Relevant bibliographies by topics / Marché du Film

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Marché du Film'

Author: Grafiati
Published: 18 April 2022
Last updated: 30 July 2025

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Journal articles on the topic "Marché du Film"

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Benghozi, Pierre-Jean, and Claire Nénert. "Création de valeur artistique ou économique : Du Festival International du film de Cannes au marché du film." Recherche et Applications en Marketing (French Edition) 10, no. 4 (1995): 65–76. http://dx.doi.org/10.1177/076737019501000404.

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Cet article montre comment le festival de Cannes a évolué, dans son organisation et sa stratégie, pour répondre à la multiplication des acteurs impliqués dans le cinéma, l'ampleur des enjeux économiques, la diversité des marchés et des publics. En multipliant les sections et les activités, en organisant un véritable «marché du film», le festival a opéré une différenciation de l'offre et une segmentation de la demande.
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CAILLÉ, Patricia. "La « condition des femmes » au Maghreb fait recette sur le marché du film européen ! 1990-2019." Regards, no. 24 (October 31, 2020): 17–33. https://doi.org/10.70898/regards.v0i24.481.

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Cet article examine le processus de valorisation commerciale et symbolique des films maghrébins sur le marché européen à la lumière des chiffres du box-office, du discours critique et des savoirs académiques. Il interroge la place et l’enjeu des films réalisés avec des financements maghrébins en Europe en particulier ceux dont les protagonistes sont des femmes, et les films par des réalisatrices. Comparant la circulation des films tunisiens et des films marocains, il décrit les motifs récurrents des films sur « la condition des femmes » et met en lumière la façon dont ils sont le produit phare
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Paillard, Jérôme. "Le Marché du Film du festival de Cannes, événement majeur de l'industrie cinématographique." Géoéconomie 58, no. 3 (2011): 77. http://dx.doi.org/10.3917/geoec.058.0077.

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Sojcher, Fréderic. "The Economics of Cinema: History, Strategic Choices and Cultural Policy." Contemporary European History 11, no. 2 (2002): 305–16. http://dx.doi.org/10.1017/s0960777302002084.

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Pierre-Jean Benghozi and Christian Delage, eds., Une histoire économique du cinéma français (1895–1995): Regards croisés franco-américains (Paris: L'Harmattan, 1997), 364pp., €28.97, ISBN 2-7384-5852-1. Laurent Creton, Economie du cinéma: perspectives stratégiques (Paris: Nathan, collection ‘Nathan Université’, 1994), 288 pp., €21.19, ISBN 209-190-219-5. Laurent Creton, Cinéma et marché (Paris: Armand Colin, collection ‘U’, 1997), 254 pp., €20.58, ISBN 2-200-01769-3. Eric Dubet, Economie du cinéma européen: de l'interventionnisme à l'action entrepreneuriale Paris: L'Harmattan, 2000), 286 pp.,
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Adobati, Mario. "Simon le mage : de la réalité économique au fantasme esthétique." Voix Plurielles 12, no. 2 (2015): 222–33. http://dx.doi.org/10.26522/vp.v12i2.1283.

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La transition du communisme vers le capitalisme dans les années 1990 en Hongrie dans le secteur de l’industrie cinématographique n’a pas été la rupture brutale qu’elle a pu être politiquement. Elle n’a pas non plus eu pour conséquence la facilité accrue en matière de production du film qu’on eût été en droit d’imaginer. Dans le présent article, je saisis le cas de Simon le mage, un film franco-hongrois de la réalisatrice Enyedi Ildikó sorti en 1998, pour analyser les modalités de cette transition et les nouvelles possibilités qui s’imposent pour les cinéastes afin de produire leurs œuvres. Dan
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Uricchio, William, and Ester Rutten. "Le film de non-fiction français et le marché néerlandais. Étude de cas préliminaire des films importés en 1912 par Jean Desmet." 1895 Mille huit cent quatre-vingt-quinze 18, no. 1 (1995): 222–33. http://dx.doi.org/10.3406/1895.1995.1120.

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Affagnon, Qemal. "L’édifice Filmique Russe: Laboratoire d’Un Autre Futur en Afrique." European Scientific Journal, ESJ 19, no. 7 (2023): 104. http://dx.doi.org/10.19044/esj.2023.v19n7p104.

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Au tournant de la décennie 80, l’Afrique subsaharienne francophone a connu une période pendant laquelle, la production cinématographique locale inondait les petits écrans. Depuis deux décennies, ce constat n’est cependant plus actuel . Si la montée en puissance des productions de l’audiovisuel d’Afrique francophone est réelle, le secteur se caractérise tout autant par un environnement artistique concurrentiel. C’est dans ce cadre que des groupes étrangers, développent des programmes pour une diffusion principalement locale. Tous les genres et formats sont proposés, à l’instar du documentaire r
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MACDONALD, SCOTT. "Up Close and Political: THREE SHORT RUMINATIONS ON IDEOLOGY IN THE NATURE FILM." Film Quarterly 59, no. 3 (2006): 4–21. http://dx.doi.org/10.1525/fq.2006.59.3.4.

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ABSTRACT Why is nature filmmaking generally absent from histories and theorizations of cinema, and why do films like March of the Penguins receive such grudging attention from serious critics? By exploring ideological dimensions of two formative influences (Jean Painlevéé and the Disney True-Life Adventures), along with a recent National Geographic special on the Sonoran desert and the film Microcosmos, MacDonald demonstrates why nature film should be taken seriously.
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Bałdyga, Katarzyna. "Marzec ’68 w polskim kinie – o „Różyczce” Jana Kidawy-Błońskiego." Załącznik Kulturoznawczy, no. 1 (2014): 242–58. http://dx.doi.org/10.21697/zk.2014.1.11.

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The article refers to March events in Polish cinema. Little Rose, film by Jan Kidawa-Błoński, becomes the main material of the analysis. The first part of the article relates to two documentary films by Maria ZmarzKoczanowicz which help to interpret many key scenes in the film of KidawaBłoński. Gdanski Railway Station sheds some light on the final scene of the Little Rose. It also shows how dramatically March events affected the privacy of Polish people. An Ordinary March presents the struggle of Polish intelligentsia with the system – so it demonstrates what is official. Little Rose connects
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Monica, Debbarma, Sutradhar Prasanta, and Saha Mitali. "Synthesis of ZnO nanocomposites for photovoltaic applications." Journal of Indian Chemical Society Vol. 92, Oct 2015 (2015): 1487–90. https://doi.org/10.5281/zenodo.5700938.

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Department of Chemistry, National Institute of Technology, Agartala-799 046, Tripura, India <em>E-mail</em> : mitalisah@gmail.com <em>Manuscript received online 24 February 2015, revised 02 March 2015, accepted 13 March 2015</em> Nano structured zinc oxide (ZnO) have received considerable attention due to their distinguished performance in the electronic, optical and photonic devices. In this paper, we have prepared thin film of nanocomposites using different ratios of ZnO, TiO<sub>2</sub> and GO by simple mechanical stirring and ultra sonication. The single zinc oxide nanostructured particle
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Dissertations / Theses on the topic "Marché du Film"

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Champetier, Dominique. "L' exploitation en salle du film cinématographique." Clermont-Ferrand 1, 1995. http://www.theses.fr/1995CLF10166.

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L’histoire du septième art a connu en l'espace d'un siècle une évolution constante. La multiplication des vecteurs de diffusion des images constitue un évènement, dans la mesure où elle engendre une demande croissante et une consommation plus individuelle des films cinématographiques. La salle de cinéma demeure néanmoins un mode d'exploitation important, en dépit de trois phénomènes : la baisse de la fréquentation, la concentration de celle-ci et l'augmentation de la part du cinéma américain. Ces paramètres impliquent une nécessaire adaptation du cadre juridique aux données économiques du marc
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Prévoteau, Karine. "Relations internationales, politiques publiques, marché de l’Art et Essai, trois questions préalables pour une étude de la diffusion des inédits du Sud en salle en France de 1990 à 2007." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030175.

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Les inédits du Sud révèlent une double qualité pour fonder une recherche en cinéma : ils sont à la fois les expressions marquées et les filtres d’observation privilégiés des environnements de trois grands domaines : les Relations internationales, la politique publique et le contexte français du marché de l’Art et Essai. Autour et grâce à un corpus de 430 films de longs métrages distribués commercialement pour la première fois en salles en France entre 1990 et 2007 [Afrique subsaharienne, Mena Iran, Asie centrale, Asie, Amérique Latine] cette thèse propose :- une étude de la construction de la
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Del, Vigna Alessandro. "Co-produzioni internazionali." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.

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Questo elaborato si pone come obiettivo l’analisi della pratica delle co-produzioni internazionali (ufficiali), attraverso i suoi strumenti principali (diretti e indiretti) a livello sovranazionale, nazionale e subnazionale, evincendo i vantaggi di tale impostazione in termini di circolazione e di legittimazione dei film. Cercheremo di andar oltre l’aspetto puramente manualistico dell’argomento, per mettere in chiaro il nostro particolare approccio da produttore che sta muovendo i primi passi nell'industria. Ci confronteremo con la fortunata tradizione esterofila dei produttori italiani che
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Theurel, François. "Le spectateur en mouvement : perspectives et impacts de la diffusion cinématographique numérique sur les pratiques spectatorielles en milieu festivalier." Thesis, Avignon, 2011. http://www.theses.fr/2011AVIG1116/document.

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Cette recherche, réalisée en partenariat avec le Marché du Film de Cannes, s’attache à appréhender l’impact qu’exercent les évolutions des outils numériques de diffusion sur les spectateurs de cinéma dans un contexte festivalier. A l’envers des rhétoriques fonctionnant sur l'idée d’une rupture positiviste dans les pratiques des individus, particulièrement dans un contexte où un grand nombre de représentations médiatiques présentent les évolutions numériques comme «révolutionnaires», nous nous sommes efforcé de saisir ce qui constitue la complexité des pratiques et représentations des spectateu
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Rescigno, Anthony. "Les films allemands en Moselle annexée par l’Allemagne nazie (1940-1945) : histoire d’un plaisir oublié." Thesis, Université de Lorraine, 2017. http://www.theses.fr/2017LORR0368/document.

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Cette étude décrit le marché des films allemands en Moselle pendant l'annexion du département à l'Allemagne nazie. Elle analyse la politique locale du cinéma mise en place par les nouvelles autorités (partie 1), la programmation des films (partie 2), leurs circulations et leurs consommations par les spectateurs (partie 3). Privilégiant une approche anthropologique du cinéma, l'observation essaie d'interroger l'efficacité des mécanismes d'hégémonie culturelle qui ne se réduisent ni à une entreprise de manipulation politique, ni à l'imposition implicite d'une vision du monde. Elle porte son atte
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Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.

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While much has been written on the Australian film and television industry, little has been presented by actual producers, filmmakers and technicians of their time and experiences within that same industry. Similarly, with historical documentaries, it has been academics rather than filmmakers who have led the debate. This thesis addresses this shortcoming and bridges the gap between practitioner experience and intellectual discussion, synthesising the debate and providing an important contribution from a filmmaker-academic, in its own way unique and insi
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Moriset, Claire. "L'industrialisation du cinéma ou l'émergence du triple marché." Lyon 3, 1995. http://www.theses.fr/1995LYO31009.

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Ce memoire analyseles differentes phases d'industrialisation du secteur du cinema a travers la problematique du triple marche. Le cinema considere tantot comme une authentique creation intellectuelle, tantot comme une marchandise, oscille constamment entre deux domaines : celui de l'art, de la culture, et celui de l'industrie, de l'argent. Le secteur cinematographique se situe ainsi a la frontiere d'une economie de marche et d'une politique tutelaire des pouvoirs publics. Depuis l'apparition des medias utilisant le film cinematographique comme programme, l'evolution du cinema est liee a celle
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Thompson, Sabrina Rocha Stanford. "Imprevisibilidades e marcas do acaso : a contingência analisada em dois documentários sobre religiões afro-brasileira." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284563.

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Orientador: Marcius Cesar Soares Freire<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-21T22:15:52Z (GMT). No. of bitstreams: 1 Thompson_SabrinaRochaStanford_M.pdf: 2552373 bytes, checksum: 330c27377da01acb96852e237a4f9ee6 (MD5) Previous issue date: 2012<br>Resumo: Nesta dissertação empreendemos um estudo sobre as funções do acaso na constituição das narrativas de duas realizações audiovisuais com temática religiosa afrobrasileira do candomblé de origem iorubá no cerne de sua narrativa: A cidade das Mulheres (2005) de
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Hedström, Julia. "La marche des morts-vivants : une sociologie praxéologique de la médiation critique." Thesis, Lyon 3, 2013. http://www.theses.fr/2013LYO30008/document.

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En remontant à la genèse de la réception de La Nuit des Morts-vivants (Romero, 1968) dans la presse américaine entre 1967-1971, la présente recherche vise à élucider sa trajectoire médiatique et, ce faisant, montrer le caractère progressif de sa consolidation en tant que film culte, œuvre d’art et phénomène digne d’intérêt public. L’investigation cherche ainsi à comprendre comment un film qualifié d’« orgie sadique » par sa première critique nationale dans le magazine Variety devient digne d’une projection au Musée d’Art Moderne à New York et donne naissance à de nombreuses interprétations, la
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Aldstadt, David. "Imaginary co-signatures: collaboration, authorship, and star personae in films by Marcel Carne with Arletty and by Jean Cocteau with Jean Marais." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1371473066.

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Books on the topic "Marché du Film"

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Grupo Novo de Cinema e TV. Brazilian cinema: Cannes 96, Marché international du film, Palais - Stand 24-02. Grupo novo de cinema e TV international distribution, 1996.

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International Workshop on Physics and Technology of Thin Films (2003 Tehran, Iran). Proceedings of the International Workshop on Physics and Technology of Thin Films: IWTF 2003, Tehran, Iran, 22 February-6 March 2003. Edited by Moshfegh Alireza Zaker. World Scientific Pub., 2004.

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Hyderabad International Film Festival (1st 2007). Hyderabad International Film Festival, 23-29 March 2007. Hyderabad International Film Festival, 2007.

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Mike, Lawrence. March: The rise and fall of a motor racing legend. Motor Racing Publications, 2001.

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Council, Greater London. Anti racist film programme cinema circuit, March/April '85. The Council, 1985.

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Finger, Lakes Environmental Film Festival (10th 2007 Ithaca N. Y. ). Finger Lakes Environmental Film Festival: March 26-April 2, 2007. Ithaca College, 2007.

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1898-1948, Eisenstein Sergei, Michelson Annette, and Pace Gallery, eds. Drawing into film: Directors' drawings : March 26-April 24, 1993. Pace Gallery, 1993.

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Malaysia. Film Censorship Act 2002 (Act 620): & Perbadanan Kemajuan Filem Nasional Malaysia Act 1981 (Act 244) : as at 10th March 2004. International Law Book Services, 2004.

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International Film Festival of Kerala (7th 2002 Trivandrum, India). 7th International Film Festival of Kerala, March 29-April 5, 2002, Thiruvananthapuram, Kerala: IFFK 2002. Kerala State Chalachitra Academy, 2002.

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FESPACO, (Festival) (22nd 2011 Ouagadougou Burkina Faso). 22ème FESPACO: Du 26 février au 5 mars 2011 : cinéma africain et marchés : catalogue officiel = 22nd FESPACO : February 26 to March 5, 2011 : African cinema and markets : film festival catalog. FESPACO, 2011.

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Book chapters on the topic "Marché du Film"

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Hale, Heather. "Le Marché du Film (The Cannes Film Market)." In How to Work the Film & TV Markets. Routledge, 2017. http://dx.doi.org/10.4324/9781315755359-7.

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Jacquet, Luc. "March of the Penguins (La Marche de l’empereur)." In 100 Documentary Films. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0_56.

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Mazey, Paul. "The March: Military and Ceremonial Music." In British Film Music. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33550-2_6.

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McElwee, Ross. "Sherman’s March." In 100 American Independent Films. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-349-92349-6_77.

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Morera, Raphaël. "L’eau, entre rente, marché et régulation." In Une histoire au fil de l’eau. Éditions de l’École des hautes études en sciences sociales, 2024. https://doi.org/10.4000/140i0.

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Vail, James, Theresa Heath, Lesley-Ann Dickson, and Rebecca Finkel. "Film Festivals on the Small Screen: Audiences, Domestic Space, and Everyday Media." In Rethinking Film Festivals in the Pandemic Era and After. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_5.

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AbstractSince March 2020 in the UK, film festivals have moved to a variety of broadcast, video-on-demand (VOD), and VOD-like forms of film exhibition. Film viewing takes place on home television sets, laptops, and mobile devices and, due to the often-flexible form of film scheduling, the film festival comes to sit within and against the rhythms of everyday media use. This chapter provides a conceptual framework to theorize film festival audiences in this context. We argue that any account of online film festival audiences should take into consideration the relationship between film festival vi
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Forest, Claude. "Section A – Le discours et le marché." In Quel film voir ? Presses universitaires du Septentrion, 2010. http://dx.doi.org/10.4000/books.septentrion.43929.

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Grant, Barry Keith. "March of the Penguins (La Marche de l’empereur)." In 100 Documentary Films. British Film Institute, 2009. http://dx.doi.org/10.5040/9781838710606.0059.

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"Plays and Films." In William March. University of Alabama Press, 2015. https://doi.org/10.2307/jj.30346771.9.

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Stone, Nora. "The Docbuster Era (2000 to 2007)." In How Documentaries Went Mainstream. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197557297.003.0006.

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Abstract Chapter 5 details the “docbuster” era, a time of heightened visibility and popularity for documentary films. The years 2000 to 2007 saw a higher concentration of documentaries succeeding in theaters than ever before, with standouts like Fahrenheit 9/11 (2004), March of the Penguins (2005), and Capturing the Friedmans (2003). At the same time, the growth of the DVD market provided a new ancillary market for documentary films, and more cable television channels began funding the production of documentaries. While film festivals are often seen as a haven from the hypercommercial concerns
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Conference papers on the topic "Marché du Film"

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Orr, J. T., M. C. Burrell, L. D. Rabideau, M. J. LeClair, and R. S. Fashho. "A Consistent Interpretation of Corrosion Test Results Using the Marcus Film Growth Model." In CORROSION 2016. NACE International, 2016. https://doi.org/10.5006/c2016-07461.

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Abstract The corrosion behavior of several steels and nickel-based alloys in high-temperature water was analyzed using a mechanistic model described by Marcus and co-workers. The model was used because it allows for different behavior at short and long times. The analysis provided good fits to the data, and provides an explanation for results previously considered anomalous. It was discovered that the amount of total corrosion of a material deviated from normal parabolic behavior depending on the value of a critical model parameter, xd, the “characteristic film thickness,” which is determined
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Tapping, Robert L., and Rocky H. Thompson. "Inferring the Corrosion Susceptibility of the Crystal River Unit-3 Steam Generator Tubes from Deposit Analyses." In CORROSION 1988. NACE International, 1988. https://doi.org/10.5006/c1988-88256.

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Abstract The corrosion degradation of steam generator tubes is caused by the local breakdown of the protective oxide film on the tube surface. This localized breakdown is most often the result of aggressive chemical environments forming under deposits or in crevices and areas of restricted flow. Less often the protective oxide film is damaged by mechanical means, e.g. fretting wear. It is possible to deduce the environmental conditions within a steam generator from a careful analysis of tube deposit samples and water chemistry. As a part of Florida Power Corporation's Steam Generator Integrity
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Miller, D. G., M. D. Wright, G. Cherepakhov, W. A. Monti, and J. O. Parry. "Examination of Corrosion Specimens from the Full Reactor Coolant System Decontamination at Indian Point Unit 2." In CORROSION 1998. NACE International, 1998. https://doi.org/10.5006/c1998-98339.

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Abstract The first full-system chemical decontamination (FSD) of a nuclear power reactor in the United States was performed at Consolidated Edison's Indian Point 2 (IP-2) PWR in March 1995. This National Demonstration of a full reactor coolant system (RCS) decontamination was performed using a five-step decontamination process. To evaluate the effects of the decontamination on materials in the IP-2 RCS, and to ensure the integrity of these materials, several types of corrosion specimens were installed in the decontamination process system (DPS). Corrosion coupons were fabricated from: major RC
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Zolfagharroshan, Mohammad, Minghan Xu, Ahmad Zueter, and Agus Sasmito. "Theoretical Study of Counter-Current Liquid-Vapor Flow Under Condensation Conditions Over Non-Isothermal Vertical Wall of Two-Phase Closed Thermosyphon." In ASME 2023 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2023. http://dx.doi.org/10.1115/imece2023-112692.

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Abstract This paper proposes a new mathematical formulation describing the relationship between shear stress and film thickness to model condensing falling film of liquid in vertical thermosyphons. The mathematical model incorporates various factors, encompassing the contribution of shear stress resulting from friction force and phase change at the liquid-vapor interface, the impact of subcooling, and the influence of the convective boundary on film heat transfer. Vapor phase condensation in thermosyphons with relatively longer condenser lengths, where temperature variation is inevitable, is a
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Ramos, MFS, D. Kons, ERS Orelli, DCG Remor, CMM Dias, and FAN Nunes. "A REESTRUTURAÇÃO DA GESTÃO DE RISCO PARA A SEGURANÇA DO PACIENTE EM UM GRANDE GRUPO DE LABORATÓRIOS." In Resumos do 54º Congresso Brasileiro de Patologia Clínica/Medicina Laboratorial. Zeppelini Editorial e Comunicação, 2022. http://dx.doi.org/10.5327/1516-3180.140s1.6028.

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Objetivo: Ferramentas padronizadas auxiliam na identificação, na análise, na prevenção, na mitigação, na priorização, na comunicação e no monitoramento dos riscos dos processos laboratoriais. O objetivo deste trabalho é apresentar a nova estrutura de identificação e levantamento dos riscos de cada área laboratorial, utilizando a metodologia FMEA, adequando-a à realidade de cada marca. Método: Inicialmente, a metodologia FMEA foi utilizada para identificação e mapeamento dos riscos de todas as marcas do Grupo de Laboratórios em uma única tabela. Essa compilação de dados unificados apresentou fr
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Desai, Saaketh, and Remi Dingreville. "Designing thin film microstructures using genetic algorithms." In Proposed for presentation at the TMS 2022 held February 27-March 3, 2022 in Anaheim, CA. US DOE, 2022. http://dx.doi.org/10.2172/2001848.

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Fernández-Ginés, FD, TB Rodriguez-Cuadros, P. Nieto-Guindo, F. Sierra-García, and E. Cuadrado-Molina. "CP-037 Use of chitosan film for refractory pain in periostomal ulcer." In 22nd EAHP Congress 22–24 March 2017 Cannes, France. British Medical Journal Publishing Group, 2017. http://dx.doi.org/10.1136/ejhpharm-2017-000640.36.

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Von Helde, Rosângela Rocha, and Sílvia Fernandes Pereira. "A importância da área de notas na catalogação de acervos raros." In I Seminário Nacional de Catalogação e Tecnologia (SNCat). Instituto Brasileiro de Informação em Ciência e Tecnologia, 2024. http://dx.doi.org/10.22477/i.sncat.7.

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"Esta comunicação tem por objetivo ressaltar a relevância da área de notas como fonte de informação na catalogação de acervos raros, tomando como objeto de estudo os registros bibliográficos das instituições públicas e privadas do Brasil, que encontram-se abrigados no Catálogo do Patrimônio Bibliográfico Nacional (CPBN), gerenciado pelo Plano Nacional de Recuperação de Obras Raras em sua antiga base de dados em Ortodocs. Sugere-se às instituições curadoras de acervos raros a prática da catalogação em terceiro nível dos itens presentes nos acervos sob sua guarda, com base nos principais instrum
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Sharma, Peter, Portia Allen, Simeon Gilbert, Michael Siegal, and Ping Lu. "Hydrogen Implantation in Lanthanum Thin Films for Ambient Pressure Hydride Formation." In American Physical Society March Meeting - Las Vegas, Nevada, United States of America - March - 2023. US DOE, 2023. http://dx.doi.org/10.2172/2431800.

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"Impedimetric Sensor of Leptospira Bacteria Based on Mixed Metal Alloys - Polyaniline Films." In March 14-16, 2019 Paris (France). Eminent Association of Pioneers, 2019. http://dx.doi.org/10.17758/eares5.eap0319206.

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Reports on the topic "Marché du Film"

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Ryan, Mark David, Andrew Couzens, Peter Innes, and Sue Cake. A Re-Evaluation of Screen Production on the Gold Coast After COVID-19. Queensland University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.244107.

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This study was commissioned by the City of Gold Coast to re-evaluate the size and activity of the film and television production industry on the Gold Coast since the outbreak of COVID-19 in March 2020. Focusing on the period between June 2020 and mid-2023, the study examines the production activity and characteristics of the local screen ecology; the size and growth of the local film, television and games workforce; and the current capacity of film and television sound stages and production facilities. Using both qualitative and quantitative research methodology, primary data was generated thr
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Trefny, J. U., and D. Mao. Polycrystalline thin film cadmium telluride solar cells fabricated by electrodeposition. Annual technical report, 20 March 1995--19 March 1996. Office of Scientific and Technical Information (OSTI), 1997. http://dx.doi.org/10.2172/463615.

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Trefny, J. U., T. E. Furtak, D. L. Williamson, and D. Kim. Polycrystalline thin film cadmium telluride solar cells fabricated by electrodeposition. Annual subcontract report, 20 March 1993--19 March 1994. Office of Scientific and Technical Information (OSTI), 1994. http://dx.doi.org/10.2172/10173247.

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Trefny, J. U., T. E. Furtak, N. Wada, D. L. Williamson, and D. Kim. Polycrystalline Thin Film Cadmium Telluride Solar Cells Fabricated by Electrodeposition, Annual Subcontract Report, 20 March 1992 - 19 March 1993. Office of Scientific and Technical Information (OSTI), 1993. http://dx.doi.org/10.2172/10178193.

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Boudarbat, Brahim, and Idossou Marius Adom. Les immigrants et les minorités visibles sur le marché du travail au Québec et au Canada. Les minorités visibles nées au Canada, l’angle mort des politiques d’intégration. CIRANO, 2023. http://dx.doi.org/10.54932/nbnm4161.

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Ce rapport présente les derniers développements sur la situation des immigrants et des minorités visibles sur les marchés du travail québécois et canadiens. En 2021, les immigrants représentaient 14,6 % de la population du Québec et 23 % de celle du Canada. Au Québec, le taux de chômage chez les immigrants a fortement baissé au fil du temps, mais les immigrants sont toujours plus exposés au chômage et occupent des emplois moins bien rémunérés que les Canadiens de naissance. Quant aux minorités visibles, leur part dans la population était de 16,1 % au Québec (26,5 % au Canada) en 2021. Aussi, p
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Mooney, G. D., and A. M. Hermann. Novel Thin-Film CuInSe2 Fabrication, Annual Subcontract Report, 1 March 1990 - 30 April 1991. Office of Scientific and Technical Information (OSTI), 1992. http://dx.doi.org/10.2172/5784395.

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Compaan, A. D., X. Deng, and R. G. Bohn. High Efficiency Thin Film CdTe and a-Si Based Solar Cells: Annual Technical Report, 4 March 1999 - 3 March 2000. Office of Scientific and Technical Information (OSTI), 2001. http://dx.doi.org/10.2172/788762.

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Delahoy, A. E., E. Eser, and F. Kampas. Research on amorphous-silicon-based, thin-film photovoltaic devices, Task B: Annual subcontract report, 16 March 1987--15 March 1988. Office of Scientific and Technical Information (OSTI), 1989. http://dx.doi.org/10.2172/6301176.

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Birkmire, R., and J. Phillips. Stable, high-efficiency, CuInSe/sub 2/-based, polycrystalline, thin-film tandem solar cells: Final subcontract report, 16 March 1984-15 March 1987. Office of Scientific and Technical Information (OSTI), 1987. http://dx.doi.org/10.2172/5565191.

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Birkmire, R., and J. Phillips. Stable high-efficiency CuInSe/sub 2/-based polycrystalline thin-film tandem solar cells: Annual subcontract report, 16 March 1985-15 March 1986. Office of Scientific and Technical Information (OSTI), 1986. http://dx.doi.org/10.2172/6980779.

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