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Dissertations / Theses on the topic 'Music chapel of the cathedral'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Martínez, Correa María Guadalupe. "MISSA À 4 COMPUESTA A GRANDE ORQUESTA IN D MAJOR BY MANUEL ARENZANA, THE LAST CHAPEL MASTER OF THE CATHEDRAL OF PUEBLA, MEXICO IN THE COLONIAL PERIOD (1791-1821)." OpenSIUC, 2016. https://opensiuc.lib.siu.edu/theses/2066.

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Manuel Arenzana was the last chapel master of the Cathedral of Puebla from 1791 to 1821. Arenzana composed sacred music for the Cathedral of Mexico, as well as operas for the Coliseo Theater in Mexico City. Missa à 4 Compuesta a Grande Orquesta in D Major was composed for double choir and big orchestra, which included viola, clarinets and bassoon. This work is a scholarly edition of previously unedited manuscripts and it is collocated with two late copies located in Oaxaca. Also, the actas capitulares from the Cathedral of Puebla, during the period when Arenzana worked as chapel master (1791-1

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2

Porto, Hugo Filipe Teles. "Os agentes do Serviço Musical das Catedrais de Elvas e Portalegre." Doctoral thesis, Universidade de Évora, 2020. http://hdl.handle.net/10174/28352.

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Portalegre e Elvas são, certamente, duas das dioceses menos conhecidas e estudadas, dentro do conjunto dos bispados erigidos por D. João III. O recente processo de inventariação do acervo documental de diocese da Portalegre, e de uma parte do antigo arquivo da Sé de Elvas, constituiu uma oportunidade para o estudo e caracterização dos serviços musicais de ambas as catedrais. Com o presente trabalho pretende-se dar a conhecer as estruturas musicais fundamentais, assim como os recursos utilizados em todos os momentos do ritual, sem perder de vista a sua evolução ao longo do tempo. O cerne da inv

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3

Ritchie, Carolyn Cairns. "The Russian Court Chapel Choir : 1796-1917." Thesis, University of Glasgow, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263564.

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4

Ormrod, Lucy. "The Wenceslas chapel in St. Vitus' cathedral, Prague : the marriage of imperial iconography and Bohemian kingship." Thesis, Courtauld Institute of Art (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302224.

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5

Eyzaguirre, Roberto. "Melchor Tapia and music in the Lima cathedral /." Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37121815d.

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6

Stone, Kathryn Ann. "THE HISTORY AND ORIGINS OF THE OPUS ALEXANDRINUM PAVEMENT IN THETRINITY CHAPEL IN CANTERBURY CATHEDRAL, KENT, ENGLAND." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1493045650739424.

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7

Frost, Rebecca Ruth. "English Cathedral Music and the BBC, 1922 to 1939." Thesis, King's College London (University of London), 2011. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658081.

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English Cathedral Music has come to be regarded as an integral part of English identity both within the UK and indeed throughout the world. Its role is defined par excellence by the Nine Lessons and Carols Christmas broadcast from King's College, Cambridge. Many imagine this broadcast to be part of an enduring tradition stretching back unbroken to an idealised English past. This thesis examines the way in which the BBC broadcast cathedral music between 1922 and 1939 and assesses the impact that these broadcasts had on the way in which cathedral music was received. The main part of the thesis u

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8

Hume, James Cameron. "The Chapel Royal partbooks in eighteenth-century England." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/the-chapel-royal-partbooks-in-eighteenthcentury-england(18b3a468-67ea-42b8-a9a1-1aa51505d33f).html.

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This thesis provides a comprehensive source study of the eighteenth-century Chapel Royal partbooks (London, British Library R.M.27.a–d). The 56 manuscript volumes in this collection, which are now catalogued into four groups (or ‘sets’), were used in the daily choral services at St James’s Palace during the eighteenth and nineteenth centuries. The sources have a complex history since they have an ‘organic’ quality whereby the books continued to be copied into and altered whilst they were in regular use. The first part of the thesis (chapters two to six) examines the physical characteristics of

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9

Boyer, Sarh P. M. "The cathedral, the city and the crown:a study of the music and musicians of St Paul's Cathedral." Thesis, University of Manchester, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533895.

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The years between 1660 and 1697 were possibly the most decisive in the history of St Paul's Cathedral. Even the dates themselves are significant - markers for what had been and what would follow. For it was during this time that St Paul's was transformed, outwardly and inwardly -a process that pulled in its wake the music and musicians whilst many of the changes can be understood without reference to the music and musicians, they themselves cannot be understood in isolation. In 1660 the Cathedral stood alone. Its singers and much of its music were heard only there, and it had little contact wi

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10

Chevill, Elizabeth Jane. "Music societies and musical life in old foundation cathedral cities 1700-60." Thesis, Online version, 1993. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.308531.

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11

Saint, L. "Choral music in Canterbury Cathedral, 1873-1988 : the role of service settings and anthems in the regeneration, preservation and sustenance of cathedral worship." Thesis, Canterbury Christ Church University, 2011. http://create.canterbury.ac.uk/10812/.

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'What service settings and anthems were sung in Canterbury Cathedral during 1873- 1988' is a straightforward question to answer. The significance of the practice of choral music making in Canterbury Cathedral in the restoration and growth of Cathedral worship and early music repertoire deserves close examination through the information discovered in that first answer. The implication is that reinstatement of the worship and development of early music, following a period of impoverishment, was necessary. Investigation of the nature of changes made in Canterbury Cathedral, together with the prog

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12

Pauley, John-Bede. "Benjamin Britten, Herbert Howells, and silence as the ineffable in English cathedral music." Thesis, Durham University, 2013. http://etheses.dur.ac.uk/9499/.

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Silence’s expressive potential came to the fore in twentieth-century arts and letters as never before. Its role in Christian theology and spirituality has a much longer history, but by the beginning of the twentieth century, its expressive potential had not been significantly recognized in liturgical choral music. This study examined the relationship between twentieth-century musical silence and the expression of silence as the ineffable in Anglican choral music (referred to as English cathedral music or ECM) of the middle of the twentieth century. The oeuvres of Benjamin Britten and Herbert H

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13

Ryan, Michael Joseph. "Music in the Chapel of the Dukes of Braganca, Vila Vicosa, Portugal c1571-1640." Thesis, University of London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271684.

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14

Anderson, Simon John. "Music by members of the Choral Foundation of Durham Cathedral in the 17th century." Thesis, Durham University, 2000. http://etheses.dur.ac.uk/1166/.

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Durham Cathedral is known to possess one of the largest and most intact collections of 17th-century liturgical music manuscripts in the world. That so much material survived the trauma of the Commonwealth is fortuitous indeed. The history of the pre-Civil War manuscripts has already been researched, and those after the Restoration have been investigated to a degree. The present research is concerned with a detailed study of the music composed by the many Durham musicians of the 17th century contained in the manuscripts, and their related sources. In total over 80 works by 20 composers are repr

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Tacconi, Marica. "Liturgy and chant at the Cathedral of Florence a survey of the pre-Tridentine sources (tenth-sixteenth centuries) /." Full text available online (restricted access), 1999. http://images.lib.monash.edu.au/ts/theses/tacconi.pdf.

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16

Dexter, Keri John. "The provision of choral music at St George's Chapel, Windsor Castle, and Eton College c.1640-1733." Thesis, Royal Holloway, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312094.

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17

Czepiel, Tomasz Marian Maksymilian. "Music at the royal court and chapel in Poland during the second half of the sixteenth century." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359703.

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18

Král, David. "Katedrála v současnosti." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2020. http://www.nusl.cz/ntk/nusl-414262.

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Theme of the thesis is a construction that is considered to be one of the most spectacular examples of a French gothic architecture. Notre-Dame Cathedral lies on the Eastern half of a Parisian island Île de la Cité on the river Seina. On April 15, 2019, roof of the cathedral caught on fire. It was completely destroyed, including its pinnacle. The thesis offers a solution how to restore the roof and what opportunities the new design brings. Aim of the proposal is enrichment of the Notre-Dame community through offering a new refuge, which will be for both, internal growth and spiritual practice

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19

Byrne, John Henry, and res cand@acu edu au. "Sacred or Profane: The Influence of Vatican Legislation on Music in the Catholic Archdiocese of Melbourne, 1843 - 1938." Australian Catholic University. School of Music, 2005. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp09042006.88.

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Despite the authoritative and very explicit directions from the Vatican in 1903, the Catholic Archdiocese of Melbourne successfully resisted the demands for a major reform of liturgical Church music for 35 years. This thesis will examine the reasons for this strong and effective resistance to the demands of the Holy See and show that despite being complex and interrelated these reasons can be summarised under two fundamental headings. The thesis will examine the broad spectrum of music performed in the Melbourne Archdiocese, but because of the limited availability of information and the prime

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20

Moohan, Elaine. "Sources of sacred music for the chapel choir of Ercole I d'Este (1471-1505), Duke of Ferrara and the Masses of Johannes Martini." Thesis, University of Manchester, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739402.

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21

Keller, Benjamin T. "An Historical Perspective on the Choral Music of Herbert Howells as Found in the Anglican Canticle Settings Magnificat and Nunc Dimittis for Saint Paul's Cathedral." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/303822.

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Introduction: This study provides an historical perspective on the choral music of Herbert Howells using the Anglican canticle settings. The study also offers insights into stylistic traits, liturgical function, and the relationship between the canticle settings and the specific buildings for which they were intended, as exemplified in Magnificat and Nunc Dimittis for Saint Paul's Cathedral. This study gives an overview of Howells' other choral music, formative influences on his compositional style and techniques, and presents insights into the man himself in a biographical sketch. Musical e

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22

Asseray, Nicolas. "Les chapelles latérales de la cathédrale d'Amiens : un chantier majeur du gothique rayonnant à la lumière de l'imagerie numérique." Thesis, Université de Lille (2018-2021), 2021. http://www.theses.fr/2021LILUH043.

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Considérée à juste titre comme un édifice majeur de l’architecture gothique, la cathédrale d’Amiens a fait l’objet de nombreuses études qui se sont essentiellement consacrées à la construction du gros œuvre entre 1220 et 1288. Pourtant, après cette date et jusqu’à la fin du Moyen Âge, l’édifice a été le théâtre de travaux ambitieux comprenant notamment l’adjonction d’une série de chapelles entre les contreforts de la nef entre 1290 et 1380. Bien que leur construction se soit étendue sur près de cent ans, ces chapelles présentent une grande homogénéité d’ensemble, dont la mise en œuvre progress

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23

McKnight, Samuel Lee. "And We Are Insubstantial." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428166050.

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24

Kovář, Martin. "Katedrála v současnosti." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2020. http://www.nusl.cz/ntk/nusl-414261.

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The content of the work is ideas solution for the roof of the Notre-Dame in Paris, after the destroying fire in 2019. Main idea is to create garret space for spiritual people, which used to meet, study and pray without the contact with the tourists and fill in the gap after the old tower above the crossing. Concept based on the original garret, which was only for service. The idea is coming especially from the simplicity and effectivity of the old garret and pointing on some of his elements. Space under the roof should be simple according to the first floor of the cathedral. The function is re

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25

Santos, Antônio Carlos dos [UNESP]. "Músicas e conflitos no bispado de São Paulo (séculos XVIII e XIX)." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/152233.

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Submitted by ANTONIO CARLOS DOS SANTOS (antoniosantos.santos@bol.com.br) on 2017-11-24T13:12:11Z No. of bitstreams: 1 Tese SANTOS, A.C. Músicas e conflitos no bispado de São Paulo.pdf: 3645912 bytes, checksum: 2dd0a0b4f290b2f19944f4999c1dd0d0 (MD5)<br>Submitted by ANTONIO CARLOS DOS SANTOS (antoniosantos.santos@bol.com.br) on 2017-11-24T16:47:39Z No. of bitstreams: 1 Tese SANTOS, A.C. Músicas e conflitos no bispado de São Paulo.pdf: 3645912 bytes, checksum: 2dd0a0b4f290b2f19944f4999c1dd0d0 (MD5)<br>Submitted by ANTONIO CARLOS DOS SANTOS (antoniosantos.santos@bol.com.br) on 2017-11-24T17:31:21Z

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Cáceres, Álvarez Luis. "La Catedral del Criollismo. Guardia Vieja del siglo XXI [Capítulo 1]." Universidad Peruana de Ciencias Aplicadas (UPC), 2017. http://hdl.handle.net/10757/622181.

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La Catedral del Criollismo es una crónica que nos invita a conocer las historias de jaranistas de la Guardia Vieja, quienes reclaman ser oídos por ser parte importante de la peruanidad. Breña es el distrito que acoge a La Catedral del Criollismo, una fortaleza que se resiste al paso del tiempo, donde se reúnen amantes de la jarana de todas partes de Lima. Es gracias a un grupo de viejos criollos que reviven las voces de Felipe Pinglo, Pablo Casas, Manuel Acosta Ojeda, Las Limeñitas y los hermanos Áscuez, por mencionar algunos cantantes y compositores de antaño; y que salvaguardan expresiones m

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López, Morillo Luis. "Les Bourbons sacrés : musica sacra y liturgia de Estado en las cortes de Roma, Madrid y Versalles (1745-1789)." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL174.

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La présente thèse tente d'aborder, pour la première fois, une analyse comparative du rôle que la musique liturgique a joué dans le processus de construction de l'image sacrée des souverains de la maison Bourbon de France et d'Espagne dans le cadre des cérémonies religieuses célébrées aux cours de Madrid et de Versailles pendant les dernières décennies de l'Ancien Régime, ainsi que du rôle que l'exemple de la Chapelle pontificale a joué dans ce processus. Le but principal de cette étude a été d’apporter un cadre conceptuel et un modèle d'analyse qui permettraient d'aborder une étude globale de

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Audubert, Louise. "Musique et musiciens à la cour de Charles Quint : étude socio-culturelle." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040222.

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L’analyse approfondie des vastes archives de la cour de Charles Quint (1500-1556) permet de retracer les activités musicales financées par ce prince de la Renaissance, à la fois Bourguignon par son père et Espagnol par sa mère, au cours d’un règne troublé et violent qui vit basculer l’héritage des ducs de Bourgogne dans l’orbite impériale des Habsbourg sur le trône d’Espagne. La première partie de cette étude détaille le contexte historique et musical du règne carolingien, ainsi que l’héritage culturel et institutionnel des règnes précédents, et tente de définir le goût musical de l’Empereur.

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Buvron, Jean-Marcel. "Le renouveau musical dans les cathédrales en France de 1801 à 1860 - Le Mans -." Thesis, Tours, 2013. http://www.theses.fr/2013TOUR2003.

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En 1857, Joseph d'Ortigue constatait que les maîtrises des cathédrales en France, en activité au cours de la première moitié du XIXe siècle, ne pourraient jamais prétendre au rôle qu'elles avaient rempli pendant des siècles avant leur fermeture en 1791. Malgré le soutien dans un premier temps des pouvoirs publics, la tentative de refondation souhaitée pour chaque cathédrale, s'est en effet soldée par un échec : l'Église catholique n'a pas réussi à redonner au culte l'éclat musical et cantoral qu'il revêtait avant la Révolution. À travers l'étude de la maîtrise du Mans de 1801 à 1860, « une des

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30

Illari, Bernardo Enzo. "Polychoral culture : cathedral music in La Plata (Bolivia), 1680-1730 /." 2001. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3029501.

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Lingas, Alexander Leonidas. "Sunday matins in the Byzantine cathedral rite : music and liturgy." Thesis, 1996. http://hdl.handle.net/2429/6156.

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This is an interdisciplinary examination of the office of Sunday Matins as celebrated in the Byzantine cathedral Rite of the Great Church from its origins in the popular psalmodic assemblies of the fourth century to its comprehensive reform by Archbishop Symeon of Thessalonica (fl429), Byzantium's last and most prolific liturgical commentator. Specifically, it studies the influence of developments in liturgical music and piety—notable among which were the advent of monastic hymnody and virtuosic styles of chanting—on the order of service at the Constantinopolitan andThessalonian cathedra

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Ramos, Kittrell Jesús Alejandro. "Dynamics of ritual and ceremony at the metropolitan cathedral of Mexico, 1700-1750 /." 2006. http://www.lib.utexas.edu/etd/d/2006/ramoskittrellj22003/ramoskittrellj22003.pdf#page=3.

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"Sacred vocal music by Ignacio Jerusalem found in the archives of the National Cathedral in Mexico City." Thesis, 2009. http://hdl.handle.net/1911/61817.

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This thesis analyzes and transcribes into a modern performing edition eight sacred works for solo voice and instrumental accompaniment by Ignacio Jerusalem, the chapelmaster of the National Cathedral in Mexico City from 1749 to 1769. It also places these works in historical context by examining Jerusalem's position within the evolution of Western musical style in New Spain. The following works are transcribed and analized: Responsorio Segundo del Patrocinio de Santo San Jose, Responsorio Quinto de la Concepcion de Nuestra Senora, Responsorio Segundo Para Los Matines de Santo Ildefonso, Motete

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Ramos, Kittrell Jesús Alejandro. "Dynamics of ritual and ceremony at the metropolitan cathedral of Mexico, 1700-1750." Thesis, 2006. http://hdl.handle.net/2152/2623.

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Ongaro, Giulio Maria. "The chapel of St. Mark's at the time of Adrian Willaert (1527-1562) a documentary study /." 1986. http://books.google.com/books?id=awWgAAAAMAAJ.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 1986.<br>Includes indexes. Publisher's no.: UMI 8711146. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [236]-249).

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SHIH, TE MIN, and 施德敏. "A Research on Catholic Mass and its music in Taiwan－A Case Study of Holy Rosary Cathedral Minor Basilica." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/89132594982589864206.

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碩士<br>國立臺南藝術大學<br>民族音樂學研究所<br>97<br>Abstract Catholicism is an ancient religion.It fused many believers’ experience and turned into a whole new revision during its development. Now Catholicism become a world-wide religion. In its 150 years history in Taiwan, Catholicism had been changed in several ways in order to meet with Taiwanese traditional characteristics. For example, there are a lot of Catholic churches use different dialect for ceremonies. During some ceremonies, Catholic-believers may hold joss sticks to worship ancestors, all of which reveale a combination of Chinese tradition

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"Concert as Catalyst: Duke Ellington’s Sacred Concert and Its Lasting Impact in Phoenix, Arizona." Doctoral diss., 2017. http://hdl.handle.net/2286/R.I.44041.

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abstract: A poster advertising two 1966 performances of Duke Ellington’s First Sacred Concert at Trinity Cathedral catalyzed research into several storylines that stem from the jazz great’s time in Phoenix, Arizona. Ellington’s arrival on the weekend of November 10th, 1966, was surrounded by controversy within Trinity Cathedral, the Diocese of Arizona, and the diocesan relationship to the national Episcopal Church. Because Phoenix had recently passed civil rights legislation, race relations remained on unstable footing when Ellington’s sacred jazz music—performed by Ellington’s black band memb

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Nicolas, Patrice. "L'oeuvre latine attribuée à Jacotin dans les sources des XVe et XVIe siècles : transcription critique et analyse." Thèse, 2011. http://hdl.handle.net/1866/5395.

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La version intégrale de cette thèse est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l’Université de Montréal (http://www.bib.umontreal.ca/MU).<br>Qui était "Jacotin"? Quels sont encore les mystères de sa biographie? Quelle a été sa contribution au panorama musical de la Renaissance? Et pourquoi le connaît-on si mal, lui dont l’oeuvre – dans son ensemble stylisée et élégante – semble avoir connu de son temps un succès considérable? À l’heure actuelle, l’oeuvre attribuée à "Jacotin" est pratiquement tombée dans l’oubli et l’identité du ou des compositeurs

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Rossi, Michaela. "Hudebníci ve službách Rudolfa II. (1576-1612): rekonstrukce na základě císařských účetních knih." Doctoral thesis, 2016. http://www.nusl.cz/ntk/nusl-353373.

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of the Dissertation The Musical Entourage of Rudolf II (1576-1612) reconstructed from the Imperial Accounting Ledgers Michaela Žáčková Rossi (2016, Supervisor: doc. PhDr. Petr Daněk Ph.D.) The proposed dissertation is undertaken as an attempt to make accessible the payments of the imperial court under Rudolf II concerning its musical life. Quite a century ago Albert Smijers published payments to the imperial musicians, but only to them of the chapel, while the other categories were considered unsystematically; but even among the "trometter", "kammermusici" and "servants on two and more horses"

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Afonso, João Pedro Martins. "Vincent Novello e a Capela Portuguesa em Londres: transcrição e estudo crítico da "Selected Mass" (1811/1825)." Master's thesis, 2018. http://hdl.handle.net/10362/55255.

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De ascendência paterna italiana, Vincent Novello (1781-1861) foi integrado desde muito cedo na comunidade católica londrina, socialmente dinâmica em torno das capelas das embaixadas da Sardenha, de Portugal, da Baviera e de Espanha. Depois de ter recebido formação musical a partir da Capela da Sardenha, Novello sucedeu aos seus professores nos cargos de organista titular e maestro da Capela da Embaixada Portuguesa em Londres, entre c. 1797 e 1824. Uma das várias responsabilidades assumidas era a de adequar repertório ao tipo de cerimónia num determinado tempo do calendário litúrgico. Fo

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ŽIŽKOVÁ, Lenka. "Skladby Jana Nepomuka Vocta (1777-1843) ve sbírce hudebnin z katedrály sv. Mikuláše v Českých Budějovicích, studie a edice." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-396491.

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A collection of music created mainly in the second half of the 18th century and the first half of the 19th century was found at the choir loft of the Cathedral of St Nicholas in Budweis. Jáchym Štěpánovský and J. N. Vocet were two local composers and choir administrators who primarily helped to create this music collection. Jan Nepomuk Vocet who used to work at the choir of St Nicholas Cathedral was a significant person. He belongs to a lesser - known group of composers at the turn of the period of Classicism and Romanticism and that's why I chose him as the main topic of my diploma theses. Th

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PODROUŽKOVÁ, Petra. "Moderní sakrální architektura." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-152618.

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The thesis deals with European sacral architecture of the twentieth and the twenty-first century. Particularly, it refers to Judaic, Roman-Catholic and Islamic buildings. The second part puts into historical context the sacral constructions of individual religions including their function, characters and typology. In the third part of this thesis the representative sample of significant modern sacral constructions is selected, always under circumstances regarding their creation, the urban description and the setting in a specific location as well as the architectural layout, the interior arran

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