Academic literature on the topic 'Manchevski'

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Journal articles on the topic "Manchevski"

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Manchevski, Milcho. "My Grandfather." Identities: Journal for Politics, Gender and Culture 1, no. 3 (June 1, 2002): 140. http://dx.doi.org/10.51151/identities.v1i3.71.

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Author(s): Milcho Manchevski | Милчо Манчевски Title (English): My Grandfather Title (Macedonian): Дедо ми Translated by (English to Macedonian): Milcho Manchevski | Милчо Манчевски Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 3 (Summer 2002) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 140 Page Count: 1 Citation (English): Milcho Manchevski, “My Grandfather,” Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 3 (Summer 2002): 140. Citation (Macedonian): Милчо Манчевски, „Дедо ми“, Идентитети: списание за политика, род и култура, т. 1, бр. 3 (лето 2002): 140.
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Manchevski, Milcho. "The Ghost of My Mother: A Short Book of Fiction." Identities: Journal for Politics, Gender and Culture 1, no. 2 (January 1, 2002): 151–60. http://dx.doi.org/10.51151/identities.v1i2.46.

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Author(s): Milcho Manchevski | Милчо Манчевски Title (English): The Ghost of My Mother: A Short Book of Fiction Title (Macedonian): Духот на мајка ми: Куса книга Translated by (Macedonian to English): Milcho Manchevski | Милчо Манчевски Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 2 (Winter 2002) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 151-160 Page Count: 10 Citation (English): Milcho Manchevski, “The Ghost of My Mother: A Short Book of Fiction,” Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 2 (Winter 2002): 151-160. Citation (Macedonian): Милчо Манчевски, „Духот на мајка ми: Куса книга“, Идентитети: списание за политика, род и култура, т. 1, бр. 2 (зима 2001): 151-160.
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Coover, Roderick. "History in Dust: An Interview with Milcho Manchevski." Film Quarterly 58, no. 2 (2004): 2–8. http://dx.doi.org/10.1525/fq.2004.58.2.2.

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Abstract Macedonian filmmaker Milcho Manchevski reflects on the nature of history, story-telling, and photographic evidence in a discussion of Before the Rain (1994) and his latest feature, Dust (2001/2003), a genre-crossing ““Baklava Western”” that explores what happens when West meets East in the violent history of the Balkans.
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Angelovska, Despina. "La retour à la poussière: Autour du film Poussière (2001), rèalisè par Milcho Manchevski." Identities: Journal for Politics, Gender and Culture 1, no. 3 (June 1, 2002): 111–39. http://dx.doi.org/10.51151/identities.v1i3.68.

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Author(s): Despina Angelovska | Деспина Ангеловска Title (French): La retour à la poussière: Autour du film Poussière (2001), rèalisè par Milcho Manchevski Title (Macedonian): Враќање кон прашината: Кон филмот Прашина (2001 г.) на Милчо Манчевски Translated by (French to Macedonian): Despina Angelovska | Деспина Ангеловска Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 3 (Summer 2002) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 111-139 Page Count: 28 Citation (French): Despina Angelovska, “La retour à la poussière: Autour du film Poussière (2001), rèalisè par Milcho Manchevski,” Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 3 (Summer 2002): 111-139. Citation (Macedonian): Деспина Ангеловска, „Враќање кон прашината: Кон филмот Прашина (2001 г.) на Милчо Манчевски“, Идентитети: списание за политика, род и култура, т. 1, бр. 3 (лето 2002): 111-139.
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ÇAKMAK DUMAN, Banu. "Greimas’ın Göstergebilim Yöntemiyle Bir Filmi Okumak: Milcho Manchevski ve Yağmurdan Önce." Dokuz Eylül Üniversitesi Güzel Sanatlar Fakültesi Dergisi, no. 19 (January 22, 2018): 1–17. http://dx.doi.org/10.17484/yedi.382974.

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Crnković, Gordana P. "Milcho Manchevski’s Before the Rain and the Ethics of Listening." Slavic Review 70, no. 1 (2011): 116–36. http://dx.doi.org/10.5612/slavicreview.70.1.0116.

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An artistic, popular, and critical success, the film Before the Rain (1994), written and directed by Macedonian-American Milcho Manchevski, has been the subject of much critical work largely dominated by issues related to the setting of the story (early 1990s Balkans) and also by the concepts of seeing, watching, and being watched, and the relation of all this with the Balkan discourses. Gordana P. Crnković argues for moving away from this framework in order to explore the film's aesthetic achievements operating in a different sphere, and specifically the film's creation of the practice of proper listening taken in a more philosophical sense envisioned by Martin Heidegger, Hans-Georg Gadamer, and Gemma Corradi Fiumara. Intertwining close readings of the film's scenes and especially the film's soundscape with these philosophers’ insights, Crnković shows how listening in this film grounds personal ethics and political acts, and how it relates to the spheres of childhood, nature, and one's own inner voice or daimon.
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Slapšak, Svetlana, and Natasha Stojanovska. "Luke Balkanwalker Shoots Down Corto Maltese: Milcho Manchevski’s Dust as an Answer to the Western Cultural Colonialism." Identities: Journal for Politics, Gender and Culture 1, no. 3 (June 1, 2002): 95–109. http://dx.doi.org/10.51151/identities.v1i3.67.

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Author(s): Svetlana Slapšak | Светлана Слапшак Title (English): Luke Balkanwalker Shoots Down Corto Maltese: Milcho Manchevski’s Dust as an Answer to the Western Cultural Colonialism Title (Macedonian): Лук Балканвокер го убива Корто Малтезе: Прашина на Милчо Манчевски како одговор на западниот културен колонијализам Translated by (English to Macedonian): Natasha Stojanovska | Наташа Стојановска Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 3 (Summer 2002) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 95-109 Page Count: 15 Citation (English): Svetlana Slapšak, “Luke Balkanwalker Shoots Down Corto Maltese: Milcho Manchevski’s Dust as an Answer to the Western Cultural Colonialism,” Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 3 (Summer 2002): 95-109. Citation (Macedonian): Светлана Слапшак, „Лук Балканвокер го убива Корто Малтезе: Прашина на Милчо Манчевски како одговор на западниот културен колонијализам“, превод од англиски Наташа Стојановска, Идентитети: списание за политика, род и култура, т. 1, бр. 3 (лето 2002): 95-109.
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Marciniak, Katarzyna. "Transnational Anatomies of Exile and Abjection in Milcho Manchevski's Before the Rain (1994)." Cinema Journal 43, no. 1 (2003): 63–84. http://dx.doi.org/10.1353/cj.2003.0025.

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"Before the Rain. Produced by Judy Courihan, Cedomir Kolar, Sam Taylor, and Cat Villiers. Written and directed by Milcho Manchevski. 1994; color; 114 minutes. United Kingdom/Macedonia/France. Distributor: Gramercy Pictures." American Historical Review, October 1995. http://dx.doi.org/10.1086/ahr/100.4.1229.

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Toh, Hai Leong. "Aspects of Chinese Cinema Today." Kinema: A Journal for Film and Audiovisual Media, April 10, 1997. http://dx.doi.org/10.15353/kinema.vi.850.

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1. THE TAIWANESE ANTONIONI: TSAI MING-LIANG'S DISPLACEMENT OF LOVE IN AN URBAN ENVIRONMENT NO, Tsai Ming-liang is not in fact Taiwanese. The bespectacled 40-year-old bachelor was born in Kuching, Sarawak (East Malaysia) and only came to Taiwan for a college education. After graduating with a degree in drama and film in Taiwan's University, he settled there and impressed critics with several experimental plays and television movies such as Give Me A Home (1988), The Happy Weaver(1989), My Name is Mary (1990), Ah Hsiung's First Love(1990). He made a brilliant film debut in 1992 with Rebels Of The Neon God and his film Vive l'amour shared Venice's Golden Lion for Best Film with Milcho Manchevski's Before The Rain (1994). Rebels of the Neon God, a film about aimless and nihilistic Taipei youths, won numerous awards abroad: Among them, the Best Film award at the Festival International Cinema Giovani (1993), Best...
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Dissertations / Theses on the topic "Manchevski"

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Vagneux, Stéphanie. "Analyse des représentations des transformations historiques des Balkans survenues après 1989 dans les films "Le regard d'Ulysse", "Before the rain" et "Underground"." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ56777.pdf.

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Books on the topic "Manchevski"

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Milcho, Manchevski, Kostova Marina, and Kunovski Blagoja, eds. Rain: The world about Milcho Manchevski's film "Before the Rain" = Dožd : svetot za filmot "Pred Doždot" na Milčo Mančevski. Skopje: Museum of Contemporary Art, 2004.

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Book chapters on the topic "Manchevski"

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"Tödliche Blicke Filmische Typologien des Fotografen, des Reporters und des Regisseurs im Kriege. Spottiswoode–Born/Schlöndorff–Manchevski–Kusturica–Angelopoulos." In Krieg in den Medien, 149–71. Brill | Rodopi, 2005. http://dx.doi.org/10.1163/9789401202305_008.

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Preußer, Heinz Peter. "1.2 Tödliche Blicke. Filmische Typologien des Fotografen, des Reporters und des Regisseurs im Krieg: Spottiswoode – Born/Schlöndorff – Manchevski – Kusturica – Angelopoulos." In Transmediale Texturen, 49–71. Schüren Verlag, 2013. http://dx.doi.org/10.5771/9783741000249-49.

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