Academic literature on the topic 'Manchevski, Milcho. Before the rain'

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Journal articles on the topic "Manchevski, Milcho. Before the rain"

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Coover, Roderick. "History in Dust: An Interview with Milcho Manchevski." Film Quarterly 58, no. 2 (2004): 2–8. http://dx.doi.org/10.1525/fq.2004.58.2.2.

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Abstract Macedonian filmmaker Milcho Manchevski reflects on the nature of history, story-telling, and photographic evidence in a discussion of Before the Rain (1994) and his latest feature, Dust (2001/2003), a genre-crossing ““Baklava Western”” that explores what happens when West meets East in the violent history of the Balkans.
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Crnković, Gordana P. "Milcho Manchevski’s Before the Rain and the Ethics of Listening." Slavic Review 70, no. 1 (2011): 116–36. http://dx.doi.org/10.5612/slavicreview.70.1.0116.

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An artistic, popular, and critical success, the film Before the Rain (1994), written and directed by Macedonian-American Milcho Manchevski, has been the subject of much critical work largely dominated by issues related to the setting of the story (early 1990s Balkans) and also by the concepts of seeing, watching, and being watched, and the relation of all this with the Balkan discourses. Gordana P. Crnković argues for moving away from this framework in order to explore the film's aesthetic achievements operating in a different sphere, and specifically the film's creation of the practice of proper listening taken in a more philosophical sense envisioned by Martin Heidegger, Hans-Georg Gadamer, and Gemma Corradi Fiumara. Intertwining close readings of the film's scenes and especially the film's soundscape with these philosophers’ insights, Crnković shows how listening in this film grounds personal ethics and political acts, and how it relates to the spheres of childhood, nature, and one's own inner voice or daimon.
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Marciniak, Katarzyna. "Transnational Anatomies of Exile and Abjection in Milcho Manchevski's Before the Rain (1994)." Cinema Journal 43, no. 1 (2003): 63–84. http://dx.doi.org/10.1353/cj.2003.0025.

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"Before the Rain. Produced by Judy Courihan, Cedomir Kolar, Sam Taylor, and Cat Villiers. Written and directed by Milcho Manchevski. 1994; color; 114 minutes. United Kingdom/Macedonia/France. Distributor: Gramercy Pictures." American Historical Review, October 1995. http://dx.doi.org/10.1086/ahr/100.4.1229.

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Toh, Hai Leong. "Aspects of Chinese Cinema Today." Kinema: A Journal for Film and Audiovisual Media, April 10, 1997. http://dx.doi.org/10.15353/kinema.vi.850.

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1. THE TAIWANESE ANTONIONI: TSAI MING-LIANG'S DISPLACEMENT OF LOVE IN AN URBAN ENVIRONMENT NO, Tsai Ming-liang is not in fact Taiwanese. The bespectacled 40-year-old bachelor was born in Kuching, Sarawak (East Malaysia) and only came to Taiwan for a college education. After graduating with a degree in drama and film in Taiwan's University, he settled there and impressed critics with several experimental plays and television movies such as Give Me A Home (1988), The Happy Weaver(1989), My Name is Mary (1990), Ah Hsiung's First Love(1990). He made a brilliant film debut in 1992 with Rebels Of The Neon God and his film Vive l'amour shared Venice's Golden Lion for Best Film with Milcho Manchevski's Before The Rain (1994). Rebels of the Neon God, a film about aimless and nihilistic Taipei youths, won numerous awards abroad: Among them, the Best Film award at the Festival International Cinema Giovani (1993), Best...
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Dissertations / Theses on the topic "Manchevski, Milcho. Before the rain"

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Vagneux, Stéphanie. "Analyse des représentations des transformations historiques des Balkans survenues après 1989 dans les films "Le regard d'Ulysse", "Before the rain" et "Underground"." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ56777.pdf.

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Books on the topic "Manchevski, Milcho. Before the rain"

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Milcho, Manchevski, Kostova Marina, and Kunovski Blagoja, eds. Rain: The world about Milcho Manchevski's film "Before the Rain" = Dožd : svetot za filmot "Pred Doždot" na Milčo Mančevski. Skopje: Museum of Contemporary Art, 2004.

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