doi.org/10.4148/gdrb.v14i2.873.

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Classen, Albrecht. "Love, Sex, and Marriage in Late Medieval German Verse Narratives, Lyric Poetry, and Prose Literature." Orbis Litterarum 49, no. 2 (1994): 63–83. http://dx.doi.org/10.1111/j.1600-0730.1994.tb00045.x.

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Dacko, D. "Analysis of the interpretation field of the CORONAVIRUS concept in German-language poetic Internet texts." Scientific Research and Development. Modern Communication Studies 9, no. 6 (2020): 18–22. http://dx.doi.org/10.12737/2587-9103-2020-18-22.

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Classical concepts LEBEN (LIFE), TOD (DEATH), LIEBE (LOVE), NATUR (NATURE) as well as representations from other fields: religion (АPOKALYPSE, ARMAGEDDON), domestic life (ALLTAG (EVERYDAY LIFE), FAMILIENKRISE (FAMILY CRISIS), economics and politics (FINANZKRISE (FINANCIAL CRISIS), sport (FUßBALL (FOOTBALL), SPORT, DOPING (PERFORMANCE-ENHANCING DRUG), philosophy (ABSURDITÄT DES MENSCHLICHEN LEBENS (ABSURDITY OF HUMAN EXISTENCE) are explicated within the context of the German poetry discourse of the XXI century. However in 2020 due to the spread of coronavirus infection, which had an impact on w

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Цебрій, Ірина Василівна, та Володимир Васильович Опенько. "КОНЦЕПЦІЯ КУРТУАЗНОСТІ ЯК СУСПІЛЬНО-КУЛЬТУРНОГО ЯВИЩА КЛАСИЧНОГО СЕРЕДНЬОВІЧЧЯ". Філософські обрії, № 35 (12 липня 2016): 89–96. https://doi.org/10.5281/zenodo.57513.

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The analysis of the concept courtesy as a social and religious phenomenon of classical Middle Ages. Through the analysis of primary sources and philosophical and cultural literature, we are able to recreate the changing model of medieval society and relationships and etiquette in the middle of aristocratic status of the population, which replaced the early medieval model. Proved that Medieval culture defined mental development of Europe until the early twentieth century. Courtly love (fr. Amour courtois) – medieval conception of love, according to which the relationship lover man and his

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Kaur, Kairit. "The Seasons by James Thomson and the Baltic German Poetry about the Seasons in the Era of Baltic Enlightenment." Interlitteraria 28, no. 2 (2023): 301–15. http://dx.doi.org/10.12697/il.2023.28.2.9.

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Since 2016 one of my research topics has been the Baltic German reception of English poetry through the lens of cultural historical book collections in Estonia. One of my findings has been that James Thomson’s The Seasons belonged among the most often received works of English poetry by Baltic Germans in Estonia, after James Macpherson’s Poems of Ossian and John Milton’s Paradise Lost and followed by Edward Young’s Night-Thoughts. (Kaur 2018: 375) Except for Milton’s, these works are almost unknown to modern Estonian readers. Therefore a few words to introduce Thomson and his famous work shoul

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Duran, Martí. "Una mostra primerenca de la influència de Goethe sobre Maragall: la sèrie <i>Claror</i>." Zeitschrift für Katalanistik 17 (July 1, 2004): 131–54. http://dx.doi.org/10.46586/zfk.2004.131-154.

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Some of the early goethian influences on the original poetry by Maragall can be found in the poems from his series Claror. They are only preceded by a few translations of the poet from Weimar. Maragall, who for biographical reasons finds himself in the same situation as Goethe when he wrote Roman Elegies, imitates the German author in many topics. On the one hand, Maragall does not understand the crucial point in Roman Elegies, on the other hand, neither does his limited classic culture allow him to stage his love to Clara Noble in the ancient Rome. On the formal level Maragall also only uses

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17

Mankovskaya, N. B. "The Emotional Sphere of a Romantic Hero in an Artistic and Aesthetic Perspective." Art & Culture Studies, no. 1 (March 2025): 10–33. https://doi.org/10.51678/2226-0072-2025-1-10-33.

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The article reveals the influence of the emotional sphere of a romantic hero on the generation of innovations of the artistic and aesthetic nature — romantic drama, psychological prose, philosophical poetry, metaphysical writing, as well as premonitions of innovations in different types and genres of art — existentialist reflections, thrillers, suspense, postmodern irony, the techniques of theatre within theatre, and the principle of interactivity, which received a response in the 20th-21st centuries. The article analyses the spectrum of romantic experiences that has a lifepurpose character an

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Piasta, Ewa Anna. "Metaphysical Aspects of Rose Ausländer’s Poetry." Respectus Philologicus 22, no. 27 (2012): 103–14. http://dx.doi.org/10.15388/respectus.2012.27.15340.

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This article analyzes six poems by Rose Ausländer, a poet of Jewish origin, who lived in the years 1901–1988. She was born at Chernivtsi (then in the Austro-Hungarian Empire), and died in Düsseldorf (Germany). Ausländer wrote in German and in English. The aim of this paper is to discuss the metaphysical aspects of Ausländer’s poems and to demonstrate that these aspects are manifested on the semantic, lexical and axiological levels. My interest is in the spiritual experience evoked by her poetry, resulting from a transcendence-and Absolute-oriented existence, experienced in terms of mystery. An

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Ustinovskaya, Alena. "ПЕРЕВОД КАК ДИАЛОГ ТРАДИЦИЙ И КУЛЬТУР («АНАКРЕОНТИЧЕСКАЯ ПЕСЕНКА» Н. С. ГУМИЛЕВА)". Проблемы исторической поэтики 18, № 4 (2020): 288–305. http://dx.doi.org/10.15393/j9.art.2020.8722.

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The article is devoted to the analysis of the Anacreontic Song by Théophile Gautier, translated by N. S. Gumilev, which is examined against the background of the Russian and global Anacreontic tradition. Imitation of Anacreon is rooted in antiquity: his figure became a symbol of light lyric poetry that glorified sensual pleasures. Anacreon’s own legacy is not as extensive as pseudo-Anacreontic poetry: this tradition is present in English, French, German, Italian and Russian literature. In the process of translating Odelette anacréontique by Théophile Gautier, Gumilev enters into intercultural

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Paden, William D., and Frances Freeman Paden. "Swollen Woman, Shifting Canon: A Midwife's Charm and the Birth of Secular Romance Lyric." PMLA/Publications of the Modern Language Association of America 125, no. 2 (2010): 306–21. http://dx.doi.org/10.1632/pmla.2010.125.2.306.

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In “Tomida femina” (“A swollen woman”), a tenth-century charm written in Occitan, the vernacular of the south of France, a birthing woman and her helpers intone magical language during the most intense moments of childbirth. The poem permits us, with brief but uncommon intimacy, to imagine the lives of women long ago. It takes its place in a European tradition of birthing charms, including others written in Latin, German, and English. These charms, and in particular “Tomida femina,” provide an image of vigorous medieval women in childbirth that precedes the images of women in other secular Rom

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О.Ю., Кириллова. "НЕМЕЦКОЯЗЫЧНЫЙ ПОЭТИЧЕСКИЙ ДИСКУРС ЛЮБВИ В ДИАХРОНИЧЕСКОМ АСПЕКТЕ". Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, № 3(124) (25 жовтня 2024): 011–23. http://dx.doi.org/10.37972/chgpu.2024.124.3.002.

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В статье на материале немецкоязычной лирики изучены ключевые аспекты философии любви в рамках основных тенденций развития европейской культуры в разные исторические эпохи. Предметом исследования стали аксиологические основания рассматриваемого понятия, его осмысление и эволюция в немецкой литературе. Важность исследования феномена обусловлена прежде всего тем, что любовная лирика, являясь особой формой поэзии, воспевающей чувства между двумя людьми, воплощает разнообразные социокультурные модели, аккумулирует и интерпретирует человеческий опыт. В настоящее время актуальность изучения этого чув

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Yasinskiy, A. A. "Tachihara Michizō: Poetics of “Pure Lyricism” (Introduction and Translation of Poems)." Yearbook Japan 52, no. 1 (2023): 339–75. https://doi.org/10.55105/2687-1440-2023-52-339-375.

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Tachihara Michizō (1914–1939) succeeded in refashioning the poetic language of the 1930s, inventing the genre of the “pseudo-sonnet,” which would prove to be the most convincing attempt to adapt the European sonnet to Japanese poetry. Tachihara was fascinated by German romanticism, in particular Friedrich Hölderlin, but he cannot be called a westernizer. Tachihara did not work in traditional Japanese poetic genres, but studied the anthology Shinkokinshū, which had a major influence on his stylistics.Tachihara’s poems seem to be detached from everyday life: with the outbreak of the Second Sino-

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Cho, Hyowon. "Vergangene Vergängnis: Für eine Philologie des Stattdessen." arcadia 52, no. 1 (2017): 74–94. http://dx.doi.org/10.1515/arcadia-2017-0005.

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AbstractBetween Erich Auerbach and Walter Benjamin, there existed a remarkable friendship, which on the one hand manifested itself as an unobtrusive disputation, and yet which on the other hand could be considered an unintended collaboration toward an old-new ideal of philology. Auerbach claims that with the Divine Comedy of Dante Alighieri, Western European literature reached the climax of the figuralism that Auerbach, if belatedly, wants to bring to the fore. Benjamin, in contrast, finds energy for the revolution in the surrealistic love that traces back not to Dante, but to the Provençal po

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Becker, Christian, and Reiner Manstetten. "Nature as a You : Novalis’ Philosophical Thought and the Modern Ecological Crisis." Environmental Values 13, no. 1 (2004): 101–18. http://dx.doi.org/10.1177/096327190401300106.

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This paper aims to introduce the German Romantic poet Novalis into the discussion of the modern ecological crisis. In particular we examine Novalis’ unique philosophy of nature as a You in which he deals with both of the two aspects of the relationship between humans and nature: their original identity as well as the distinction between them. We analyse the way in which Novalis understood the relationship between nature and humankind dynamically, and show the significance of his concept of poetry for this question. This concept is analysed and described in respect to its principal features: cr

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Canan, Özgür. "The Musical and the Philosophical Analysis of the Opera Tristan and Isolde by Wagner." International Journal of Social and Humanities Sciences Research (JSHSR) 11, no. 114 (2024): 2810–16. https://doi.org/10.5281/zenodo.14585138.

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German composer, theorist, conductor Wagner invented a structure of continuous narrative flow, which is different than the traditional and conventional opera structure. He had a strong influence on the musical world lasting for at least one century. His fascinating opera <em>Tristan and Isolde</em> is one of the most interesting and loved ones in music history. In this opera, everything is symbolic and works for the mythic world that Wagner created. The opera is based on a medieval Celtic legend about a romantic tragedy of love and death told by an exceptional music. Wagner, being under the in

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Paszkowicz, Wojciech. "Inspirations, interactions and associations: On some links between the works of Vladimir Vysotsky and English-, French- and German-language poetry, theatre and pop music." Tekstualia 2, no. 53 (2018): 99–114. http://dx.doi.org/10.5604/01.3001.0013.3290.

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The threads binding the poetry of Vladimir Vysotsky with Russian and foreign literature have a diverse character – some convergences, similarities of his works to those of other authors can be identifi ed in the content, the subject, and the metre of the poems. Some of the literary associations are easily detectable for any recipient, others are more diffi cult to fi nd. The article focuses on the identifi ed links between the works of Vysotsky and those of foreign authors such as Pierre-Jean de Béranger, Robert Burns, and Bertolt Brecht. The convergences observed between Vysotsky’s and de Bér

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Ronyak, Jennifer. "Meeting Barthes at Fischer-Dieskau’s Mill." Journal of Musicology 34, no. 1 (2017): 32–70. http://dx.doi.org/10.1525/jm.2017.34.01.32.

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Scholars have traditionally analyzed Lieder from a perspective of relative objectivity, despite a longstanding recognition of the situated character of hermeneutic work within musicology and music theory. This research essentially suppresses the personal aspects that may condition it: for example, a scholar’s background in performance and tendency toward co-performance, or repeated encounters with a song, recording, and a specific singer’s voice. There has been one additional omission resulting from this tendency to project objectivity in Anglo-American scholarship. Native Anglophones have neg

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Jurak, Mirko. "William Shakespeare and Slovene dramatists (I): A. T. Linhart's Miss Jenny Love." Acta Neophilologica 42, no. 1-2 (2009): 3–34. http://dx.doi.org/10.4312/an.42.1-2.3-34.

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One of the signs of the universality of William Shakespeare's plays is undoubtedly their influence on plays written by other playwrights throughout the world. This is also true of Slovene playwrights who have been attracted by Shakespeare's plays right from the beginning of their creativity in the second half of the eighteenth century, when Anton Tomaž Linhart (1756-1795) wrote his tragedy Miss Jenny Love.-However,-Slovene knowledge about-Shakespeare and his plays reaches back-into the seventeenth century, to the year 1698, when a group of Jesuit students in Ljubljana performed a version of th

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Zhuk, Alexandra D. "The Problem of Genre in the Hymns by the Lake Poets and Thomas Moore." Imagologiya i komparativistika, no. 15 (2021): 7–30. http://dx.doi.org/10.17223/24099554/15/1.

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Though there are many seminal works on early Romanticism and Thomas Moore’s poetry, their hymns remain understudied. This article focuses on the genre problem in the hymns by the Lake Poets (S.T. Coleridge, W. Wordsworth, R. Southey) and Thomas Moore, whose poetry is studied in context of English Literature and German Romanticism. The characteristics of the hymn are emotionality, associative composition, abundance of repetitions and parallelisms, archaic grammatical forms of verbs and pronouns, and the use of verb contractions. The combination of genres in hymns results in such variants as the

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Achami, Chaymae. "The Politics of Gender Representation in Charles Bukowski’s Poetry: Between Ambivalence and Misogyny." Journal of Gender, Culture and Society 1, no. 1 (2021): 33–44. http://dx.doi.org/10.32996/jgcs.2021.1.1.6.

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The German poet and novelist Charles Bukowski has always been surrounded with controversy throughout his life. However, interestingly, it is his politics of gender representation that mostly triggers feminists and researchers together to condemn him for being misogynist, showcasing a degrading image of female characters in his prose writings. The latter genre is seemingly insufficient to directly accuse Bukowski and his literary works of misogyny. While some of his novels attest to a demeaning yet controversial representation of women, his poetry offers a nuanced version wherein heterogeneous

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Kalinina, A. S. "Peculiarities of the embodiment of H. Heine’s poetry translations in the vocal cycle of D. Klebanov." Aspects of Historical Musicology 13, no. 13 (2018): 74–87. http://dx.doi.org/10.34064/khnum2-13.06.

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Statement of the problem. There are a lot of works in the national musicology focusing on the study of vocal chamber music for voice and piano by Ukrainian composers of the 20th century. Researchers cover quite a wide range of issues regarding vocal pieces and touch upon the problems of cyclocreation, dramaturgy, features of musical and linguistic means, etc. However, they rarely pay attention to translation, though there are many vocal opuses, in which composers use foreign poetry. In this case, the specifi c choice of the translated sample helps to determine the principles of the composer’s

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Шмігер, Тарас. "Review Article. How Poetry is Translated…" East European Journal of Psycholinguistics 4, no. 2 (2017): 95–96. http://dx.doi.org/10.29038/eejpl.2017.4.2.shm.

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James W. Underhill. Voice and Versification in Translating Poems. University of Ottawa Press, 2016. xiii, 333 p. After its very strong stance in the 19th century, the versification part of translation scholarship was gradually declining during the 20th century, substituted by the innovative searches for semasiology, culture and society in text. The studies of structural and cognitive approaches to writing, its postcolonial identity or gender-based essence uncovered a lot of issues of the informational essence of texts, but overshadowed the meaning of their formal structures. The book ‘Vo

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Kryeziu, Naim, and Lirak Karjagdiu. "Heinrich Heine in Albanian Literature." Theory and Practice in Language Studies 13, no. 2 (2023): 299–310. http://dx.doi.org/10.17507/tpls.1302.04.

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Those who wrote about and introduced Heinrich Heine into Albanian literature and culture are the following distinguished Albanian intellectuals, researches and scholars: Javer Malo, Nexhip Gami, Vehbi Bala, Perikli Jorgoni, Pertef Kruja, Robert Shvarc, Petraq Kolevica, etc. However, no all-embracing articles or papers in English or German were written about Heinrich Heine’s presence, popularity and influence on Albanian literature. Therefore, through qualitative and comparative literature methods this article attempts to illuminate the presence, popularity and impact of Heine’s poetry on the p

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Todorova, Bogdana. "The Music Sent by God." Balkan Journal of Philosophy 14, no. 1 (2022): 35–40. http://dx.doi.org/10.5840/bjp20221415.

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Mugham is deeply rooted in Azerbaijan’s history as it is undoubtedly depicted as the pearl of Azerbaijani musical art. Mughаm (Azerb. Muğam) (God sent music) is one of the main genres in traditional Azerbaijani music, part of the musical-poetic art of Azerbaijan’s nation. The Mughаm embodies philosophical poetry including the philosophy of music as a complement to the harmony of being. In 2008, UNESCO proclaimed the Azerbaijani Mugham as one of the masterpieces of verbal and intangible cultural heritage. This music must be understood in its two dimensions – as an example of an art and as a way

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Kravets’, Yarema. "Lusatian Folklore in the Slavic Research of the Italian Wolfango (Wolf) Giusti." Problems of slavonic studies 69 (2020): 36–44. http://dx.doi.org/10.30970/sls.2020.69.3487.

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Purpose: The article is devoted to the Sorbian studies work of the Italian Slavic scholar of Lusatian origin Wolfango Giusti (1901-1980) “The Folk Lusatian Serbian Song” (1926), totally unknown in Ukrainian Slavic scholars’ circles. The author of a large number of Sorbian studies publications printed in the 1920s and 1930s in the pages of Italian Slavic editions, he became a true popularizer of Lusatian culture, and his works found a special reverberation in the research papers of authoritative Sorbian scholars. W. Giusti’s name as researcher and translator has recently been more frequently me

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Bernadska, Nina. "EMIGRATION AS A LITERARY PLOT IN MODERN UKRAINIAN PROSE: ARTISTIC EXPERIENCE OF TANIA MALIARCHUK." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 2(34) (2023): 5–9. http://dx.doi.org/10.17721/1728-2659.2023.34.01.

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The article is devoted to the topic of emigration in modern Ukrainian literature. It is noted that its various variants - motives for departure, actions, deeds, psychology of migrants, their achievements and illusions were artistically interpreted in the latest Ukrainian prose, most often in the novel genre (the works of Irene Rozdobudko "Morning cleaner", 2004, "I know, what do you know, what I know", 2011, V. Eshkilieva "Paphos", 2002, Natalka Doliak "Gastarbaiterka", 2012, Natalky Snyadanko "Frau Müller is not ready to pay more", Irena Karpa "Good news from the Aral Sea", 2019, A. Chapaia "

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Michelsen, William. "Introduktion til Danne- Virke. I." Grundtvig-Studier 37, no. 1 (1985): 67–78. http://dx.doi.org/10.7146/grs.v37i1.15942.

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Introduction to Danevirke IBy William MichelsenGrundtvig never wished to give a systematic presentation of his philosophy. He was a historian, and as such he realised that we only know the development of human life up to our own time and that no man has experienced its origin. A systematic presentation of human life would presuppose a knowledge which we do not possess. However, in his periodical Danevirke (1816-19) he does offer a number of “considerations of human life in general”, as he writes in the preface to its final volume, and it is on this foundation that his later thoughts rested.The

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И., В. Разуменко, та Н. Щекина Т. "ЛЮБОВНАЯ ЛИРИКА Е. П. РОСТОПЧИНОЙ". Російська філологія. Вісник Харківського національного педагогічного університету імені Г.С. Сковороди, № 3(58) (8 листопада 2016): 58–63. https://doi.org/10.5281/zenodo.165272.

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The article is devoted to the analysis of E. P. Rostopchina’s love lyrics. The appearance of Rostopchina’s lyrics among other female writers in the Russian literature became an echo of a correspond tendency of the world literature. On the literary arena appeared whole groups of poetesses from Germany (Amalia Imgof, Carolina Woltsogen, Sofía Mero, Frederica Brune), from France (Marcelina Debord-Volmor, Delfina Ge, Amable Tastyu, Eliza Merker) and other countries. This phenomenon was closely connected with the ideas of Romanticism supporting freedom and value of each human person. The considerab

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Koplowitz-Breier, Anat. "“Anbeten Will Ich Dich, Unverstandener!”: On the Poet-God Relationship in Hedwig Caspari’s Poetry." Naharaim 12, no. 1-2 (2018): 135–51. http://dx.doi.org/10.1515/naha-2018-0007.

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Abstract Hartmut Vollmer (1993) and Barbara Wright (2005) argue that women Expressionist poets have been largely neglected and forgotten. The article seeks to make a modest contribution towards remedying this scholarly lacuna by examining Hedwig Caspari’s poetry, while focusing on the relationship between Poet and God as reflected in her poetry. Caspari (1882–1922) was a German-Jewish poet who lived and worked in Berlin. During her lifetime, she published two books—a play entitled Salomos Abfall (1920) and a volume of poetry entitled Elohim (1919). Like her play, most of her poetry deals with

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Sprague, W. Maurice. "Manifestations of Love. and the Middle High German Poetic Environment." Amsterdamer Beiträge zur älteren Germanistik 58, no. 1 (2003): 93–122. http://dx.doi.org/10.1163/18756719-058001008.

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Sanyuk, E. Е. "“LOVE” CONCEPT IN THE POETIC CYCLE «LIEBESFRÜHLING» BY FREDERIK RÜCKERT." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23, no. 78 (2021): 64–66. http://dx.doi.org/10.37313/2413-9645-2021-23-78-64-66.

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The article gives the analyze of the concept "love" in the poetic cycle "Liebesfrühling" by the German romantic poet F. Rückert. The reconstruction of it shows the techniques of constructing and description of it in the associative-semantic field. The concept “love” and its representatives create many associative connections, making space of the text incessant. Deep aesthetic implications are revealed through lexemes without which it is impossible to understand the text and the poetic picture of the author's world as a whole.

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Lestari, Titik. "Peningkatan Kemampuan Menulis Puisi dengan Metode Paralel Writing melalui Teknik Pengimajinasian Benda Abstrak Siswa Kelas X IPS 3 SMA Negeri 4 Pekanbaru." GERAM 7, no. 1 (2019): 64–70. http://dx.doi.org/10.25299/geram.2019.vol7(1).2748.

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Learning Indonesian is not only learning languages but also studying literature. Literary learning is also very important with the aim of giving a sense of love to literature and making students have the ability to appreciate and be able to judge the results of literary works. One aspect taught in learning literature is writing poetry. The motive of the importance of the learning process of writing poetry literary works for students is to improve reading and writing skills which can be used as a routine activity to improve achievement. Based on the results of observations on the learning pat

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Painter, Karen. "Singing at Langemarck in the German Political Imaginary, 1914–1932." Central European History 53, no. 4 (2020): 763–84. http://dx.doi.org/10.1017/s0008938920000424.

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AbstractThis article reconstructs the history of the famous anecdote about the battle at Langemarck, where German youth allegedly sang “Deutschland, Deutschland über alles” as they hurled themselves against British soldiers, bayonet in hand. Variants, including in poetry and other creative genres, helped to shape a public discourse about bravery. I also reconstruct the discourse on music and war in music journals and daily newspapers, suggesting possible influences on the German High Command, where the anecdote originated. The musical establishment initially ignored this lore—so remote was mus

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Chystiakova, Katerina. "Dramaturgical function of the orchestra in song cycle by Hector Berlioz – Théophile Gautier “Summer Nights”." Aspects of Historical Musicology 16, no. 16 (2019): 190–206. http://dx.doi.org/10.34064/khnum2-16.11.

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Background. In recent scholar resources musicologists actively study the problem of typology of chamber song cycle. The article cites analytical observations of M. Kolotylenko on works in this genre by R. Strauss (2014), of I. Leopa – on G. Mahler’s (2017), of N. Vlasova – on A. Schoenberg’s (2007). It is stated, that unlike Austro-German phenomena of this kind have been studied to a certain degree, song cycle “Summer Nights” by H. Berlioz hasn’t received adequate research yet, although it is mentioned by N. Vlasova as on of the foremost experiences of this kind. It allows to regard the French

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Рязанцева, Тетяна. "INTERMEDIAL INTERPRETATION OF THE KEY TOPICS OF METAPHYSICAL POETRY (TWO CHAPTERS FROM AN INTERNATIONAL ART PROJECT “THE SEA IS HERE. ABSENCE AS PRESENCE”)." Слово і Час, no. 1 (March 12, 2023): 62–80. http://dx.doi.org/10.33608/0236-1477.2023.01.62-80.

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The paper discusses the productivity of the new creative approaches to the established types of poetry. Building on the theoretical definitions, taxonomies, and observations formulated in the works of James Smith, Frank Warnke, Michael Nott, Robert Crawford and Norman McBeath, Susan Sontag, Viktoria Khoniu, et al., the research argues that the artistic practices of photopoetry (“a form of photo-text that takes, for its primary components, poetry and photography”, Michael Nott) offer new ways to interpret certain topics of metaphysical poetry. The term “metaphysical poetry” defines an independe

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Michelsen, William. "Grundtvig på normaldansk." Grundtvig-Studier 41, no. 1 (1989): 308–13. http://dx.doi.org/10.7146/grs.v41i1.16039.

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Grundtvig in Normal Danish.Helge Grell: The Spirit of the Creator and the Spirit of the People. An examination of Grundtvig’s ideas about peoples and popular culture, and their connection with his Christian view. Anis Publishing House, Århus. 346 pp.A Human First, A Christian Next. Helge Grell’s dissertation on Grundtvig under debate. Edited by Jens Holger Schjørring, the writers, and Anis Publishing House. Århus, 1988. 101 pp.Grundtvig’s prose is difficult to read, even for Danes. In this book Helge Grell has made his ideas about people, nations, and popular culture readable and intelligible.

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Yılmaz. "Poetic Translation of Mathnawī by Fayḍullah Sājid". Eskiyeni, № 44 (20 вересня 2021): 611–28. https://doi.org/10.37697/eskiyeni.907930.

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<em>Mathnawī</em><em>,</em> one of the basic works of Islamic civilization, has received great attention since the day it was written. In addition to Eastern languages such as Arabic, Hindi, Sanskrit and Urdu, it has also been transleted to Western languages such as German, Dutch, French, English, Spanish and Italian. Feyḍullah Sājid (1892-1978) was one of the translators of the <em>Mathnawī</em>, many translations and commentaries of which were made into Turkish literature. Sājid translated the first book of <em>Mathnawī</em> in 4,118 couplets in syllabic meter and published the first thirty-

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Romanowska, Agnieszka. "“I Hate You, Romeo.” A Heretic Re-writing of Romeo and Juliet." Linguaculture 2017, no. 1 (2017): 95–107. http://dx.doi.org/10.1515/lincu-2017-0009.

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Abstract In the nineteen twenties last century a young poet and diplomat from Warsaw, Jarosław Iwaszkiewicz, was taking part in an international congress of intellectuals in Heidelberg. During his stay in Germany he wrote The Lovers of Verona (the title in Polish reads Kochankowie z Werony), a play that offers a radical reinterpretation of the main message of Shakespeare’s Romeo and Juliet. Iwaszkiewicz’s vision of the young lovers, who are infected by insurmountable enmity, was determined by his pessimistic views on the nature of love and desire, expressed also in his other plays, prose and p

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Koval, Oxana A., and Ekaterina B. Kriukova. "Philosophical Poetry as a Form of Memory. On a Poem by Hannah Arendt." Studia Litterarum 9, no. 4 (2024): 122–37. https://doi.org/10.22455/2500-4247-2024-9-4-122-137.

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Hannah Arendt’s intellectual legacy includes a collection of poems that have not received much attention from scholars. Arendt began writing these poems in her youth and continued into adulthood. Her American period of poetry reflects on the experience of emigration and the loss of loved ones. The collection begins with a poem dedicated to the death of her friend, the philosopher Walter Benjamin. The lyrical necrology, entitled with the initials “W.B.” and dated 1942, is both a tribute to the dead thinker and a reaction to the first reports of German death camps. This article reconstructs the

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Deegan, James G., and Noel P. O’Connell. "The Starling’s Tale: A Performative Ethnography Showing Deaf Children’s Schooling in the Republic of Ireland." Qualitative Inquiry 25, no. 1 (2018): 69–79. http://dx.doi.org/10.1177/1077800418787458.

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The ways in which we approach children and childhood as variables of social analysis has undergone profound change in the last quarter century in the Republic of Ireland. This performative ethnography inquires into the secret lore and language of deaf children’s lives in one residential school. Out of sight of the community of the other, children willfully embodied a transgressive, liberatory, and decolonizing sign language of their own. Medium and message come together in this performative ethnography through a clutch of theatrical devices associated with the “epic theater” of the German play

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