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1

Posthuman metamorphosis: Narrative and systems. New York: Fordham University Press, 2008.

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2

1979-, Weaver Roslyn, ed. Werewolves and other shapeshifters in popular culture: A thematic analysis of recent depictions. Jefferson, NC: McFarland, 2012.

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3

Akadēmija, Latvias Kultūras, and Goethe-Institut (Riga Latvia), eds. Metamorphoses of the mind. Riga: Latvian Academy of Culture, 2008.

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4

Matters of gravity: Special effects and supermen in the 20th century. Durham, N.C: Duke University Press, 2003.

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5

Seifert, Sabine. Metamorphosen der siebten Kunst: Französische Romane des 19. Jahrhunderts in ihrer filmischen Umsetzung : Flaubert, Madame Bovary (Claude Chabrol 1991), Zola, Germinal (Claude Berri 1993). Bonn: Romanistischer Verlag, 1998.

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6

Amit, Tami. Motion pictures. Blou: Monografik, 2008.

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7

Canada. Industry, Science and Technology Canada. Motion pictures. Ottawa, Ont: Industry, Science and Technology Canada, 1991.

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8

Motion pictures. New York: Franklin Watts, 2004.

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9

Canada. Industry, Science and Technology Canada. Motion pictures. Ottawa, Ont: Industry, Science and Technology Canada, 1988.

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10

Iris, Newsom, and Library of Congress, eds. Performing arts: Motion pictures. Washington: Library of Congress, 1998.

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11

Lea, Bandy Mary, Biesenbach Klaus, and Kunst-Werke Berlin, eds. Andy Warhol: Motion pictures. Berlin: KW Institute for Contemporary Art, 2004.

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12

Talking pictures. London: Arrow, 1991.

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13

Hollander, Anne. Moving pictures. London: Harvard University Press, 1991.

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14

Hollander, Anne. Moving pictures. New York: Knopf, 1989.

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15

Reed, David. David Reed paintings: Motion pictures. LaJolla, CA: Museum of Contemporary Art, San Diego, 1998.

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16

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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17

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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18

Carroll, Noël. The philosophy of motion pictures. Malden, MA: Blackwell Pub. Ltd, 2008.

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19

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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20

What's on at the pictures? Cheltenham: Evergreen, 1995.

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21

Loader, Jayne. Between pictures. New York: Grove Press, 1987.

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22

Alberto, Mira, ed. The cinema of Spain and Portugal. London: Wallflower, 2005.

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23

Beyond auteurism: New directions in authorial film practices in France, Italy and Spain since the 1980s. Bristol, UK: Intellect, 2008.

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24

1966-, Feng Peter X., and Marchetti Gina, eds. Chinese connections: Critical perspectives on film, identity and diaspora. Philadelphia PA: Temple University Press, 2008.

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25

The attractive empire: Transnational film culture in Imperial Japan. Honolulu: University of Hawai'i Press, 2008.

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26

McIlroy, Brian. World cinema. Trowbridge: Flicks Books, 1989.

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27

Qi mao qiu le. Taibei Shi: Xiao zhi tang wen hua shi ye you xian gong si, 2003.

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28

Dawar, Ramesh. Best from Bollywood. London: ibs Books, 2008.

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29

Le tour du monde du cinéma français: Histoire du cinéma français à l'étranger. Paris: Dixit, 1995.

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30

E, Helt Marie, ed. West German cinema since 1945: A reference handbook. Metuchen, N.J: Scarecrow Press, 1987.

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31

Wimal, Dissanayake, ed. Indian popular cinema: A narrative of cultural change. Stoke-on-Trent, UK: Trentham, 2004.

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32

French cinema. New York: Faber and Faber, 2011.

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33

Hong Kong cinema since 1997: The post-nostalgic imagination. Basingstoke, Hampshire, UK: Palgrave Macmillan, 2009.

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34

McIlroy, Brian. Irish cinema: An illustrated history. Dublin: Anna Livia Press, 1988.

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35

African film: Re-imagining a continent. Bloomington: Indiana University Press, 2003.

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36

Best from Bollywood. London: ibs Books, 2008.

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37

Wimal, Dissanayake, ed. Indian popular cinema: A narrative of cultural change. New Delhi: Orient Longman, 1998.

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38

Taḥawwulāt al-sīnimā al-ʻArabīyah al-muʻāṣirah: Qaḍāyā wa aflām. Dimashq: Dār Kanʻān, 2004.

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39

hÉireann, Bord Scannán na. [List of Irish films]. Galway: Bord Scannán na hÉireann, 1998.

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40

1946-, Talens Jenaro, and Zunzunegui Díez Santos, eds. Modes of representation in Spanish cinema. Minneapolis: University of Minnesota Press, 1998.

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41

Icons of film: The 20th century. Munich: Prestel, 2000.

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42

Postler, Vicky. De Gaumont Italia à arte: La politique culturelle française en Europe. Paris: Connaissances et savoirs, 2005.

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43

Shaka, Femi Okiremuete. Modernity and the African cinema: [a study in colonialist discourse, post-coloniality, and modern African identities]. Trenton, NJ: Africa World Press, 2005.

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44

John, Walker, ed. Halliwell's film guide 1994. 9th ed. New York: HarperPerennial, 1994.

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45

Cinema Italiano: The complete guide from classics to cult. London: I. B. Tauris, 2011.

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46

Berry, Chris. Chinese cinema: Critical concepts in media and cultural studies. New York, NY: Routledge, 2012.

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47

Modernity and the African cinema: A study in colonial discourse, post-coloniality, and modern African identities. Trenton, NJ: Africa World Press, 2003.

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48

Robbe, Adrian. Metamorphosis of Hollywood Filmmaking. Lulu.com, 2008.

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49

Martin Luther In Motion Pictures History Of A Metamorphosis. Vandehoeck & Ruprecht, 2011.

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50

Cultural Metamorphoses in Contemporary Italian Cinema. Lang Publishing, Incorporated, Peter, 2018.

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